Back at One

~ Release by Brian McKnight (see all versions of this release, 16 available)

Tracklist

1CD
#TitleArtistRatingLength
1Last Dance
bass synthesizer [synth bass] programming and drums (drum set) [drum] programming:
Anthony Nance
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
“3‐D”
mixer:
Dave “Hard Drive” Pensado (mixer)
keyboard, background vocals and lead vocals:
Brian McKnight
arranger:
Brian McKnight
mixed for:
KBC Management
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
recording of:
Last Dance
writer:
Brandon Barnes (songwriter, formerly of Byrne & Barnes) and Brian McKnight
publisher:
Brandon Barnes Music, Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Songs of PolyGram International, Inc. and Universal–Songs of PolyGram International, Inc.
Brian McKnight44:41
2Stay
assistant recording engineer:
Dave Frederic (engineer, writer, technical) and Mary Ann Souza
recording engineer:
Chris Wood (recording engineer)
drums (drum set) [drum] programming:
Anthony Nance
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
“3‐D”
mixer:
Dave “Hard Drive” Pensado (mixer)
acoustic guitar:
“McNoche”
keyboard, background vocals and background vocals and lead vocals:
Brian McKnight
arranger:
Brian McKnight
mixed for:
KBC Management
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
recording of:
Stay
writer:
Brandon Barnes (songwriter, formerly of Byrne & Barnes) and Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Rejoyce Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight34:23
3Played Yourself
recording engineer:
Jean‐Marie Horvat and Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs)
miscellaneous support:
Fred Jerkins (task: all music by), Rodney Jerkins (task: all music by) and Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs) (task: additional music by)
programming:
Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs)
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
LaShawn Daniels (US contemporary R&B songwriter) (task: vocal), Fred Jerkins and Rodney Jerkins
mixer:
Jean‐Marie Horvat
other instruments [pro tools by] technician:
Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs)
produced for:
Darkchild Entertainment Inc.
recorded at:
Darkchild Studios in Pleasantville, New Jersey, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Played Yourself
writer:
LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins, Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs) and Brian McKnight
publisher:
Cancelled Lunch Music, EMI April Music Inc., EMI Blackwood Music Publishing, Ensign Music Publishing, Fred Jerkins Publishing, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Rodney Jerkins Productions Inc. (BMI), Sony/ATV Melody and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight44:16
4Back at One
recording engineer:
Tommy Vicari (other instruments [orchestra])
drums (drum set) [drum] programming:
Brian McKnight
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
bass, keyboard, background vocals and background vocals and lead vocals:
Brian McKnight
arranger:
Brian McKnight
orchestrator:
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (other instruments [orchestra])
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
recording of:
Back at One
lyricist, writer and composer:
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight34:19
5Stay or Let It Go
recording engineer:
Jean‐Marie Horvat and Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs)
miscellaneous support:
Fred Jerkins (task: performer [all music by]), Rodney Jerkins (task: all music by) and Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs) (task: [additional music by])
programming:
Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs)
additional producer:
LaShawn Daniels (US contemporary R&B songwriter) (other vocals [vocal production])
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Fred Jerkins and Rodney Jerkins
mixer:
Jean‐Marie Horvat
other instruments [pro tools by] technician:
Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs)
recorded at:
Darkchild Studios in Pleasantville, New Jersey, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Stay or Let It Go
writer:
LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins, Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs) and Brian McKnight
publisher:
Cancelled Lunch Music, EMI April Music Inc., EMI Blackwood Music Publishing, Ensign Music Publishing, Fred Jerkins Publishing, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Rodney Jerkins Productions Inc. (BMI), Sony/ATV Melody, Universal Music–MGB Songs and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight44:40
66, 8, 12
drums (drum set) [drum] programming:
Brian McKnight
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
acoustic guitar:
“McNoche”
bass, keyboard, background vocals, background vocals and lead vocals and lead vocals:
Brian McKnight
pedal steel guitar:
Greg Leisz
arranger:
Brian McKnight
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
recording of:
6, 8, 12
writer:
Brandon Barnes (songwriter, formerly of Byrne & Barnes) and Brian McKnight
publisher:
Brandon Barnes Music, Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Songs of PolyGram International, Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal–Songs of PolyGram International, Inc.
Brian McKnight44:08
7You Could Be the One
assistant recording engineer:
Mary Ann Souza
recording engineer:
Anthony Jeffries (engineer) and Chris Wood (recording engineer)
drums (drum set) [drum] programming and co-producer:
Anthony Nance
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Dylan “3D” Dresdow
mixer:
Dave “Hard Drive” Pensado (mixer)
keyboard:
Anthony Nance
background vocals and lead vocals:
Brian McKnight
arranger:
Brian McKnight
mixed for:
KBC Management
recorded at:
Backroom Studios in Glendale, California, United States and EMI Studios, Santa Monica, CA in Santa Monica, California, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
recording of:
You Could Be the One
writer:
Brian McKnight and Anthony Nance
publisher:
ANTHONY NANCE MUZIK, Cancelled Lunch Music, EMI April Music Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight33:23
8Shall We Begin
drums (drum set) [drum] programming:
Anthony Nance
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Dylan “3D” Dresdow
mixer:
Dave “Hard Drive” Pensado (mixer)
acoustic guitar:
“McNoche”
keyboard, background vocals and lead vocals:
Brian McKnight
arranger:
Brian McKnight
mixed for:
KBC Management
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
recording of:
Shall We Begin
writer:
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight33:59
9Gothic Interlude
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Dylan “3D” Dresdow
mixer:
Dave “Hard Drive” Pensado (mixer)
background vocals and lead vocals:
Brian McKnight
arranger:
Brian McKnight
mixed for:
KBC Management
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
recording of:
Gothic Interlude
writer:
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight20:57
10Can You Read My Mind
assistant recording engineer:
Jerry Christie
recording engineer:
Chris Wood (recording engineer)
drums (drum set) [drum] programming:
Anthony Nance
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Dylan “3D” Dresdow
mixer:
Dave “Hard Drive” Pensado (mixer)
bass, keyboard, background vocals and lead vocals:
Brian McKnight
guitar:
“McNoche”
wood block [scratches]:
Wayne S. Rodrigues, Jr.
arranger:
Brian McKnight
mixed for and produced for:
KBC Management
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
recording of:
Can You Read My Mind
writer:
Brandon Barnes (songwriter, formerly of Byrne & Barnes) and Brian McKnight
publisher:
Brandon Barnes Music, Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight33:57
11Lonely
drums (drum set) [drum] programming:
Brian McKnight
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Dylan “3D” Dresdow
mixer:
Dave “Hard Drive” Pensado (mixer)
bass, keyboard, background vocals and lead vocals:
Brian McKnight
guitar:
Derrick “Hot Sauce” Cumming
arranger:
Brian McKnight
mixed for:
KBC Management
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
recording of:
Lonely
writer:
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight44:26
12Cherish
drums (drum set) [drum] programming:
Anthony Nance
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Dylan “3D” Dresdow
mixer:
Dave “Hard Drive” Pensado (mixer)
acoustic guitar:
“McNoche”
keyboard, background vocals and lead vocals:
Brian McKnight
arranger:
Brian McKnight
mixed for:
KBC Management
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
recording of:
Cherish
writer:
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight34:05
13Home
miscellaneous support:
Tommy Vicari (task: recorded by [orchestra])
drum machine [drum] programming:
Brian McKnight
assistant executive producer:
Damien Smith
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Dylan “3D” Dresdow
mixer:
Dave “Hard Drive” Pensado (mixer)
bass guitar [bass], keyboard, background vocals and lead vocals:
Brian McKnight
arranger:
Brian McKnight
orchestrator:
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
mixed for:
KBC Management
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (other instruments [orchestra])
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
recording of:
Home
lyricist and composer:
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight54:22
14Whenever You Call
engineer:
Dana Jon Chappelle
producer:
Walter Afanasieff and Mariah Carey
mixer:
Dana Jon Chappelle and Mick Guzauski
additional vocals:
Brian McKnight
background vocals:
Mariah Carey and Clarence (background vocals for Mariah Carey)
performer:
Mariah Carey
arranger:
Walter Afanasieff and Mariah Carey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
Crave Studios in New York, United States, The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
Crave Studios in New York, United States
cover recording of:
Whenever You Call
lyricist:
Mariah Carey
composer:
Walter Afanasieff and Mariah Carey
publisher:
Rye Songs, Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP) and Wallyworld Music
Brian McKnight duet with Mariah Carey44:23
15Back at One / Un, dos, tres (Spanish version)
recording engineer:
Tommy Vicari
drum machine programming:
Brian McKnight
producer:
K.C. Porter
mixer:
Mick Guzauski
bass, keyboard, percussion, background vocals and lead vocals:
Brian McKnight
arranger:
Brian McKnight
orchestrator:
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
recording of:
Back at One
lyricist, writer and composer:
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight44:23