Romantic Picnic Date

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Home
mixer:
Oli Fox and Scott Verrill
part of:
Best of 2024: ALT CTRL (number: 5) and Best of 2024: Today’s Hits (number: 38)
live recording of:
Home
writer:
Oli Fox and Scott Verrill
Good Neighbours52:37
2Good Graces
recording engineer:
Julian Bunetta, Jeff Gunnell and John Ryan (American pop singer/producer a/k/a “John the Blind”)
programming and producer:
Julian Bunetta and John Ryan (American pop singer/producer a/k/a “John the Blind”)
assistant engineer:
Harrison Tate (task: mastering)
engineer:
Nathan Dantzler (mastering engineer) (task: mastering)
assistant mixer:
Zach Pereyra, Trey Station and Anthony Vilchis
mixer:
Manny Marroquin
bass, drums (drum set), guitar, keyboard and percussion:
Julian Bunetta and John Ryan (American pop singer/producer a/k/a “John the Blind”)
vocals:
Sabrina Carpenter
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2024, in 2025)
recording of:
Good Graces
writer:
Amy Allen (US indie-pop songwriter), Julian Bunetta, Sabrina Carpenter, Julia Michaels and John Ryan (American pop singer/producer a/k/a “John the Blind”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Dragon Bunny Music (BMI)
sub-publisher:
Sony Music Publishing (Germany) GmbH
Sabrina Carpenter43:05
3Sailor Song
phonographic copyright (℗) by:
Gigi Perez (Indie-rock singer/songwriter) (in 2024)
phonographic copyright (℗) by:
Outtahere, LLC (in 2024)
part of:
Best of 2024: ALT CTRL (number: 22), Best of 2024: Viral Hits (number: 28), Billboard Hot 100: 2025-04-26 (number: 35), Billboard Hot 100: 2025-04-19 (number: 36), Billboard Year-End Hot 100 singles of 2025 (number: 36), Billboard Hot 100: 2025-03-22 (number: 38), Billboard Hot 100: 2025-05-03 (number: 38), Billboard Hot 100: 2025-04-05 (number: 39), Billboard Hot 100: 2025-04-12 (number: 39), Billboard Hot 100: 2025-05-10 (number: 42), Billboard Hot 100: 2025-03-29 (number: 50) and Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 77)
recording of:
Sailor Song
lyricist and composer:
Gianna Perez (Gigi Perez, Indie-rock singer/songwriter)
publisher:
Outtahere LLC
Gigi Perez3:32
4Heat Waves
assistant engineer:
Chloe Kramer and Luke Pickering
engineer:
Dave Bayley (Glass Animals), Chris Galland and Riley MacIntyre (engineer)
producer:
Dave Bayley (Glass Animals)
assistant mixer:
Scott Desmarais, Robin Florent and Jeremie Inhaber
mixer:
Manny Marroquin
phonographic copyright (℗) by:
Wolf Tone Records (not for release label use! use “Wolf Tone” instead) (in 2020)
recorded at:
Hackney Space Program and The Church Studios in London (Greater London), England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 2022 (number: 1), Billboard Hot 100: 2022-02-05 (number: 3), Billboard Year-End Hot 100 singles of 2021 (number: 16) and triple j’s Hottest 100 (Australian annual music listener poll) (number: 2020)
recording of:
Heat Waves (song by Glass Animals)
lyricist and composer:
David Algernon Bayley (Glass Animals)
publisher:
Beggars Music Limited
Glass Animals3.43:59
5Fade Into You
recording engineer:
Dale Everingham
producer:
David Roback
acoustic guitar, electric guitar, piano and slide guitar:
David Roback
bass:
Jason Yates
drums (drum set):
Keith Mitchell (drummer in several 1980s/90s Californian bands)
tambourine:
Hope Sandoval
vocals:
Hope Sandoval
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recorded at:
Westbeach Recorders in Hollywood, Los Angeles, California, United States
engineered at:
Live Oak Studio in Berkeley, California, United States
music videos:
Fade Into You (Official Video) by Mazzy Star
part of:
Indie 88: Top 500 Indie Rock Songs (number: 468) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 468)
recording of:
Fade Into You
lyricist:
Hope Sandoval
composer:
David Roback
Mazzy Star3.74:57
6Heart to Heart
engineer and mixer:
Mac DeMarco and Joe Santarpia
recording of:
Heart to Heart
lyricist and composer:
Mac DeMarco
Mac DeMarco3:31
7My Girl
phonographic copyright (℗) by:
Lightsource
recording of:
My Girl
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations2:56
8You Could Start a Cult
recording engineer:
Jeff Gunnell, Joel Little and John Ryan (American pop singer/producer a/k/a “John the Blind”)
producer:
Julian Bunetta, Joel Little and John Ryan (American pop singer/producer a/k/a “John the Blind”)
mixer:
John Ryan (American pop singer/producer a/k/a “John the Blind”)
guitar:
John Ryan (American pop singer/producer a/k/a “John the Blind”)
harmonica and piano:
Niall Horan
recorded at:
Golden Age LA in Los Angeles, California, United States, Juicy Hill Studios in Harbour Island, Bahamas, Little Fan in Auckland, Auckland (Auckland Region), North Island, New Zealand and Playpen Studios in Calabasas, California, United States
mixed at:
Playpen Studios in Calabasas, California, United States
recording of:
You Could Start a Cult
writer:
Julian Bunetta, Niall Horan, Joel Little, Mark Landon, Ruel Vincent van Dijk (Australian singer and songwriter) and John Ryan (American pop singer/producer a/k/a “John the Blind”)
publisher:
Anthems of Primary Wave (from 2023 to present), Don Wyan Music (from 2023 to present), Dragon Bunny Music (BMI) (from 2023 to present), EMI Blackwood Music Inc. (from 2023 to present), EMI Music Publishing Ltd. (PRS‐affiliated) (from 2023 to present), M-Phazes Productions (from 2023 to present), Music of Big Family (from 2023 to present), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) (from 2023 to present) and Universal Songs of PolyGram International, Inc. (from 2023 to present)
Niall Horan3:20
9Chemicals
drum machine programming and co-producer:
John Castle and Edd Holloway (producer and songwriter)
engineer:
John Castle
mixer:
Edd Holloway (producer and songwriter)
acoustic guitar and lead vocals:
Dean Lewis (singer‐songwriter)
drums (drum set), electric bass guitar and electric guitar:
John Castle
piano:
John Castle and Dean Lewis (singer‐songwriter)
synthesizer:
John Castle and Edd Holloway (producer and songwriter)
phonographic copyright (℗) by:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2017)
recording of:
Chemicals
lyricist and composer:
Dean Lewis (singer‐songwriter)
Dean Lewis3:42
10Better Together
engineer and mixer:
Mario Caldato Jr. and Robert Carranza
producer:
Mario Caldato Jr.
bass guitar:
Merlo Podlewski
drums (drum set) and percussion:
Adam Topol
guitar and lead vocals:
Jack Johnson (singer‐songwriter from Hawaii) (in 2004-10)
recorded at:
The Mango Tree in Kailua (Honolulu County), Hawaii, United States (in 2004-10)
recording of:
Better Together (in 2004-10)
lyricist and composer:
Jack Johnson (singer‐songwriter from Hawaii)
publisher:
Bubble Toes Publishing (ASCAP-affiliated)
Jack Johnson3.43:28
11Time Machine
WILLOW42:24
12MUTT
part of:
Billboard Hot 100: 2025-11-29 (number: 6), Billboard Hot 100: 2025-11-22 (number: 7), Billboard Hot 100: 2025-11-15 (number: 8), Billboard Hot 100: 2025-12-06 (number: 9), Billboard Hot 100: 2026-01-10 (number: 9), Billboard Hot 100: 2025-11-01 (number: 10), Billboard Hot 100: 2025-11-08 (number: 10), Billboard Hot 100: 2026-01-17 (number: 10), Billboard Hot 100: 2025-10-11 (number: 11), Billboard Hot 100: 2026-01-24 (number: 11), Billboard Hot 100: 2025-06-28 (number: 12), Billboard Hot 100: 2025-10-04 (number: 12), Billboard Hot 100: 2025-05-17 (number: 13), Billboard Hot 100: 2025-06-14 (number: 14), Billboard Hot 100: 2025-06-21 (number: 14), Billboard Hot 100: 2025-07-12 (number: 14), Billboard Hot 100: 2025-09-20 (number: 14), Billboard Hot 100: 2025-09-27 (number: 14), Billboard Hot 100: 2025-05-10 (number: 15), Billboard Hot 100: 2025-07-05 (number: 15), Billboard Hot 100: 2025-08-30 (number: 15), Billboard Hot 100: 2025-09-06 (number: 15), Billboard Hot 100: 2025-04-26 (number: 16), Billboard Hot 100: 2025-05-24 (number: 17), Billboard Hot 100: 2025-07-19 (number: 17), Billboard Hot 100: 2025-08-23 (number: 17), Billboard Hot 100: 2025-05-03 (number: 18), Billboard Hot 100: 2025-05-31 (number: 18), Billboard Hot 100: 2025-06-07 (number: 18), Billboard Hot 100: 2025-08-09 (number: 18), Billboard Hot 100: 2025-10-18 (number: 18), Billboard Hot 100: 2025-10-25 (number: 18), Billboard Hot 100: 2025-07-26 (number: 20), Billboard Hot 100: 2025-08-02 (number: 20), Billboard Hot 100: 2025-08-16 (number: 20), Billboard Hot 100: 2025-12-13 (number: 20), Billboard Hot 100: 2025-04-12 (number: 21), Billboard Hot 100: 2025-04-19 (number: 21), Billboard Hot 100: 2025-09-13 (number: 21), Billboard Year-End Hot 100 singles of 2025 (number: 22), Billboard Hot 100: 2025-12-20 (number: 24), Billboard Hot 100: 2025-04-05 (number: 28), Billboard Hot 100: 2025-12-27 (number: 31) and Billboard Hot 100: 2025-03-29 (number: 77)
recording of:
MUTT
writer:
Leon Thomas (Contemporary US R&B/soul musician, actor)
Leon Thomas3:13
13Supercut
assistant engineer:
Greg Eliason, Barry McCready and Ben Sedano
engineer:
Laura Sisk
additional producer:
Jean-Benoît Dunckel, Frank Dukes (Canadian record producer, songwriter, musician) and Malay (record producer, songwriter and engineer)
executive producer:
Jack Antonoff and Lorde (New Zealand singer‐songwriter)
producer:
Jack Antonoff, Joel Little and Lorde (New Zealand singer‐songwriter)
additional mixer:
John Hanes (audio engineer, mixer)
mixer:
Serban Ghenea
vocals:
Lorde (New Zealand singer‐songwriter)
phonographic copyright (℗) by:
Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2017)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States, Rough Customer Studio in Brooklyn Heights, New York, New York, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
recording of:
Supercut
lyricist:
Ella Yelich-O'Connor (New Zealand singer‐songwriter)
composer:
Jack Antonoff and Ella Yelich-O'Connor (New Zealand singer‐songwriter)
publisher:
Ducky Donath Music, Songs Music Publishing and Sony/ATV Songs LLC
Lorde3.54:38
14A Sunday Kind of Love
producer:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) and Phil Chess
lead vocals:
Etta James
vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
performer:
Sugar Pie DeSanto
arranger:
Riley Hampton
cover recording of:
A Sunday Kind of Love
writer:
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima and Stan Rhodes
publisher:
Leeds Music Inc.
recording of:
A Sunday Kind of Love
writer:
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima and Stan Rhodes
publisher:
Leeds Music Inc.
Etta James4.53:19
15Spit of You
assistant recording engineer:
Alex Borwick
programming and producer:
Thom Lewis
additional engineer:
Dani Bennett-Spragg
engineer:
Mark Broughton (engineer) and Dean Thompson (guitarist associated with Sam Fender)
mixer:
Craig Silvey
acoustic guitar, glockenspiel, mandolin and piano:
Sam Fender
bass guitar:
Tom Ungerer
drums (drum set):
Drew Michael (drummer for Sam Fender)
guitar:
Sam Fender and Dean Thompson (guitarist associated with Sam Fender)
percussion:
Thom Lewis
saxophone:
Johnny "Blue Hat" Davis
synthesizer:
Joe Atkinson (multi-instrumentalist associated with Sam Fender)
trombone:
Alex Borwick
trumpet:
Mark Webb (jazz trumpeter, N.E. England)
vocals:
Sam Fender
recording of:
Spit of You
lyricist and composer:
Sam Fender
publisher:
Kobalt Music Services Ltd. (UK)
Sam Fender34:33
16ily (i love you baby)
phonographic copyright (℗) by:
Surf Mesa (in 2021)
phonographic copyright (℗) by:
Astralwerks and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2021)
part of:
Billboard Year-End Hot 100 singles of 2020 (number: 95)
partial cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Surf Mesa & Emilee3.453:01
17Can’t Catch Me Now
engineer:
Daniel Nigro (songwriter and instrumentalist) and Dylan Waterhouse
producer and mixer:
Daniel Nigro (songwriter and instrumentalist)
bass guitar [bass], guitar, guitar [Nashville guitar], keyboard [keyboards] and mellotron:
Daniel Nigro (songwriter and instrumentalist)
viola and violin:
Paul Cartwright
background vocals:
Daniel Nigro (songwriter and instrumentalist), Chappell Roan and Olivia Rodrigo (US singer‐songwriter)
lead vocals:
Olivia Rodrigo (US singer‐songwriter)
strings [string] arranger:
Paul Cartwright
phonographic copyright (℗) by:
Olivia Rodrigo (US singer‐songwriter) (in 2023)
recorded at:
Amusement Studios in Los Angeles, California, United States and The Woodshed (Malibu) in Malibu, California, United States
mixed at:
Amusement Studios in Los Angeles, California, United States
music videos:
Can’t Catch Me Now by Olivia Rodrigo (US singer‐songwriter) and Can’t Catch Me Now (lyric video) by Olivia Rodrigo (US singer‐songwriter)
recording of:
Can’t Catch Me Now
writer:
Daniel Nigro (songwriter and instrumentalist) and Olivia Rodrigo (US singer‐songwriter)
publisher:
Daniel Leonard Nigro Music, Liv Laf Luv, Sony/ATV Allegro and Sony/ATV Tunes LLC (ASCAP)
part of:
Grammy Award: Best Song Written for Visual Media nominees (number: 2025)
Olivia Rodrigo43:25
18L‐O‐V‐E
engineer:
Ryan Robinson (engineer)
mixer:
Joel Iwataki
assistant editor:
Sam Zeines
vocals:
Nat King Cole (on 1964-06-03)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1964-06-03)
recording of:
L‐O‐V‐E (on 1964-06-03)
lyricist:
Milton Gabler
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Nat King Cole52:35
19Slim Pickins
assistant recording engineer:
Jozef Caldwell and Joey Miller (engineer)
recording engineer:
Oli Jacobs, Jack Manning (engineer) and Laura Sisk
drums (drum set) programming:
Jack Antonoff
engineer:
Serban Ghenea (task: mixing), David Hart (engineer), Mikey Freedom Hart and Ruairi O’Flaherty (task: mastering)
producer:
Jack Antonoff
mixer:
Serban Ghenea
acoustic guitar, bass and keyboard:
Jack Antonoff
double bass:
Francisco Ojeda
drums (drum set) and percussion:
Jack Antonoff and Sean Hutchinson (Brooklyn‐based American drummer)
guitar:
Jack Antonoff and Mikey Freedom Hart
slide guitar:
Mikey Freedom Hart
violin:
Bobby Hawk
vocals:
Sabrina Carpenter
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2024, in 2025)
recording of:
Slim Pickins
writer:
Amy Allen (US indie-pop songwriter), Jack Antonoff and Sabrina Carpenter
Sabrina Carpenter3.52:32
20What a Man Gotta Do
phonographic copyright (℗) by:
Jonas Brothers Recording, Limited Liability Company (in 2020)
recording of:
What a Man Gotta Do
Jonas Brothers2.753:01
21Blue Light
recording engineer:
Dale Everingham
producer:
David Roback
bass:
Jason Yates
drums (drum set):
Keith Mitchell (drummer in several 1980s/90s Californian bands)
electric guitar and keyboard:
David Roback
vocals:
Hope Sandoval
engineered at:
Live Oak Studio in Berkeley, California, United States
recording of:
Blue Light
writer:
David Roback and Hope Sandoval
publisher:
Salley Gardens and Sand Devil Music
Mazzy Star55:11
22More Than a Woman
producer:
Bee Gees, Albhy Galuten and Karl Richardson
bass:
Maurice Gibb (in 1977)
drums (drum set):
Dennis Bryon (Welsh drummer, author) (in 1977)
electric guitar:
Alan Kendall (in 1977)
guitar [rhythm guitar] and lead vocals:
Barry Gibb (in 1977)
keyboard, piano and synthesizer:
Blue Weaver (in 1977)
percussion:
Dennis Bryon (Welsh drummer, author) (in 1977) and Joe Lala (in 1977)
background vocals and other vocals [harmony vocals]:
Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
phonographic copyright (℗) by:
Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (not for release label use!) (in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1977)
recording of:
More Than a Woman (in 1977)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music and Stigwood Music, Inc.
Bee Gees3.853:16
23cowboy in LA
phonographic copyright (℗) by:
Side Street Entertainment LLC (in 2021)
LANY33:34
24Reminiscing (remastered 2010)
recorded in:
Australia (in 1978-03)
produced in:
Australia
producer:
John Boylan and Little River Band
bass:
George McArdle (in 1978-03)
drums (drum set):
Derek Pellicci (in 1978-03)
electric guitar:
Beeb Birtles (in 1978-03), David Briggs (producer, guitarist of Little River Band) (in 1978-03) and Graham Goble (in 1978-03)
guest electric piano:
Peter Jones (Australian pianist/composer) (in 1978-03)
solo flugelhorn:
Bob Venier (brass) (in 1978-03)
solo trumpet:
Bill Harrower (in 1978-03)
strings:
Rick Formosa (in 1978-03)
vocals:
Beeb Birtles (in 1978-03), Graham Goble (in 1978-03) and Glenn Shorrock (in 1978-03)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978, in 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1978) and EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 17) and Billboard Year-End Hot 100 singles of 1978 (number: 65)
recording of:
Reminiscing (in 1978-03)
lyricist and composer:
Graeham Goble
publisher:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019), Wheatley Music Pty Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:18
25Our Last Summer
recording engineer:
Bernard Löhr (engineer)
producer:
Benny Andersson (ABBA)
mixer:
Benny Andersson (ABBA) and Bernard Löhr (engineer)
vocals:
Pierce Brosnan, Colin Firth, Amanda Seyfried, Stellan Skarsgård and Meryl Streep (award-winning actress)
arranger:
Benny Andersson (ABBA)
phonographic copyright (℗) by:
Littlestar Services Limited (in 2008)
mixed at:
Mono Music Studio in Stockholm, Stockholms län (Stockholm county), Sweden
cover recording of:
Our Last Summer
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!), Universal Music Publishing Group, Universal/Union Songs Musikförlag AB, Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
part of:
Mamma Mia! (1999 musical)
Colin Firth, Pierce Brosnan, Stellan Skarsgård, Amanda Seyfried & Meryl Streep2:58
26Sing Like Madonna
Sebastian Schub3:34
27Dream a Little Dream of Me (single version)
lead vocals:
Louis Armstrong
vocals:
Louis Armstrong (on 1950-08-25) and Ella Fitzgerald (American jazz singer) (on 1950-08-25)
orchestra:
Sy Oliver and His Orchestra (on 1950-08-25)
conductor:
Sy Oliver (on 1950-08-25)
cover recording of:
Dream a Little Dream of Me (on 1950-08-25)
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald & Louis Armstrong53:08
28Pale Blue Eyes
producer:
The Velvet Underground (Lou Reed’s seminal rock band)
lead vocals:
Lou Reed
arranger:
The Velvet Underground (Lou Reed’s seminal rock band)
recording of:
Pale Blue Eyes
lyricist and composer:
Lou Reed
The Velvet Underground45:40
29Coincidence
recording engineer:
Jeff Gunnell, Ian Kirkpatrick (producer/songwriter) and John Ryan (American pop singer/producer a/k/a “John the Blind”)
programming and producer:
Ian Kirkpatrick (producer/songwriter) and John Ryan (American pop singer/producer a/k/a “John the Blind”)
assistant engineer:
Harrison Tate (task: mastering)
engineer:
Nathan Dantzler (mastering engineer) (task: mastering)
assistant mixer:
Zach Pereyra, Trey Station and Anthony Vilchis
mixer:
Manny Marroquin
bass, guitar, keyboard and percussion:
Ian Kirkpatrick (producer/songwriter) and John Ryan (American pop singer/producer a/k/a “John the Blind”)
drums (drum set):
John Ryan (American pop singer/producer a/k/a “John the Blind”)
background vocals:
Amy Allen (US indie-pop songwriter), Ian Kirkpatrick (producer/songwriter), Julia Michaels and John Ryan (American pop singer/producer a/k/a “John the Blind”)
vocals:
Sabrina Carpenter
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2024, in 2025)
recording of:
Coincidence
writer:
Amy Allen (US indie-pop songwriter), Sabrina Carpenter, Ian Kirkpatrick (producer/songwriter), Julia Michaels and John Ryan (American pop singer/producer a/k/a “John the Blind”)
Sabrina Carpenter3.52:44
30Lovin’ You
Minnie Riperton3:59
31Espresso
programming and producer:
Julian Bunetta
assistant engineer:
Harrison Tate (task: mastering)
engineer:
Julian Bunetta, Nathan Dantzler (mastering engineer) (task: mastering) and Jeff Gunnell
mixer:
Julian Bunetta and Jeff Gunnell
bass guitar [bass], drum machine [drums], guitar, keyboard [keyboards] and percussion:
Julian Bunetta
background vocals:
Amy Allen (US indie-pop songwriter) and Steph Jones (US country/pop-rock songwriter)
lead vocals:
Sabrina Carpenter
vocals:
Sabrina Carpenter
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2024, in 2025)
music videos:
Espresso by Sabrina Carpenter and Espresso (lyric video) by Sabrina Carpenter
commentary:
Espresso (track by track commentary) by Sabrina Carpenter
part of:
Best of 2024: Today’s Hits (number: 2), Top Songs of 2024: Global (number: 3), Billboard Year-End Hot 100 singles of 2024 (number: 7), Billboard Year-End Hot 100 singles of 2025 (number: 12), Billboard Hot 100: 2025-04-26 (number: 15), Billboard Hot 100: 2025-06-28 (number: 16), Billboard Hot 100: 2025-07-12 (number: 16), Billboard Hot 100: 2025-04-19 (number: 17), Billboard Hot 100: 2025-06-21 (number: 17), Billboard Hot 100: 2025-03-22 (number: 18), Billboard Hot 100: 2025-04-05 (number: 18), Billboard Hot 100: 2025-07-05 (number: 18), Billboard Hot 100: 2025-05-03 (number: 19), Billboard Hot 100: 2025-05-10 (number: 19), Billboard Hot 100: 2025-05-17 (number: 19), Billboard Hot 100: 2025-07-19 (number: 19), MTV Video Music Award for Song of the Year nominees (number: 2024 winner), Billboard Hot 100: 2025-04-12 (number: 20), Billboard Hot 100: 2025-06-14 (number: 20), Billboard Hot 100: 2025-05-24 (number: 21), Billboard Hot 100: 2025-06-07 (number: 21), Billboard Hot 100: 2025-03-29 (number: 22), Billboard Hot 100: 2025-05-31 (number: 24), Pitchfork: The 100 Best Songs of the 2020s So Far (number: 30), Grammy Award: Best Pop Solo Performance nominees (number: 2025 winner), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 36), Grammy Award: Record of the Year nominees (number: 2025) and BILLIONS CLUB
recording of:
Espresso
writer:
Amy Allen (US indie-pop songwriter), Julian Bunetta, Sabrina Carpenter and Steph Jones (US country/pop-rock songwriter)
part of:
Prix de l’œuvre internationale de l’année (number: 2025)
Sabrina Carpenter3.852:55
32Lookalike
producer:
Daniel Nigro (songwriter and instrumentalist)
mixer:
Rob Kinelski
piano and synthesizer:
Daniel Nigro (songwriter and instrumentalist)
background vocals:
Conan Gray
vocals:
Conan Gray
phonographic copyright (℗) by:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2018)
recording of:
Lookalike
lyricist and composer:
Conan Lee Gray
publisher:
Conan Gray, Inc. and Sony/ATV Songs LLC
Conan Gray3:41
33I Have a Dream
vocals:
Amanda Seyfried
cover recording of:
I Have a Dream
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Artwork Music Co., Inc. (from 1979 to ????), EMI Waterford Music (from 1979 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1979 to present) and Universal/Union Songs Musikförlag AB (from 1979 to present)
part of:
Mamma Mia! (1999 musical)
Amanda Seyfried4:24
34Fly Me to the Moon (2008 remastered)
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones (, on 1964-06-09)
arranger:
Quincy Jones
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 75)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (on 1964-06-09)
lyricist and composer:
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. and Hampshire House Publishing Corp.
arrangement of:
Fly Me to the Moon
recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Frank Sinatra & Count Basie42:28
35Roseblood
engineer:
Dale Everingham, William Cooper Glenn (Los Angeles keyboardist/violinist/engineer) and David Roback
co-producer:
Hope Sandoval
producer:
David Roback
bass:
Jill Emery
drums (drum set):
Keith Mitchell (drummer in several 1980s/90s Californian bands)
electric guitar and slide guitar:
David Roback
vocals:
Hope Sandoval
recording of:
Roseblood
writer:
David Roback and Hope Sandoval
publisher:
Salley Gardens and Sand Devil Music
Mazzy Star3.654:51
36Lonesome Town (remastered 2001)
producer:
Jimmie Haskell, Ozzie Nelson and Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
vocals:
Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
recording of:
Lonesome Town (on 1958-08-21)
lyricist and composer:
Baker Knight Jr.
publisher:
Imagem London Ltd. and Matragun Music Inc.
Ricky Nelson3.12:17
37You and I
producer:
Ingrid Michaelson and Dan Romer
phonographic copyright (℗) by:
Cabin 24 Records (in 2008)
recording of:
You and I
lyricist and composer:
Ingrid Michaelson
Ingrid Michaelson52:28
38Dive
programming:
Tré Jean-Marie
assistant engineer:
James Pinfield-Wells (assistant engineer at Miloco Studios)
engineer:
Aqualung (English songwriter, musician & record producer Matt Hales), Carassius Gold (Danish producer and songwriter), Tré Jean-Marie and Daniel Moyler (engineer)
producer:
Aqualung (English songwriter, musician & record producer Matt Hales), Carassius Gold (Danish producer and songwriter), Tré Jean-Marie and Joseph Hartwell Jones (task: vocal)
mixer:
Manon Grandjean
baritone saxophone and tenor saxophone:
Kaidi Akinnibi
bass guitar:
Max Wolfgang and Finn Zeferino-Birchall (UK session bass & guitar player)
drums (drum set):
Dan See
guitar:
Taran Stormes Martino
keyboard:
Tré Jean-Marie
percussion:
Olivia Dean, Dan See, Joel Waters and Max Wolfgang
piano:
Max Wolfgang
Rhodes piano:
Deschanel Gordon
trombone:
James Wade-Sired
trumpet:
Elias Atkinson
vocals:
Olivia Dean
recording of:
Dive
writer:
Bastian Langebæk (Danish producer and songwriter), Olivia Dean and Max Wolfgang
Olivia Dean3:21
39A Taste of Honey
recording engineer:
Rudy van Gelder (on 1964-10-29)
producer:
Bob Thiele (producer & songwriter)
double bass:
Milt Hinton (on 1964-10-29)
drums (drum set):
Osie Johnson (on 1964-10-29)
piano:
Hank Jones (piano) (on 1964-10-29)
tenor saxophone:
Ben Webster (on 1964-10-29)
trumpet:
Clark Terry (American swing trumpeter) (on 1964-10-29)
vibraphone:
Lionel Hampton (on 1964-10-29)
phonographic copyright (℗) by:
Impulse Records (jazz label active during the 60s–70s, now property of Universal Music Group, mainly used as a reissue label) (in 1964)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-10-29)
instrumental recording of:
A Taste of Honey (on 1964-10-29)
lyricist:
Ric Marlow (in 1960)
composer:
Bobby Scott (vocals, piano, US musician & producer) (in 1960)
publisher:
Ambassador Music Ltd. and Songfest Music Corp.
Lionel Hampton2:44
40Little Dogs March
engineer and mixer:
Mac DeMarco and Joe Santarpia
recording of:
Little Dogs March
lyricist and composer:
Mac DeMarco
Mac DeMarco2:29
41Andante, Andante
recording engineer:
Bernard Löhr (engineer)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Linn Fijal
producer:
Benny Andersson (ABBA)
mixer:
Benny Andersson (ABBA) and Bernard Löhr (engineer)
editor:
Nick Gilpin
bass guitar:
Mats Englund
bouzouki:
Lasse Wellander
drums (drum set):
Per Lindvall
guitar and mandolin:
Lasse Jonsson and Lasse Wellander
keyboard and piano:
Benny Andersson (ABBA)
percussion:
Jörgen Stenberg (Swedish percussionist)
background vocals:
Capital Voices
lead vocals:
Lily James
chorus master:
Annie Skates
additional orchestrator:
Göran Arnberg
concertmaster:
Thomas Bowes (violinist)
phonographic copyright (℗) by:
Littlestar Services Limited (in 2018)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Mono Music Studio in Stockholm, Stockholms län (Stockholm county), Sweden and RMV Studio in Stockholm, Stockholms län (Stockholm county), Sweden
cover recording of:
Andante, andante
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Artwork Music Co., Inc. (from 1980 to ????), Countless Songs, Ltd. (from 1980 to ????), EMI Waterford Music (from 1980 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1980 to present) and Universal/Union Songs Musikförlag AB (from 1980 to present)
Lily James4:00
42The Story
drum machine [drum] programming:
Daniel Nigro (songwriter and instrumentalist)
engineer and producer:
Daniel Nigro (songwriter and instrumentalist)
mixer:
Mitch McCarthy (mixer)
acoustic guitar, bass, electric guitar, piano and synthesizer:
Daniel Nigro (songwriter and instrumentalist)
background vocals:
Conan Gray and Kathleen (US pop singer)
vocals:
Conan Gray
phonographic copyright (℗) by:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2020, in 2025)
recorded at:
Amusement Studios in Los Angeles, California, United States
mixed at:
SOTA Studios
music videos:
The Story (music video) by Conan Gray
recording of:
The Story
writer:
Conan Gray
publisher:
Sony/ATV Songs LLC and Sony/ATV Music Publishing LLC (1995–2020) (in 2020)
Conan Gray54:05
43You Send Me (mono)
producer:
Robert “Bumps” Blackwell
bass:
Ted Brinson (on 1957-06-01)
drums (drum set):
Earl Palmer (on 1957-06-01)
guitar:
Clifton White (on 1957-06-01) and René Hall (on 1957-06-01)
background vocals:
Charles Parlato, Alicia Adams (singer) (on 1957-06-01), Sue Allen (on 1957-06-01) and Lee Gotch (on 1957-06-01)
lead vocals:
Sam Cooke (American singer and songwriter, “King of Soul”) (on 1957-06-01)
orchestra:
Bumps Blackwell Orchestra (Robert Alexander "Bumps" Blackwell) (on 1957-06-01)
conductor:
Glenn Osser (on 1957-06-01)
phonographic copyright (℗) by:
Keen (in 1958)
recorded at:
Specialty Studios in Los Angeles, California, United States (on 1957-06-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 115)
recording of:
You Send Me (on 1957-06-01)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
additional writer:
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Sam Cooke4.52:46
44Never Grow Up
recording engineer:
Julian Bunetta, Jeff Gunnell, Joel Little and John Ryan (American pop singer/producer a/k/a “John the Blind”)
programming:
Joel Little and John Ryan (American pop singer/producer a/k/a “John the Blind”)
producer:
Julian Bunetta, Joel Little and John Ryan (American pop singer/producer a/k/a “John the Blind”)
assistant mixer:
Matt Wolach
mixer:
Spike Stent (producer, engineer)
bass, guitar, organ and piano:
John Ryan (American pop singer/producer a/k/a “John the Blind”)
drums (drum set) [drums]:
Julian Bunetta
synthesizer [synths]:
Joel Little and John Ryan (American pop singer/producer a/k/a “John the Blind”)
background vocals:
Julian Bunetta, Niall Horan, Joel Little and John Ryan (American pop singer/producer a/k/a “John the Blind”)
recorded at:
EastWest Studios in Hollywood, Los Angeles, California, United States, Golden Age LA in Los Angeles, California, United States, Juicy Hill Studios in Harbour Island, Bahamas and Playpen Studios in Calabasas, California, United States
mixed at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Never Grow Up
writer:
Julian Bunetta, Niall Horan, Shane McAnally and John Ryan (American pop singer/producer a/k/a “John the Blind”)
publisher:
Don Wyan Music (from 2023 to present), Dragon Bunny Music (BMI) (from 2023 to present), Music of Big Family (from 2023 to present), Smackwood Music (from 2023 to present), Tempo Music Investments, LLC (from 2023 to present) and Warner Chappell (from 2023 to present)
Niall Horan3:29
45You Go to My Head
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
You Go to My Head (on 1952-03-26)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Billie Holiday52:56
46Give You My LovinMazzy Star43:50
47Don’t Forget MeMaggie Rogers4:25
48The Last Time I Saw Paris
alto saxophone:
Johnny Hodges (on 1958-09-10)
double bass:
Jimmy Woode (on 1958-09-10)
drums (drum set):
Sam Woodyard (on 1958-09-10)
piano:
Billy Strayhorn (on 1958-09-10)
instrumental recording of:
The Last Time I Saw Paris (on 1958-09-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
The 14th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1941 winner)
Johnny Hodges2:53
49King
assistant recording engineer:
Duncan Fuller, Matt Hall (sound engineer), Lauren Marquez, John Rooney (engineer), Megan Searl and Dave Snyder (drummer & engineer, Guilford Sound)
programming:
Jack Antonoff
engineer:
Jon Gautier, Laura Sisk and Evan Smith (woodwind (flute, saxophone, clarinet) player)
producer:
Jack Antonoff and Florence Welch (English singer)
assistant mixer:
Bryce Bordone
mixer:
Serban Ghenea
acoustic guitar, bass guitar, drums (drum set), mellotron, percussion and piano:
Jack Antonoff
harp:
Tom Moth (harpist)
saxophone and synthesizer:
Evan Smith (woodwind (flute, saxophone, clarinet) player)
violin:
Bobby Hawk
vocals:
Florence Welch (English singer)
harp arranger:
Tom Moth (harpist) and Florence Welch (English singer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2022)
music videos:
King by Florence + the Machine
part of:
TheNeedleDrop: Top 50 Songs of 2022 (number: 44)
recording of:
King
writer:
Jack Antonoff and Florence Welch (English singer)
Florence + The Machine4.24:40
50Love Is Easy
music videos:
Love Is Easy by McFly (English pop band)
recording of:
Love Is Easy
writer:
Anthony Brant, Tom Fletcher (McFly), Danny Jones (McFly) and Dougie Poynter
McFly33:43
51Feelin’ Alright?
recording of:
Feelin’ Alright
lyricist and composer:
Dave Mason (co‐founder of Traffic)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Traffic24:18
52Astronomy
drums (drum set) programming:
Daniel Nigro (songwriter and instrumentalist)
programming:
Ryan Linvill
producer and mixer:
Daniel Nigro (songwriter and instrumentalist)
acoustic guitar, electric guitar and piano:
Daniel Nigro (songwriter and instrumentalist)
bass guitar [bass]:
Ryan Linvill
background vocals:
Conan Gray and Daniel Nigro (songwriter and instrumentalist)
vocals:
Conan Gray
phonographic copyright (℗) by:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2021, in 2022, in 2024)
music videos:
Astronomy by Conan Gray and Astronomy (lyric video) by Conan Gray
recording of:
Astronomy
lyricist and composer:
Daniel Leonard Nigro (songwriter and instrumentalist) and Conan Gray
publisher:
Daniel Leonard Nigro Music, Sony Music Publishing (Germany) GmbH, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony Music Publishing Belgium, Sony/ATV Allegro, Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Conan Gray54:04
53When You Come Back Down
recording of:
When You Come Back Down
composer:
Tim O’Brien (US bluegrass musician) and Danny O’Keefe
Nickel Creek3:50
54I’ll Look Around (single version)
double bass:
Thomas Barney (on 1946-04-09)
drums (drum set):
Kenny Clarke (on 1946-04-09)
piano:
Billy Kyle (on 1946-04-09)
trumpet:
Joe Guy (trumpet) (on 1946-04-09)
vocals:
Billie Holiday (in 1946, on 1946-04-09)
orchestra:
Bob Haggart and His Orchestra (in 1946)
recording of:
I’ll Look Around (on 1946-04-09)
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday3:15
55Sinatra
Forrest Nolan2:36
56Mademoiselle & The Nunnery Blaze
Bastille4:00
57Good Mornin’ Life (remastered 1991)
recording of:
Good Mornin’ Life
writer:
Robert Allen (US songwriter/arranger/pianist) and Joseph Meyer (US songwriter)
Dean Martin2:16
58Not Your Summer
The Academic3:44
59Let It Rain
recording engineer:
Alex DiMauro (bassist of Valley), Chase Lawrence and Tanner Ledford
programming:
Alex DiMauro (bassist of Valley), Rob Laska (lead vocalist of Valley), Chase Lawrence and Tanner Ledford
engineer:
João Carvalho (Canadian mastering engineer) (task: mastering) and Matt Huber (task: immersive mixing)
producer:
Chase Lawrence and Valley (Toronto alternative pop band)
mixer:
Matt Huber
bass:
Alex DiMauro (bassist of Valley), Karah James (drummer of Valley), Rob Laska (lead vocalist of Valley) and Chase Lawrence
drums (drum set):
Karah James (drummer of Valley) and Chase Lawrence
guitar:
Jake Dahm, Alex DiMauro (bassist of Valley), Karah James (drummer of Valley), Rob Laska (lead vocalist of Valley), Chase Lawrence, Tanner Ledford and Joe Memmel
piano:
Rob Laska (lead vocalist of Valley) and Chase Lawrence
background vocals:
Alex DiMauro (bassist of Valley) and Chase Lawrence
vocals:
Karah James (drummer of Valley) and Rob Laska (lead vocalist of Valley)
strings arranger:
Eleonore Denig
music videos:
Let It Rain (lyric video) by Valley (Toronto alternative pop band)
recording of:
Let It Rain
writer:
Alex DiMauro (bassist of Valley), Karah James (drummer of Valley), Rob Laska (lead vocalist of Valley), Chase Lawrence and Joe Memmel
Valley3:30
60Coast (acoustic)
Hailee Steinfeld & Anderson .Paak2:46
61AngelGavin Friday56:06
62Drive You Home (remastered 2016)
The Verve26:42
63Mount Airy Hill (Way Gone)
producer:
Rob Schnapf (Producer and audio engineer) and Kurt Vile & the Violators (US psychedelic rock band)
mixer:
Rob Schnapf (Producer and audio engineer)
bass:
Rob Laakso
drums (drum set):
Kyle Spence
electric guitar:
Jesse Trbovich
keyboard [keys] and slide guitar:
Kurt Vile
vocals:
Kurt Vile
recording of:
Mount Airy Hill (Way Gone)
writer:
Kurt Vile
Kurt Vile5:33
64Orange Magic
mixer:
Serban Ghenea
vocals:
Julia Michaels
recording of:
Orange Magic
writer:
Julia Michaels and John Ryan (American pop singer/producer a/k/a “John the Blind”)
publisher:
Good Deal Publishing and Music by Work of Art
Julia Michaels2:54
65Nobody
engineer and mixer:
Mac DeMarco and Joe Santarpia
phonographic copyright (℗) by:
Mac’s Record Label (in 2019) and Royal Mountain Records (in 2019)
recording of:
Nobody
lyricist and composer:
Mac DeMarco
Mac DeMarco3:32
66Edelweiss
producer:
Neely Plumb (in 1965)
vocals:
Charmian Carr and Bill Lee (American singer, Disney character voice talent)
conductor:
Irwin Kostal
arranger:
Irwin Kostal
phonographic copyright (℗) by:
BMG Music (from 2005 to present)
recording of:
Edelweiss (The Sound of Music) (in 1965)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company and Williamson Music Ltd.
part of:
The Sound of Music (Rodgers & Hammerstein musical)
Bill Lee & Charmian Carr2:18
67Wicked Game
Chris Isaak4:49
68The Wind
producer:
Paul Samwell-Smith
bass and congas:
Larry Steele (British bassist, percussionist, guitarist & vocalist) (in 1971-03)
bouzouki:
Angelos Hatzipavli (in 1971-03) and Ανδρέας Τουμαζής (Andreas Toumazis) (in 1971-03)
drums (drum set):
Harvey Burns (in 1971-03) and Gerry Conway (in 1971-03)
guitar:
Alun Davies (in 1971-03) and Cat Stevens (now known as Yusuf Islam) (in 1971-03)
keyboard and lead vocals:
Cat Stevens (now known as Yusuf Islam) (in 1971-03)
strings:
Del Newman (British conductor, orchestrator, arranger) (in 1971-03)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970) and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1971)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-03)
recording of:
The Wind (in 1971-03)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., Irving Music, Inc., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Ya Music, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Yusuf / Cat Stevens4.051:43