Pachelbel: Canon - Albinoni: Adagio - Bach: Air on G String - Mozart: Eine kleine Nachtmusik - Fauré: Pavane - Handel: Hallelujah from the Messiah & Other Classical Hits

~ Release by Sir Neville Marriner (see all versions of this release, 1 available)

Annotation

℗ & © «2023 Parlophone Records Limited»
℗ & © «A Warner Classics release»

Countries excluded (Spotify + Deezer)

(As of 2023-11-03).

  • Eastern Europe: 🇧🇾 Belarus (by) 🇷🇺 Russian Federation (ru)
Annotation last modified on 2023-11-10 21:00 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Canon and Gigue in D major: Canon
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:01
2Solomon, HWV 67: Act 3: Sinfonia “The Arrival of the Queen of Sheba”
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (catch all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
George Frideric Handel42:48
3Orchestral Suite no. 3 in D major, BWV 1068: II. Air
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo] and organ [organ continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
trumpet:
Simon Ferguson (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08), William Houghton (classical trumpet player) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Michael Laird (classical trumpeter) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:57
4Symphony no. 25 in G minor, K. 183: I. Allegro con brio
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart7:47
5Adagio in G minor
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Albinoni5:53
6Brandenburg Concerto no. 3 in G major, BWV 1048: I.
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
John Constable (pianist) and George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Catherine Latham (Classical oboe and recorder player) and Philip Pickett (musician)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
- Johann Sebastian Bach6:26
7Gloria in D major, RV 589: I. Gloria in excelsis Deo
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:24
8Symphony no. 40 in G minor, K. 550: I. Molto allegro
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1986-10-29 until 1986-11-01)
conductor:
Sir Neville Marriner (conductor) (from 1986-10-29 until 1986-11-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-10-29 until 1986-11-01)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (from 1986-10-29 until 1986-11-01)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:26
9Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe
producer:
John Fraser (UK producer) and Simon Woods (producer)
orchestra:
Academy of St Martin in the Fields (from 1988-06 until 1988-07, from 1988-06-27 until 1988-07-01)
conductor:
Sir Neville Marriner (conductor) (from 1988-06 until 1988-07, from 1988-06-27 until 1988-07-01)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1988-06 until 1988-07, from 1988-06-27 until 1988-07-01)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (from 1988-06-27 until 1988-07-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (from 1988-06 until 1988-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel4:10
10String Quintet in E major, op. 11 no. 5, G. 275: III. Minuetto - Trio (version for string orchestra)
engineer:
Stuart Eltham (engineer)
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1986)
conductor:
Sir Neville Marriner (conductor) (in 1986)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse) (in 1986)
orchestrator:
Charles Woodhouse (violinist, arranger, composer)
composer:
Luigi Boccherini (Italian composer) (in 1771)
orchestration of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:58
11Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: IX. Aria. “Schafe können sicher weiden”
producer:
John Fraser (UK producer)
organ:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:39
12Te Deum, H. 146: Prélude
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Prélude (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc-Antoine Charpentier1:53
13Concerto for Two Trumpets in C major, RV 537: II. Largo
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20) and Bernard Soustrot (trumpeter) (from 1982-12-17 until 1982-12-20)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20)
recording of:
Concerto for Two Trumpets in C major, RV 537: II. Largo (from 1982-12-17 until 1982-12-20)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Two Trumpets in C major, RV 537
Antonio Vivaldi1:03
14Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1982-07-28 until 1982-07-30)
conductor:
Sir Neville Marriner (conductor) (from 1982-07-28 until 1982-07-30)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-07-28 until 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1982-07-28 until 1982-07-30)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:17
15Pavane, op. 50 (instrumental version)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:19
16String Quartet no. 1 in D major, op. 11: II. Andante cantabile (version for string orchestra)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
arranger:
Sir Neville Marriner (conductor)
recording of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1871)
arrangement of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
Pyotr Ilyich Tchaikovsky6:16
17The Tale of Tsar Saltan: Act 3: The Flight of the Bumblebee
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1986-10 until 1986-11)
conductor:
Sir Neville Marriner (conductor) (from 1986-10 until 1986-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-10 until 1986-11)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (from 1986-10 until 1986-11)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Nikolai Rimsky-Korsakov21:27
18Le nozze di Figaro, K. 492: Overture
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1981-06-15 until 1981-06-16)
conductor:
Sir Neville Marriner (conductor) (from 1981-06-15 until 1981-06-16)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1981-06-15 until 1981-06-16)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1981-06-15 until 1981-06-16)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:14
19Die Entführung aus dem Serail, K. 384: Ouvertüre
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart5:43
20Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:54
21Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:45
22Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:05
23Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1984-11-17 until 1984-11-18)
conductor:
Sir Neville Marriner (conductor) (from 1984-11-17 until 1984-11-18)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-11-17 until 1984-11-18)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace (from 1984-11-17 until 1984-11-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:27
24Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: I. Allegro maestoso
producer:
David Groves (classical music producer at EMI) (in 1991)
editor:
David Bell (engineer) (in 1991)
viola:
Bruno Giuranna (violist) (in 1991-06)
violin:
Anne‐Sophie Mutter (violinist) (in 1991-06)
orchestra:
Academy of St Martin in the Fields (in 1991-06)
conductor:
Sir Neville Marriner (conductor) (in 1991-06)
balance engineer:
Michael Sheady (engineer) (in 1991-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1991-06)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: I. Allegro maestoso (in 1991-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart13:06
25Violin Concerto no. 1 in B‐flat major, K. 207: II. Adagio
producer:
David Groves (classical music producer at EMI) (in 1991)
editor:
David Bell (engineer) (in 1991)
violin:
Anne‐Sophie Mutter (violinist) (in 1991-06)
orchestra:
Academy of St Martin in the Fields (in 1991-06)
conductor:
Sir Neville Marriner (conductor) (in 1991-06)
balance engineer:
Michael Sheady (engineer) (in 1991-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1991-06)
recording of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: II. Adagio (in 1991-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1773)
part of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207
Wolfgang Amadeus Mozart8:14
26Horn Concerto no. 2 in E‐flat major, K. 417: II. Andante
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart3:30
27Horn Concerto no. 2 in E‐flat major, K. 417: III. Rondo
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart3:16
28Horn Concerto no. 4 in E‐flat major, K. 495: III. Rondo. Allegro vivace
engineer and balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
executive producer:
Christopher Bishop (conductor/producer)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (from 1971-05-17 until 1971-05-21)
orchestra:
Academy of St Martin in the Fields (from 1971-05-17 until 1971-05-21)
conductor:
Neville Marriner (conductor) (from 1971-05-17 until 1971-05-21)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1971-05-17 until 1971-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:36
29Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. “Jesus bleibet meine Freude” (instrumental version)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
instrumental recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (on 1976-01-29)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
instrumental recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (on 1976-10-26)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:47
30Holberg Suite, op. 40: I. Praeludium
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
arrangement of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg2:47
313 German Dances, K. 605: No. 3 in C major “Die Schlittenfahrt”
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda (from 1973-10-01 until 1973-10-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart3:06
32Piano Concerto no. 5 in F minor, BWV 1056: II. Largo
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:28
33Der Messias, HWV 56: Pt. 2: Chor. “Hallelujah”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:04
34Don Giovanni, K. 527: Overture
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart6:30
35Piano Concerto in A minor, op. 16: II. Adagio
producer:
John Fraser (UK producer)
piano:
Cécile Ousset (French pianist) (in 1984-07)
orchestra:
London Symphony Orchestra (in 1984-07)
conductor:
Sir Neville Marriner (conductor) (in 1984-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1984-07)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (in 1984-07)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:28