The Platinum Collection: Original Classics

~ Release by Frank Sinatra (see all versions of this release, 3 available)

Annotation

Due to a mistake, the track 51 is credited as “I Can’t Believe That You’re in Love With Me” but it really is “The Lady Is a Tramp”.

Annotation last modified on 2016-11-05 21:25 UTC.

Tracklist

1Digital Media
#TitleRatingLength
1Come Fly With Me
producer:
Voyle Gilmore
cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1957-10-08)
recording of:
Come Fly With Me (on 1957-10-08)
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック (Fujipacific Music, Inc.)
4.53:19
2I Get a Kick Out of You
producer:
Voyle Gilmore
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-06)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-06)
conductor:
Nelson Riddle (on 1953-11-06)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-06)
cover recording of:
I Get a Kick Out of You (on 1953-11-06)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
42:57
3I’ve Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
43:46
4I’ve Got a Crush on You
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Victor Gottlieb and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
trumpet:
Cappy Lewis
viola:
Lou Kievman (violist), Alexander Neiman (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Nathan Ross, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-03)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-03)
conductor:
Nelson Riddle (on 1960-03-03)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
I’ve Got a Crush on You (on 1960-03-03)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
2:17
5S’posin’
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
trombone:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle
cover recording of:
S’posin’ (on 1960-08-22)
lyricist:
Andy Razaf
composer:
Paul Denniker
publisher:
Mayfair Music Corp.
1:48
6It’s Only a Paper Moon
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
Ossip Giskin (cellist), Armand Kaproff and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson and Wilbur Schwartz
trombone:
George Arus, Pullman “Tommy” Pederson and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Alvin Dinkin and Stanley Harris (US big band viola player)
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Joseph Livoti (violinist), Nathan Ross, Mischa Russell (violinist) and Paul Shure
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-31)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-31)
conductor:
Nelson Riddle (on 1960-08-31)
arranger:
Nelson Riddle
recording of:
It’s Only a Paper Moon (on 1960-08-31)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
2:19
7Have You Met Miss Jones?
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1961-05-18)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
2:33
8Just One of Those Things
producer:
Voyle Gilmore
alto saxophone:
Mahlon Clark and Skeets Herfurt
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Allan Reuss
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-07)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-07)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-07)
conductor:
Nelson Riddle (on 1954-04-07)
arranger:
Nelson Riddle (on 1954-04-07)
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-07)
cover recording of:
Just One of Those Things (on 1954-04-07)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:17
9One for My Baby (and One More for the Road)
producer:
Voyle Gilmore
bassoon:
Don Christlieb (on 1958-06-25) and Norman Herzberg (bassoon) (on 1958-06-25)
cello:
James Arkatov (American cellist and photographer) (on 1958-06-25), Armand Kaproff (on 1958-06-25), Joseph Saxon (on 1958-06-25) and Eleanor Slatkin (US cellist, b. Aller) (on 1958-06-25)
clarinet:
Gus Bivona (on 1958-06-25), Sal Franzella (on 1958-06-25), Chuck Gentry (on 1958-06-25) and Morris Bercov (on 1958-06-25)
double bass:
Joe Comfort (on 1958-06-25) and Eddie Gilbert (on 1958-06-25)
drums (drum set) and percussion:
Frank Flynn (on 1958-06-25) and Bill Richmond (on 1958-06-25)
flute:
Arthur Gleghorn (on 1958-06-25) and Harry Klee (on 1958-06-25)
French horn:
James Decker (French hornist) (on 1958-06-25), James McGee (on 1958-06-25) and George Price (on 1958-06-25)
guitar:
Al Hendrickson (on 1958-06-25) and Al Viola (on 1958-06-25)
harp:
Kathryn Julye (on 1958-06-25)
oboe:
Arnold Koblentz (Oboe player) (on 1958-06-25) and Champ Webb (on 1958-06-25)
piano:
Bill Miller (pianist) (on 1958-06-25)
trombone:
Milt Bernhart (on 1958-06-25), Russell Brown (Swing trombonist) (on 1958-06-25), Ray Sims (on 1958-06-25) and Tommy Pederson (on 1958-06-25)
trumpet:
Cappy Lewis (on 1958-06-25)
viola:
Alvin Dinkin (on 1958-06-25), Stanley Harris (US big band viola player) (on 1958-06-25), Paul Robyn (on 1958-06-25) and Dave Sterkin (on 1958-06-25)
violin:
Israel Baker (American violinist) (on 1958-06-25), Victor Bay (on 1958-06-25), Alex Beller (on 1958-06-25), Arnold Belnick (on 1958-06-25), Daniel Karpilowsky (on 1958-06-25), Emo Neufeld (on 1958-06-25), Ben Gill (on 1958-06-25), Paul Shure (on 1958-06-25), Felix Slatkin (on 1958-06-25), Marshall Sosson (on 1958-06-25), Victor Amo (on 1958-06-25) and Gerald Vinci (American violinist and strings conductor) (on 1958-06-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-06-25)
orchestra:
The Nelson Riddle Orchestra (on 1958-06-25)
conductor:
Nelson Riddle (on 1958-06-26)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-06-25)
cover recording of:
One for My Baby (and One More for the Road) (on 1958-06-26)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
34:25
10You’re Nobody ’til Somebody Loves You
recorded in:
Los Angeles, California, United States (on 1961-05-23)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff and Margaret Aue-Van Wyck (Cellist)
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-23)
conductor:
Billy May
arranger:
Billy May
cover recording of:
You’re Nobody Till Somebody Loves You (on 1961-05-23)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:12
11That Old Feeling
producer:
Dave Cavanaugh
cello:
Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
viola:
Alvin Dinkin, Virginia Majewski (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-01)
conductor:
Nelson Riddle (on 1960-03-01)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
That Old Feeling (on 1960-03-01)
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2)
3:34
12My Kind of Girl
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (pianist) (on 1962-10-03)
saxophone:
Eric Dixon (woodwind) (on 1962-10-03), Frank Foster (saxophonist) (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (American jazz trumpeter) (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
My Kind of Girl (on 1962-10-03)
lyricist and composer:
Leslie Bricusse
publisher:
Hollis Music, Inc.
recording of:
My Kind of Girl
lyricist and composer:
Leslie Bricusse
publisher:
Hollis Music, Inc.
4:37
13Too Marvelous for Words
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
recording of:
Too Marvelous for Words (on 1956-01-16)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
cover recording of:
Too Marvelous for Words (on 1956-01-16)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:31
14If I Had You
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-12)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-12)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
If I Had You (jazz standard) (on 1962-06-12)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
4:06
15Blue Moon
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist) (on 1960-09-01), Armand Kaproff (on 1960-09-01) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-09-01)
drums (drum set):
Irving Cottler (on 1960-09-01)
guitar:
Al Viola (on 1960-09-01)
harp:
Kathryn Julye (on 1960-09-01)
percussion:
Emil Richards (on 1960-09-01)
piano:
Bill Miller (pianist) (on 1960-09-01)
reeds:
Buddy Collette (on 1960-09-01), Chuck Gentry (on 1960-09-01), William Green (woodwind) (on 1960-09-01), Plas Johnson (on 1960-09-01) and Wilbur Schwartz (on 1960-09-01)
trombone:
George Arus (on 1960-09-01), Gail Martin (on 1960-09-01), Tom Shepard (trombonist) (on 1960-09-01) and Tommy Pederson (on 1960-09-01)
trumpet:
Clarence "Shorty" Sherock (on 1960-09-01), Carroll Lewis (trumpeter) (on 1960-09-01), George Seaberg (on 1960-09-01) and Vito "Mickey" Mangano (on 1960-09-01)
viola:
Alvin Dinkin (on 1960-09-01) and Stan Harris (US big band viola player) (on 1960-09-01)
violin:
Victor Bay (on 1960-09-01), Alex Beller (on 1960-09-01), Kurt Dieterle (on 1960-09-01), Jacques Gasselin (on 1960-09-01), Joseph Livoti (violinist) (on 1960-09-01), Louis Kaufman (violinist) (on 1960-09-01), Murray Kellner (on 1960-09-01), Mischa Russell (violinist) (on 1960-09-01), Gerald Vinci (American violinist and strings conductor) (on 1960-09-01) and William Weiss (violinist) (on 1960-09-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-09-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-09-01)
conductor:
Nelson Riddle (on 1960-09-01)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-09-01)
cover recording of:
Blue Moon (on 1960-09-01)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
2:52
16You’re Getting to Be a Habit With Me
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1956-01-10)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-10)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-10), Edgar Lustgarten (on 1956-01-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-10)
drums (drum set):
Alvin Stoller (on 1956-01-10)
guitar:
George van Eps (on 1956-01-10)
harp:
Kathryn Julye (on 1956-01-10)
piano:
William (Bill) Miller (pianist) (on 1956-01-10)
reeds:
Justin Gordon (on 1956-01-10), Harry Klee (on 1956-01-10), Morton Friedman (on 1956-01-10), Wilbur Schwartz (on 1956-01-10) and James Williamson (Saxophone player) (on 1956-01-10)
trombone:
Milt Bernhart (on 1956-01-10), Jim Priddy (on 1956-01-10) and Juan Tizol (on 1956-01-10)
trumpet:
Harry “Sweets” Edison (on 1956-01-10), Conrad Gozzo (on 1956-01-10), Mickey Mangano (on 1956-01-10) and Zeke Zarchy (on 1956-01-10)
viola:
Alvin Dinkin (on 1956-01-10), Dave Sterkin (on 1956-01-10) and Milton Thomas (violist) (on 1956-01-10)
violin:
Victor Bay (on 1956-01-10), Alex Beller (on 1956-01-10), Harold Dicterow (on 1956-01-10), David Frisina (on 1956-01-10), Alex Murray (violinist) (on 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-10), Nathan Ross (on 1956-01-10), Mischa Russell (violinist) (on 1956-01-10), Paul Shure (on 1956-01-10) and Felix Slatkin (on 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-10)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-10)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-10)
cover recording of:
You’re Getting to Be a Habit With Me (on 1956-01-10)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
2:19
17You Do Something to Me
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
trombone:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (on 1960-08-22)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
1:34
18Dancing in the Dark
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
cover recording of:
Dancing in the Dark (on 1958-12-22)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
2:26
19It All Depends on You
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Ronny Lang
trombone:
Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Ben Gill, Murray Kellner, Dan Lube, Nathan Ross, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-23)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-23)
conductor:
Nelson Riddle (on 1960-08-23)
arranger:
Nelson Riddle
recording of:
It All Depends on You (on 1960-08-23)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
publisher:
Ross Jungnickel, Inc.
2:03
20Now Is the Hour
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-14)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-14)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-14)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
Now Is the Hour (on 1962-06-14)
additional lyricist:
Dorothy Stewart (from 1945 until 1947)
lyricist:
Maewa Kaihau (in 1920)
composer:
Clement Scott (Clement William Scott, 1841-1904, theatre critic, playwright and lyricist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Keith Prowse Music Publishing Co. Ltd., On Backstreet Music Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and The Boston Music Company
translated version of:
Po atarau (based on “The Swiss Cradle Song”, with English and Maori lyrics)
2:50
21It’s a Wonderful World
recorded in:
Hollywood, Los Angeles, California, United States (in 1961-05)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
John Markham
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock and Jimmy Zito
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Billy May
recording of:
It’s a Wonderful World (on 1961-05-19)
lyricist:
Harold Adamson
composer:
Jan Savitt (in 1939) and John Kluczko Watson (in 1939)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
2:26
22Always
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Ronny Lang
trombone:
Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Ben Gill, Murray Kellner, Dan Lube, Nathan Ross, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-23)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-23)
conductor:
Nelson Riddle (on 1960-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-23)
cover recording of:
Always (on 1960-08-23)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
2:17
23Love Is Here to Stay
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1955-10-17)
bass trombone:
George Roberts (american bass trombone) (on 1955-10-17)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1955-10-17), Ray Kramer (on 1955-10-17) and Eleanor Slatkin (US cellist, b. Aller) (on 1955-10-17)
drums (drum set):
Irv Cottler (on 1955-10-17)
guitar:
George van Eps (on 1955-10-17)
harp:
Kathryn Julye (on 1955-10-17)
percussion:
Frank Flynn (on 1955-10-17)
piano:
William (Bill) Miller (pianist) (on 1955-10-17)
reeds:
Mahlon Clark (on 1955-10-17), Justin Gordon (on 1955-10-17), Robert Lawson (on 1955-10-17), Wilbur Schwartz (on 1955-10-17) and Warren Webbe (on 1955-10-17)
trombone:
Jim Priddy (on 1955-10-17), Dick Noel (trombone) (on 1955-10-17) and Paul Tanner (on 1955-10-17)
trumpet:
Harry “Sweets” Edison (on 1955-10-17), John Best (jazz trumpeter) (on 1955-10-17), Shorty Sherock (on 1955-10-17) and Zeke Zarchy (on 1955-10-17)
viola:
Maxine Johnson (on 1955-10-17), Paul Robyn (on 1955-10-17) and Dave Sterkin (on 1955-10-17)
violin:
Victor Bay (on 1955-10-17), Alex Beller (on 1955-10-17), Sam Cytron (on 1955-10-17), Robert E. Gross (on 1955-10-17), Henry Hill (Violin player) (on 1955-10-17), Dan Lube (on 1955-10-17), Alex Murray (violinist) (on 1955-10-17), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1955-10-17), Erno Neufeld (on 1955-10-17) and Mischa Russell (violinist) (on 1955-10-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-10-17)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-10-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-10-17)
cover recording of:
Love Is Here to Stay (on 1955-10-17)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
2:43
24(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-09-13)
reeds:
Plas Johnson (on 1955-09-13)
trumpet:
Harry “Sweets” Edison (on 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-09-13)
orchestra:
The Nelson Riddle Orchestra (on 1955-09-13)
conductor:
Nelson Riddle (on 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (on 1955-09-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
3:02
25A Nightingale Sang in Berkeley Square
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-13)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-13)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
A Nightingale Sang in Berkeley Square (on 1962-06-13)
lyricist:
Eric Maschwitz
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3:53
26Nice ’n’ Easy
producer:
Dave Cavanaugh (on 1960-04-13)
bass trombone:
George Roberts (american bass trombone) (on 1960-04-13)
cello:
James Arkatov (American cellist and photographer) (on 1960-04-13), Victor Gottlieb (on 1960-04-13) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-04-13)
double bass:
Joe Comfort (on 1960-04-13)
drums (drum set):
Irv Cottler (on 1960-04-13)
French horn:
William Hinshaw (American horn player) (on 1960-04-13) and James McGee (on 1960-04-13)
guitar:
Al Viola (on 1960-04-13)
harp:
Kathryn Julye (on 1960-04-13)
piano:
Bill Miller (pianist) (on 1960-04-13)
reeds:
Plas Johnson (on 1960-04-13), Joe Koch (on 1960-04-13), Abe Most (on 1960-04-13), Harry Schuchman (on 1960-04-13) and Wilbur Schwartz (on 1960-04-13)
trombone:
Tommy Shepard (trombonist) (on 1960-04-13) and Ken Shroyer (trombonist) (on 1960-04-13)
trumpet:
Carroll Lewis (trumpeter) (on 1960-04-13)
viola:
Lou Kievman (violist) (on 1960-04-13), Alexander Neiman (violist) (on 1960-04-13) and Barbara Simons (on 1960-04-13)
violin:
Victor Arno (on 1960-04-13), Victor Bay (on 1960-04-13), Alex Beller (on 1960-04-13), Jacques Gasselin (on 1960-04-13), Dan Lube (on 1960-04-13), Erno Neufeld (on 1960-04-13), Nathan Ross (on 1960-04-13), Felix Slatkin (on 1960-04-13) and Marshall Sosson (on 1960-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-04-13)
orchestra:
Nelson Riddle and His Orchestra (on 1960-04-13)
conductor:
Nelson Riddle (on 1960-04-13)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-04-13)
recording of:
Nice ’n’ Easy (on 1960-04-13)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
publisher:
Spirit Two Music (ended), Threesome Music Company (ended), Warner Bros. Music Corp. (ended), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music and Spirit Two Music Crescendo
2:47
27When You’re Smiling (the Whole World Smiles With You)
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
trombone:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle (on 1960-08-22)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
recording of:
When You’re Smiling (the Whole World Smiles With You) (on 1960-08-22)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
2:01
28Night and Day
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-11-26)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:02
29I Won’t Dance
recorded in:
Los Angeles, California, United States (on 1962-10-02)
bass:
Buddy Catlett (on 1962-10-02)
drums (drum set):
Sonny Payne (on 1962-10-02)
guitar:
Freddie Green (on 1962-10-02)
piano:
Count Basie (pianist) (on 1962-10-02)
saxophone:
Eric Dixon (woodwind) (on 1962-10-02), Frank Foster (saxophonist) (on 1962-10-02), Charlie Fowlkes (on 1962-10-02), Marshall Royal (on 1962-10-02) and Frank Wess (on 1962-10-02)
trombone:
Henry Coker (on 1962-10-02) and Benny Powell (on 1962-10-02)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-02), Sonny Cohn (on 1962-10-02), Thad Jones (American jazz trumpeter) (on 1962-10-02) and Al Porcino (on 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-02)
orchestra:
Count Basie and His Orchestra (on 1962-10-02)
arranger:
Neal Hefti
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1962-10-02)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
4:11
30Young at Heart
recorded in:
Los Angeles, California, United States (on 1963-04-29)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1963-04-29)
orchestra:
The Nelson Riddle Orchestra (on 1963-04-29)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (on 1963-04-29)
lyricist:
Carolyn Leigh
composer:
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:53
31Love Walked In
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Love Walked In (on 1961-05-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:22
32Come Dance With Me
producer:
Dave Cavanaugh
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
guitar:
Allan Reuss
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin and Willie Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock and Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-23)
orchestra:
The Billy May Orchestra (on 1958-12-23)
conductor:
Billy May (on 1958-12-23)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-23)
recording of:
Come Dance With Me (on 1958-12-23)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.)
42:31
33Please Be Kind
recorded in:
Los Angeles, California, United States (on 1962-10-02)
bass:
Buddy Catlett (on 1962-10-02)
drums (drum set):
Sonny Payne (on 1962-10-02)
guitar:
Freddie Green (on 1962-10-02)
piano:
Count Basie (pianist) (on 1962-10-02)
saxophone:
Eric Dixon (woodwind) (on 1962-10-02), Frank Foster (saxophonist) (on 1962-10-02), Charlie Fowlkes (on 1962-10-02), Marshall Royal (on 1962-10-02) and Frank Wess (on 1962-10-02)
trombone:
Henry Coker (on 1962-10-02) and Benny Powell (on 1962-10-02)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-02), Sonny Cohn (on 1962-10-02), Thad Jones (American jazz trumpeter) (on 1962-10-02) and Al Porcino (on 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-02)
orchestra:
Count Basie and His Orchestra (on 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Please Be Kind (on 1962-10-02)
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
recording of:
Please Be Kind
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
2:43
34Jeepers Creepers
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Abe Most
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bob Bain (guitarist)
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-19)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-19)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-19)
conductor:
Nelson Riddle (on 1954-04-19)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-19)
cover recording of:
Jeepers Creepers (on 1954-04-19)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
2:24
35I’ll Follow My Secret Heart
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-12)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-12)
arranger:
Robert Farnon (composer, conductor, trumpet player)
recording of:
Conversation Piece: Act One. I’ll Follow My Secret Heart (on 1962-06-12)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co., Inc. (USA)
part of:
Conversation Piece: Act One
cover recording of:
Conversation Piece: Act One. I’ll Follow My Secret Heart (on 1962-06-12)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co., Inc. (USA)
part of:
Conversation Piece: Act One
3:16
36Anything Goes
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
Anything Goes (on 1956-01-16)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
42:44
37She’s Funny That Way
producer:
Dave Cavanaugh
cello:
Virgil Gates (C. Virgil Gates) and Ray Kramer
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Hendrickson
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Joe Koch, Abe Most, Harry Schuchman and Wilbur Schwartz
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
trumpet:
Cappy Lewis
viola:
Alvin Dinkin, Lou Kievman (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, James Getzoff (American concertmaster and violinist), Marvin Limonick, Joseph Livoti (violinist), Nathan Ross and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-02)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-02)
conductor:
Nelson Riddle (on 1960-03-02)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-03-02)
recording of:
She’s Funny That Way (on 1960-03-02)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
3:56
38I Concentrate on You
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
trombone:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
recording of:
I Concentrate on You (on 1960-08-22)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
2:24
39How About You?
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1956-01-10)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-10)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-10), Edgar Lustgarten (on 1956-01-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-10)
drums (drum set):
Alvin Stoller (on 1956-01-10)
guitar:
George van Eps (on 1956-01-10)
harp:
Kathryn Julye (on 1956-01-10)
piano:
William (Bill) Miller (pianist) (on 1956-01-10)
reeds:
Justin Gordon (on 1956-01-10), Harry Klee (on 1956-01-10), Morton Friedman (on 1956-01-10), Wilbur Schwartz (on 1956-01-10) and James Williamson (Saxophone player) (on 1956-01-10)
trombone:
Milt Bernhart (on 1956-01-10), Jim Priddy (on 1956-01-10) and Juan Tizol (on 1956-01-10)
trumpet:
Harry “Sweets” Edison (on 1956-01-10), Conrad Gozzo (on 1956-01-10), Mickey Mangano (on 1956-01-10) and Zeke Zarchy (on 1956-01-10)
viola:
Alvin Dinkin (on 1956-01-10), Dave Sterkin (on 1956-01-10) and Milton Thomas (violist) (on 1956-01-10)
violin:
Victor Bay (on 1956-01-10), Alex Beller (on 1956-01-10), Harold Dicterow (on 1956-01-10), David Frisina (on 1956-01-10), Alex Murray (violinist) (on 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-10), Nathan Ross (on 1956-01-10), Mischa Russell (violinist) (on 1956-01-10), Paul Shure (on 1956-01-10) and Felix Slatkin (on 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-10)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-10)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-01-10)
cover recording of:
How About You? (on 1956-01-10)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2)
2:49
40Roses of Picardy
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-13)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-13)
arranger:
Robert Farnon (composer, conductor, trumpet player)
recording of:
Roses of Picardy (on 1962-06-13)
lyricist:
Frederick Edward Weatherly
composer:
Haydn Wood (composer)
publisher:
Chappell & Co., Inc. (USA)
cover recording of:
Roses of Picardy (on 1962-06-13)
lyricist:
Frederick Edward Weatherly
composer:
Haydn Wood (composer)
publisher:
Chappell & Co., Inc. (USA)
3:00
41Makin’ Whoopee
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
recording of:
Makin’ Whoopee! (on 1956-01-16)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
43:06
42Don’t Be That Way
recorded in:
Los Angeles, California, United States (on 1961-05-19)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
John Markham
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock and Jimmy Zito
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Don’t Be That Way (on 1961-05-19)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
2:44
43Mam’selle
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Victor Gottlieb and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
trumpet:
Cappy Lewis
viola:
Lou Kievman (violist), Alexander Neiman (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Nathan Ross, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-03)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-03)
conductor:
Nelson Riddle (on 1960-03-03)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
Mam’selle (on 1960-03-03)
lyricist:
Mack Gordon
composer:
Edmund Goulding
publisher:
Leo Feist, Inc.
2:48
44Swingin’ Down the Lane
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irv Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
instruments:
William (Bill) Miller (pianist) (on 1956-01-12)
reeds:
Mort Friedman (on 1956-01-12), Justin Gordon (on 1956-01-12), Harry Klee (on 1956-01-12), Wilbur Schwartz (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jim Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Mickey Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
Swingin’ Down the Lane (on 1956-01-12)
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) and Leo Feist, Inc. (on 1923-02-26)
recording of:
Swingin’ Down the Lane
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) and Leo Feist, Inc. (on 1923-02-26)
2:56
45Fools Rush In
producer:
Dave Cavanaugh
cello:
Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
viola:
Alvin Dinkin, Virginia Majewski (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-01)
conductor:
Nelson Riddle (on 1960-03-01)
arranger:
Nelson Riddle
recording of:
Fools Rush In (Where Angels Fear to Tread) (on 1960-03-01)
lyricist:
Johnny Mercer
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:22
46You Go to My Head
producer:
Dave Cavanaugh
cello:
Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
viola:
Alvin Dinkin, Virginia Majewski (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-01)
conductor:
Nelson Riddle (on 1960-03-01)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
You Go to My Head (on 1960-03-01)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
4:28
47The Gypsy
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-13)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-13)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
The Gypsy (on 1962-06-13)
lyricist and composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. and MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
3:20
48Nevertheless (I’m in Love With You)
trumpet:
Billy Butterfield (on 1950-10-09)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1950-10-09)
conductor:
Axel Stordahl (on 1950-10-09)
arranger:
George Siravo
cover recording of:
Nevertheless (I’m in Love With You) (on 1950-10-09)
lyricist:
Bert Kalmar
composer:
Harry Ruby
publisher:
Chappell & Co., Crawford Music Corp., DeSylva, Brown and Henderson, Inc., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:09
49Embraceable You
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Victor Gottlieb and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
trumpet:
Cappy Lewis
viola:
Lou Kievman (violist), Alexander Neiman (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Nathan Ross, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-03)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-03)
conductor:
Nelson Riddle (on 1960-03-03)
arranger:
Nelson Riddle
recording of:
Embraceable You (on 1960-03-03)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:24
50We Kiss in a Shadow
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1951-03-02)
conductor:
Axel Stordahl (on 1951-03-02)
arranger:
Axel Stordahl
recording of:
We Kiss in a Shadow (The King and I) (on 1951-03-02)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
3:37
51The Lady Is a Tramp
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-26)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-26)
conductor:
Nelson Riddle (on 1956-11-26)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-11-26)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
53:17
52I Only Have Eyes for You
recording of:
I Only Have Eyes for You (on 1962-10-03)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
3:30
53Taking a Chance on Love2:15
54Love and Marriage
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-08-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-08-15)
conductor:
Nelson Riddle (on 1955-08-15)
arranger:
Nelson Riddle
recording of:
Love and Marriage (on 1955-08-15)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and WB Music Corp. (1929–2019)
3.52:41
55My Blue Heaven
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Ronny Lang
trombone:
Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Ben Gill, Murray Kellner, Dan Lube, Nathan Ross, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-23)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-23)
conductor:
Nelson Riddle (on 1960-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-23)
recording of:
My Blue Heaven (on 1960-08-23)
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
composed at:
New York Friars Club in New York, New York, United States (in 1924)
2:03
56The Very Thought of You
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-12)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-12)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
The Very Thought of You (on 1962-06-12)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
3:32
57Learnin’ the Blues
recorded in:
Los Angeles, California, United States (on 1962-10-02)
bass:
Buddy Catlett (on 1962-10-02)
drums (drum set):
Sonny Payne (on 1962-10-02)
guitar:
Freddie Green (on 1962-10-02)
piano:
Count Basie (pianist) (on 1962-10-02)
saxophone:
Eric Dixon (woodwind) (on 1962-10-02), Frank Foster (saxophonist) (on 1962-10-02), Charlie Fowlkes (on 1962-10-02), Marshall Royal (on 1962-10-02) and Frank Wess (on 1962-10-02)
trombone:
Henry Coker (on 1962-10-02) and Benny Powell (on 1962-10-02)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-02), Sonny Cohn (on 1962-10-02), Thad Jones (American jazz trumpeter) (on 1962-10-02) and Al Porcino (on 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-02)
orchestra:
Count Basie and His Orchestra (on 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Learnin’ the Blues (on 1962-10-02)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
recording of:
Learnin’ the Blues
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
4:27
58Nice Work If You Can Get It
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-20)
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-20)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-20)
conductor:
Nelson Riddle (on 1956-11-20)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
Nice Work If You Can Get It (on 1956-11-20)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:22
59You Make Me Feel So Young
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison (on 1956-01-09), Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-09)
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-09)
recording of:
You Make Me Feel So Young (on 1956-01-09)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
42:58
60Old Devil Moon
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1956-01-16)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
3:58
61I Never Knew
recorded in:
Los Angeles, California, United States (on 1961-05-19)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
John Markham
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock and Jimmy Zito
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
I Never Knew (on 1961-05-19)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
recording of:
I Never Knew (on 1961-05-19)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
2:18
62London by Night
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-13)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-13)
arranger:
Robert Farnon (composer, conductor, trumpet player)
recording of:
London by Night (on 1962-06-13)
lyricist and composer:
Carroll Coates
publisher:
Barton Music Corp.
3:17
63I’m Gonna Sit Right Down (and Write Myself a Letter)
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (pianist) (on 1962-10-03)
saxophone:
Eric Dixon (woodwind) (on 1962-10-03), Frank Foster (saxophonist) (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (American jazz trumpeter) (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (on 1962-10-03)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
2:35
64My Funny Valentine
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
Nelson Riddle and George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-05)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1953-11-05)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
2:34
65September in the Rain
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
Ossip Giskin (cellist), Armand Kaproff and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson and Wilbur Schwartz
trombone:
George Arus, Pullman “Tommy” Pederson and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Alvin Dinkin and Stanley Harris (US big band viola player)
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Joseph Livoti (violinist), Nathan Ross, Mischa Russell (violinist) and Paul Shure
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-31)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-31)
conductor:
Nelson Riddle (on 1960-08-31)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-31)
cover recording of:
September in the Rain (on 1960-08-31)
lyricist:
Al Dubin (in 1937)
composer:
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) and Peermusic (UK) Limited (in 1937)
2:59
66Don’t Cry Joe
recorded in:
Los Angeles, California, United States (on 1961-05-23)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff and Margaret Aue-Van Wyck (Cellist)
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-23)
conductor:
Billy May
arranger:
Billy May
recording of:
Don’t Cry Joe (Let Her Go, Let Her Go, Let Her Go) (on 1961-05-23)
lyricist and composer:
Joe Marsala
publisher:
Harms, Inc. (in 1949)
3:08
67Try a Little Tenderness
producer:
Dave Cavanaugh
cello:
Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
viola:
Alvin Dinkin, Virginia Majewski (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-01)
conductor:
Nelson Riddle (on 1960-03-01)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
Try a Little Tenderness (on 1960-03-01)
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
3:22
68A Garden in the Rain
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-12)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-12)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
A Garden in the Rain (on 1962-06-12)
lyricist:
James Dyrenforth (in 1928)
composer:
Carroll Gibbons (in 1928)
publisher:
Campbell Connelly & Co. Ltd. and Music Sales Corporation (American copyright holder in both popular and classical music)
3:23
69Please Don’t Talk About Me When I’m Gone
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Please Don’t Talk About Me When I’m Gone (on 1961-05-18)
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
2:59
70We’ll Gather Lilacs in the Spring
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-14)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-14)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-14)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
We’ll Gather Lilacs (Perchance to Dream) (on 1962-06-14)
lyricist and composer:
Ivor Novello (in 1945)
publisher:
Chappell & Co., Inc. (USA)
part of:
Perchance to Dream
3:13
71Falling in Love With Love
recorded in:
Los Angeles, California, United States (on 1961-05-19)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
John Markham
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock and Jimmy Zito
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Falling in Love With Love (on 1961-05-19)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
1:52
72We’ll Be Together Again
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
We’ll Be Together Again (on 1956-01-16)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:28
73I Could Write a Book
choir vocals:
The Jeff Alexander Chorus (on 1952-01-07)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1952-01-07)
conductor:
Axel Stordahl
arranger:
Axel Stordahl
recording of:
I Could Write a Book (on 1952-01-07)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Pal Joey
2:44
74In the Wee Small Hours of the Morning
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-17)
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (on 1955-02-17)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:03
75We’ll Meet Again
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-14)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-14)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-14)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
We’ll Meet Again (on 1962-06-14)
lyricist:
Hugh Charles
composer:
Hugh Charles and Ross Parker
publisher:
Dash Music Co. Ltd., Music Sales Corporation (American copyright holder in both popular and classical music), World Music Co. and World Music, Inc.
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:52

Credits

Release

ASIN:UK: B00WLW0Q8G [info]