The Alltime Greatest Rock Classics 4 of the 70s, 80s & 90s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Bad to the Bone
Techniker(in):
Paul Mufson und John Nagy
assistierende(r) Produzent(in):
Ken Irwin und John Nagy
Produzent(in):
Terry Manning (US recording engineer) und The Delaware Destroyers (George Thorogood & the Destroyers)
Mix:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood und Terry Manning (US recording engineer) (in 1992)
Bass:
Bill Blough (von 1981 bis 1982)
Gitarre und Sologesang:
George Thorogood (von 1981 bis 1982)
Keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (von 1981 bis 1982)
Klavier:
Ian Stewart (piano/keyboard, Rolling Stones member)
Saxophon:
Hank Carter (Hank "Hurricane" Carter) (von 1981 bis 1982)
Schlagzeug:
Jeff Simon (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
aufgenommen bei:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, Vereinigte Staaten (von 1981 bis 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, Vereinigte Staaten
recording of:
Bad to the Bone (von 1981 bis 1982)
Texter und Komponist(in):
George Thorogood
publisher:
Del Sound Music
George Thorogood4.24:50
2Dancing With Myself
Bass:
Tony James (UK bassist/guitarist) (in 1981)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1981) und Steve New (in 1981)
Schlagzeug:
Terry Chimes (in 1981)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1981)
arranger:
Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981, in 1984, in 2001) und Chrysalis Records, Inc. (not for release label use!) (in 1981, in 1982, in 2002)
Bearbeitung von:
Dancing With Myself (“Don’t Stop” remix) von Billy Idol (English rock singer‐songwriter) with Gen X (English post‐punk band aka “Gen X”)
recording of:
Dancing With Myself
Verfasser(in):
Billy Idol (English rock singer‐songwriter) und Tony James (UK bassist/guitarist)
publisher:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music Inc und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Billy Idol4.353:18
3Bette Davis Eyes
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981)
cover recording of:
Bette Davis Eyes
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3:46
4The Heart of Rock & Roll
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984)
recording of:
The Heart of Rock & Roll
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Huey Lewis & the News4:05
5Soul Twist
Produzent(in):
Jack Nitzsche (American musician and score composer)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978)
produced for:
North Spur Productions
recording of:
Soul Twist
Verfasser(in):
Willy DeVille
publisher:
Fire Escape Music, Glenwood Music Corp. und Jockamo Music
sub-publisher:
Budde Music France
Mink DeVille2:32
6The Doctor
Koproduzent(in):
Rodney Mills
Produzent(in):
Charlie Midnight und Eddie Schwartz
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
recording of:
The Doctor
Verfasser(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Charlie Midnight und Eddie Schwartz
publisher:
EMI Songs Ltd., High Frontier Music, Janiceps Music, Round Hill Works, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Windecor Publishing
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 大洋音楽 (Taiyō Music) und 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:45
7Stage Fright
Produzent(in):
The Band (Canadian-American rock band)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Stage Fright
Texter und Komponist(in):
Robbie Robertson
publisher:
Canaan Music Inc und WB Music Corp. (1929–2019)
The Band3:42
8I Touch Myself
assistierende(r) Techniker(in):
Chris Albert (US engineer) und Vince Caro (engineer, music editor, producer)
Produzent(in):
Divinyls (Australian rock band), Howard Shore (Canadian score composer) und David Tickle
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) und Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
aufgenommen bei:
BMG Recording Studios in Theater District, New York, New York, Vereinigte Staaten
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 326)
recording of:
I Touch Myself
Texter und Komponist(in):
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) und William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:46
9God Is a Bullet
phonographisches Urheberrecht (℗) von:
I.R.S. Records, Inc. (in 1989)
recording of:
God Is a Bullet
Verfasser(in):
James Mankey und Johnette Napolitano
publisher:
I.R.S. Music, Inc. und International Velvet Music
Concrete Blonde4:24
10Once Bitten Twice Shy
Techniker(in) und Produzent(in):
Michael Lardie
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
cover recording of:
Once Bitten Twice Shy
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
April (publisher), EMI April Music Inc. und Ian Hunter Music Inc.
Great White5:23
11Drop Dead Beautiful (radio version)
phonographisches Urheberrecht (℗) von:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (in 1994)
recording of:
Drop Dead Beautiful
Verfasser(in):
Mick Leeson und Peter Benson Vale (writer/arranger)
publisher:
EMI Virgin Musikverlag GmbH
Six Was Nine3.354:01
12Love Is a Battlefield
Produzent(in):
Neil Geraldo, Peter Coleman und Peter Coleman (British engineer & producer)
Mix:
Neil Giraldo und Peter Coleman (British engineer & producer)
Bassgitarre:
Roger Capps
E-Gitarre:
Neil Giraldo
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Schlagzeug:
Myron Grombacher
Sologesang:
Pat Benatar
vocals:
Pat Benatar
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1984)
aufgenommen bei:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar4.14:09
13Just Another Night
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1999)
recording of:
Just Another Night
Verfasser(in):
Mick Ronson (British guitarist)
publisher:
EMI Songs Ltd.
Ian Hunter44:36
14Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:57
15Thank You
Techniker(in):
Peter Tattersall
Produzent(in):
Barclay James Harvest
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Thank You
Verfasser(in):
John Lees
publisher:
RAK Publishing Ltd.
Barclay James Harvest4:20
16Bitch
drum machine [drum/loop]-Programmierung:
Geza X
assistierende(r) Techniker(in):
Husky Hoskulds, Cappy Japngie, Mauricio Iragorri und Charles Nasser
Techniker(in):
Jim Ebert und Geza X
Produzent(in):
Geza X
Mix:
Jim Ebert
Akustikgitarre, E-Gitarre und Hintergrundgesang:
Meredith Brooks (US singer/songwriter and guitarist)
Bass und Fretless Bass:
Paul Bushnell (session bassist, producer and music director)
Keyboard [keyboards]:
David Ricketts (of David & David)
Schlagzeug:
Josh Freese (American drummer)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
aufgenommen bei:
City Lab Sound Design in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bitch
Verfasser(in):
Meredith Brooks (US singer/songwriter and guitarist) und Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music und Warner–Tamerlane Music Corp.
Meredith Brooks3.854:13

Nennungen

Veröffentlichung

hergestellt in:Europa
gedruckt in:Europa
mastering:Peter Iversen (audio engineer)
remastering:Larry Walsh (in 1990)
lizensiert von:Talking Heads
vertrieben von und vermarkted von:EMI (EMI Records, or EMI Music only if there is no other imprint)
urheberrechtlich geschützt (©) von:EMI Marketing (in 2003)
EMI Music Germany GmbH & Co. KG (do not use this as a release label!) (in 2003)
phonographisches Urheberrecht (℗) von:EMI Marketing (in 2003)
lizenziert an:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
mastered at:Puk Digital Mastering (Danish mastering studio established in 1994, affiliated with Puk Recording Studios and located at the same address)
remastered at:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
Discogs:https://www.discogs.com/release/9736059 [Info]
ASIN:DE: B00012BD26 [Info]