Ella Fitzgerald Sings the Rodgers and Hart Song Book (mono version)

~ Release by Ella Fitzgerald (see all versions of this release, 11 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Have You Met Miss Jones?
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-08-30)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
?:??
A2You Took Advantage of Me
recorded in:
Los Angeles, California, United States (on 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (US jazz saxophonist) (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (Oboe player) (on 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-31)
trumpet:
Ray Linn (on 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
You Took Advantage of Me (on 1956-08-31)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
?:??
A3A Ship Without a Sail
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
A Ship Without a Sail (on 1956-08-30)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
?:??
A4To Keep My Love Alive
recorded in:
Los Angeles, California, United States (on 1956-08-30)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
To Keep My Love Alive (on 1956-08-30)
orchestrator:
Don Walker (orchestrator)
lyricist:
Lorenz Hart (in 1943)
composer:
Richard Rodgers (composer) (in 1943)
part of:
A Connecticut Yankee
?:??
A5Dancing on the Ceiling
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (US jazz saxophonist) (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (Oboe player) (on 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
recording of:
Dancing on the Ceiling (1930 Rodgers & Hart song) (on 1956-08-31)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
?:??
A6The Lady Is a Tramp
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (American jazz saxophonist) (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-21)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-21) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (american trombone player) (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-08-21)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
4.5?:??
A7With a Song in My Heart
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
With a Song in My Heart (on 1956-08-30)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
5?:??
A8Manhattan
engineer:
Val Valentin (on 1956-08-29)
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (Oboe player) (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-29)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Manhattan (on 1956-08-29)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
B1Johnny One Note
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-28)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (american trombone player) (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-28)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (American jazz saxophonist) (on 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
Johnny One Note (on 1956-08-28)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co.
part of:
Babes in Arms (full musical)
4?:??
B2I Wish I Were in Love Again
engineer:
Val Valentin (on 1956-08-28)
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-28)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (american trombone player) (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-28)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (American jazz saxophonist) (on 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
I Wish I Were in Love Again (on 1956-08-28)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
?:??
B3Spring Is Here
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
Spring Is Here (on 1956-08-30)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
?:??
B4It Never Entered My Mind
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
It Never Entered My Mind (on 1956-08-30)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
B5This Can’t Be Love
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (American jazz saxophonist) (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-21)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-21) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (american trombone player) (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
This Can’t Be Love (on 1956-08-21)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
?:??
B6Thou Swell
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (on 1956-08-29)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (Oboe player) (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-29)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Thou Swell (on 1956-08-29)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
?:??
B7My Romance
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
My Romance (on 1956-08-30)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Jumbo
5?:??
B8Where or When
recorded in:
Los Angeles, California, United States (on 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (US jazz saxophonist) (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (Oboe player) (on 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-31)
trumpet:
Ray Linn (on 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
Where or When (from “Babes in Arms”) (on 1956-08-31)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
?:??
B9Little Girl Blue
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Bob Cooper (US jazz saxophonist) (on 1956-08-30), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30), Bud Shank (on 1956-08-30) and Maurice Stein (American jazz saxophonist) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
recording of:
Little Girl Blue (on 1956-08-30)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
?:??
2▶12" Vinyl