An Evening of Classical: Liszt

~ Release by Franz Liszt (see all versions of this release, 1 available)

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16 Consolations, S. 172: No. 2 in E major (Un poco più mosso)
piano:
Nelson Freire (pianist) (in 2011-01)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2011-01)
recording of:
Consolation in E major, S. 172 no. 2: Un poco più mosso (in 2011-01)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 2: Un poco più mosso (first, less common version)
Franz Liszt2:31
2Grand Duo concertant, S. 128: Variation II
piano:
Oleg Maisenberg (pianist)
violin:
Gidon Kremer (violinist)
partial recording of:
Grand duo concertant sur "Le Marin", S. 128
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 128)
is based on:
Le Marin
Franz Liszt1:24
3Hungarian Rhapsodies, S. 244: No. 18 in F sharp minor
piano:
Misha Dichter (pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 18 in F-sharp minor, S. 244 no. 18 (final version)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
revision of:
Hungarian Rhapsody no. 18 in F-sharp minor, S. 244 no. 18/2 (second draft, second coda)
Franz Liszt3:25
4Grand Duo concertant S. 128: Lento assai - Animato, quasi Allegro
piano:
Oleg Maisenberg (pianist)
violin:
Gidon Kremer (violinist)
partial recording of:
Grand duo concertant sur "Le Marin", S. 128
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 128)
is based on:
Le Marin
Franz Liszt3:11
512 Études d'exécution transcendante, S. 139: No. 2. Molto vivace
recording engineer:
Marcus Herzog (engineer)
producer:
Sid McLauchlan (engineer/producer)
piano:
Daniil Trifonov (pianist) (in 2015-09)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2016)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2015-09)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: II. Étude in A minor. Molto vivace (in 2015-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
Franz Liszt2:05
6Lohengrin's Admonition from Lohengrin (Wagner), S. 446
piano:
Jean‐Yves Thibaudet (pianist)
recording of:
Aus Lohengrin, S. 446: No. 3. Lohengrins Verweis an Elsa
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
is based on:
Lohengrin, WWV 75: Akt III, Scene II. “Das süsse Lied verhallt; wir sind allein”
part of:
Aus Lohengrin, S. 446
Franz Liszt4:42
710 Harmonies poétiques et religieuses, S. 173: 3. Bénédiction de Dieu dans la solitude - Andante
piano:
Claudio Arrau (pianist) (in 1970-03)
partial recording of:
Harmonies poétiques et religieuses, S. 173: No. 3. Bénédiction de Dieu dans la solitude (in 1970-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Harmonies poétiques et religieuses, S. 173
Franz Liszt2:18
8Grand Duo concertant, S. 128: Andantino
piano:
Oleg Maisenberg (pianist)
violin:
Gidon Kremer (violinist)
partial recording of:
Grand duo concertant sur "Le Marin", S. 128
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 128)
is based on:
Le Marin
Franz Liszt2:14
9Piano Sonata in B minor, S. 178: c. Grandioso
recording engineer:
Marcus Herzog (engineer) (on 2019-10-17)
producer:
Sid McLauchlan (engineer/producer)
piano:
Seong‐Jin Cho (pianist) (on 2019-10-17)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH, Berlin (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (on 2019-10-17)
partial recording of:
Sonata for Piano in B minor, S. 178 (on 2019-10-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:15
10Schwanengesang, S. 560 (piano transcriptions after Schubert): No. 1. Liebesbotschaft
Franz Liszt2:45
11Grand Duo concertant, S. 128: Finale. Animato marziale
piano:
Oleg Maisenberg (pianist)
violin:
Gidon Kremer (violinist)
partial recording of:
Grand duo concertant sur "Le Marin", S. 128
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 128)
is based on:
Le Marin
Franz Liszt1:39
126 Consolations, S. 172: No. 4 in D-flat major (Quasi adagio)
piano:
Nelson Freire (pianist) (in 2011-01)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2011-01)
recording of:
Consolation in D‐flat major, S. 172 no. 4: Quasi adagio (in 2011-01)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in D‐flat major, S. 171a no. 4: Quasi adagio (first, less common version)
Franz Liszt2:58
1312 Études d'exécution transcendante, S. 139: No. 5. Feux follets (Allegretto)
recording engineer:
Marcus Herzog (engineer)
producer:
Sid McLauchlan (engineer/producer)
piano:
Daniil Trifonov (pianist) (in 2015-09)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2016)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2015-09)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: V. “Feux follets” in B‐flat major. Allegretto (in 2015-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
Franz Liszt3:27
146 Consolations, S. 172: No. 6 in E major (Allegretto, sempre cantabile)
piano:
Nelson Freire (pianist) (in 2011-01)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2011-01)
recording of:
Consolation in E major, S. 172 no. 6: Allegretto sempre cantabile (in 2011-01)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 6: Allegretto (first, less common version)
Franz Liszt2:10
155 Kleine Klavierstücke, S. 192: No. 3 in F-sharp, Andantino
Franz Liszt1:22
16Schlaflos! Frage und Antwort, S. 203
Franz Liszt2:23
176 Consolations, S. 172: No. 1 in E major (Andante con moto)
recording engineer:
Jürgen Bulgrin (sound engineer)
producer:
Cord Garben (pianist and conductor) and Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1979-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-11)
recording of:
Consolation in E major, S. 172 no. 1: Andante con moto (in 1979-11)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 1: Andante con moto (first, less common version)
Franz Liszt1:24
18Piano Concerto no. 2 in A major, S. 125: 2. Allegro agitato assai
Franz Liszt1:56
19Années de pèlerinage: 1e année: Suisse, S. 160: 3. Pastorale
recording engineer:
Cees Heijkoop (recording engineer) and Willem van Leeuwen (recording engineer)
producer and balance engineer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1986-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1986-10)
recording of:
Pastorale, S. 160 no. 3 (in 1986-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Album d'un voyageur, S. 156: II. Fleurs mélodiques des Alpes: 7c. Allegro pastorale
Franz Liszt1:36
2012 Etudes d'exécution transcendante, S. 139: No. 1. Prélude (Presto)
recording engineer and producer:
Rainer Maillard
assistant engineer:
Bastian Schick
piano:
Alice Sara Ott (pianist) (in 2008-06)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2008-06)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: I. Preludio in C major (in 2008-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
Franz Liszt0:53
21Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161): 2. Canzone
Franz Liszt3:12
22Das Wandern, S. 565 no. 1 (after Schubert, D. 795)
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Das Wandern, S. 565 no. 1 (for solo piano, Liszt) (in 1981-11)
composer:
Franz Schubert (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1846)
arrangement of:
Die schöne Müllerin, D. 795: Nr. 1. Das Wandern
part of:
Six mélodies favorites de La Belle Meunière, S. 565
Franz Liszt1:54
23Piano Concerto no. 2 in A major, S. 125: IV. Allegro animato
Franz Liszt1:45
242 Études de Concert, S. 145: No. 1. Waldesrauschen
piano:
Géza Anda (Geza Anda, pianist) (in 1966-05)
recorded at:
Studio Rosenhügel in Wien (Vienna), Austria (in 1966-05)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen (in 1966-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
Franz Liszt3:36
25Impromptu ("Nocturne") (1872)
Franz Liszt3:17
26Hungarian Rhapsodies, S. 244: No. 17 in D minor
Franz Liszt3:19
27Années de pèlerinage: 1e année: Suisse, S. 160: 4. Au bord d'une source
Franz Liszt3:37
28Piano Concerto no. 2 in A major, S. 125: 5. Marziale un poco meno Allegro
Franz Liszt3:29
29Weihnachtsbaum Suite, S.186: 7. Schlummerlied
Franz Liszt3:55
30Grand Duo concertant, S. 128: Variation III. Allegretto pastorale
piano:
Oleg Maisenberg (pianist)
violin:
Gidon Kremer (violinist)
partial recording of:
Grand duo concertant sur "Le Marin", S. 128
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 128)
is based on:
Le Marin
Franz Liszt3:13
316 Etudes d'exécution transcendante d'après Paganini, S. 140: 2. Octaves
piano:
Nikita Magaloff (pianist)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 2 in E-flat major
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 17 in E-flat major: Sostenuto – Andante
part of:
Études d’exécution transcendante d’après Paganini, S. 140
Franz Liszt4:09
32Wohin?, S. 565 no. 5 (after Schubert, D. 795)
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Wohin?, S. 565 no. 5 (for solo piano, Liszt) (in 1981-11)
composer:
Franz Schubert (composer)
arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Die schöne Müllerin, D. 795: Nr. 2. Wohin?
part of:
Six mélodies favorites de La Belle Meunière, S. 565
Franz Liszt3:01
33Unstern! -Sinistre, S. 208
Franz Liszt4:09
34Piano Concerto no. 1 in E-flat major, S. 124: IIb. Allegretto vivace - Allegro animato
Franz Liszt3:58
35Années de pèlerinage: 1e année: Suisse, S. 160: 5. Orage
recording engineer:
Cees Heijkoop (recording engineer) and Willem van Leeuwen (recording engineer)
producer and balance engineer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1986-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1986-10)
recording of:
Orage, S. 160 no. 5 (in 1986-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Première année : Suisse, S. 160
Franz Liszt4:18
36Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato - Presto
Franz Liszt4:09
37Mephisto Waltz no. 1, S. 514 (edit)
Franz Liszt4:01
38La Lugubre Gondola, S. 200 no. 1
Franz Liszt4:11
39Weihnachtsbaum Suite, S. 186: 10. Ehemals
Franz Liszt transcr. Vladimir Horowitz3:58
40Piano Concerto no. 1 in E-flat najor, S. 124: III. Allegro marziale animato
producer:
Wolfgang Stengel
piano:
Krystian Zimerman (pianist) (in 1987-04)
orchestra:
Boston Symphony Orchestra (in 1987-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-04)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1987-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-04)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato (in 1987-04)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt4:02
41Weihnachtsbaum Suite, S. 186: 6. Glockenspiel
Franz Liszt4:21
4212 Etudes d'exécution transcendante, S. 139: No. 3. Paysage (Poco adagio)
Franz Liszt4:16
436 Consolations, S. 172: No. 3 in D-flat major (Lento, placido)
recorded in:
New York, New York, United States (on 1985-04-21)
producer:
John Pfeiffer (producer and engineer)
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer) (on 1985-04-21)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido (on 1985-04-21)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
Franz Liszt4:15
44Rhapsodie espagnole, S. 254
Franz Liszt4:01
45Liebesträume, S. 541: No. 2 in E-flat major "Seliger Tod"
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1982-09)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-09)
recording of:
Liebesträume, S. 541: No. 2 Liebestraum Es-Dur "Seliger Tod" (in 1982-09)
composer and arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Gestorben war ich, S. 308
part of:
Liebesträume, S. 541
revision of:
Liebesträume no. 2, S. 541a "Gestorben war ich" (first version)
Franz Liszt4:44
463 Etudes de Concert, S. 144: No. 3 in D-flat "Un sospiro"
Franz Liszt4:51
47Piano Concerto no. 2 in A major, S. 125: III. Marziale un poco meno allegro
producer:
Wolfgang Stengel
piano:
Krystian Zimerman (pianist) (in 1987-04)
orchestra:
Boston Symphony Orchestra (in 1987-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-04)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1987-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-04)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1987-04)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt4:22
4812 Études d'exécution transcendante, S. 139: No. 7. Eroica (Allegro)
recording engineer:
Marcus Herzog (engineer)
producer:
Sid McLauchlan (engineer/producer)
piano:
Daniil Trifonov (pianist) (in 2015-09)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2016)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2015-09)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: VII. “Eroica” in E‐flat major. Allegro (in 2015-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
Franz Liszt4:37
49Grand Galop Chromatique, S. 219
Franz Liszt4:31
506 Etudes d'exécution transcendante d'après Paganini, S. 140: 1. Trémolo
piano:
Nikita Magaloff (pianist)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 1 in G minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 6 in G minor: Lento
part of:
Études d’exécution transcendante d’après Paganini, S. 140
Franz Liszt4:21
51Piano Concerto no. 2 in A major, S. 125: 1. Adagio sostenuto assai
Franz Liszt4:39
523 Études de Concert, S. 144: No. 2 in F minor "La leggierezza" (A capriccio - Quasi allegretto)
recording engineer:
Marcus Herzog (engineer)
producer:
Sid McLauchlan (engineer/producer)
piano:
Daniil Trifonov (pianist) (in 2015-09)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2016)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2015-09)
recording of:
Trois études de concert, S. 144: II. "La leggierezza" in F minor (in 2015-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
Franz Liszt4:32
53Hungarian Coronation Mass, S. 11: 5. Offertorium
Franz Liszt5:26
54Tre Sonetti di Petrarca, S. 270: Sonetto no. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo se
Franz Liszt5:30
55O lieb, so lang du lieben kannst, S. 298: Liebestraum no. 3
instruments:
Anatol Ugorski (pianist)
piano:
Anatol Ugorski (pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt5:01
56Piano Concerto no. 1 in E-flat major, S. 124: IIa. Quasi adagio
Franz Liszt5:00
57Venezia e Napoli, S. 162 (rev. 1859) supplement to Années de Pelerinage, 2ème année: Italie (S. 161): 1. Gondoliera
Franz Liszt5:03
58Concerto Pathétique in E minor: 2. Andante sostenuto
piano:
Brenda Lucas Ogdon (pianist) (in 1972-05) and John Ogdon (pianist and composer) (in 1972-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1972-05)
partial recording of:
Concerto pathétique, S. 258 (for two pianos) (in 1972-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1856)
dedicated to:
Ingeborg Bronsart von Schellendorf
publisher:
Breitkopf & Härtel (in 1866)
part of:
The Music of Liszt (number: S. 258)
Franz Liszt4:59
59Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso
Franz Liszt5:14
60Liebesträume, S. 541: No. 3 in A-flat major "Oh Lieb, so lang du lieben kannst"
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:51
616 Etudes d'exécution transcendante d'après Paganini, S. 140: 6. Thème et variations
piano:
Nikita Magaloff (pianist)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 6 in A minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto
part of:
Études d’exécution transcendante d’après Paganini, S. 140
Franz Liszt5:08
62Années de pèlerinage: 2ème année: Italie, S. 161: 4. Sonetto 47 del Petrarca
piano:
Alfred Brendel (Austrian pianist) (in 1986-03)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 47 del Petrarca, S. 161 no. 4 (in 1986-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Tre sonetti di Petrarca, S. 158: No. 1. Sonetto XLVII. Benedetto sia il giorno (for solo piano)
Franz Liszt5:03
63Die Legende von der Heiligen Elisabeth: 4. Landgräfin Sophie - Die Pforte schloß sich hinter ihr - Es wächst der Sturm
Franz Liszt5:18
64Soirées de Vienne, S. 427: 7. Allegro spiritoso
Franz Liszt5:23
65Valse oubliée no. 2 in A-flat, S. 215
Franz Liszt5:12
66Rakoczy March, S. 117
Franz Liszt4:58
67Années de pèlerinage: 3ème année, S. 163: 2. Aux cyprès de la Villa d'Este no. 1 (Thrénodie)
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1986-10)
piano:
Zoltán Kocsis (pianist, conductor) (in 1986-10)
recording of:
Aux cyprès de la Villa d’Este I : Thrénodie, S. 163 no. 2 (in 1986-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1877)
part of:
Années de pèlerinage : Troisième année, S. 163
Franz Liszt5:43
68Lob der Tränen, S. 557 (after Schubert, D. 711)
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Lob der Tränen, S. 557 (in 1981-11)
composer:
Franz Schubert (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1837)
part of:
The Music of Liszt (number: S. 557)
version of:
Lob der Tränen, D. 711
Franz Liszt5:37
69Hungarian Rhapsodies, S. 244: No. 15 in A minor
Franz Liszt5:36
70Années de pèlerinage: 2ème année: Italie, S. 161: 5. Sonetto 104 del Petrarca
producer:
Thomas Frost (classical music producer)
editor:
Rainer Höpfner (engineer), Thomas MacCluskey (engineer) and Lothar Schmidt (engineer)
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer) (on 1986-04-20)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1986)
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского (Moscow Tchaikovsky Conservatory) in Moscow, Russia (on 1986-04-20)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 104 del Petrarca, S. 161 no. 5 (on 1986-04-20)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Tre sonetti di Petrarca, S. 158: No. 2. Sonetto CIV. Pace non trovo (for solo piano)
Franz Liszt5:52
71Hungarian Rhapsodies, S. 244: No. 7 in D minor
Franz Liszt5:42
7212 Etudes d'exécution transcendante, S. 139: No. 10. Allegro agitato molto
Franz Liszt5:33
73Hungarian Rhapsodies, S. 244: No. 10 in E major
Franz Liszt5:37
74Spinning Song, S. 440 (Piano transcription from Richard Wagner's "Flying Dutchman")
Richard Wagner transcr. Franz Liszt5:40
7512 Etudes d'exécution transcendante, S. 139: No. 12. Chasse neige (Andante con moto)
recording engineer and producer:
Rainer Maillard
assistant engineer:
Bastian Schick
piano:
Alice Sara Ott (pianist) (in 2008-06)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2008-06)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: XII. “Chasse‐neige” in B‐flat minor. Andante con moto (in 2008-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
Franz Liszt5:35
76Schwanengesang, S. 560: No. 4. Ständchen
recorded in:
New York, New York, United States (from 1986-02-14 until 1986-03-06)
executive producer:
Günther Breest (producer for classical music)
producer:
Thomas Frost (classical music producer)
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer) (from 1986-02-14 until 1986-03-06)
balance engineer:
Paul Goodman (engineer) and Tom Lazarus
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1986-02-14 until 1986-03-06)
recording of:
Schwanengesang, S. 560: No. 7. Ständchen (for solo piano, Liszt) (from 1986-02-14 until 1986-03-06)
composer:
Franz Schubert (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1839)
arrangement of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano)
part of:
Schwanengesang, S. 560 (for solo piano, Liszt)
Franz Liszt5:42
7712 Études d'exécution transcendante, S. 139: No. 6. Vision (Lento)
recording engineer:
Marcus Herzog (engineer)
producer:
Sid McLauchlan (engineer/producer)
piano:
Daniil Trifonov (pianist) (in 2015-09)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2016)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2015-09)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: VI. “Vision” in G minor. Lento (in 2015-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
Franz Liszt5:41
78Concert Paraphrase on Rigoletto, S. 434 (after Verdi's Opera)
piano:
Yundi Li (pianist)
recording of:
Konzert-Paraphrase über Verdis "Rigoletto", S. 434
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 434)
is based on:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
Franz Liszt6:28
79Die Legende von der Heiligen Elisabeth: 5. Elisabeth - Es beruhigt sich das Toben
Franz Liszt6:34
80Soirées de Vienne, S. 427: No. 6 in A minor
Franz Liszt6:33
81Mosonyis Grabgeleit, S. 194
Franz Liszt6:44
82Tre Sonetti di Petrarca, S. 270: Sonetto no. 104: "Pace non trovo" Agitato assai - Adagio
Franz Liszt6:42
83Vexilla regis prodeunt, S. 185
Franz Liszt6:51
84Années de pèlerinage: 3ème année, S. 163: 6. Marche funèbre (En mémoire de Maximilien I)
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1986-10)
piano:
Zoltán Kocsis (pianist, conductor) (in 1986-10)
recording of:
Marche funèbre, S. 163 no. 6 (in 1986-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1867)
part of:
Années de pèlerinage : Troisième année, S. 163
revision of:
En mémoire de Maximilian I, S. 162e
Franz Liszt7:35
85Hungarian Rhapsodies, S. 244: No. 8 in F-sharp minor
Franz Liszt6:51
86Hungarian Rhapsodies, S. 244: No. 6 in D-flat major
Franz Liszt6:54
87Mephisto Polka, S. 217
Franz Liszt6:52
88Années de pèlerinage: 3ème année, S. 163: 1. Angelus (Prière aux anges gardiens)
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1986-10)
piano:
Zoltán Kocsis (pianist, conductor) (in 1986-10)
recording of:
Angélus ! Prière aux anges gardiens, S. 163 no. 1 (in 1986-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1877)
part of:
Années de pèlerinage : Troisième année, S. 163
revision of:
Angelus! Prière à l'ange gardien, S. 162a/4
Franz Liszt8:14
89Ave Maria
organ:
Thomas Trotter (organist)
recording of:
Ave Maria (d'Arcadelt), S. 659 (for organ)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1862)
arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 659)
arrangement of:
Ave Maria (d'Arcadelt), S. 183 no. 2 (for solo piano)
Franz Liszt8:01
90Prelude and Fugue on the Name B-A-C-H, S. 260: 2. Fugue
organ:
Jeanne Demessieux
recording of:
Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 259: III. Fugue (for organ)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 259 (for organ)
Franz Liszt8:30
91Harmonies du soir
piano:
Nelson Freire (pianist) (in 2011-01)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2011-01)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: XI. “Harmonies du soir” in D‐flat major. Andantino (in 2011-01)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
Franz Liszt8:36
92Ballade no. 1
Franz Liszt7:44
93Paraphrase de concert sur Rigoletto, S. 434
recorded in:
New York, New York, United States (on 1970-10-03)
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (on 1970-10-03, in 1982-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-02)
recording of:
Konzert-Paraphrase über Verdis "Rigoletto", S. 434 (on 1970-10-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 434)
is based on:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
recording of:
Konzert-Paraphrase über Verdis "Rigoletto", S. 434 (in 1982-02)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 434)
is based on:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
Franz Liszt7:00
9412 Etudes d'exécution transcendante, S. 139: No. 4. Mazeppa (Presto)
Franz Liszt7:46
95Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259: 2. Adagio
organ:
Jeanne Demessieux
recording of:
Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 259: II. Adagio (for organ)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 259 (for organ)
Franz Liszt6:55
96Czardas Macabre, S. 224
recording engineer:
Tobias Lehmann (in 2012-06)
producer:
Sid McLauchlan (engineer/producer)
piano:
Ingolf Wunder (pianist) (in 2012-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2012)
recorded at:
Theater Itzehoe: Großes Haus in Itzehoe, Schleswig-Holstein, Germany (in 2012-06)
recording of:
Csárdás macabre, S. 224 (for solo piano) (in 2012-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 224)
Franz Liszt7:49
97Tre Sonetti di Petrarca, S. 270: Sonetto no. 123: "I' vidi in terra angelici costumi" Lento placido - Sempre lento - Più l
Franz Liszt7:11
98Années de pèlerinage: 3ème année, S. 163: 5. Sunt lacrimae rerum (En mode hongrois)
Franz Liszt7:08
9910 Harmonies poétiques et religieuses, S. 173: No. 1. Invocation
recorded in:
London (Greater London), England, United Kingdom (in 1986-12)
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1986-12)
recording of:
Harmonies poétiques et religieuses, S. 173: No. 1. Invocation (in 1986-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Harmonies poétiques et religieuses, S. 173
Franz Liszt7:31
1006 Hungarian Rhapsodies, S. 359: No. 3 in D major
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recording of:
Hungarian Rhapsody for Orchestra no. 3 in D major, S. 359/3
additional orchestrator:
Franz Doppler
orchestrator and composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante - Allegro - Presto
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt8:38
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