Mastermix Classic Cuts 91: Spy Anthems

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1The Living Daylights
producer:
a-ha (Norwegian synth‐pop band), John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
vocals:
a-ha (Norwegian synth‐pop band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Living Daylights
writer:
Pal Waaktaar (guitarist, songwriter and singer)
additional composer:
John Barry (English score composer)
publisher:
ATV Music and BMG Music
part of:
James Bond themes
a‐ha44:17
2We Have All the Time in the World
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”)
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
James Bond themes
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:16
3Diamonds Are Forever
producer:
John Barry (English score composer)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Diamonds Are Forever (main title theme)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:43
4Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
Shirley Bassey4.252:51
5Mulder and Scully
assistant engineer:
Jason Harris (engineer)
engineer:
Joe Gibb
producer:
Catatonia (Welsh alternative rock band, ~1992–2001) and TommyD
mixer:
Roland Herrington and TommyD
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1998)
recorded at:
Monnow Valley Studio in Rockfield, Monmouthshire, Wales, United Kingdom
recording of:
Mulder and Scully
lyricist and composer:
Cerys Matthews (lead singer, Catatonia) and Mark Roberts (Welsh guitarist, Catatonia)
Catatonia3.54:13
6Mission Impossible Theme
mastering:
Arnie Acosta
assistant mixer:
Adam Brown (UK engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
cover recording of:
Mission: Impossible
composer:
Lalo Schifrin (pianist & composer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
Mission: Impossible III (2006 film soundtrack)
Adam Clayton & Larry Mullen3.653:30
7Watching the Detectives
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
drums (drum set):
Steve Goulding (English drummer for the Rumour, Mekons, etc.)
electric bass guitar [bass]:
Andrew Bodnar (bass player)
guitar:
Elvis Costello
organ and piano:
Steve Nieve
vocals:
Elvis Costello
phonographic copyright (℗) by:
Elvis Costello (in 1977)
phonographic copyright (℗) by:
Demon Records Ltd. (in 1984)
recorded at:
Pathway Studios in Islington, London (Greater London), England, United Kingdom (in 1976, from 1977-05 until 1977-06)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 354) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 355)
recording of:
Watching the Detectives
lyricist and composer:
Declan Patrick MacManus
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Universal Music Publishing International MGB Ltd.
Elvis Costello4.153:45
8A View to a Kill
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) and Bernard Edwards (American bassist and record producer)
sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
orchestrator:
John Barry (English score composer)
writer:
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
composer:
John Barry (English score composer) and Duran Duran (English rock band)
publisher:
EMI Songs and Gloucester Place Music Ltd.
part of:
James Bond themes
part of:
A View to a Kill (from the James Bond film)
Duran Duran3.63:37
9For Your Eyes Only
producer:
Christopher Neil
vocals:
Sheena Easton
conductor:
Bill Conti
phonographic copyright (℗) by:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
recording of:
For Your Eyes Only (in 1981)
lyricist:
Michael Leeson
composer:
Bill Conti
publisher:
EMI United Partnership Ltd.
part of:
The 54th Academy Award for Best Original Song (number: 2) and James Bond themes
Sheena Easton3.53:07
10Axel F
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.153:04
11Soul Bossanova
recording engineer:
Phil Ramone (on 1962-09-13)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-13)
drums (drum set):
Rudy Collins (drums) (on 1962-09-13)
flute:
Rahsaan Roland Kirk (on 1962-09-13)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-13)
tenor saxophone:
Paul Gonsalves (on 1962-09-13)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-13)
conductor:
Quincy Jones (on 1962-09-13)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (on 1962-09-13)
composer:
Quincy Jones
Quincy Jones and His Orchestra42:48
12Licence to Kill
producer:
Walter Afanasieff and Narada Michael Walden
vocals:
Gladys Knight
arranger:
Walter Afanasieff and Narada Michael Walden
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
recording of:
Licence to Kill
writer:
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and SBK Songs Ltd. (in 1989)
part of:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight3.355:17
13The Man With the Golden Gun
producer:
John Barry (English score composer)
vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Man With the Golden Gun (The Man With the Golden Gun)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
The Man With the Golden Gun (from the James Bond Film)
Lulu3.252:37
14Live & Let Die
recording engineer:
Bill Price (UK producer/engineer) (from 1972-10-19 until 1972-10-20)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (from 1972-10-19 until 1972-10-20) and Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
mixer:
Bill Price (UK producer/engineer) (on 1972-10-21)
bass guitar:
Denny Laine (from 1972-10-19 until 1972-10-20)
bass guitar, electric guitar and percussion, piano and lead vocals:
Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
drums (drum set):
Denny Seiwell (US drummer) (from 1972-10-19 until 1972-10-20)
duck call and timpani:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20)
electric guitar:
Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1972-10-19 until 1972-10-20)
percussion:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) and Denny Seiwell (US drummer) (from 1972-10-19 until 1972-10-20)
background vocals:
Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
orchestrator:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-20)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-19)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-21)
recording of:
Live and Let Die (from 1972-10-19 until 1972-10-20)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
EMI Unart Catalog Inc., EMI United Partnership Ltd., Kobalt Songs Music Publishing (USA, ASCAP affiliated) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
part of:
The 46th Academy Award for Best Original Song (number: 2) and James Bond themes
Paul McCartney & Wings4.13:14
15Beautiful Stranger
recording of:
Beautiful Stranger
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
publisher:
Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Madonna4:00
16James Bond Theme
performer:
Monty Norman Orchestra
recording of:
James Bond Theme
composer:
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) and EMI United Partnership
part of:
James Bond themes
is based on:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
Monty Norman Orchestra41:49
17Return of the Saint
Brian Dee, Irving Martin2:30
18The Saint
recording of:
Main Theme (The Saint)
composer:
Edwin Astley
publisher:
Robbins Music Corp. Ltd.
Edwin T. Astley0:59
19Nobody Does It Better
engineer:
Howard Steel (US producer, sound engineer)
producer:
Richard Perry (producer)
vocals:
Carly Simon
conductor:
Richard Hewson (horn, strings)
horn arranger and strings arranger:
Richard Hewson
part of:
TV Cream: Real 100 Best Singles Ever (number: 16)
recording of:
Nobody Does It Better (from “The Spy Who Loved Me”)
lyricist:
Carole Bayer Sager
composer:
Marvin Hamlisch
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., EMI United Partnership Ltd. and United Artists Music Ltd.
part of:
The 50th Academy Award for Best Original Song (number: 2) and James Bond themes
part of:
The Spy Who Loved Me
Carly Simon43:32
20Men in Black
recording engineer:
John Shriver
drum machine [drum] programming:
Poke and Tone
producer:
Poke and Tone
mixer:
Commissioner Gordon (US hip hop producer Gordon Williams) and Tony Maserati (engineer / mixer)
background vocals:
Coko (R&B singer Cheryl Gamble)
publisher:
Track Masters Entertainment
samples:
Forget Me Nots by Patrice Rushen
recording of:
Men in Black
writer:
Fred Washington (US session bassist), Patrice Rushen, Will Smith (US actor aka The Fresh Prince) and Terry McFadden
publisher:
Baby Fingers Music, Freddie Dee Music, New Columbia Pictures, Inc, Treyball Music, Inc. and Yamina Music
Will Smith4.153:51
21X Files Theme
producer:
Chris Carter (screenwriter), Jeff Charbonneau and Mark Snow (American score composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Andora Studios in Hollywood, Los Angeles, California, United States
recording of:
Materia Primoris (The X‐Files, main title)
composer:
Mark Snow (American score composer)
publisher:
EMI Songs Ltd.
Mark Snow4.353:27
22We Are Detective
recording of:
We Are Detective
writer:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
Thompson Twins3:06
23Goldeneye
recorded in:
London (Greater London), England, United Kingdom
recording engineer:
Mark “Spike” Stent (producer, engineer)
programming:
Marius de Vries
assistant engineer:
Paul ‘P Dub’ Walton
executive producer:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
producer:
Nellee Hooper
mixer:
Nellee Hooper and Mark “Spike” Stent (producer, engineer)
vocals:
Tina Turner
strings [orchestra] arranger:
Craig Armstrong (Scottish score composer)
recording of:
GoldenEye
writer:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music and Songs of PolyGram International, Inc.
part of:
James Bond themes
Tina Turner3.353:32
24F.B.I. (I Spy for The)
recording of:
I Spy (I Spy (For The FBI))
writer:
Herman Kelly and Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter)
publisher:
Trio Music Company
The Untouchables3:26

Credits

Release group

part of:Mastermix Classic Cuts (number: 91) (order: 91)