| # | Title | Artist | Rating | Length |
|---|
| 1 | Here I Go Again (USA remix) | Whitesnake | 3.5 | 3:53 |
| 2 | Owner of a Lonely Heart (2008 remastered version)- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Chrysalis Scandinavia AB , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. , Tremander Songs, Unforgettable Songs , Unforgettable Songs Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. , Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 3.95 | 4:26 |
| 3 | Urgent | Foreigner | | 4:25 |
| 4 | Don’t Stop- assistant engineer:
- Chris Morris
- engineer:
- Ken Caillat and Richard Dashut
- additional producer:
- Ken Caillat and Richard Dashut
- producer:
- Ken Caillat, Richard Dashut and Fleetwood Mac
- bass guitar:
- John McVie
- drums (drum set) and percussion:
- Mick Fleetwood
- guitar:
- Lindsey Buckingham
- keyboard and synthesizer:
- Christine McVie
- vocals:
- Lindsey Buckingham , Christine McVie and Stevie Nicks
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1977), WEA International Inc. (in 1977) and Warner Bros. (in 2004)
- mixed at:
- Producer’s Workshop in Hollywood, Los Angeles, California, United States
- recording of:
- Don’t Stop
- lyricist and composer:
- Christine McVie
- publisher:
- BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music , Universal Music Publishing and Gentoo Music, Inc. (in 1977)
| Fleetwood Mac | 4.25 | 3:11 |
| 5 | Bad Company (2015 remastered version) | Bad Company | 3.4 | 4:49 |
| 6 | China Grove- engineer:
- Donn Landee
- producer:
- Ted Templeman
- congas, cymbal and timbales:
- Michael Hossack
- guest synthesizer:
- Malcolm Cecil and Robert Margouleff
- guitar:
- Jeff “Skunk” Baxter, Tom Johnston and Patrick Simmons
- harmonica:
- Tom Johnston
- keyboard, organ and piano:
- Bill Payne
- membranophone:
- John Hartman and Michael Hossack
- percussion:
- John Hartman and Ted Templeman
- steel guitar:
- Jeff “Skunk” Baxter
- synthesizer:
- Tom Johnston and Patrick Simmons
- vocals:
- John Hartman , Tom Johnston , Tiran Porter and Patrick Simmons
- bass arranger:
- Tiran Porter
- strings arranger:
- Nick de Caro
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (, in 1973) and WEA International Inc. (in 1973)
- recorded at:
- Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
- recording of:
- China Grove
- lyricist and composer:
- Tom Johnston
- publisher:
- Copyright Control and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Doobie Brothers | 4.65 | 3:15 |
| 7 | Sharp Dressed Man | ZZ Top | 4.6 | 4:11 |
| 8 | School’s Out- engineer:
- Roy Cicala and Shelly Yakus
- producer:
- Bob Ezrin
- drums (drum set):
- Neil Smith
- electric bass guitar:
- Dennis Dunaway
- electric guitar:
- Michael Bruce and Glen Buxton
- guitar and background vocals:
- Reggie Vincent
- keyboard:
- Michael Bruce and Bob Ezrin
- lead vocals:
- Alice Cooper
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1972, in 1974) and WEA International Inc. (in 1972)
- produced for:
- Alive Enterprises Incorporated and Nimbus 9 Productions
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (number: 319)
- recording of:
- School’s Out
- writer:
- Michael Bruce , Glen Buxton , Alice Cooper , Dennis Dunaway and Neal Smith
- publisher:
- Bizarre Music Co. , BMG Platinum Songs US, Carlin Music Corporation, Copyright Control , Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.2 | 3:29 |
| 9 | Long Cool Woman (in a Black Dress) | The Hollies | 4.2 | 3:17 |
| 10 | If You Leave Me Now- recording engineer:
- Armin Steiner (from 1976-03 until 1976-04: strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (from 1976-03 until 1976-04)
- lead vocals:
- Peter Cetera (from 1976-03 until 1976-04)
- French horn arranger and strings arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Rhino Entertainment Company (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (in 1976)
- recorded at:
- Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- recording of:
- If You Leave Me Now (from 1976-03 until 1976-04)
- lyricist:
- Peter Cetera
- composer:
- Peter Cetera (in 1976)
- publisher:
- Big Elk Music, BMG Music Publishing Ltd., Copyright Control , Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
| Chicago | 4.2 | 3:54 |
| 11 | Slow Ride | Foghat | 4.5 | 3:58 |
| 12 | 2‐4‐6‐8 Motorway | Tom Robinson Band | 4 | 3:18 |
| 13 | In‐A‐Gadda‐Da‐Vida | Iron Butterfly | 4 | 2:53 |
| 14 | Black Night- drums (drum set):
- Ian Paice (in 1970-05)
- electric bass guitar:
- Roger Glover (in 1970-05)
- electric guitar:
- Ritchie Blackmore (in 1970-05)
- Hammond organ:
- Jon Lord (in 1970-05)
- lead vocals:
- Ian Gillan (in 1970-05)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (in 1970-05)
- recording of:
- Black Night (in 1970-05)
- writer:
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
- publisher:
- EMI Music Publishing , Glenwood Music Corp., HEC Music and Henrees Music co.
- sub-publisher:
- EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Deep Purple | 4.45 | 3:27 |
| 15 | We’re Not Gonna Take It (2016 remaster)- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello , Greg Laney and Geoff Workman
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza
- drums (drum set):
- A.J. Pero
- electric guitar:
- Jay Jay French and Eddie Ojeda
- background vocals:
- Jay Jay French, Mark Mendoza , Eddie Ojeda, A.J. Pero and Dee Snider
- lead vocals:
- Dee Snider
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
- recording of:
- We’re Not Gonna Take It
- lyricist and composer:
- Dee Snider
- publisher:
- Copyright Control and Universal Tunes
- part of:
- “The Filthy Fifteen” (number: 7)
| Twisted Sister | 4.55 | 3:38 |
| 16 | New Girl Now (2012 collection remaster) | Honeymoon Suite | | 3:35 |
| 17 | 18 and Life | Skid Row | 4.05 | 3:51 |
| 18 | Smokin’ in the Boy’s Room | Brownsville Station | 5 | 2:57 |
| 19 | Joyride (single version) | Roxette | 3.35 | 4:02 |
| 20 | I Wanna Be Your Dog- producer:
- John Cale
- bass guitar:
- Dave Alexander
- drums (drum set):
- Scott Asheton
- electric guitar:
- Ron Asheton
- lead vocals:
- Iggy Stooge
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 314) and Rolling Stone: 500 Greatest Songs of All Time (number: 438)
- recording of:
- I Wanna Be Your Dog
- writer:
- Dave Alexander , Ron Asheton, Scott Asheton and Iggy Pop
- publisher:
- Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| The Stooges | 3.55 | 3:09 |
| 21 | Stay With Me | Faces | 4.5 | 4:39 |
| 22 | Just What I Needed | The Cars | 4.3 | 3:43 |
| 23 | Ride Like the Wind- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, solo guitar and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and piano:
- Michael Omartian
- percussion:
- Lenny Castro
- synthesizer:
- Rob Meurer
- background vocals:
- Christopher Cross and Michael McDonald
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. (in 1979) and Warner Bros. Records Inc. (in 1979)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Ride Like the Wind
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music and Universal Music–MGB Songs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Christopher Cross | 4.1 | 4:36 |
| 24 | Black Velvet | Alannah Myles | 4.5 | 4:47 |
| 25 | Guitar Man | Bread | 4 | 3:46 |
| 26 | Werewolves of London | Warren Zevon | 4.9 | 3:29 |
| 27 | Life’s Been Good | Joe Walsh | 4 | 4:39 |
| 28 | Feel Like Makin’ Love (2015 remastered version)- recording engineer:
- Ron Nevison (in 1974-09)
- producer:
- Bad Company
- mixer:
- Ron Nevison
- drums (drum set):
- Simon Kirke (in 1974-09)
- electric bass guitar:
- Boz Burrell (in 1974-09)
- guitar:
- Mick Ralphs (in 1974-09) and Paul Rodgers (in 1974-09)
- keyboard:
- Mick Ralphs (in 1974-09)
- piano and lead vocals:
- Paul Rodgers (in 1974-09)
- phonographic copyright (℗) by:
- Swan Song Inc. (in 1975)
- recorded at:
- Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
- mixed at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 78)
- recording of:
- Feel Like Makin’ Love (in 1974-09)
- writer:
- Mick Ralphs and Paul Rodgers
- publisher:
- MCA Music , MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 and Badco Music, Inc. (from 1974 to present)
| Bad Company | 4.25 | 5:15 |
| 29 | I Don’t Want to Talk About It- miscellaneous support:
- Elliot Roberts and Roland Stone
- engineer:
- Bruce Botnick
- co-producer:
- Bruce Botnick and Jack Nitzsche
- mixer:
- Henry Lewy
- bass:
- Billy Talbot
- drums (drum set) [drums]:
- Ralph Molina
- guitar:
- Nils Lofgren and Danny Whitten
- keyboard and piano:
- Jack Nitzsche
- slide guitar:
- Ry Cooder
- background vocals:
- Nils Lofgren, Ralph Molina, Jack Nitzsche , Billy Talbot and Danny Whitten
- lead vocals:
- Whitten
- arranger:
- Crazy Horse
- recorded at:
- Wally Heider Studios in San Francisco, California, United States
- mixed at:
- A&M Studio “E” in Los Angeles, California, United States
- engineered at:
- Sunset Sound, Studio 1 in Hollywood, Los Angeles, California, United States and Wally Heider Studio "D" in San Francisco, California, United States
- recording of:
- I Don’t Want to Talk About It
- lyricist and composer:
- Danny Whitten
- publisher:
- Chrysalis Music Ltd. , Crazy Horse Music and Rondor Music
| Crazy Horse | | 5:19 |
| 30 | Roxette | Dr. Feelgood | 4.5 | 2:56 |
| 31 | The Mexican (edit) | Babe Ruth | | 3:27 |
| 32 | Shake Some Action (2012 collection remaster) | Flamin’ Groovies | 5 | 4:33 |
| 33 | Run Run Run (2012 remaster) | Jo Jo Gunne | 3 | 2:36 |
| 34 | Just a Gigolo / I Ain’t Got Nobody | David Lee Roth | 3.4 | 4:38 |
| 35 | Battleship Chains (WSM compilation edit) | The Georgia Satellites | | 2:56 |
| 36 | Coming of Age (2012 collection remaster) | Damn Yankees | | 4:18 |
| 37 | Ride Captain Ride (2012 remaster) | Blues Image | 4.5 | 3:42 |
| 38 | Train, Train | Blackfoot | 4.5 | 3:37 |
| 39 | Smooth Up in Ya | BulletBoys | | 4:23 |
| 40 | Mercury Blues (2012 collection remaster) | David Lindley | | 3:35 |
| 41 | Are You Gonna Be My Girl- additional engineer:
- Greg Gordon
- assistant engineer:
- Evil Chris
- engineer:
- Greg Fidelman
- producer and mixer:
- Brooklyn’s own Dave Sardy
- editor:
- Greg Gordon
- additional guitar:
- Brooklyn’s own Dave Sardy
- bass guitar:
- Mark Wilson
- drums (drum set):
- Chris Cester
- guitar:
- Cam Muncey and Nic Cester
- vocals:
- Cam Muncey, Chris Cester and Nic Cester
- phonographic copyright (℗) by:
- Elektra Entertainment Group Inc. (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (in 2003)
- recorded at:
- Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- mixed at:
- The Village in Los Angeles, California, United States
- part of:
- triple j’s Hottest 100 (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
- recording of:
- Are You Gonna Be My Girl
- writer:
- Nic Cester and Cameron Muncey
- publisher:
- Copyright Control , Universal Music Publishing and Universal Music Publishing Pty Ltd.
| Jet | 3.7 | 3:37 |
| 42 | Rock & Roll Queen | The Subways | 3.8 | 2:53 |
| 43 | Ten Tonne Skeleton | Royal Blood | 3.9 | 3:08 |
| 44 | Growing on Me | The Darkness | 4 | 3:29 |
| 45 | Rockstar | Nickelback | 3.65 | 4:12 |
| 46 | Girl From Mars | Ash | 4 | 3:33 |
| 47 | One Week | Barenaked Ladies | 4.1 | 2:50 |
| 48 | Bubbles | Biffy Clyro | 4.35 | 5:01 |
| 49 | Fit 4 U | Young Knives | | 3:16 |
| 50 | Red Flag | Billy Talent | 4.15 | 3:18 |
| 51 | Walk (2012 remaster) | Pantera | 3.95 | 5:16 |
| 52 | Down With the Sickness | Disturbed | 5 | 4:38 |
| 53 | Refuse/Resist | Sepultura | | 3:20 |
| 54 | Pitiful | Blindside | 5 | 3:12 |
| 55 | Poem | Taproot | 4 | 3:09 |
| 56 | Gimme Some Lovin’- recording engineer and mixer:
- Mike Fraser
- producer:
- Andy Taylor
- bass guitar:
- Mark "Snake" Luckhurst
- drums (drum set):
- Gary 'Harry' James
- guitar:
- Ben Matthews and Luke Morley
- organ:
- Ben Matthews
- lead vocals:
- Danny Bowes
- cover recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Warner Chappell Music Ltd. , Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| Thunder | 3 | 3:51 |
| 57 | Come On | Kharma 45 | | 3:54 |
| 58 | Take It Off | The Donnas | 4 | 2:42 |
| 59 | Away From Here | The Enemy | | 3:02 |
| 60 | Epic | Faith No More | 4.25 | 4:53 |
| 61 | Disorder | Joy Division | 4.4 | 3:30 |
| 62 | Sheena Is a Punk Rocker- assistant engineer:
- Don Berman
- engineer:
- Ed Stasium
- producer:
- Tony Bongiovi and Thomas Erdelyi
- bass guitar:
- Dee Dee Ramone
- drums (drum set):
- Tommy Ramone
- guitar:
- Johnny Ramone
- lead vocals:
- Joey Ramone
- phonographic copyright (℗) by:
- WEA International Inc. (in 1977)
- recorded at:
- Mediasound Studios in New York, New York, United States and Sundragon Studios in Flatiron District, New York, New York, United States
- mixed at:
- Le Studio in Morin‐Heights, Québec , Canada, Power Station Studios in Hell's Kitchen, New York, New York, United States and Track Recorders in Silver Spring, Maryland, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 434) and Rolling Stone: 500 Greatest Songs of All Time (number: 457)
- recording of:
- Sheena Is a Punk Rocker
- writer:
- Douglas Glenn Colvin, Thomas Erdelyi , Jeffrey Hyman and John Cummings
- publisher:
- Bleu Disque Music Co., Inc. , Taco Tunes Inc. and Warner/Chappell North America
| Ramones | 4.55 | 2:46 |
| 63 | Can’t Go Back | Primal Scream | 3.65 | 3:42 |
| 64 | Alternative Ulster | Stiff Little Fingers | 4.5 | 2:44 |
| 65 | Peaches- engineer:
- Alan Winstanley
- producer:
- Martin Rushent
- assistant mixer:
- Benny King
- mixer:
- Doug Bennett
- bass guitar:
- Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
- drums (drum set):
- Jet Black (from 1976-12-20 until 1977-01-28)
- guitar and lead vocals:
- Hugh Cornwell (from 1976-12-20 until 1977-01-28)
- keyboard:
- Dave Greenfield (from 1976-12-20 until 1977-01-28)
- publisher:
- EMI April Music Inc.
- recorded at:
- T.W. Studios in Fulham, Hammersmith and Fulham, London , England, United Kingdom (from 1976-12-20 until 1977-01-28)
- mixed at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom
- produced at:
- T.W. Studios in Fulham, Hammersmith and Fulham, London , England, United Kingdom (from 1977-01 until 1977-02)
- recording of:
- Peaches (from 1976-12-20 until 1977-01-28)
- writer:
- Brian Duffy , Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
- publisher:
- Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
| The Stranglers | 4.15 | 4:07 |
| 66 | April Skies | The Jesus and Mary Chain | 4.35 | 4:00 |
| 67 | What Difference Does It Make? | The Smiths | 4.05 | 3:50 |
| 68 | Prove It | Television | 3.5 | 5:01 |
| 69 | Walk Out to Winter | Aztec Camera | 3 | 3:25 |
| 70 | Don’t Get Me Wrong | Pretenders | 4.2 | 3:46 |
| 71 | Been Caught Stealing | Jane’s Addiction | 4.35 | 3:34 |
| 72 | Mrs. Robinson (1; 2012 remaster) | The Lemonheads | 4 | 3:38 |
| 73 | The Other Side of Summer | Elvis Costello | 4.5 | 3:54 |
| 74 | Winning | The Sound | | 4:18 |
| 75 | I Don’t Think So (2012 remaster) | Dinosaur Jr. | 4.65 | 3:35 |
| 76 | Poor Misguided Fool | Starsailor | 4 | 3:52 |
| 77 | Fall From Grace | Babyshambles | | 4:23 |
| 78 | You Held the World in Your Arms | Idlewild | 3.35 | 3:22 |
| 79 | Hard to Beat | Hard‐Fi | 3.45 | 4:15 |
| 80 | Moving | Supergrass | 3.15 | 4:27 |
| 81 | For What It’s Worth | Buffalo Springfield | 4.25 | 2:37 |
| 82 | A House Is Not a Motel | Love | 4.35 | 3:32 |
| 83 | Ooh La La | Faces | 3.75 | 3:34 |
| 84 | Polk Salad Annie | Tony Joe White | | 3:44 |
| 85 | Everything I Own | Bread | 4.35 | 3:07 |
| 86 | Willin’ | Little Feat | | 2:57 |
| 87 | Return of the Grievous Angel | Gram Parsons | | 4:26 |
| 88 | Cats in the Cradle | Harry Chapin | 3 | 3:32 |
| 89 | When the Children Cry | White Lion | 3.5 | 4:18 |
| 90 | Casey Jones (2013 remaster) | Grateful Dead | 4 | 4:25 |
| 91 | Born to Rock & Roll (2012 collection remaster) | The Byrds | 3 | 3:12 |
| 92 | Rock and Roll | The Velvet Underground | 4.1 | 4:44 |
| 93 | Hello It’s Me | Todd Rundgren | | 4:24 |
| 94 | (I’m Not Your) Steppin’ Stone | The Monkees | 4.35 | 2:24 |
| 95 | Roundabout (single edit)- producer:
- Eddy Offord and Yes
- phonographic copyright (℗) by:
- Atlantic (in 1972) and Atlantic Recording Corporation (in 1972)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom (in 1971-09)
- edit of:
- Roundabout by Yes
- recording of:
- Roundabout (in 1971-09)
- writer:
- Jon Anderson and Steve Howe
- publisher:
- Cotillion Music Inc. , Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. , Warner Bros. , Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Yes | 5 | 3:29 |
| 96 | Aqualung | Jethro Tull | 4.4 | 6:36 |
| 97 | Whammer Jammer (2012 collection remaster) | The J. Geils Band | | 2:39 |
| 98 | Brown Sugar | ZZ Top | 4 | 5:22 |
| 99 | No Fun | The Stooges | 3.8 | 5:18 |
| 100 | Kick Out the Jams | MC5 | | 2:41 |
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