Elv1s: 30 #1 Hits (Sonopress USA glass master)

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, 22 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3.72:10
2Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. und Williamson Music Company
3.82:05
3Hound Dog
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
cover recording of:
Hound Dog (am 1956-07-02)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
3.82:16
4Love Me Tender
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
42:45
5Too Much
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-09-02)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-09-02)
Gitarre und Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-02)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-09-02)
Schlagzeug:
D.J. Fontana (am 1956-09-02)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1956-09-02)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 34)
cover recording of:
Too Much (am 1956-09-02)
Verfasser(in):
Lee Rosenberg und Bernard Weinman
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., MCS Music Ltd. und Southern Belle Music
2.352:36
6All Shook Up
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-12 bis 1957-01-13)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-12 bis 1957-01-13) und Elvis Presley (“The King of Rock and Roll”) (von 1957-01-12 bis 1957-01-13)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1957-01-12 bis 1957-01-13)
Schlagzeug:
D.J. Fontana (von 1957-01-12 bis 1957-01-13)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) und The Jordanaires (southern gospel group) (von 1957-01-12 bis 1957-01-13)
remixer:
Dennis Ferrante
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-01-12 bis 1957-01-13) und Bloch Arena in Honolulu, Hawaii, Vereinigte Staaten (am 1961-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 353)
cover recording of:
All Shook Up (am 1957-01-12)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) und Shalimar Music Corp.
3.652:00
7(Let Me Be Your) Teddy Bear
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-15 bis 1957-01-18)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-15 bis 1957-01-18) und Tiny Timbrell (von 1957-01-15 bis 1957-01-18)
Klavier:
Dudley Brooks (von 1957-01-15 bis 1957-01-18)
Schlagzeug:
D.J. Fontana (von 1957-01-15 bis 1957-01-18)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (von 1957-01-15 bis 1957-01-18)
vocals:
Elvis Presley (“The King of Rock and Roll”) und The Jordanaires (southern gospel group) (von 1957-01-15 bis 1957-01-18)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (von 1957-01-15 bis 1957-01-18)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Paramount Pictures Scoring Stage M in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-15 bis 1957-01-18)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 26)
recording of:
(Let Me Be Your) Teddy Bear (von 1957-01-15 bis 1957-01-18)
Verfasser(in):
Bernie Lowe und Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. und Williamson Music Company
cover recording of:
(Let Me Be Your) Teddy Bear
Verfasser(in):
Bernie Lowe und Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. und Williamson Music Company
3.11:49
8Jailhouse Rock
E-Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-04-30)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-04-30)
Schlagzeug:
D.J. Fontana (am 1957-04-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1957-04-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957) und BMG Music (in 1957)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 67) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 216)
recording of:
Jailhouse Rock (am 1957-04-30)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
3.552:37
9Don’t
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-09-05 bis 1957-09-07)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-09-05 bis 1957-09-07) und Elvis Presley (“The King of Rock and Roll”) (von 1957-09-05 bis 1957-09-07)
Klavier:
Dudley Brooks (von 1957-09-05 bis 1957-09-07)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
Schlagzeug:
D.J. Fontana (, von 1957-09-05 bis 1957-09-07)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (von 1957-09-05 bis 1957-09-07) und Millie Kirkham (von 1957-09-05 bis 1957-09-07)
zusätzlich Hintergrundgesang und zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1957, in 1958), BMG Entertainment (in 1958), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1958) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-09-05 bis 1957-09-07)
cover recording of:
Don’t (von 1957-09-05 bis 1957-09-07)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
32:51
10Hard Headed Woman
Techniker(in):
Thorne Nogar (von 1958-01 bis 1958-02) und Phil Wisdom (von 1958-01 bis 1958-02)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1958-01-15 bis 1958-01-23), Neal Matthews (von 1958-01-15 bis 1958-01-23) und Ray Siegel (von 1958-01-15 bis 1958-01-23)
Becken:
Hoyt Hawkins (von 1958-01-15 bis 1958-01-23)
Bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1958-01-15 bis 1958-01-23)
Gitarre:
Neal Matthews (von 1958-01-15 bis 1958-01-23), Scotty Moore (American guitarist and recording engineer) (von 1958-01-15 bis 1958-01-23) und Elvis Presley (“The King of Rock and Roll”) (von 1958-01-15 bis 1958-01-23)
Klarinette:
Mahlon Clark (von 1958-01-15 bis 1958-01-23)
Klavier:
Dudley Brooks (von 1958-01-15 bis 1958-01-23)
Posaune:
Elmer Schneider (von 1958-01-15 bis 1958-01-23) und Warren Smith (jazz trombonist) (von 1958-01-15 bis 1958-01-23)
Saxophon:
Justin Gordon (von 1958-01-15 bis 1958-01-23)
Schlagzeug:
D.J. Fontana (von 1958-01-15 bis 1958-01-23) und Bernie Mattinson (von 1958-01-15 bis 1958-01-23)
Trompete:
John Ed Buckner (von 1958-01-15 bis 1958-01-23)
Tuba:
Ray Siegel (von 1958-01-15 bis 1958-01-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (von 1958-01-15 bis 1958-01-23)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1958), BMG Music (in 1958) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-16, am 1958-01-23)
cover recording of:
Hard Headed Woman (am 1958-01-15)
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) und Williamson Music Company
recording of:
Hard Headed Woman
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) und Williamson Music Company
3.651:57
11One Night
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-15 bis 1957-01-18)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-15 bis 1957-01-18) und Tiny Timbrell (von 1957-01-15 bis 1957-01-18)
Klavier:
Dudley Brooks (von 1957-01-15 bis 1957-01-18)
Schlagzeug:
D.J. Fontana (von 1957-01-15 bis 1957-01-18)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-02-23)
vocals:
The Jordanaires (southern gospel group) (von 1957-01-15 bis 1957-01-18)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957, in 1959) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Paramount Scoring Stage in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-15 bis 1957-01-18), Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-02-23) und Metropolitan Sports Center in Bloomington, Minnesota, Vereinigte Staaten (am 1976-10-17)
cover recording of:
One Night (von 1957-01-15 bis 1957-02-23)
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
live cover recording of:
One Night (am 1976-10-17)
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
2.552:35
12(Now and Then There’s) a Fool Such as I
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1958-06-10)
Gitarre:
Chet Atkins (am 1958-06-10), Hank Garland (am 1958-06-10) und Elvis Presley (“The King of Rock and Roll”) (am 1958-06-10)
Klavier:
Floyd Cramer (am 1958-06-10)
Schlagzeug:
D.J. Fontana (am 1958-06-10) und Buddy Harman (Session drummer and songwriter) (am 1958-06-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (am 1958-06-10)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1959) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1958-06-10) und Bloch Arena in Honolulu, Hawaii, Vereinigte Staaten (am 1961-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 33)
live cover recording of:
(Now and Then There’s) a Fool Such as I (am 1958-06-10)
Texter und Komponist(in):
Bill Trader
publisher:
LeFevre Sing Pub. Co., MCA Music Inc. (US-based music publishers) und Universal/MCA Music Ltd. (not for release label use!)
cover recording of:
(Now and Then There’s) a Fool Such as I
Texter und Komponist(in):
Bill Trader
publisher:
LeFevre Sing Pub. Co., MCA Music Inc. (US-based music publishers) und Universal/MCA Music Ltd. (not for release label use!)
2.952:42
13A Big Hunk o’ Love
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1958-06-10)
Gitarre:
Chet Atkins (am 1958-06-10), Hank Garland (am 1958-06-10) und Elvis Presley (“The King of Rock and Roll”) (am 1958-06-10)
Klavier:
Floyd Cramer (am 1958-06-10)
Schlagzeug:
D.J. Fontana (am 1958-06-10) und Buddy Harman (Session drummer and songwriter) (am 1958-06-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (am 1958-06-10)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1958), BMG Music (in 1958, in 1959, in 1973) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1958-06-10)
cover recording of:
A Big Hunk o’ Love (am 1958-06-10)
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Sid Wyche
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music Inc., Minder Music Ltd., R&H Music, Rachel’s Own Music, Regent Music (BMI) und Williamson Music Company
3.352:17
14Stuck on You
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-03-20)
E-Bass:
Hank Garland (am 1960-03-20)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1960-03-20) und Elvis Presley (“The King of Rock and Roll”) (am 1960-03-20)
Klavier:
Floyd Cramer (am 1960-03-20)
Schlagzeug:
D.J. Fontana (am 1960-03-20) und Buddy Harman (Session drummer and songwriter) (am 1960-03-20)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-03-20)
vocals:
The Jordanaires (southern gospel group) (am 1960-03-20)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-03-20)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-03-20)
recording of:
Stuck on You (am 1960-03-20)
Texter:
Aaron Schroeder (1950s~1960s US songwriter) (am 1960-03-20)
Komponist(in):
J. Leslie McFarland (composer) (am 1960-03-20)
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music und Williamson Music Company
12:21
15It’s Now or Never
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
cover recording of:
It’s Now or Never (am 1960-04-03)
Texter:
Wally Gold und Aaron Schroeder (1950s~1960s US songwriter)
Komponist(in):
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music und Williamson Music Company
Version von:
’O sole mio
3.73:18
16Are You Lonesome Tonight?
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960, in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 9)
cover recording of:
Are You Lonesome Tonight? (am 1960-04-03)
Texter:
Roy Turk
Komponist(in):
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music und Redwood Music Ltd. (Carlin)
3.153:09
17Wooden Heart
Bass:
Ray Siegel (am 1960-04-28)
Gitarre:
Neal Matthews (am 1960-04-28), Scotty Moore (American guitarist and recording engineer) (am 1960-04-28) und Tiny Timbrell (am 1960-04-28)
Klavier:
Dudley Brooks (am 1960-04-28)
Schlagzeug:
D.J. Fontana (am 1960-04-28)
Tamburin:
Jimmie Haskell (am 1960-04-28)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-28)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960), BMG Music (in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
cover recording of:
Wooden Heart (am 1960-04-28)
Texter:
Ben Weisman und Fred Wise
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter) und Kay Twomey
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music und Spirit Two Music Inc.
übersetzte Version von:
Muß i denn zum Städtele hinaus
22:04
18Surrender
Produzent(in):
Steve Sholes
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-10-30)
Gitarre:
Hank Garland (am 1960-10-30) und Scotty Moore (American guitarist and recording engineer) (am 1960-10-30)
Instrumente:
Elvis Presley (“The King of Rock and Roll”) (am 1960-10-30)
Klavier:
Floyd Cramer (am 1960-10-30)
Saxophon:
Boots Randolph (am 1960-10-30)
Schlagzeug:
D.J. Fontana (am 1960-10-30) und Buddy Harman (Session drummer and songwriter) (am 1960-10-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Charlie Hodge (am 1960-10-30), The Jordanaires (southern gospel group) (am 1960-10-30) und Millie Kirkham (am 1960-10-30)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960, in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-10-30)
recording of:
Surrender (am 1960-10-30)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
Komponist(in):
Ernesto De Curtis (composer)
publisher:
Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music und R&H Music
basiert auf:
Torna a Surriento
3.41:55
19(Marie’s the Name) His Latest Flame
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-06-25)
Gitarre:
Hank Garland (am 1961-06-25), Neal Matthews (am 1961-06-25) und Scotty Moore (American guitarist and recording engineer) (am 1961-06-25)
Klanghölzer / Claves:
Boots Randolph (am 1961-06-25)
Klavier:
Floyd Cramer (am 1961-06-25)
Orgel:
Floyd Cramer (am 1961-06-25) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1961-06-25)
Schlagzeug:
D.J. Fontana (am 1961-06-25) und Buddy Harman (Session drummer and songwriter) (am 1961-06-25)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1961-06-25)
vocals:
The Jordanaires (southern gospel group) (am 1961-06-25) und Millie Kirkham (am 1961-06-25)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1961), BMG Music (in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1961-06-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 31)
cover recording of:
(Marie’s the Name) His Latest Flame (am 1961-06-25)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music und R&H Music
2.352:09
20Can’t Help Falling in Love
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-03-23)
Celesta [celeste]:
Dudley Brooks (am 1961-03-23)
Gitarre:
Hank Garland (am 1961-03-23), Scotty Moore (American guitarist and recording engineer) (am 1961-03-23) und Tiny Timbrell (am 1961-03-23)
Klavier:
Dudley Brooks (am 1961-03-23) und Floyd Cramer (am 1961-03-23)
Mundharmonika:
George Fields (am 1961-03-23)
Saxophon:
Boots Randolph (am 1961-03-23)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1961-03-23), D.J. Fontana (am 1961-03-23) und Bernie Mattinson (am 1961-03-23)
Steel-Gitarre:
Alvino Rey (am 1961-03-23)
Ukulele:
Bernie Lewis (am 1961-03-23) und Fred Tavares (am 1961-03-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1961-03-23)
vocals:
The Jordanaires (southern gospel group) (am 1961-03-23) und The Surfers (a.k.a. The Hawaiian Surfers) (am 1961-03-23)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1961-03-23)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1961), BMG Music (in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 137)
recording of:
Can’t Help Falling in Love (am 1961-03-23)
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
4.13:01
21Good Luck Charm
accordion:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1961-10-15)
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-10-15)
Gitarre:
Jerry Kennedy (am 1961-10-15) und Scotty Moore (American guitarist and recording engineer) (am 1961-10-15)
Klarinette und Saxophon:
Boots Randolph (am 1961-10-15)
Klavier und Orgel:
Floyd Cramer (am 1961-10-15)
Schlagzeug:
D.J. Fontana (am 1961-10-15) und Buddy Harman (Session drummer and songwriter) (am 1961-10-15)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”), The Jordanaires (southern gospel group) (am 1961-10-15) und Millie Kirkham (am 1961-10-15)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1961), BMG Music (in 1961, in 1962) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1961-10-15)
cover recording of:
Good Luck Charm (am 1961-10-15)
Verfasser(in):
Wally Gold und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Rachel’s Own Music und Williamson Music Company
2.352:27
22She’s Not You
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1962) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recording of:
She’s Not You (am 1962-03-19)
Verfasser(in):
Jerry Leiber, Doc Pomus und Mike Stoller
publisher:
ABG Elvis Songs, Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Songs of Kobalt Music Publishing und Sony/ATV Songs LLC
cover recording of:
She’s Not You
Verfasser(in):
Jerry Leiber, Doc Pomus und Mike Stoller
publisher:
ABG Elvis Songs, Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Songs of Kobalt Music Publishing und Sony/ATV Songs LLC
12:12
23Return to Sender
Produzent(in):
Hugo & Luigi (US producers Hugo Peretti & Luigi Creatore)
Bass:
Ray Siegel (am 1962-03-27)
Gitarre:
Barney Kessel (am 1962-03-27), Scotty Moore (American guitarist and recording engineer) (am 1962-03-27) und Tiny Timbrell (am 1962-03-27)
Klarinette und Saxophon:
Boots Randolph (am 1962-03-27)
Klavier:
Dudley Brooks (am 1962-03-27)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1962-03-27), D.J. Fontana (am 1962-03-27) und Bernie Mattinson (am 1962-03-27)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1962-03-27)
vocals:
The Jordanaires (southern gospel group) (am 1962-03-27)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1962) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1962-03-27)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 21)
recording of:
Return to Sender (am 1962-03-27)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Winfield Scott
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), The Manor Music Co. Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Carlin Music Corp. (in 1981)
Version von:
Verkeerd verbonden
cover recording of:
Return to Sender
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Winfield Scott
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), The Manor Music Co. Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Carlin Music Corp. (in 1981)
Version von:
Verkeerd verbonden
42:11
24(You’re the) Devil in Disguise
Bass:
Bob Moore (U.S. bassist and bandleader) (von 1963-05-26 bis 1963-05-27)
Gitarre:
Harold Bradley (von 1963-05-26 bis 1963-05-27), Jerry Kennedy (von 1963-05-26 bis 1963-05-27), Grady Martin (country/rockabilly guitarist) (von 1963-05-26 bis 1963-05-27) und Scotty Moore (American guitarist and recording engineer) (von 1963-05-26 bis 1963-05-27)
Klavier:
Floyd Cramer (von 1963-05-26 bis 1963-05-27)
Saxophon, shakers und Vibraphon [vibes]:
Boots Randolph (von 1963-05-26 bis 1963-05-27)
Schlagzeug:
D.J. Fontana (von 1963-05-26 bis 1963-05-27) und Buddy Harman (Session drummer and songwriter) (von 1963-05-26 bis 1963-05-27)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1963-05-26)
vocals:
The Jordanaires (southern gospel group) (von 1963-05-26 bis 1963-05-27) und Millie Kirkham (von 1963-05-26 bis 1963-05-27)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1963), BMG Music (in 1963) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (von 1963-05-26 bis 1963-05-27)
cover recording of:
(You’re the) Devil in Disguise (von 1963-05-26 bis 1963-05-27)
Verfasser(in):
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) und Florence Kaye
publisher:
Carlin Music Corporation und R&H Music
2.652:22
25Crying in the Chapel
Produzent(in):
Steve Sholes
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-10-30)
Gitarre:
Hank Garland (am 1960-10-30) und Scotty Moore (American guitarist and recording engineer) (am 1960-10-30)
Instrumente:
Elvis Presley (“The King of Rock and Roll”) (am 1960-10-30)
Klavier:
Floyd Cramer (am 1960-10-30)
Kontrabass:
Bob Moore (U.S. bassist and bandleader)
Saxophon:
Boots Randolph (am 1960-10-30)
Schlagzeug:
D.J. Fontana (am 1960-10-30) und Buddy Harman (Session drummer and songwriter) (am 1960-10-30)
Hintergrundgesang:
The Jordanaires (southern gospel group)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-10-31)
vocals:
Charlie Hodge (am 1960-10-30), The Jordanaires (southern gospel group) (am 1960-10-30) und Millie Kirkham (am 1960-10-30)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-10-31)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1965), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1965) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-10-30)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 26)
cover recording of:
Crying in the Chapel (von 1960-10-30 bis 1960-10-31)
Texter und Komponist(in):
Artie Glenn (in 1953)
publisher:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) und Mijac Music
2.752:26
26In the Ghetto
assistierende(r) Techniker(in):
Dror Mohar
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jarvis und Chips Moman
assistierende(r) Mix:
Dan Milazzo und Claudius Mittendorfer (engineer, producer, mixer)
Mix:
Ray Bardani und David Bendeth
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-20)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Mike Leech und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
aufgenommen bei:
Elvis Presley at International Hotel (1969-08-21)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
The International Hotel in Winchester, Nevada, Vereinigte Staaten (am 1969-08-21)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
In the Ghetto (am 1969-01-20)
Texter und Komponist(in):
Mac Davis (US country singer, songwriter & actor)
publisher:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sony/ATV Songs LLC
33:05
27Suspicious Minds
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jarvis und Chips Moman
Bass:
Tommy Cogbill (am 1969-01-23) und Mike Leech (am 1969-01-23)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-23) und Reggie Young (Guitarist and songwriter) (am 1969-01-23)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1969-01-23)
Orgel:
Bobby Emmons (am 1969-01-23)
Schlagzeug:
Gene Chrisman (am 1969-01-23)
Steel-Gitarre:
John Hughey (am 1969-01-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations und Kathy Westmoreland
arranger:
Mike Leech und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-01-23) und United Recording Studios (Las Vegas) in Las Vegas, Nevada, Vereinigte Staaten (am 1969-08-07)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 363)
cover recording of:
Suspicious Minds (von 1969-01-23 bis 1969-08-07)
Texter und Komponist(in):
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
4.14:35
28The Wonder of You
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Imperials (gospel/CCM group), Millie Kirkham und The Sweet Inspirations
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
International Hotel in Winchester, Nevada, Vereinigte Staaten (am 1970-02-17)
live cover recording of:
The Wonder of You (am 1970-02-17)
Texter und Komponist(in):
Baker Knight
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music Ltd., Universal Duchess Music Corp. und Universal/MCA Music Ltd. (not for release label use!)
2.52:29
29Burning Love
Produzent(in):
Felton Jarvis
Bass:
Emory Gordy (von 1972-02-27 bis 1972-02-29)
Gitarre:
Charlie Hodge (von 1972-02-27 bis 1972-02-29), Dennis Linde (von 1972-02-27 bis 1972-02-29), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (von 1972-02-27 bis 1972-02-29) und James Burton (guitarist) (von 1972-03-27 bis 1972-03-29)
Klavier:
Glen D. Hardin (von 1972-02-27 bis 1972-02-29)
Perkussion:
Jerry Carrigan (US drummer) (von 1972-02-27 bis 1972-02-29)
Schlagzeug:
Ronnie Tutt (drummer) (von 1972-02-27 bis 1972-02-29)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
J.D. Sumner & The Stamps (von 1972-02-27 bis 1972-02-29)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Victor, Studio C in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1972-03-27 bis 1972-03-29, am 1972-03-28)
cover recording of:
Burning Love (von 1972-02-27 bis 1972-02-29)
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
live cover recording of:
Burning Love (am 1972-03-28)
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
cover recording of:
Burning Love (am 1972-03-28)
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
3.42:59
30Way Down
Techniker(in):
Mike Moran (American engineer, associated with RCA)
leitende(r) Produzent(in):
Elvis Presley (“The King of Rock and Roll”)
Bass:
Jerry Scheff (von 1976-10-29 bis 1976-10-30)
Gitarre:
James Burton (guitarist) (von 1976-10-29 bis 1976-10-30), Charlie Hodge (von 1976-10-29 bis 1976-10-30), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (von 1976-10-29 bis 1976-10-30) und Chip Young (American session guitarist, bassist, producer in the genre of country) (von 1976-10-29 bis 1976-10-30)
Hybrid-Piano:
David Briggs (English organist and composer) (von 1976-10-29 bis 1976-10-30)
Klavier:
Tony Brown (US producer, pianist and keyboardist) (von 1976-10-29 bis 1976-10-30)
Moog:
Shane Keister (von 1976-10-29 bis 1976-10-30)
Schlagzeug:
Ronnie Tutt (drummer) (von 1976-10-29 bis 1976-10-30)
Steel-Gitarre:
Weldon Myrick (von 1976-10-29 bis 1976-10-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1976-10-29)
vocals:
Sherrill Nielsen (American tenor singer) (am 1976-10-29, von 1976-10-29 bis 1976-10-30), Myrna Smith (am 1976-10-29, von 1976-10-29 bis 1976-10-30), J.D. Sumner & The Stamps (am 1976-10-29, von 1976-10-29 bis 1976-10-30) und Kathy Westmoreland (am 1976-10-29, von 1976-10-29 bis 1976-10-30)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1977), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1977) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Graceland in Memphis, Tennessee, Vereinigte Staaten (am 1976-10-29, von 1976-10-29 bis 1976-10-30) und Creative Workshop in Nashville, Tennessee, Vereinigte Staaten (in 1977-01)
recording of:
Way Down (von 1976-10-29 bis 1977-01)
Texter und Komponist(in):
Layng Martine, Jr. (Nashville songwriter)
publisher:
MCS Music Ltd. und Ray Stevens Music
2.252:39
31A Little Less Conversation (JXL radio edit remix)
assistierende(r) Techniker(in):
Dan Milazzo und Claudius Mittendorfer (engineer, producer, mixer)
Techniker(in):
Ray Bardani
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (von 1968-03-07 bis 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographisches Urheberrecht (℗) von:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-03-07 bis 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
Remix von:
A Little Less Conversation von Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (von 1968-03-07 bis 1968-06-23)
Verfasser(in):
Mac Davis (US country singer, songwriter & actor) und Billy Strange
publisher:
Carlin Music Corporation und Elvis Presley Music
3.453:33

Nennungen

Veröffentlichung

art direction und Grafikdesign:Thomas Vasquez (cYclops productions)
liner notes:Ernst Mikael Jorgensen
Peter Guralnick
Produzent(in):David Bendeth
remastering:Ted Jensen (American mastering engineer)
George Marino (mastering engineer)
Zusammensteller:Ernst Mikael Jorgensen
Roger Semon
Stamm-Pressung von:Sonopress USA (US subsidiary of Bertelsmann’s manufacturers Sonopress)
remastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, Vereinigte Staaten
Discogs:https://www.discogs.com/release/12916837 [Info]
ASIN:US: B00006AG5N [Info]