80s Love Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

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Anmerkung zuletzt geändert am 2020-03-20 14:54 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Say You, Say Me
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Say You, Say Me
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1985 winner)
Lionel Richie4.154:01
2Straight From the Heart
recording engineer:
Bob Clearmountain (von 1982-08-13 bis 1982-08-23)
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Jeff Hendrickson (sound engineer), Paul Northfield und Robbie Whelan
Techniker(in):
Bob Clearmountain
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (von 1982-10-14 bis 1982-10-20)
E-Bass [bass]:
Dave Taylor (Bass player (Bryan Adams) and engineer) (von 1982-08-13 bis 1982-08-23)
Gitarre:
Keith Scott (Canadian guitarist) (von 1982-08-13 bis 1982-08-23)
Keyboard und Orgel:
Tommy Mandel (von 1982-08-13 bis 1982-08-23)
Klavier und Sologesang:
Bryan Adams (Canadian singer/songwriter) (von 1982-08-13 bis 1982-08-23)
Perkussion:
Jim Vallance (von 1982-08-13 bis 1982-08-23)
Schlagzeug:
Mickey Curry (von 1982-08-13 bis 1982-08-23)
Hintergrundgesang:
Bryan Adams (Canadian singer/songwriter) (von 1982-08-13 bis 1982-08-23), Mark Doyle (rock guitarist) (von 1982-08-13 bis 1982-08-23) und Keith Scott (Canadian guitarist) (von 1982-08-13 bis 1982-08-23)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1983) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1983)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada (von 1982-08-13 bis 1982-08-23)
zusätzlich aufgenommen bei:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1982-08-13 bis 1982-08-23)
additionally mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1982-10-14 bis 1982-10-20)
mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada (von 1982-10-14 bis 1982-10-20)
Teil von:
The Downloader’s Music Source Book (Nummer: 178)
cover recording of:
Straight From the Heart (von 1982-08-13 bis 1982-08-23)
Verfasser(in):
Eric Kagna und Bryan Adams (Canadian singer/songwriter) (in 1978)
publisher:
Adams Communications Inc., Calypso Toonz, Irving Music of Canada, Rondor Music (London) Ltd. und Irving Music, Inc. (in 1980)
Bryan Adams53:30
3Every Breath You Take
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass und Sologesang:
Sting (singer, songwriter & member of The Police) (in 1983)
E-Gitarre:
Andy Summers (in 1983)
Schlagzeug:
Stewart Copeland (in 1983)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1983) und A&M Records, Inc. (in 1997)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1983) und Le Studio in Morin‐Heights, Québec (Quebec), Kanada (in 1983)
Musikvideos:
Every Breath You Take von The Police (British rock band)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 287) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 305)
recording of:
Every Breath You Take (in 1983)
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) und Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Police4.14:14
4Don’t You (Forget About Me)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
5The Lady in Red
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1986)
aufgenommen bei:
RDS Arena in Dublin, County Dublin, Leinster, Irland (am 1988-12-07) und Westfalenhalle in Dortmund, Nordrhein-Westfalen, Deutschland (am 2004-11-06)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 54)
recording of:
The Lady in Red (in 1986)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 1988-12-07)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 2004-11-06)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:13
6If I Could Turn Back Time
recording engineer und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierende(r) Techniker(in):
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) und Duane Seykora
zusätzliche(r) Techniker(in):
Guy Roche
Produzent(in):
Guy Roche und Diane Warren (US songwriter)
Bassgitarre:
John Pierce (US session bassist)
Gitarre:
Steve Lukather
Keyboard:
Alan Pasqua und Guy Roche
Schlagzeug und Tamburin:
Mark T. Williams
zusätzlich Gitarre:
Gene Black und Glenn Sciurba
Hintergrundgesang:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain und Maria Vidal (American singer-songwriter)
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1989) und The David Geffen Company (legal rights relating to Geffen Records) (in 1989)
aufgenommen bei:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Criterion Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 386)
recording of:
If I Could Turn Back Time
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) und Realsongs (in 1989)
Cher3.753:56
7No Brakes
John Waite3:16
8Who’s Holding Donna Now?
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985) und Motown Records (not for label use; use “Motown” instead) (in 2009)
recording of:
Who’s Holding Donna Now
Verfasser(in):
David Foster (Canadian music producer, arranger and composer), Randy Goodrum und Jay Graydon
publisher:
Foster Frees Music Inc., Garden Rake Music, Inc., Peermusic III, Ltd. (BMI), Randy Goodrum Inc., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック (Fujipacific Music, Inc.) und 大洋音楽 (Taiyō Music)
DeBarge4:29
9Slave to Love
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
Musikvideos:
Slave to Love von Bryan Ferry
recording of:
Slave to Love
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin EG Records Ltd. (in 1985)
Bryan Ferry34:18
10How Sweet It Is (to Be Loved by You)
Produzent(in):
Lamont Dozier, Berry Gordy, Brian Holland (Motown producer & songwriter) und William Stevenson (Motown songwriter)
recording of:
How Sweet It Is (to Be Loved by You) (am 1964-07-10)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye52:58
11You’re the Best Thing
Schlagzeug [drums]-Programmierung:
Peter Wilson (UK Producer)
Produzent(in):
Paul Weller (English singer‐songwriter and musician) und Peter Wilson (UK Producer)
Bass-Synthesizer [bass synth] und zusätzlich Keyboard [keyboards]:
Mick Talbot (von 1983-10 bis 1984-01)
Gitarre [guitars] und Synthesizer [synths]:
Paul Weller (English singer‐songwriter and musician) (von 1983-10 bis 1984-01)
vocals:
Mick Talbot (von 1983-10 bis 1984-01) und Paul Weller (English singer‐songwriter and musician) (von 1983-10 bis 1984-01)
aufgenommen bei:
Solid Bond Studio in London (Greater London), England, Vereinigtes Königreich (von 1983-10 bis 1984-01)
zusätzlich aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (von 1983-10 bis 1984-01)
recording of:
You’re the Best Thing (von 1983-10 bis 1984-01)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) und Universal Music Publishing MGB Australia
The Style Council25:42
12On My Own
recording engineer:
Mick Guzauski und Joel Moss
Bassgitarre:
Neil Stubenhaus
Gitarre:
Dan Huff
Klavier [acoustic piano]:
Burt Bacharach
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Carlos Vega
Synthesizer:
David Foster (Canadian music producer, arranger and composer), Greg Phillinganes und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Hintergrundgesang:
Carla Benson, Evette Benton, Barbara Ingram, Clydene Jackson, Julia Tillman und Maxine Willard
Sologesang:
Patti LaBelle und Michael McDonald (R&B & soul singer)
vocals:
Michael McDonald (R&B & soul singer)
arranger:
Burt Bacharach und Carole Bayer Sager
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1986)
recording of:
On My Own (Patti LaBelle and Michael McDonald song) (in 1986)
Texter:
Carole Bayer Sager
Komponist(in):
Burt Bacharach
publisher:
Carole Bayer Sager Music und New Hidden Valley Music Co.
Patti LaBelle & Michael McDonald34:50
13Just Like Heaven
assistierende(r) Produzent(in):
Sean Burrows, Michel Dierickx (Belgian producer & engineer, aka ‘Shelle’) und Jacques Hermet
Produzent(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Mix:
Bob Clearmountain
E-Bass:
Simon Gallup
E-Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Porl Thompson
Keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson und Lol Tolhurst
Perkussion und Schlagzeug:
Boris Williams
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
remixer:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1987)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, ICP Recording Studios in Brussels (Region Brüssel-Hauptstadt), Belgien und Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Frankreich
Musikvideos:
Just Like Heaven von The Cure
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 11), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 22), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 108), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 231) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 483)
recording of:
Just Like Heaven
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co.
The Cure4.353:31
14Outstanding
recording of:
Outstanding
Texter und Komponist(in):
Raymond Calhoun
publisher:
Minder Music Ltd.
The Gap Band33:21
15We Belong
assistierende(r) Techniker(in):
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
Produzent(in):
Pete Coleman und Neil Giraldo
assistierende(r) Mix:
Murray Dvorkin und Bino Espinoza
Bassgitarre:
Donnie Nossov
Gitarre und Mundharmonika:
Neil Giraldo
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Perkussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo und Myron Grombacher
Schlagzeug:
Myron Grombacher
zusätzlich Gast-Bassgitarre:
Roger Capps
Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1981) und Chrysalis Records, Inc. (not for release label use!) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California (Kalifornien), Vereinigte Staaten und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We Belong
Verfasser(in):
Eric Lowen und Dan Navarro (singer/songwriter/voice actor)
publisher:
Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.453:39
16Right Here Waiting
Techniker(in) und Mix:
David Cole (American recording engineer and producer)
Produzent(in):
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) und Richard Marx
Gitarre:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
Keyboard:
Jeffery (C. J.) Vanston
Sologesang:
Richard Marx
arranger:
Jeffery CJ Vanston und Richard Marx
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
Musikvideos:
Right Here Waiting von Richard Marx
recording of:
Right Here Waiting
Texter:
Richard Marx
Komponist(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger) und Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. und EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.754:27
17Alone
assistierende(r) Techniker(in):
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll (Music engineer) und Toby Wright (producer & engineer)
Techniker(in) und Produzent(in):
Ron Nevison
Bassgitarre:
Mark Andes
Gitarre:
Howard Leese
Schlagzeug:
Denny Carmassi
Hintergrundgesang:
Howard Leese und Nancy Wilson (guitarist/singer of “Heart”)
Sologesang:
Ann Wilson (lead singer of Heart)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Musikvideos:
Alone von Heart (rock band, Ann and Nancy Wilson)
cover recording of:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Sony/ATV Tunes LLC (ASCAP), Billy Steinberg Music (vom 1983 bis heute) und Denise Barry Music (vom 1983 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Heart3.553:39
18I Just Called to Say I Love You (single version)Stevie Wonder4.354:23
19Angel
assistierende(r) Techniker(in):
Ken Lomas
Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer) und Bob Rock
Produzent(in):
Bruce Fairbairn
Mix:
Mike Fraser (Canadian record producer, engineer and mixer) und Mike Fraser (German techno producer Frank Ellrich)
E-Bass:
Tom Hamilton (bassist for Aerosmith)
Gitarre:
Joe Perry (guitarist for Aerosmith) und Brad Whitford (Aerosmith)
Mundharmonika, Hintergrundgesang und Sologesang:
Steven Tyler
Perkussion und Schlagzeug:
Joey Kramer (drummer for Aerosmith)
zusätzlich mellotron:
Drew Arnott
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1987)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Teil von:
The Downloader’s Music Source Book (Nummer: 218)
recording of:
Angel
Texter und Komponist(in):
Desmond Child und Steven Tyler
publisher:
Aero Dynamics Music Publishing, Inc. (publisher; do not use as label), April Music Inc., Desmobile Inc., EMI April Music Inc., Primary Wave Steven Tyler und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Aerosmith3.65:06
20Amanda
Techniker(in) und Produzent(in):
Tom Scholz
Akustikgitarre, Bassgitarre, Bogengitarre [guitar violins], E-Gitarre, Effektgerät, Flügel, Hammond-Orgel, Hybrid-Piano und Kinoorgel:
Tom Scholz (von 1980 bis 1981)
Schlagzeug:
Jim Masdea (von 1980 bis 1981) und Tom Scholz (von 1980 bis 1981)
Sologesang:
Brad Delp (von 1980 bis 1981)
arranger:
Tom Scholz
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1986) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
aufgenommen bei:
Tom Scholz Hideaway Studio II in Massachusetts, Vereinigte Staaten (von 1980 bis 1981)
recording of:
Amanda (von 1980 bis 1981)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Hideaway Hits (in 1986)
Boston4.354:17
21Never, Never Gonna Give Ya Up (12″ remix)
recording of:
Never, Never Gonna Give Ya Up
Texter und Komponist(in):
Barry White
Barry White7:22