NRJ “Le Coffret”

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Audiocassetta
#TitoloArtistaValutazioneDurata
A1Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a-ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.5?:??
A2You Are My World
produttore:
Mike Thorne (UK producer & keyboardist)
registrazione di:
You Are My World
autore:
Richard Coles (British radio presenter, priest and ex member of Communards) e Jimmy Somerville
editore:
EMI Virgin Music Ltd. (do not use this as a release label!) e Rocket Music Ltd.
The Communards3?:??
A3L’Amour à la plage
registrazione di:
L'Amour à la plage
paroliere e compositore:
Muriel Laporte
Niagara?:??
A4Macumba
registrazione di:
Macumba
paroliere:
Jean-Pierre Mader
compositore:
Richard Seff
editore:
Flarenasch Music (publisher), Scorpio Music (work publisher of "Scorpio Music") e Universal Music Publishing France (not for release label use!)
Jean-Pierre Mader?:??
A5Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.05?:??
A6High Energy
produttore:
Ian Levine (Hi-NRG music songwriter and producer) e Fiachra Trench
arrangiatore:
Fiachra Trench
diritti fonografici (℗) detenuti da:
Éditions Marouani
registrata presso e mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
registrazione di:
High Energy
autore:
Ian Levine (Hi-NRG music songwriter and producer) e Fiachra Trench
editore:
EMI Tunes Ltd e Filmtracks Picture
Evelyn Thomas5?:??
A7Square Rooms
registrazione di:
Square Rooms
autore:
Al Corley, Harold Faltermeyer e Peter Wood (UK keyboardist/pianist)
editore:
Kilauea Musikverlag e Ufaton (publisher)
Al Corley?:??
A8Still Loving You
registrazione di:
Still Loving You
paroliere:
Klaus Meine
compositore:
Rudolf Schenker
editore:
Arabella Musikverlag GmbH
Scorpions?:??
B1Envole‐moi
registrazione di:
Envole‐moi
paroliere e compositore:
Jean‐Jacques Goldman
Jean‐Jacques Goldman?:??
B2Cargo
registrazione di:
Cargo
paroliere:
Michel Eli
compositore:
Axel Bauer
Axel Bauer5?:??
B3Comanchero
registrazione di:
Comanchero
paroliere:
Simona Zanini
compositore:
Aldo Martinelli
Moon Ray?:??
B4Electrica Salsa (Baba Baba)
Off?:??
B5Venus
produttore:
Stock Aitken Waterman
batteria :
Linn 9000 (Linn 9000)
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1986)
parte di:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (numero: 2)
registrazione cover di:
Venus (Shocking Blue (I’m Your Venus))
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Bananarama3.95?:??
B6The Final Countdown
tecnico di registrazione e tecnico di missaggio:
Wally Buck e Kevin Elson
produttore:
Kevin Elson
batteria [drums] :
Ian Haugland
chitarra :
John Norum
chitarra basso [bass] :
John Levén
tastiera :
Mic Michaeli
voce di accompagnamento:
Ian Haugland, Mic Michaeli e John Norum
voce principale:
Joey Tempest (Swedish singer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
è stato produttore per:
Elson Music Vision, Inc.
registrata presso e mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera e Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Svezia
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 66) e Cachitos Nochevieja 2022 (numero: 155)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.15?:??
B7Le Coup de folie
registrazione di:
Coup de folie
paroliere:
Jean-Claude Perrey
compositore:
Thierry Pastor
Thierry Pastor?:??
B8Against All Odds (Take a Look at Me Now)
registrazione di:
Against All Odds (Take a Look at Me Now)
paroliere e compositore:
Phil Collins (of Genesis)
editore:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (nel 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1984), Golden Torch Music Corp. (nel 1984) e Hit & Run Music (Publishing) Ltd (nel 1984)
sub-editore:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 57th Academy Award for Best Original Song (numero: 2)
Phil Collins?:??
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