15 grandes éxitos en Versión Original

~ Veröffentlichung von Bob Marley & The Wailers (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1I Shot the Sheriff
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 443)
recording of:
I Shot the Sheriff
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3.94:42
2Jamming
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 177)
recording of:
Jamming (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
4.153:33
3No Woman No Cry
recording of:
No Woman, No Cry
Texter und Komponist(in):
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Global (publisher) (in 1976)
3:40
4Exodus
Produzent(in):
Bob Marley & The Wailers
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977)
recording of:
Exodus (von 1977-01 bis 1977-02)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
3.757:25
5Get Up, Stand Up
recording of:
Get Up, Stand Up
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Peter Tosh
publisher:
Because Éditions, Campbell Connelly France, Cayman Music, Odnil Music, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Stuck On Music (in 1974)
3:13
6Is This Love
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
Akustikgitarre [1972 Guild F-112 12-string], E-Gitarre [1973 Gibson Les Paul Special] und Sologesang:
Bob Marley (Jamaican reggae artist)
Bassgitarre [1972 Fender Jazz Bass]:
Aston “Family Man” Barrett
E-Gitarre [1970s Fender Stratocaster Natural]:
Junior Marvin
Hammond-Orgel [B-3], Klavier [Hamburg Steinway Piano] und mellotron [1970s ARP PE-IV Solina String-Ensemble]:
Tyrone Downie
Perkussion:
Alvin “Seeco” Patterson
Posaune:
Vin Gordon
Schlagzeug [1967 Ludwig Hollywood Maple]:
Carlton “Carly” Barrett
Tenorsaxophon:
Glen DaCosta
Trompete:
David Madden (Jamaican trumpeter)
Hintergrundgesang:
Marcia Griffiths (reggae singer from Jamaica), Rita Marley und Judy Mowatt
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1978) und Island Records, Inc. (US, Island holding) (in 1978)
aufgenommen bei und mixed at:
Island Studios (aka the Fallout Shelter, located in Hammersmith, London) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Is This Love
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Blue Mountain Music (in 1977, in 1978), Fifty Six Hope Road Music Limited (in 1977, in 1978), Odnil Music Ltd. (in 1977, in 1978) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1978)
4.13:47
7Stir It Up
recording of:
Stir It Up
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Cayman Music, Odnil Music, PolyGram, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) und Odnil Music Ltd. (in 1972)
5:30
8Natty Dread
recording of:
Natty Dread
Verfasser(in):
Allen Cole (Jamaican songwriter) und Rita Marley
publisher:
Bob Marley Music BVI, Cayman Music ltd., Kobalt Music Publishing Ltd. (UK), Marley Marl Music Inc, Odnil Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
3:32
9Cheer Up
Techniker(in):
Carlton Lee
Produzent(in):
Leslie Kong
Herausgeber:
Trojan Records
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika (am 1970-05-19)
recording of:
Cheer Up (am 1970-05-19)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
3.852:04
10Soul Rebel
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer) (in 1970-11)
Produzent(in):
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) und Lee “Scratch” Perry (aka The Upsetter)
Bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
Gitarre:
Alva “Reggie” Lewis (in 1970-11) und Rannie “Bop” Williams (in 1970-11)
Keyboard:
Glen Adams (in 1970-11)
Perkussion:
Uziah “Sticky” Thompson (in 1970-11)
Schlagzeug:
Carlton “Carly” Barrett (in 1970-11)
Sologesang:
Bob Marley (Jamaican reggae artist) (in 1970-11)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1970-11) und Bunny Wailer (in 1970-11)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
aufgenommen bei:
Studio 17 in Jamaika (in 1970-11)
recording of:
Soul Rebel (in 1970-11)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Blue Mountain Music, Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fifty Six Hope Road Music Limited, Jamrec Music, Odnil Music und Rondor Music (London) Ltd.
3:19
11Buffalo Soldier
recording engineer:
Errol Brown (Jamaican engineer and dub producer)
assistierende(r) Techniker(in):
Michael Reid (engineer)
leitende(r) Produzent(in):
Rita Marley
Produzent(in):
Errol Brown (Jamaican engineer and dub producer) und Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Errol Brown (Jamaican engineer and dub producer)
Sologesang:
Bob Marley (Jamaican reggae artist)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1983)
aufgenommen bei und mixed at:
Tuff Gong Studios in Kingston (Kingston Parish), Jamaika
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 308)
recording of:
Buffalo Soldier
Verfasser(in):
Bob Marley (Jamaican reggae artist) und King Sporty
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1983), Bob Marley Music Inc. (in 1983), Fifty Six Hope Road Music Limited (in 1983), Kenemo Music (in 1983) und Odnil Music Ltd. (in 1983)
3.854:15
12Could You Be Loved
recording of:
Could You Be Loved
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) und Odnil Music Ltd. (in 1980)
3:53
13Top Rankin'
3:07
14Kaya
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
recording of:
Kaya (Bob Marley song) (in 1977)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music Inc, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
Version von:
Kaya (Lee “Scratch” Perry song)
23:09
15Redemption Song
assistierende(r) Techniker(in):
Chiao Ng (engineer)
Techniker(in):
Errol Brown (Jamaican engineer and dub producer)
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Chris Blackwell (Island Records) und Bob Marley & The Wailers
Mix:
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Akustikgitarre und Sologesang:
Bob Marley (Jamaican reggae artist)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1980)
aufgenommen bei und mixed at:
Tuff Gong Studios in Kingston (Kingston Parish), Jamaika
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 42) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 66)
recording of:
Redemption Song
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) und Odnil Music Ltd. (in 1980)
4.053:47

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