Das Kantatenwerk: Sacred Cantatas, Vol. 1: BWV 1-14, 16-19

~ Release by Johann Sebastian Bach; Harnoncourt, Leonhardt (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1BWV 4 BC A54b: "Christ lag in Todes Banden": I Sinfonia
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (on 1970-12-01, from 1970-12 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1970-12-01, from 1970-12 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (on 1970-12-01)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden"
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:06
2BWV 4 BC A54b: "Christ lag in Todes Banden": II [Coro] Versus I »Christ lag in Todes Banden«
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach4:18
3BWV 4 BC A54b: "Christ lag in Todes Banden": III [Duetto] (Soprano, Alto) Versus II: »Den Tod niemand zwingen kunnt«
alto vocals:
Paul Esswood (countertenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach3:41
4BWV 4 BC A54b: "Christ lag in Todes Banden": IV [Aria] (Tenore) Versus III »Jesus Christus, Gottes Sohn«
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:18
5BWV 4 BC A54b: "Christ lag in Todes Banden": V [Coro] Versus IV »Es war ein wunderlicher Krieg«
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:28
6BWV 4 BC A54b: "Christ lag in Todes Banden": VI [Aria] (Basso) Versus V »Hier ist das rechte Osterlamm«
bass vocals:
Max van Egmond (bass-baritone) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (from 1970-12-01 until 1971-04-01)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach3:00
7BWV 4 BC A54b: "Christ lag in Todes Banden": VII [Duetto] (Soprano, Tenore) Versus VI »So feiern wir das hohe Fest«
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:08
8BWV 4 BC A54b: "Christ lag in Todes Banden": VIII Choral (Coro) Versus VII »Wir essen und leben wohl«
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:19
9BWV 5 BC A145: "Wo soll ich fliehen hin": I [Coro] »Wo soll ich fliehen hin«
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": I. Coro "Wo soll ich fliehen hin" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach3:53
10BWV 5 BC A145: "Wo soll ich fliehen hin": II Recitativo (Basso) »Der Sünden Wust hat mich nicht nur befleckt«
bass vocals:
Max van Egmond (bass-baritone) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": II. Recitativo (Basso) "Der Sünden Wust hat mich nicht nur befleckt" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach1:03
11BWV 5 BC A145: "Wo soll ich fliehen hin": III Aria (Tenore) »Ergieße dich reichlich«
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": III. Aria (Tenore) "Ergieße dich reichlich, du göttliche Quelle" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach6:37
12BWV 5 BC A145: "Wo soll ich fliehen hin": IV Recitativo (Alto) »Mein treuer Heiland tröstet mich«
alto vocals:
Paul Esswood (countertenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": IV. Recitativo (Alto) "Mein treuer Heiland tröstet mich" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach1:47
13BWV 5 BC A145: "Wo soll ich fliehen hin": V Aria (Basso) »Verstumme, Höllenheer«
bass vocals:
Max van Egmond (bass-baritone) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": V. Aria (Basso) "Verstumme, Höllenheer, Du machst mich nicht verzagt!" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach7:49
14BWV 5 BC A145: "Wo soll ich fliehen hin": VI Recitativo (Soprano) »Ich bin ja nur das kleinste Teil der Welt«
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VI. Recitativo (Soprano) "Ich bin ja nur das kleinste Teil der Welt" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach0:48
15BWV 5 BC A145: "Wo soll ich fliehen hin": VII Choral (Coro) »Führ auch mein Herz und Sinn«
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VII. Choral "Führ auch mein Herz und Sinn" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 28)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach0:58
16BWV 6 BC A57: "Bleib bei uns, denn es will Abend werden": I [Coro] »Bleib bei uns, denn es will Abend werden«
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach5:33
17BWV 6 BC A57: "Bleib bei uns, denn es will Abend werden": II Aria (Alto) »Hochgelobter Gottessohn«
alto vocals:
Paul Esswood (countertenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:45
18BWV 6 BC A57: "Bleib bei uns, denn es will Abend werden": III Choral (Soprano) »Ach bleib bei uns, Herr Jesu Christ«
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:04
19BWV 6 BC A57: "Bleib bei uns, denn es will Abend werden": IV Recitativo (Basso) »Es hat die Dunkelheit an vielen Orten«
bass vocals:
Max van Egmond (bass-baritone) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:40
20BWV 6 BC A57: "Bleib bei uns, denn es will Abend werden": V Aria (Tenore) »Jesu, laß uns auf dich sehen«
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:07
21BWV 6 BC A57: "Bleib bei uns, denn es will Abend werden": VI Choral (Coro) »Beweis dein Macht, Herr Jesu Christ«
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Luther (German theologian of the Reformation) (in 1542)
part of:
Breitkopf 389 Choralgesänge (number: 79)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:43
3▶CD
4▶CD
5▶CD
6▶CD

Credits

Release

part of:Das Kantatenwerk (Teldec) (order: 1)
Das Alte Werk (order: 17)
Discogs:https://www.discogs.com/release/4682124 [info]