Mafia III Soundtrack: Official Soundtrack of New Bordeaux

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Ninety‐Six Tears
? and the Mysterians?:??
2We Gotta Get Out of This Place
producer:
Mickie Most (English record producer)
vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 233)
recording of:
We Gotta Get Out of This Place
writer:
Barry Mann and Cynthia Weil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Francis, Day & Hunter (publisher) (in 1979) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Animals3.8?:??
3Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptation of:
Verlga norih
Aretha Franklin4.25?:??
4Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin3.9?:??
5Eve of Destruction
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
lyricist and composer:
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barrie Maguire4.6?:??
6Help Me, Rhonda
engineer:
Chuck Britz
producer:
Brian Wilson (Beach Boys co‐founder)
bass guitar:
Carol Kaye (on 1965-02-24)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1965-02-24)
guitar:
Carl Wilson (Beach Boys) (on 1965-02-24)
Hammond organ [Hammond B3 organ] and piano [acoustic piano]:
Brian Wilson (Beach Boys co‐founder) (on 1965-02-24)
background vocals:
Mike Love (Beach Boys) (on 1965-02-24), Brian Wilson (Beach Boys co‐founder) (on 1965-02-24), Carl Wilson (Beach Boys) (on 1965-02-24) and Dennis Wilson (Beach Boys) (on 1965-02-24)
lead vocals:
Al Jardine (on 1965-02-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1965-02-24) and Universal Recording Studios (unidentified, possibly a mix of different studios) (on 1965-02-24)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 16)
recording of:
Help Me, Rhonda (on 1965-02-24)
additional lyricist:
Mike Love (Beach Boys)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
The Beach Boys4?:??
7Heroes and Villains
engineer:
Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band)
recording of:
Heroes and Villains
lyricist:
Van Dyke Parks
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
The Beach Boys?:??
8Wouldn’t It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar:
Jerry Cole (on 1966-01-22)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bass guitar:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
guitar:
Bill Pitman (on 1966-01-22)
mandoguitar:
Barney Kessel (on 1966-01-22)
percussion:
Frank Capp (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
piano [track piano]:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (trumpet player) (on 1966-01-22)
background vocals:
Al Jardine (on 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1966-01-22), Carl Wilson (Beach Boys) (on 1966-01-22) and Dennis Wilson (Beach Boys) (on 1966-01-22)
lead vocals:
Mike Love (Beach Boys) (on 1966-01-22) and Brian Wilson (Beach Boys co‐founder) (on 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 297)
recording of:
Wouldn’t It Be Nice (on 1966-01-22)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.35?:??
9Dance of the Hours
Beethoven Ben?:??
10Piece of My HeartBig Brother & the Holding Company?:??
11Good Times Are So Hard to Find
Blue Cheer?:??
12I Fought the Law
phonographic copyright (℗) by:
Chess (US label) (in 1957)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 175)
cover recording of:
I Fought the Law
lyricist and composer:
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Bobby Fuller Four4.35?:??
13The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.3?:??
14On the Road Again
live recording of:
On the Road Again
lyricist and composer:
Floyd Jones (blues performer and songwriter) and Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) and United Partnership Ltd.
Canned Heat4?:??
15I Can’t Turn You Loose
cover recording of:
I Can’t Turn You Loose (on 1968-08-14)
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc., Shapiro Bernstein & Co. Ltd., East/Memphis Music Corp. (from 1969 to ????) and Time Music (from 1969 to ????)
The Chambers Brothers?:??
16Slip Away
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-08)
drums (drum set):
Roger Hawkins (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
recording of:
Slip Away (on 1968-04-08)
writer:
William Armstrong, Marcus Daniel and Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.5?:??
17Ay‐Tete‐Fee
Clifton Chenier?:??
18Psychotic Reaction
recorded in:
Los Angeles, California, United States (in 1966)
producer:
Joe Hooven and Hal Winn
bass:
Roy Chaney (in 1966)
drums (drum set):
Craig “Butch” Atkinson (in 1966)
guitar:
John “Sean” Byrne (in 1966) and John “Mouse” Michalski (in 1966)
harmonica:
Kenn Ellner (in 1966)
lead vocals:
John “Sean” Byrne (in 1966)
performer:
Count Five and The Countdown Singers (sound-alike cover band associated with the Madacy labels)
recording of:
Psychotic Reaction (in 1966)
composer:
Craig “Butch” Atkinson, John “Sean” Byrne, Roy Chaney, Kenn Ellner and John “Mouse” Michalski
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Lovolar Music
Count Five5?:??
19White Room
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1968-06)
drums (drum set) and percussion and timpani:
Ginger Baker (from 1967-07 until 1968-06)
guitar:
Eric Clapton (from 1967-07 until 1968-06)
viola:
Felix Pappalardi (from 1967-07 until 1968-06)
vocals:
Jack Bruce (from 1967-07 until 1968-06)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 368)
recording of:
White Room (from 1967-07 until 1968-06)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Cream4.55?:??
20Proud Mary
producer:
John Fogerty
bass guitar:
Stu Cook (in 1968)
drums (drum set):
Doug Clifford (in 1968)
guitar:
John Fogerty (in 1968) and Tom Fogerty (in 1968)
vocals:
John Fogerty (in 1968)
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1969) and Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 152) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 155)
recording of:
Proud Mary (in 1968)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
Creedence Clearwater Revival4.3?:??
21Fortunate Son
recording engineer and mixer:
Russ Gary
producer:
John Fogerty
bass guitar:
Stu Cook
drums (drum set):
Doug Clifford
guitar:
John Fogerty and Tom Fogerty
background vocals:
Doug Clifford, Stu Cook and Tom Fogerty
lead vocals:
John Fogerty
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States and Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1971-09-01)
mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 99) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 227)
recording of:
Fortunate Son (in 1969-08)
lyricist and composer:
John Fogerty
publisher:
Cody River Music Company, Jondora Music and Prestige Music ltd.
Creedence Clearwater Revival4.45?:??
22Bad Moon Rising
producer:
John Fogerty
acoustic guitar and lead vocals:
John Fogerty
bass guitar:
Stu Cook (in 1969-03)
drums (drum set):
Doug Clifford (in 1969-03)
guitar:
John Fogerty (in 1969-03) and Tom Fogerty (in 1969-03)
vocals:
John Fogerty (in 1969-03)
performer:
Creedence Clearwater Revival
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1969), Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 356)
recording of:
Bad Moon Rising (in 1969-03)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music and Warner/Chappell Music Australia Pty. Ltd.
Creedence Clearwater Revival4.3?:??
23Born on the Bayou
producer:
John Fogerty
bass guitar:
Stu Cook (in 1968)
congas, cowbell and guitar [lead guitar]:
John Fogerty (in 1968)
drums (drum set):
Doug Clifford (in 1968)
guitar:
Tom Fogerty
guitar [rhythm guitar]:
Tom Fogerty (in 1968)
performer:
Creedence Clearwater Revival
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1969)
recording of:
Born on the Bayou (in 1968-12)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Cody River Music Company and Jondora Music (on 1968-12-27)
live recording of:
Born on the Bayou (in 1970)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Cody River Music Company and Jondora Music (on 1968-12-27)
Creedence Clearwater Revival4.25?:??
24Runaway
solo clavioline [musitron]:
Max Crook
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 100) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 466)
recording of:
Runaway (on 1961-01-24)
writer:
Max Crook and Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. and Vicki Music
Del Shannon4.4?:??
25Keep Searchin’ (We’ll Follow the Sun)
recording of:
Keep Searching (We’ll Follow the Sun)
lyricist and composer:
Del Shannon
Del Shannon?:??
26Bottom of the River
recording of:
Bottom of the River
Delta Rae3.5?:??
27I Let a Good Thing Go By
Dewey Edwards?:??
28Love Child
producer:
The Clan (Motown composers/producers group)
background vocals:
The Andantes
arranger:
Paul Riser
recording of:
Love Child (Diana Ross & the Supremes song)
writer:
Deke Richards (American songwriter and record producer), Pam Sawyer (British‐born American lyricist and songwriter), R. Dean Taylor (Canadian singer, songwriter and record producer) and Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music Co., Inc. and Stone Agate Music Division
Diana Ross & The Supremes3.5?:??
29Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (Guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.45?:??
30Knock on Wood
recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptation of:
Potkraj na les
Eddie Floyd?:??
31A Little Less Conversation
bass:
Charles Berghofer (Jazz bassist) (on 1968-03-07) and Larry Knechtel (on 1968-03-07)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1968-03-07) and Gary Coleman (US percussionist) (on 1968-03-07)
guitar:
Alvin Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1968-03-07), Charles Britz (on 1968-03-07), Joseph Gibbons (guitar player) (on 1968-03-07) and Neil LeVang (on 1968-03-07)
piano:
Don Randi (on 1968-03-07)
vocals:
John Bahler (on 1968-03-07), B.J. Baker (singer Betty Jane Baker, Miss Alabama in 1944 as Betty Jane Rase) (on 1968-03-07), Sally Stevens (on 1968-03-07) and Bob Tebow (on 1968-03-07)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-03-07)
cover recording of:
A Little Less Conversation (on 1968-03-07)
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
Elvis Presley?:??
32Don’t Go to Strangers
Etta James?:??
33Reach Out, I’ll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops4?:??
34Palisades Park
producer:
Bob Crewe and Frank Slay Jr.
recording of:
Palisades Park
lyricist and composer:
Chuck Barris
publisher:
MPL Music Publishing Inc.
Freddy Cannon?:??
35In a Gadda da Vida
phonographic copyright (℗) by:
ATCO Records (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
lyricist and composer:
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly4?:??
36I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.7?:??
37Somebody to Love
recording engineer:
David Hassinger
producer:
Rick Jarrard
recording of:
Somebody to Love (Jefferson Airplane song)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane?:??
38White Rabbit
recorded in:
San Francisco, California, United States (from 1969-05-07 to present)
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 455) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 478)
recording of:
White Rabbit (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Grace Slick
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
is based on:
Alice’s Adventures in Wonderland (novel)
is based on:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.3?:??
39One Bourbon, One Scotch, One Beer
recorded in:
Chicago, Illinois, United States (in 1966)
executive producer:
Marshall Chess
producer:
Ralph Bass
editor:
Ron Malo
guitar:
Eddie Burns (American Detroit blues guitarist) and John Lee Hooker (US blues singer, songwriter & guitarist)
instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
lead vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
recorded at:
Chess Studios in Chicago, Illinois, United States (in 1966)
recording of:
One Bourbon, One Scotch, One Beer
lyricist:
John Lee Hooker (US blues singer, songwriter & guitarist)
composer:
Rudolph Toombs
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
is based on:
House Rent Boogie
John Lee Hooker4?:??
40Folsom Prison Blues (live)
additional producer:
Bob Irwin
producer:
Bob Johnston (US record producer and early rockebilly singer)
bass:
Marshall Grant (on 1968-01-13)
drums (drum set):
W.S. Holland (on 1968-01-13)
electric guitar:
Carl Perkins (American pioneer of rockabilly music) (on 1968-01-13) and Luther Perkins (on 1968-01-13)
guitar:
Johnny Cash (country music legend) (on 1968-01-13)
vocals:
Johnny Cash (country music legend) (on 1968-01-13)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recorded at:
Folsom State Prison in Folsom, California, United States (on 1968-01-13)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 54) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 164)
live recording of:
Folsom Prison Blues (on 1968-01-13)
lyricist and composer:
Johnny Cash (country music legend)
publisher:
Aberbach (London) (publisher), Carlin Music Corporation and Hi Lo Music
is based on:
Crescent City Blues
Johnny Cash4.85?:??
41Ring of Fire
cover recording of:
Ring of Fire
writer:
June Carter Cash (American Country singer and songwriter) and Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash?:??
42Shotgun
producer:
Berry Gordy and Lawrence T. Horn
recording of:
Shotgun
writer:
Autry De Walt
composer:
Autry De Walt and Junior Walker
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK), Jobete Music Co. and What Does It Take Publishing (BMI-affiliated)
Jr. Walker & the All Stars2.75?:??
43Take Me for What I Am
recording of:
Take Me For What I Am
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
L.C. Cooke?:??
44Black Ghost Blues
Lightnin’ Hopkins?:??
45Sinner’s Prayer
Lightnin’ Hopkins?:??
46The Howling Wolf
Lightnin’ Hopkins?:??
47G.I. Blues
Lightnin’ Slim?:??
48Long Tall SallyLittle Richard?:??
49Go Go Shoes
Lonnie Youngblood?:??
50Nowhere to Run
Martha Reeves and the Vandellas?:??
51You
producer:
Ivy Jo Hunter
recording of:
You
lyricist:
Jack Goga
writer:
Jeffrey Bowen, Jack Goga and Ivy Jo Hunter
composer:
Ivy Jo Hunter
publisher:
Jobete Music Co., Inc. (on 1967-06-15)
sub-publisher:
EMI Music Publishing France and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.5?:??
52Five Card Hand
Mercy Dee Walton?:??
53You Belong to Me
engineer:
Jesse Cannon (US engineer, producer and founder of the Cannon Found Soundation), Anthony Esposito and Tim Hatfield
additional producer:
Marky Ramone (Marc Bell)
producer:
John Cafiero
mixer:
Alan Douches
bass guitar [bass] and lead vocals:
Jerry Only
drums (drum set) [drums] and percussion:
Marky Ramone (Marc Bell)
guitar [guitars]:
Dez Cadena
guest vocals:
Ronnie Spector
recorded at:
Schoolhouse Studios (New York, NY) in New York, New York, United States and West West Side Music (second location 2005–2017) in New Windsor, New York, United States
mixed at:
West West Side Music (second location 2005–2017) in New Windsor, New York, United States
cover recording of:
You Belong to Me
writer:
Pee Wee King, Chilton Price and Redd Stewart
publisher:
Hill & Range Inc. (publisher) and Ridgeway Music Co, Inc.
Misfits?:??
54Bad Moon Rising
producer:
Mischa "Book" Chillak
mixer:
Jack Trammell (production music)
guitar:
Clay Jones (producer/engineer/mixer from Oxford, MS, USA)
vocals:
Peter Dreimanis
cover recording of:
Bad Moon Rising
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music and Warner/Chappell Music Australia Pty. Ltd.
Mourning Ritual featuring Peter Dreimanis?:??
55Sitting on the Dock of the Bay
recording of:
(Sittin’ on) the Dock of the Bay
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding?:??
56Hard to Handle
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
Hard to Handle
writer:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell and Otis Redding
publisher:
Irving Music (BMI), Carlin Music Corporation (in 1968) and Irving Music, Inc. (in 1968)
Otis Redding4.2?:??
57Tramp
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
keyboard:
Isaac Hayes (from 1967-01 until 1967-02) and Booker T. Jones (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
background vocals:
Carla Thomas (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
performer:
Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Tramp (from 1967-01 until 1967-02)
writer:
Lowell Fulson and Jimmy McCracklin (blues singer, songwriter)
publisher:
Budget Music, Careers–BMG Music Publishing, Inc. and Powerforce Music
Otis Redding & Carla Thomas4.4?:??
58Must Have Been the Devil
engineer:
George Piros
producer:
Nat Hentoff
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1960-08-23)
Otis Spann?:??
59Crazy
producer:
Owen Bradley
vocals:
Patsy Cline
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 85) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 195)
recording of:
Crazy (Willie Nelson song) (in 1961)
lyricist and composer:
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tree Publishing
Patsy Cline4.15?:??
60Kicks
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 400)
recording of:
Kicks
lyricist:
Cynthia Weil
composer:
Barry Mann
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paul Revere and the Raiders?:??
61Palisades Park
assistant recording engineer:
Judy Kirschner and Robbie Norris
recording engineer:
Martin Bisi and Robert Musso (musician, producer and engineer)
assistant engineer:
Oz Fritz (sound engineer)
producer:
Bill Laswell (US bass guitarist and record producer)
mixer:
Jason Corsaro (U.S. music engineer, and record producer) and Robert Musso (musician, producer and engineer)
additionally recorded at:
B.C. Studios in Brooklyn, New York, New York, United States
recorded at:
Sorcerer Sound in New York, New York, United States
mixed at:
Platinum Island Studios in New York, New York, United States
cover recording of:
Palisades Park
lyricist and composer:
Chuck Barris
publisher:
MPL Music Publishing Inc.
Ramones3.5?:??
62King of the Road
recorded in:
Tennessee, United States (on 1964-11-03)
producer:
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (on 1964-11-03)
phonographic copyright (℗) by:
Smash (in 1965)
recording of:
King of the Road (on 1964-11-03)
lyricist:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
composer:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.5?:??
63Hey Big Momma
Roosevelt Sykes?:??
64Running Scared
recorded in:
Nashville, Tennessee, United States (on 1961-02-27)
producer:
Fred Foster (on 1961-02-27)
vocals:
Roy Orbison (on 1961-02-27)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 4)
recording of:
Running Scared (on 1961-02-27)
lyricist:
Joe Melson (in 1961) and Roy Orbison (in 1961)
composer:
Joe Melson and Roy Orbison
publisher:
Barbara Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1961-04-10)
Roy Orbison3.25?:??
65Walking the Dog
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Rufus Thomas (US blues & funk singer & songwriter)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 24)
recording of:
Walking the Dog (in 1963)
lyricist and composer:
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and East/Memphis Music
Rufus Thomas3?:??
66Hold On, I’m Comin’
recorded in:
Memphis, Tennessee, United States (on 1966-03-08)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (on 1966-03-08)
recording of:
Hold On, I’m Comin’ (on 1966-03-08)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave5?:??
67Soul Man
recording of:
Soul Man
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave?:??
68Chain Gang
producer:
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore and Hugo Peretti
guitar:
Clifton White
lead vocals:
Sam Cooke (American singer and songwriter, “King of Soul”)
conductor:
Glenn Osser
additionally recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1960-04-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 37)
recording of:
Chain Gang (Sam Cooke song)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
Sam Cooke3?:??
69Wonderful World
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 374)
recording of:
Wonderful World
writer:
Lou Adler, Herb Alpert and Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke?:??
70Bring It On Home to Me
engineer:
Al Schmitt
producer:
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore and Hugo Peretti
bass:
Ray Pohlman
cello:
Cecil Figelski (String player) and Armand Kaproff
drums (drum set) and percussion:
Frank Capp
guitar:
Clifton White, René Hall and Tommy Tedesco (guitar)
piano:
Ernest Freeman
saxophone:
William Green (woodwind)
viola:
Wilbert Nuttycombe (strings) and Irving Weinper
violin:
Elliott Fisher, Marvin Limonick, Myron Sandler, Joseph Saxon, Ralph Schaeffer and Marshall Sosson
additional vocals:
Lou Rawls
lead vocals:
Sam Cooke (American singer and songwriter, “King of Soul”)
conductor:
René Hall
arranger:
René Hall
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1962-04-26)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 16)
cover recording of:
Bring It On Home to Me (on 1962-04-26)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
Sam Cooke3.75?:??
71Another Saturday Night
engineer:
Dave Hassinger
producer:
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore and Hugo Peretti
bass:
Clifford Hils (bass)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Clifton White, René Hall and Barney Kessel
piano:
Raymond Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader)
saxophone:
Jewell Grant (US saxophonist) and Plas Johnson
trombone:
John Ewing (jazz trombonist - do not confuse with John Ewing, Jr.)
trumpet:
John Anderson (trumpet)
lead vocals:
Sam Cooke (American singer and songwriter, “King of Soul”)
conductor:
René Hall
arranger:
René Hall
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1963-02-28)
recording of:
Another Saturday Night
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International and Kags Music Corp.
Sam Cooke3.5?:??
72I’m Gonna Forget About You
recording of:
I’m Gonna Forget About You
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
Sam Cooke2?:??
73Lil’ Red Riding Hood
recording of:
Li’l Red Riding Hood
lyricist and composer:
Ronald Blackwell
Sam the Sham & the Pharaohs4?:??
74You Better Stop
Sonny Rhodes?:??
75Pictures of Matchstick Men
engineer:
Alan Florence
producer:
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
bass guitar and electric bass guitar:
Alan Lancaster
drums (drum set):
John Coghlan
electric guitar and guitar:
Rick Parfitt (UK guitarist for Status Quo) and Francis Rossi
electronic organ and organ:
Roy Lynes
vocals:
Alan Lancaster, Roy Lynes, Rick Parfitt (UK guitarist for Status Quo) and Francis Rossi
phonographic copyright (℗) by:
Castle Communications Ltd. (in 1968), Pye Records Ltd. (company owning the label Pye Records) (in 1968) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recording of:
Pictures of Matchstick Men
lyricist and composer:
Francis Rossi
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Valley Music Ltd (publisher)
Status Quo3.5?:??
76Desperation
recording of:
Desperation
lyricist and composer:
John Kay (lead singer of Steppenwolf)
publisher:
ABC/Dunhill Music, Inc.
sub-publisher:
Universal Music Publishing France (not for release label use!)
Steppenwolf5?:??
77Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.35?:??
78You Keep Me Hangin’ On
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Supremes?:??
79I Wish It Would Rain
recording of:
I Wish It Would Rain (in 1967)
lyricist:
Roger Penzabene (songwriter, who worked mainly at Motown) (in 1967)
composer:
Barrett Strong (in 1967) and Norman Whitfield (in 1967)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music and Stone Agate Music Division
The Temptations?:??
80House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.25?:??
81Paint It Black
cover recording of:
Paint It Black
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International, Onward Music Ltd., Promopub. B.V. and Westminster Music Ltd.
Avengers?:??
82The Weight
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
The Band (Canadian-American rock band) and John Simon (US producer, arranger, composer, songwriter and musician)
acoustic guitar:
Robbie Robertson (on 1968-01-12)
bass guitar:
Rick Danko (on 1968-01-12)
drums (drum set):
Levon Helm (on 1968-01-12)
piano:
Garth Hudson (on 1968-01-12)
background vocals:
Rick Danko (on 1968-01-12), Levon Helm (on 1968-01-12) and Richard Manuel (on 1968-01-12)
lead vocals:
Rick Danko (on 1968-01-12) and Levon Helm (on 1968-01-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1968-01-12)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 80) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (on 1968-01-12)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.1?:??
83Time Has Come Today
producer:
David Rubinson
performer:
The Chambers Brothers
phonographic copyright (℗) by:
IDOL (Independent Distribution On Line) (in 2013)
edit of:
Time Has Come Today (original unedited studio mix) by The Chambers Brothers
recording of:
Time Has Come Today (on 1967-08-09)
writer:
Joseph Chambers (The Chambers Brothers) and Willie Chambers
The Chambers Brothers4?:??
84Get Up and Get Down
recording of:
Get Up & Get Down
composer:
Tony Hester
publisher:
Groovesville Music (publishing) (ended) and EMI Longitude Music
The Dramatics?:??
85You Belong to Me
The Duprees?:??
86Hang Ten
The Fun Sons?:??
87You’ve Really Got a Hold on Me
recording of:
You’ve Really Got a Hold on Me
lyricist and composer:
Smokey Robinson (in 1962-10)
publisher:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Miracles?:??
88Mother’s Little Helper
engineer:
David Hassinger
producer:
Andrew Loog Oldham
guest percussion:
Luís Jardim
phonographic copyright (℗) by:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1966)
recording of:
Mother’s Little Helper
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Mirage Music Ltd.
The Rolling Stones3.75?:??
89Paint It Black
producer:
Andrew Loog Oldham
sitar:
Brian Jones (Rolling Stones member)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 174) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 213)
recording of:
Paint It Black
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International, Onward Music Ltd., Promopub. B.V. and Westminster Music Ltd.
The Rolling Stones3.85?:??
90Sympathy for the Devil
recording of:
Sympathy for the Devil
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International and Westminster Music Ltd.
The Rolling Stones?:??
91Street Fighting Man
live recording of:
Street Fighting Man
writer:
Keith Richards (Rolling Stones guitarist) and Mick Jagger (from 1968-05 until 1968-06)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones?:??
92Take Me for What I’m WorthThe Searchers?:??
93Needles & Pins
cover recording of:
Needles and Pins
lyricist:
Sonny Bono
composer:
Sonny Bono and Jack Nitzsche (American musician and score composer)
publisher:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. and Metric Music
The Searchers4?:??
94I Got My Mojo Working
cover recording of:
Got My Mojo Working (original version)
lyricist and composer:
Preston Foster
publisher:
Dare Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Shadows of Knight?:??
95Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
Baby Love
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes?:??
96What Kind of Fool (Do You Think I Am)The Tams?:??
97Ain’t Too Proud to Beg
producer:
Norman Whitfield
instruments:
The Funk Brothers (from 1966-01-04 until 1966-01-11)
background vocals:
Melvin Franklin (from 1966-01-04 until 1966-01-11), Eddie Kendricks (from 1966-01-04 until 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1966-01-04 until 1966-01-11) and Paul Williams (member of The Temptations) (from 1966-01-04 until 1966-01-11)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1966-01-04 until 1966-01-11)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1966-01-04 until 1966-01-11)
recording of:
Ain’t Too Proud to Beg (from 1966-01-04 until 1966-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) and Norman Whitfield
composer:
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music and Stone Agate Music Division
cover recording of:
Ain’t Too Proud to Beg
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) and Norman Whitfield
composer:
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music and Stone Agate Music Division
The Temptations5?:??
98Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs) (in 1966)
electric guitar:
Chris Britton (The Troggs) (in 1966)
ocarina and lead vocals:
Reg Presley (in 1966)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs4.4?:??
99One
cover recording of:
One
lyricist and composer:
Harry Nilsson (US singer-songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Australia Pty. Ltd.
Three Dog Night4.75?:??
100You Keep Me Hangin’ On
cover recording of:
You Keep Me Hangin’ On (in 1967)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Vanilla Fudge3?:??