| # | Title | Artist | Rating | Length |
|---|
| 1 | Always Something There to Remind Me- producer:
- Tony Mansfield
- cover recording of:
- (There’s) Always Something There to Remind Me (in 1982-09)
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) , Carlin Music Corporation, Copyright Control , Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィック音楽出版 第2事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
| Naked Eyes | 4.3 | 3:42 |
| 2 | Take Me Home Tonight (Be My Baby)- engineer:
- Michael Frondelli, Phil Kaffel and Dave Leonard
- producer:
- Eddie Money and Richie Zito
- mixer:
- Scott Litt , Eddie Money and Richie Zito
- additional guest vocals:
- Ronnie Spector (from 1985-11 until 1986-05)
- lead vocals:
- Eddie Money (from 1985-11 until 1986-05)
- performer:
- Ronnie Spector (from 1985-11 until 1986-05)
- arranger:
- Eddie Money and Richie Zito
- phonographic copyright (℗) by:
- Sony Music Entertainment (in 1986)
- recorded at:
- Fantasy Studios in Berkeley, California, United States (from 1985-11 until 1986-05), Oasis Studios in North Hollywood, Los Angeles, California, United States (from 1985-11 until 1986-05) and R.O. Studios in Concord, California, United States (from 1985-11 until 1986-05)
- medley including a recording of:
- Be My Baby (from 1985-11 until 1986-05)
- writer:
- Jeff Barry, Ellie Greenwich and Phil Spector
- publisher:
- ABKCO Music, Inc. , Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
- sub-publisher:
- ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan , Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- medley including a recording of:
- Take Me Home Tonight (from 1985-11 until 1986-05)
- writer:
- Jeff Barry, Ellie Greenwich and Phil Spector
- recording of:
- Take Me Home Tonight
- writer:
- Jeff Barry, Ellie Greenwich and Phil Spector
| Eddie Money with Ronnie Spector | 4.35 | 3:31 |
| 3 | Open Arms | Journey | 2.75 | 3:19 |
| 4 | Red Red Wine | UB40 | 3.8 | 3:02 |
| 5 | Time After Time- additional engineer:
- John Jansen and Rod O’Brien
- assistant engineer:
- John Agnello
- engineer:
- William Wittman
- associate producer:
- William Wittman
- producer:
- Rick Chertoff
- lead vocals:
- Cyndi Lauper
- phonographic copyright (℗) by:
- Epic Records (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (in 1983), Sony Music Entertainment (Holland) B.V. (in 1983), Sony Music Entertainment Inc. (in 1983, in 1984) and Universal Music TV (in 2009)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- a cappella versions:
- Time After Time by Forte A Cappella
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 19), Billboard: The 500 Best Pop Songs (number: 116) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
- recording of:
- Time After Time
- writer:
- Rob Hyman and Cyndi Lauper
- publisher:
- Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control , Dub Notes Music (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (, in 1984), Rellla Music Corp., Sony Music Publishing , Sony/ATV Music Publishing Ltd., Warner Chappell Music , Warner Chappell Music Ltd. , Warner/Chappell North America, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Sony Music Publishing (Japan), Inc., A Division , Warner Brothers Music Ltd. , Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Cyndi Lauper | 4.3 | 3:59 |
| 6 | We Belong | Pat Benatar | 4.45 | 3:41 |
| 7 | Rock You Like a Hurricane- engineer:
- Mike Beiriger, Dieter Dierks, David Hewitt and Gerd Rautenbach
- producer:
- Dieter Dierks
- mixer:
- Mike Beiriger, Dieter Dierks and Scorpions
- acoustic guitar and electric guitar:
- Rudolf Schenker (in 1984)
- bass guitar:
- Francis Buchholz (in 1984)
- drums (drum set) and percussion:
- Herman Rarebell (in 1984)
- electric guitar [lead guitar] and electric guitar [rhythm guitar]:
- Matthias Jabs (in 1984) and Rudolf Schenker (in 1984)
- slide guitar:
- Matthias Jabs (in 1984)
- background vocals:
- Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (in 1984) and Rudolf Schenker (in 1984)
- lead vocals:
- Klaus Meine (in 1984)
- arranger:
- Dieter Dierks
- phonographic copyright (℗) by:
- BMG Rights Management GmbH (in 1984, in 2018), Breeze Music (in 1984), EMI (in 1984), The Island Def Jam Music Group (in 1984) and BMG Rights Management GmbH (in 2015)
- recorded at:
- Dierks Studios in Pulheim, Nordrhein-Westfalen , Germany (from 1983 until 1984)
- part of:
- Alan Cross: Hurricane Songs (number: 5), VH1: 100 Greatest Hard Rock Songs (number: 18) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 36)
- recording of:
- Rock You Like a Hurricane (in 1984)
- lyricist:
- Klaus Meine and Herman Rarebell
- composer:
- Rudolf Schenker
- publisher:
- Arabella Music Edition München, Arabella Musikverlag GmbH and Universal Music Publishing
| Scorpions | 4.05 | 4:13 |
| 8 | Tainted Love | Soft Cell | 5 | 8:57 |
| 9 | Take On Me | a‐ha | 4.5 | 3:46 |
| 10 | Down Under- additional engineer:
- Paul Ray
- engineer:
- Jim Barbour and Peter McIan
- producer:
- Peter McIan
- bass:
- John Rees
- drums (drum set):
- Jerry Speiser
- guitar:
- Ron Strykert
- keyboard and woodwind:
- Greg Ham
- vocals:
- Colin Hay
- phonographic copyright (℗) by:
- CBS Records Australia Limited (in 1981), Columbia Records (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (in 1981), Sony Music Productions Pty. Ltd. (in 1981, in 1982), CBS, Inc. (in 1982), Sony Music Entertainment Inc. (in 1982) and Diski CBS AEBE (in 1986)
- recorded at:
- Richmond Recorders in Melbourne, Victoria, Australia
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 96)
- recording of:
- Down Under
- lyricist:
- Colin Hay
- composer:
- Colin Hay and Ron Strykert
- publisher:
- April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music , EMI Music Australia Pty. Limited , EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
| Men at Work | 3.95 | 3:38 |
| 11 | Can’t Fight This Feeling | REO Speedwagon | 3.9 | 4:54 |
| 12 | Against All Odds (Take a Look at Me Now)- engineer:
- Jeremy Smith and Lewis Hahn
- producer:
- Arif Mardin
- drums (drum set) and lead vocals:
- Phil Collins
- keyboard:
- Rob Mounsey
- conductor:
- Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1999)
- recording of:
- Against All Odds (Take a Look at Me Now)
- lyricist and composer:
- Phil Collins
- publisher:
- Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing , EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (in 1984), EMI Music Publishing Ltd. (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
- sub-publisher:
- EMI Music Publishing Germany GmbH , Imagem Music GmbH , Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 57th Academy Award for Best Original Song (number: 2)
| Phil Collins | 3.8 | 3:25 |
| 13 | Don’t Dream It’s Over- recording engineer:
- Tchad Blake and Dennis Kirk
- assistant engineer:
- Glen Holguin
- producer:
- Mitchell Froom
- mixer:
- Michael Frondelli
- bass:
- Nick Seymour
- congas, mbira [kalimba] and shakers:
- Jorge Bermudez
- drums (drum set):
- Paul Hester
- electric guitar [Gibson Les Paul Goldtop] and lead vocals:
- Neil Finn
- electric guitar [Tom Anderson “S” Style]:
- Tim Pierce
- keyboard and organ:
- Mitchell Froom
- background vocals:
- Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1986)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- mixed at:
- Studio 55 in Los Angeles, California, United States
- recording of:
- Don’t Dream It’s Over
- lyricist and composer:
- Neil Finn
- publisher:
- Chrysalis Music , EMI Music Publishing Ltd. , Mushroom Music , Mushroom Music Publishing and Roundhead Music
- part of:
- APRA Top 100 New Zealand Songs of All Time (number: 2)
| Crowded House | 3.9 | 3:56 |
| 14 | Let’s Groove | Earth, Wind & Fire | 4.4 | 5:33 |
| 15 | Mony Mony- engineer:
- Brian Reeves
- producer:
- Keith Forsey
- lead vocals:
- Billy Idol (in 1981-07)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), Chrysalis Records Ltd. (in 1981) and Chrysalis Records, Inc. (in 1981)
- music videos:
- Mony, Mony by Billy Idol
- cover recording of:
- Mony Mony (in 1981-07)
- writer:
- Bobby Bloom , Ritchie Cordell, Bo Gentry and Tommy James
- publisher:
- Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. , EMI Music Publishing Scandinavia AB and Planetary Nom (London) Ltd.
| Billy Idol | 3.25 | 4:59 |
| 16 | Kiss on My List | Hall & Oates | 3 | 4:23 |
| 17 | Jane Says | Jane’s Addiction | 4.1 | 4:53 |
| 18 | (I’ve Had) The Time of My Life- assistant engineer:
- Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
- engineer:
- Carmine Rubino
- producer:
- Michael Lloyd
- vocals:
- Bill Medley and Jennifer Warnes
- remixer:
- Jimmy Ienner , Michael Lloyd , Dan Nebenzal and Carmine Rubino
- additional arranger:
- John D’Andrea and Michael Lloyd
- arranger:
- Gene Page
- phonographic copyright (℗) by:
- RCA Records , BMG Music (in 1987) and Vestron Music Inc. (in 1987)
- produced for:
- Mike Curb Productions
- recorded at:
- The Village Recorder in Los Angeles, California, United States
- recording of:
- (I’ve Had) The Time of My Life
- lyricist:
- Franke Previte
- composer:
- John DeNicola and Donald Markowitz
- publisher:
- ヤマハミュージックEH(CM) (ended), Calspen Music, Copyright Control , EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. , Sony/ATV Tunes LLC , ソニー・ミュージックパブリッシング A事業部 , フジパシフィックミュージック , Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
- part of:
- The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
| Bill Medley & Jennifer Warnes | 3.75 | 4:48 |
| 19 | Shining Star | The Manhattans | | 4:39 |
| 20 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander , Jason Corsaro , Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen , Tim Crich and Scott "Abada" Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984, in 2018) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd. , Somerset Songs Publishing Inc., Warner Brothers Music Ltd. , Warner Chappell Music , Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 3.95 | 4:55 |
| 21 | Blister in the Sun | Violent Femmes | 4.45 | 2:24 |
| 22 | Cult of Personality | Living Colour | 4.3 | 4:56 |
| 23 | Manic Monday | The Bangles | 4 | 3:05 |
| 24 | Into the Night | Benny Mardones | | 4:31 |
| 25 | Kokomo- engineer and mixer:
- Keith Wechsler
- producer:
- Terry Melcher
- accordion:
- Van Dyke Parks (from 1988-03-22 until 1988-04-06)
- acoustic guitar:
- Jeffrey Foskett (from 1988-03-22 until 1988-04-06)
- alto saxophone:
- Joel Peskin (from 1988-03-22 until 1988-04-06)
- bass:
- Rod Clark (from 1988-03-22 until 1988-04-06)
- drums (drum set):
- Jim Keltner (from 1988-03-22 until 1988-04-06)
- slide guitar [electric slide guitar]:
- Ry Cooder (from 1988-03-22 until 1988-04-06)
- background vocals:
- Al Jardine (from 1988-03-22 until 1988-04-06), Bruce Johnston (from 1988-03-22 until 1988-04-06), Mike Love (from 1988-03-22 until 1988-04-06) and Carl Wilson (from 1988-03-22 until 1988-04-06)
- lead vocals:
- Mike Love (from 1988-03-22 until 1988-04-06) and Carl Wilson (from 1988-03-22 until 1988-04-06)
- performer:
- The Beach Boys (from 1988-03-22 until 1988-04-06)
- phonographic copyright (℗) by:
- WEA International Inc. , Elektra (in 1988) and Touchstone Pictures (in 1988)
- music videos:
- Kokomo by The Beach Boys
- recording of:
- Kokomo (from 1988-03-22 until 1988-04-06)
- writer:
- Mike Love , Scott McKenzie, Terry Melcher and John Phillips
- publisher:
- Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division , Spirit One Music, Touchstone Pictures Music and Songs Inc. and Yamaha Music EH(CM)
| The Beach Boys | 4.35 | 3:36 |
| 26 | Love Song- assistant engineer:
- Roy Spong and Richard Sullivan
- engineer and producer:
- David M. Allen and Robert Smith
- mixer:
- Chris Parry, Mark Saunders and Robert Smith
- bass guitar:
- Simon Gallup (from 1988-11 until 1989-02)
- drums (drum set):
- Boris Williams (from 1988-11 until 1989-02)
- guitar:
- Robert Smith (from 1988-11 until 1989-02) and Porl Thompson (from 1988-11 until 1989-02)
- instruments:
- Lol Tolhurst (from 1988-11 until 1989-02)
- keyboard:
- Roger O’Donnell (from 1988-11 until 1989-02) and Robert Smith (from 1988-11 until 1989-02)
- lead vocals:
- Robert Smith (from 1988-11 until 1989-02)
- remixer:
- Chris Parry, Mark Saunders and Robert Smith
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1989)
- recorded at:
- Outside Studios in Checkendon, Oxfordshire, England, United Kingdom (from 1988-11 until 1989-02)
- mixed at:
- RAK Studio Three in London , England, United Kingdom (in 1989)
- music videos:
- Lovesong by The Cure
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 127)
- recording of:
- Lovesong (from 1988-11 until 1989-02)
- lyricist:
- Robert J. Smith
- composer:
- Boris Williams, Laurence Tolhurst, Paul S. Thompson, Robert J. Smith , Roger O’Donnell and Simon Gallup
- publisher:
- APB Music Co., BMG Music Publishing Ltd., BMG Songs, Inc., Fiction Songs Ltd. and Universal Music Publishing MGB Ltd.
- adaptation of:
- Chanson d’amour
| The Cure | 4.5 | 3:27 |
| 27 | Harden My Heart | Quarterflash | 4 | 3:52 |
| 28 | Shout | Tears for Fears | 4.5 | 4:05 |
| 29 | The Tide Is High- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals:
- Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980) and Chrysalis Records, Inc. (in 1980)
- recorded at:
- United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett and Tyrone Evans
- writer:
- John Holt
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.45 | 3:51 |
| 30 | Come On Eileen | Dexys Midnight Runners | 4.75 | 4:08 |
| 31 | On the Dark Side | John Cafferty & the Beaver Brown Band | 3 | 2:43 |
| 32 | You Are- recording engineer:
- Calvin Harris
- engineer:
- Jim Cassell
- assistant producer:
- Brenda Harvey–Richie
- producer:
- James Anthony Carmichael and Lionel Richie
- mixer:
- Calvin Harris, Michael Johnson , Fred Law and Stephan Smith
- double bass:
- Ray Brown and Morty Corb
- drums (drum set):
- John “JR” Robinson
- electric guitar:
- David Cochrane and Darrell Jones
- harp:
- Gayle Levant
- percussion:
- Paulinho da Costa
- saxophone and woodwind:
- Gary Herbig
- strings:
- Rollice Dale, Assa Drori, Henry Ferber, Ronald Folsom, Allan Harshman , William Henderson , Armand Kaproff, Dennis Karmazyn, William Kurasch, Joy Lyle, Erno Neufeld, Nathan Ross, Myron Sandler, David Schwartz , Frederick Seykora, Paul Shure, David Speltz, Mari Tsumura and Tibor Zelig
- synthesizer [bass [synthesized]]:
- David Cochrane
- trombone:
- Lew McCreary and Bill Reichenbach, Jr.
- trumpet:
- Bob Findley, Gary Grant , Jerry Hey, Walter Johnson and Warren Luening
- viola:
- Allan Harshman
- violin:
- Assa Drori, Joy Lyle and Paul Shure
- vocoder:
- Michael Boddicker
- background vocals:
- David Cochrane , Howard Kenney, Richard Marx, Lionel Richie and Deborah Thomas
- arranger:
- James Anthony Carmichael
- vocals arranger:
- Lionel Richie
- concertmaster:
- Harry Bluestone
- recorded at:
- A&M Recording Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Motown / Hitsville U.S.A Recording Studios in West Hollywood, California, United States
- recording of:
- You Are
- writer:
- Brenda Harvey–Richie and Lionel Richie
- publisher:
- Brenda Richie Publishing and Brockman Music
| Lionel Richie | 4 | 5:01 |
| 33 | She’s Like the Wind | Patrick Swayze feat. Wendy Fraser | 4.35 | 3:51 |
| 34 | Hungry Eyes | Eric Carmen | 4 | 4:02 |
| 35 | You Keep Me Hanging On- recorded in:
- England, United Kingdom
- engineer:
- Peter Wade Schwier
- producer:
- Ricky Wilde
- guitar:
- Steve Byrd
- keyboard:
- Ricky Wilde
- lead vocals:
- Kim Wilde
- phonographic copyright (℗) by:
- MCA Records Ltd. (in 1986), MCA Records, Inc. (in 1986) and EMI Records Ltd. (in 2001)
- produced for:
- Big M and Big M Productions Ltd.
- recorded at and mixed at:
- Larrabee Sound Studios in West Hollywood, California, United States, Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom and Westlake Audio in Los Angeles, California, United States
- part of:
- Cachitos Nochevieja 2022 (number: 108)
- cover recording of:
- You Keep Me Hangin’ On
- lyricist:
- Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- Copyright Control , MCA Music , Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
- sub-publisher:
- EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Kim Wilde | 3.7 | 4:15 |
| 36 | I Can’t Go for That | Hall & Oates | 4 | 5:06 |
| 37 | Between the Sheets | The Isley Brothers | 4.35 | 5:39 |
| 38 | At This Moment | Billy Vera & The Beaters | 4 | 4:19 |
| 39 | My Prerogative- assistant recording engineer and assistant mixer:
- Jim Hanneman
- recording engineer:
- Dennis Mitchell
- drum machine programming:
- Markell Riley
- producer:
- Gene Griffin
- mixer:
- Gene Griffin, Dennis Mitchell and Teddy Riley
- bass saxophone, bass synthesizer and synthesizer:
- Teddy Riley
- finger snaps:
- Bobby Brown
- background vocals:
- Bernard Bill, Lee Drakeford, Aaron Hall and Teddy Riley
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- G.R. Productions
- recorded at:
- Axis Studios in Manhattan, New York, New York, United States
- mixed at:
- Soundworks in New York, New York, United States
- music videos:
- My Prerogative by Bobby Brown
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 98) and Billboard: The 500 Best Pop Songs (number: 460)
- recording of:
- My Prerogative
- writer:
- Bobby Brown , Gene Griffin and Teddy Riley
- publisher:
- Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp. , Universal Music–Z Tunes LLC and Virgin Music (Publishers) Ltd.
| Bobby Brown | 4 | 4:49 |
| 40 | Caribbean Queen (No More Love on the Run) | Billy Ocean | 4 | 4:05 |
| 41 | Heat of the Moment- engineer and producer:
- Mike Stone
- drums (drum set) and percussion:
- Carl Palmer
- electric bass guitar:
- John Wetton
- guitar:
- Steve Howe
- keyboard:
- Geoff Downes
- vocals:
- Geoff Downes, Steve Howe and John Wetton
- phonographic copyright (℗) by:
- Geffen Records (in 1982), The David Geffen Company (in 1982) and UMG Recordings, Inc. (in 1982)
- recorded at:
- The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
- music videos:
- Heat of the Moment by Asia
- recording of:
- Heat of the Moment
- writer:
- Geoff Downes and John Wetton
- publisher:
- BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. , Neue Welt Musikverlag GmbH & Co. KG , Palan Music Publishing Ltd., Warner Bros. , Warner Bros. Music Co., Ltd., Warner Bros., Inc. , Warner Chappell Music, Inc., Ackee Music Inc. (from 1982 to present), Almond Legg Music Corp. (from 1982 to present), WB Music Corp. (from 1982 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| Asia | 4.5 | 3:50 |
| 42 | Rosanna- recording engineer:
- Al Schmitt
- producer:
- Toto
- mixer:
- Greg Ladanyi
- bass guitar:
- David Hungate
- congas:
- Lenny Castro
- drums (drum set) [drums]:
- Jeff Porcaro
- guitar:
- Steve Lukather
- Hammond organ and synthesizer:
- David Paich and Steve Porcaro
- percussion:
- Lenny Castro and Jeff Porcaro
- piano:
- David Paich
- saxophone:
- Jim Horn and Tom Scott
- trombone:
- James Pankow
- trumpet:
- Gary Grant and Jerry Hey
- background vocals [background vocal]:
- Tom Kelly , Bobby Kimball, Steve Lukather and David Paich
- lead vocals:
- Bobby Kimball and Steve Lukather
- brass [horns] arranger:
- Jerry Hey and David Paich
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Columbia Records (in 1982), Sony Music (in 1982) and Sony Music Entertainment (in 1982)
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 15)
- recording of:
- Rosanna
- lyricist and composer:
- David Paich
- publisher:
- Copyright Control , Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. , Sony Music Publishing , Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Spirit Two Music
- sub-publisher:
- Sony Music Publishing (Japan), Inc., A Division
| Toto | 4 | 5:30 |
| 43 | I Feel for You | Chaka Khan | 3.75 | 5:46 |
| 44 | Freeze-Frame- engineer:
- Dave Thoener
- producer:
- Seth Justman
- brass [horns]:
- Alan Rubin, Randy Brecker, Ronnie Cuber, Lou Marini, Tom Melone and George Young
- arranger:
- Seth Justman
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1981) and EMI Catalog (in 2006)
- recorded at:
- Long View Farm in North Brookfield, Massachusetts, United States
- mixed at:
- Mix Room, Record Plant in New York, New York, United States
- recording of:
- Freeze-Frame
- writer:
- Seth Justman and Peter Wolf
- publisher:
- Almo Music Corp. and Kobalt Songs Music Publishing
| The J. Geils Band | 4.2 | 3:58 |
| 45 | Never Tear Us Apart | INXS | 3.8 | 3:03 |
| 46 | Sowing the Seeds of Love | Tears for Fears | | 6:02 |
| 47 | Yearning for Your Love | The Gap Band | | 4:03 |
| 48 | Electric Avenue | Eddy Grant | 5 | 3:45 |
| 49 | Relax | Frankie Goes to Hollywood | 4.05 | 3:55 |
| 50 | Safety Dance | Men Without Hats | 3.8 | 2:45 |
| 51 | Everytime You Go Away | Paul Young | 4.5 | 4:26 |
| 52 | Listen to Your Heart (Swedish single edit) | Roxette | 3 | 5:14 |
| 53 | Kyrie- engineer:
- Paul DeVilliers and Lois Oki
- producer:
- Paul DeVilliers and Mr. Mister
- mixer:
- Mick Guzauski
- bass guitar and lead vocals:
- Richard Page
- drums (drum set):
- Pat Mastelotto
- guitar:
- Steve Farris
- keyboard:
- Steve George
- vocals:
- Steve George
- phonographic copyright (℗) by:
- BMG Entertainment (in 1985), BMG Music (in 1985), RCA Records (in 1985) and Sony Music Entertainment UK Limited (in 1985)
- recording of:
- Kyrie
- lyricist:
- John Lang
- composer:
- Steve George and Richard Page
- publisher:
- Ali‐Aja Music, Entente Music , Indolent Sloth Music, Panola Park Music, Poppy‐Due Music , Stemwa Famo Music , Warner Chappell Music , Warner Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell North America Limited , WB Music Corp. , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Mr. Mister | 4.2 | 4:25 |
| 54 | She Works Hard for the Money | Donna Summer | 5 | 4:33 |
| 55 | Never Surrender | Corey Hart | 3.5 | 4:54 |
| 56 | Alive and Kicking | Simple Minds | 3.5 | 4:48 |
| 57 | 99 Red Balloons | Nena | 5 | 4:43 |
| 58 | Amanda- engineer and producer:
- Tom Scholz
- acoustic guitar, arpeggione [guitar violins], bass guitar, effects, electric guitar, electric piano, grand piano, Hammond organ and theatre organ:
- Tom Scholz (from 1980 until 1981)
- drums (drum set):
- Jim Masdea (from 1980 until 1981) and Tom Scholz (from 1980 until 1981)
- lead vocals:
- Brad Delp (from 1980 until 1981)
- arranger:
- Tom Scholz
- phonographic copyright (℗) by:
- Geffen Records (in 1986) and MCA Records, Inc. (in 1986)
- recorded at:
- Tom Scholz Hideaway Studio II in Massachusetts, United States (from 1980 until 1981)
- recording of:
- Amanda (from 1980 until 1981)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control , EMI Music Publishing Ltd. and Hideaway Hits (in 1986)
| Boston | 4.35 | 4:13 |
| 59 | Venus | Bananarama | 3.95 | 3:34 |
| 60 | I’ll Always Love You | Taylor Dayne | | 4:31 |
| 61 | Looking for a New Love | Jody Watley | | 5:08 |
| 62 | Let’s Go All the Way | Sly Fox | | 3:57 |
| 63 | Don’t Forget Me (When I’m Gone)- recording engineer:
- Paul Northfield (lead vocals) and Hayward Parrott
- engineer:
- Mike Jones (task: Sounds Interchange)
- producer:
- Jim Vallance
- assistant mixer:
- Randy Staub
- mixer:
- Ed Thacker
- guest background vocals:
- Bryan Adams (on 1985-11-04)
- recorded at:
- Armoury Studios in Vancouver, British Columbia, Canada (background vocals), Le Studio in Morin‐Heights, Québec , Canada (lead vocals), McClear Place Studios in Toronto, Ontario, Canada (background vocals, horn [horns]), Sounds Interchange in Toronto, Ontario, Canada and Eastern Sound in Toronto, Ontario, Canada (on 1985-11-04: background vocals [Bryan Adams' backing vocals])
- mixed at:
- Phase One Studios in Toronto, Ontario, Canada
- recording of:
- Don’t Forget Me (When I’m Gone)
- written in:
- Vancouver, British Columbia, Canada (in 1985-05)
- writer:
- Alan Frew, Sam Reid and Jim Vallance (in 1985-05)
- publisher:
- Copyright Control and EMI Music Publishing
| Glass Tiger | 4.5 | 4:06 |
| 64 | Human | The Human League | 4 | 4:26 |
| 65 | Some Like It Hot | The Power Station | 4 | 5:05 |
| 66 | Don’t Talk to Strangers | Rick Springfield | 3.35 | 2:58 |
| 67 | The Best of Times | Styx | 3.85 | 4:19 |
| 68 | Wishing Well | Terence Trent D’Arby | 3.15 | 3:31 |
| 69 | Forever Your Girl | Paula Abdul | 3 | 4:14 |
| 70 | I Think We’re Alone Now | Tiffany | 3.8 | 3:47 |
| 71 | Maniac- producer:
- Phil Ramone and Michael Sembello
- vocals:
- Michael Sembello (in 1983)
- phonographic copyright (℗) by:
- Polygram Records, Inc. (New York) (in 1983) and The Island Def Jam Music Group (in 1983)
- recording of:
- Maniac (in 1983)
- writer:
- Dennis Matkosky and Michael Sembello
- publisher:
- Copyright Control , Famous Music Corporation , Intersong Music, Intersong Music Ltd., Intersong USA, Inc. , Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. and WB Music Corp.
- part of:
- The 56th Academy Award for Best Original Song (number: 2)
| Michael Sembello | 4.15 | 4:08 |
| 72 | Cherish | Kool & the Gang | 5 | 5:40 |
| 73 | Medley: Baby I Love Your Way / Free Bird- phonographic copyright (℗) by:
- Sony Music Entertainment (in 1987) and Sony Music Entertainment Inc. (in 1988)
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 97)
- cover recording of:
- Baby, I Love Your Way
- lyricist and composer:
- Peter Frampton
- publisher:
- Almo Music Corp. , EMI U Catalog Inc. , Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- recording of:
- Baby, I Love Your Way
- lyricist and composer:
- Peter Frampton
- publisher:
- Almo Music Corp. , EMI U Catalog Inc. , Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- recording of:
- Baby, I Love Your Way / Freebird
- lyricist and composer:
- Allen Collins, Peter Frampton and Ronnie Van Zant
- publisher:
- Anidraks Music , Copyright Control , Duchess Music Corporation , Hustler Inc. and Universal Music Publishing Ltd.
- medley of:
- Baby, I Love Your Way
- medley of:
- Free Bird
| Will to Power | 4 | 4:08 |
| 74 | I Didn’t Mean to Turn You On | Robert Palmer | 4 | 3:45 |
| 75 | Axel F | Harold Faltermeyer | 4.15 | 3:02 |
| 76 | Physical | Olivia Newton‐John | 4.4 | 3:42 |
| 77 | Notorious | Duran Duran | 3 | 4:00 |
| 78 | When Smokey Sings | ABC | 4.25 | 4:20 |
| 79 | I’ve Been in Love Before | Cutting Crew | | 5:11 |
| 80 | Miami Vice Theme | Jan Hammer | | 2:27 |
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