40 Years of Music

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Gloria
assistant engineer:
Frank D'Augusta
engineer:
Bernie Kirsh
producer:
John Cale (The Velvet Underground founder)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975, in 1988)
recorded at, mixed at and engineered at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
New York Post: 100 Greatest Covers (2007) (number: 32) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 97)
recording of:
Gloria: In excelsis Deo
lyricist and composer:
Van Morrison and Patti Smith
additional writer:
Patti Smith
additional composer:
Van Morrison
Patti Smith45:53
2(I'm) Stranded
producer:
Rod Coe
bass guitar:
Kym Bradshaw
drums (drum set):
Ivor Hay
guitar:
Ed Kuepper
lead vocals:
Chris Bailey (Irish punk vocalist, member of The Saints)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1976) and EMI Music Australia (defunct holding company, not for release label use!) (in 1977)
recording of:
(I’m) Stranded
lyricist and composer:
Chris Bailey (Irish punk vocalist, member of The Saints) and Ed Kuepper
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
The Saints43:31
3Sheena Is a Punk RockerRamones2:45
4Got to Give It Up (Part 1)
producer:
Art Stewart
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recording of:
Got to Give It Up
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd. and Jobete Music Publishing
recording of:
Got to Give It Up - Pt.1
writer:
Marvin Gaye
Marvin Gaye4.154:10
5Another Girl, Another Planet
assistant engineer:
Kevin Dallimore (engineering) and Andy Lyden
engineer:
Robert Ash (sound engineer)
assistant producer:
Robert Ash (sound engineer)
producer:
The Only Ones
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1978)
recording of:
Another Girl, Another Planet
lyricist and composer:
Peter Perrett
publisher:
Domino Publishing Co. Ltd.
The Only Ones4.353:01
6New Race
recording of:
New Race
lyricist and composer:
Deniz Tek (2007 inductee, Australian Music Hall of Fame (Radio Birdman))
Radio Birdman2:44
7London Calling
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 15), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 42), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 63), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 143)
recording of:
London Calling (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd., Nineden Music (publisher) and Virgin Music (Publishers) Ltd.
The Clash4.13:19
8Typical Girls
engineer:
Mike Dunne
producer:
Dennis Bovell (reggae guitarist, bass player and record producer)
bass guitar:
Tessa Pollitt
drums (drum set):
Budgie (UK drummer Peter Clarke of The Banshees, The Creatures, etc.)
guitar:
Viv Albertine
vocals:
Ari Up
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 381)
recording of:
Typical Girls
writer:
The Slits (UK punk band)
The Slits53:56
9We Can Get Together
phonographic copyright (℗) by:
Diva Records (in 1980)
recording of:
We Can Get Together
lyricist and composer:
Iva Davies
publisher:
Kobalt Music Publishing Australia Pty Ltd
Flowers3:48
10Love Will Tear Us Apart
producer:
Joy Division and Martin Hannett
bass:
Peter Hook
drums (drum set):
Stephen Morris (New Order)
guitar:
Bernard Albrecht
vocals:
Bernard Albrecht and Ian Curtis
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 179)
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:23
11Whip It
associate producer:
Robert Margouleff
producer:
DEVO (new wave/rock band)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 15), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 63) and Indie 88: Top 500 Indie Rock Songs (number: 463)
recording of:
Whip It (Devo song)
writer:
Gerald Casale and Mark Mothersbaugh
publisher:
DEVO Music, EMI Virgin Music Australia Pty Ltd and Nymph Music
DEVO4.52:40
12Boys in Town
bass:
Rick Grossman
drums (drum set):
Richard Harvey (Australian drummer)
guitar:
Bjarn Ohlin and Mark McEntee
keyboard:
Bjarn Ohlin
vocals:
Christina Amphlett
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Warner Music International (trademark of Warner Music International the company) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983)
recording of:
Boys in Town
writer:
Chrissy Amphlett, Mark McEntee and Jeremy Paul (bassist, Air Supply, Divinyls)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) and EMI Songs
Divinyls32:52
13Alone With You
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1981)
recording of:
Alone With You
writer:
Jeremy Oxley (Australian singer, songwriter & guitarist)
publisher:
Mushroom Music Publishing
Sunnyboys4:00
14Local &/Or General
Models3:23
15Quasimodo's Dream
The Reels4:10
16Ever So Lonely
Monsoon4:19
17Never Say Never
producer:
Ian Taylor (rock producer/engineer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
recording of:
Never Say Never
writer:
Benjamin Bossi, Larry Carter (bassist), Debora Iyall, Peter Woods (member of Romeo Void, Ultrasheen) and Frank Zincavage
Romeo Void3:30
18Power and the Passion
engineer and mixer:
Nick Launay
producer:
Nick Launay and Midnight Oil (Australian rock band)
phonographic copyright (℗) by:
Midnight Oil (Australian rock band) (in 1997)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1982-09)
recording of:
Power and the Passion (in 1982-09)
writer:
Peter Garrett, Rob Hirst and Jim Moginie
publisher:
Sony/ATV Music Publishing and Sprint Music Pty. Ltd.
Midnight Oil45:42
19Blue Monday
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1983, in 1987)
samples:
Uran by Kraftwerk
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (number: 61) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 235)
recording of:
Blue Monday
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) and Zomba Music Publishing Ltd.
New Order3.77:29
20Throw Your Arms Around Me
recording of:
Throw Your Arms Around Me
writer:
John Archer (guitarist in Hunters & Collectors), Geoff Crosby, Doug Falconer, Jack Howard (trumpeter), Robert Miles (recording/mixing engineer), Mark Seymour and Michael Waters
publisher:
IRS Music, Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Hunters & Collectors3:27
21From St Kilda to Kings Cross
recording of:
From St Kilda to Kings Cross (Paul Kelly song)
Paul Kelly42:55
22Like Wow - Wipeout!
engineer:
John Bee
producer:
Charles Fisher (Australian producer)
bass guitar:
Clyde Bramley
cymbal and drums (drum set):
Mark Kingsmill
lead vocals:
Dave Faulkner (David Faulkner)
phonographic copyright (℗) by:
Hoodoo Gurus Pty Ltd (in 1985)
mixed at:
Studio 301 (Studios 301, 301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (in 1985-05)
recording of:
Like Wow -- Wipeout
lyricist and composer:
Dave Faulkner (David Faulkner)
publisher:
Best of All Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Publishing
Hoodoo Gurus53:13
23(You Gotta) Fight for Your Right (To Party)
engineer:
Steve Ett
co-producer:
Beastie Boys
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
electric guitar:
Kerry King (co‐founder of Slayer)
phonographic copyright (℗) by:
Def Jam Recordings (US) (in 1986)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 49) and Indie 88: Top 500 Indie Rock Songs (number: 269)
recording of:
Fight for Your Right (to Party)
lyricist:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) and Adam Yauch
composer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
publisher:
Brooklyn Dust Music and Def Jam Music
Beastie Boys4.13:29
24West End Girls
engineer:
David Jacob
producer:
Stephen Hague
additional vocals:
Helena Springs (from 1984 until 1986)
performer:
Chris Lowe (1/2 of Pet Shop Boys) (from 1984 until 1986) and Neil Tennant (from 1984 until 1986)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom (from 1984 until 1986)
engineered at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 189) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 433)
recording of:
West End Girls (from 1984 until 1986)
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (from 1984 to present) and CBS, Inc. (US broadcasting company; file no releases here!) (from 1984 to present)
Pet Shop Boys44:47
25Wide Open Road
recording engineer:
Nick Mainsbridge (in 1985-08)
engineer:
Nick Mainsbridge
producer:
Gil Norton (British record producer) and The Triffids (Australian rock band)
bass:
Martin Casey (in 1985-08)
drums (drum set):
Alsy MacDonald (in 1985-08)
guitar:
Evil Graham Lee (Australian rock musician) (in 1985-08), David McComb (in 1985-08) and Rob McComb (in 1985-08)
organ:
Jill Birt (in 1985-08)
pedal steel guitar:
Evil Graham Lee (Australian rock musician) (in 1985-08)
synthesizer:
David McComb (in 1985-08)
synthesizer [emulator]:
Adam Peters (in 1985-08)
vocals:
David McComb (in 1985-08)
arranger:
The Triffids (Australian rock band)
phonographic copyright (℗) by:
Liberation Music (Australian, big L logo or “Liberation” on one line) (in 2010)
recorded at:
Mark Angelo Studios in Acton, Ealing, London (Greater London), England, United Kingdom (in 1985-08)
mixed at:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, United Kingdom (in 1985-09)
recording of:
Wide Open Road (in 1985-08)
lyricist and composer:
David McComb
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
The Triffids34:08
26Mandinka
engineer:
Kevin Moloney
co-producer:
Kevin Moloney
producer:
Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Chris Birkett, Lloyd Phillips and Terence Morris a.k.a. t.roy
acoustic guitar [ac. gtrs.] and electric guitar [elec. gtrs]:
Marco Pirroni (British musician and producer)
bass guitar [bass gtrs.]:
‘Spike’ Hollifield
drum machine [machines] and drums (drum set) [drum kit]:
John Reynolds (Irish producer, drummer for Jah Wobble)
electric guitar [elec. gtr.] and lead vocals [all vocals]:
Sinéad O’Connor (Irish singer‐songwriter)
keyboard [keyboards] and synthesizer [synths.]:
Mike Clowes
arranger:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1987) and Ensign Records Ltd. (company; do NOT use as release label) (in 1987)
recorded at:
Oasis Studio (Camden, London) in Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Tapestry Studios in London (Greater London), England, United Kingdom
recording of:
Mandinka
lyricist and composer:
Sinéad O’Connor (Irish singer‐songwriter)
publisher:
Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label)
Sinéad O’Connor3.753:47
27Just Like Heaven
recording of:
Just Like Heaven
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst and Boris Williams
publisher:
APB Music Co.
The Cure3:33
28Streets of Your Town
assistant engineer:
Colin Simkins
engineer and producer:
Mark Wallis
bass:
John Willsteed (in 1988-05)
drums (drum set):
Lindy Morrison (in 1988-05)
guitar:
Robert Forster (Australian singer-songwriter & guitarist) (in 1988-05), Grant McLennan (in 1988-05) and John Willsteed (in 1988-05)
violin and background vocals:
Amanda Brown (Australian musician) (in 1988-05)
lead vocals:
Grant McLennan (in 1988-05)
phonographic copyright (℗) by:
Beggars Banquet (in 1988), Beggars Banquet Ltd. (publisher, copyright company) (in 1988), Mushroom Records Pty. Ltd. (in 1988) and Tag 5 (in 1988)
recorded at:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (in 1988-05)
recording of:
Streets of Your Town (in 1988-05)
writer:
Robert Forster (Australian singer-songwriter & guitarist) and Grant McLennan
publisher:
Complete Music, Complete Music Ltd., Incomplete Music Inc., Universal Music Publishing MGB Australia and Wintrup Music
The Go‐Betweens53:35
29Fuck tha PoliceN.W.A5:47
30Monkey Gone to Heaven
assistant engineer:
Matt Lane (engineer) and Dave Snider
engineer:
Matt Lane (engineer) and Gil Norton (British record producer)
producer:
Gil Norton (British record producer)
mixer:
Steve Haigler
cello:
Arthur Fiacco and Ann Rorich
drums (drum set):
Dave Lovering
electric bass guitar:
Kim Deal
electric guitar:
Black Francis (US singer, songwriter & guitarist)
electric guitar [lead guitar] and background vocals:
Joey Santiago
violin:
Karen Karlsrud and Corine Metter
vocals:
Black Francis (US singer, songwriter & guitarist) and Kim Deal
phonographic copyright (℗) by:
4AD Ltd (in 1989)
recorded at and engineered at:
Downtown Recorders in Boston, Massachusetts, United States
mixed at:
Carriage House Studios in Stamford, Connecticut, United States
produced at:
Downtown Recorders in Boston, Massachusetts, United States
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 35), Indie 88: Top 500 Indie Rock Songs (number: 49) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 410)
recording of:
Monkey Gone to Heaven
lyricist and composer:
Black Francis (US singer, songwriter & guitarist)
Pixies3.92:57
31Fools Gold
producer and mixer:
John Leckie
phonographic copyright (℗) by:
Silvertone Records Ltd. (company credits only; file NO releases here!) (in 1989, in 1990)
music videos:
Fools Gold (Music video) by The Stone Roses
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 32) and Indie 88: Top 500 Indie Rock Songs (number: 145)
recording of:
Fools Gold
writer:
Ian Brown (UK singer, member of Stone Roses) and John Squire
publisher:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.44:17
32Cherry-Coloured Funk
recording of:
Cherry‐Coloured Funk
writer:
Elizabeth Fraser (Cocteau Twins), Robin Guthrie (guitarist in Cocteau Twins) and Simon Raymonde
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Cocteau Twins3:12
33Lock It
Falling Joys4:39
34Can I Kick It?
phonographic copyright (℗) by:
Zomba Recording Corp. (not strictly a label - avoid adding releases here) (in 1990)
samples:
Fried Okra by The Watts 103rd Street Rhythm Band, Hard Times by Baby Huey (US rock/soul singer James Ramey), Soul Concerto by The Watts 103rd Street Rhythm Band, Spinning Wheel by Dr. Lonnie Smith, Sunshower by Dr. Buzzard’s Original Savannah Band, The Way You Do The Things You Do by David Porter (US soul musician, producer & songwriter), Walk on the Wild Side by Lou Reed, What a Waste! by Ian Dury & the Blockheads and You Sexy Thing (re‐released single version, a‐side/album version) by Hot Chocolate (70s and 80s British soul band)
music videos:
Can I Kick It? by A Tribe Called Quest
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 292)
recording of:
Can I Kick It?
lyricist:
Jonathan Davis (American rapper), Ali Shaheed Muhammad and Lou Reed
composer:
Lou Reed
publisher:
Metal Machine Music (US work publisher)
A Tribe Called Quest3.654:13
35Treaty
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1991)
recording of:
Treaty
writer:
Peter Garrett, Stuart Kellaway, Paul Kelly (Australian singer/songwriter), Banula Marika, Witiyana Marika, Milkayngu Mununggurr, Cal Williams, Geoffrey Gurrumul Yunupingu and Mandawuy Yunupingu
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing, Sony/ATV Music Publishing and Yothu Yindi Music
Yothu Yindi4:04
36Killing in the Name
additional assistant recording engineer:
Craig Doubet (recording engineer)
assistant recording engineer:
Jeff Sheehan
recording engineer:
GGGarth (Canadian music producer and engineer) and Stan Katayama
producer:
GGGarth (Canadian music producer and engineer) and Rage Against the Machine
mixer:
Andy Wallace (engineer)
drums (drum set):
Brad Wilk
electric bass guitar:
Tim Commerford
electric guitar:
Tom Morello
lead vocals:
Zack de la Rocha
arranger:
Rage Against the Machine
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1992) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recorded at:
Scream Studios in Studio City, Los Angeles, California, United States and Sound City Studios in Van Nuys, California, United States
mixed at:
Quantum Sound Studios in Jersey City, New Jersey, United States
music videos:
Killing in the Name (music video) by Rage Against the Machine
part of:
Fuck tha Police: 20 Songs Against Police Brutality (number: 8), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 32), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 38) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 207)
recording of:
Killing in the Name
lyricist:
Zack de la Rocha
composer:
Tim Commerford, Tom Morello, Zack de la Rocha and Brad Wilk
Rage Against the Machine4.255:15
37Pretend We're Dead
additional engineer:
Mr. Colson, Steve Marker and Jeff Sheehan
engineer and mixer:
Butch Vig
producer:
L7 (US punk rock) and Butch Vig
recorded at:
Smart Studios in Madison, Wisconsin, United States and Sound City Studios in Van Nuys, California, United States
recording of:
Pretend We're Dead
composer:
Donita Sparks
L74.33:55
38Berlin Chair
assistant recording engineer:
Mark Mason (sound engineer) (from 1993-07-27 until 1993-08-03) and Brent Sigmeth (from 1993-07-27 until 1993-08-03)
recording engineer:
Wayne Connolly (from 1993-07-27 until 1993-08-03)
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
phonographic copyright (℗) by:
rooArt (in 1993)
recorded at:
Pachyderm Recording Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Music in New York, New York, United States
recording of:
Berlin Chair (from 1993-07-27 until 1993-08-03)
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) and Universal Music Publishing (use ONLY if no country‐specific information is available)
You Am I3.52:36
39Insane in the Brain
producer:
DJ Muggs
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1993 to present)
recording of:
Insane in the Brain
writer:
Jerry Corbitt, Louis Freese, Larry Muggerud and Senen Reyes
publisher:
Cypress Phuncky Music (Cypress Hill publisher) and Soul Assassins Inc.
Cypress Hill3.953:28
40Cornflake Girl
recording engineer:
John Beverly Jones, Paul McKenna (mixing engineer) and Eric Rosse
programming:
Eric Rosse
mixer:
Kevin Killen
bass:
George Porter, Jr. (from 1993-02 until 1993-10)
drums (drum set):
Carlo Nuccio (from 1993-02 until 1993-10)
guitar family and mandolin:
Steve Caton (from 1993-02 until 1993-10)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1993-02 until 1993-10)
piano and lead vocals:
Tori Amos (from 1993-02 until 1993-10)
guest vocals:
Merry Clayton (from 1993-02 until 1993-10)
publisher:
Sword and Stone
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1994)
recorded at:
The Fishhouse in New Mexico, United States (from 1993-02 until 1993-10)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Cornflake Girl (from 1993-02 until 1993-10)
lyricist and composer:
Tori Amos
publisher:
Sword and Stone
Tori Amos3.95:07
41Vow
assistant engineer:
Mike Zirkel
engineer and producer:
Garbage (US rock band)
bass:
Steve Marker
drums (drum set):
Butch Vig
guitar:
Duke Erikson (member of Garbage), Shirley Manson and Steve Marker
keyboard:
Duke Erikson (member of Garbage)
vocals:
Shirley Manson
recorded at:
Smart Studios in Madison, Wisconsin, United States
recording of:
Vow
writer:
Duke Erikson (member of Garbage), Shirley Manson, Steve Marker and Butch Vig
Garbage3.654:32
42Apartment
producer:
Eric Drew Feldman
music videos:
Apartment by Custard (Australian rock band)
recording of:
Apartment
lyricist and composer:
David McCormack, Paul Medew, Danny Plant and Matthew Strong
Custard2:25
43Time Bomb
recording of:
Time Bomb
writer:
Tim Armstrong, Lars Frederiksen (US punk guitarist, vocalist and producer) and Matt Freeman (US punk bassist)
publisher:
I Want To Go Where The Action is Music
Rancid2:26
44Hell Is Round the Corner
producer:
Mark Saunders (UK record producer) and Tricky (UK trip hop producer Adrian Thaws)
vocals:
Martina Topley‐Bird and Tricky (UK trip hop producer Adrian Thaws)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1995)
samples:
Medley: Ike’s Rap II / Help Me Love by Isaac Hayes
recording of:
Hell Is Round the Corner
writer:
Isaac Hayes and Adrian Thaws
publisher:
Irving Music, Inc. and Songs of PolyGram International, Inc.
Tricky4.353:48
45Down by the Water
engineer:
Flood (British producer Mark Ellis) and PJ Harvey
producer:
Flood (British producer Mark Ellis) and Polly Jean Harvey
mixer:
Flood (British producer Mark Ellis)
cello:
Sian Bell (cellist) (from 1994-09 until 1994-10)
drums (drum set) and percussion:
John Parish (from 1994-09 until 1994-10)
guitar:
Joe Gore (from 1994-09 until 1994-10)
organ:
PJ Harvey (from 1994-09 until 1994-10)
viola:
Jocelyn Pook (from 1994-09 until 1994-10) and Jules Singleton (from 1994-09 until 1994-10)
violin:
Sonia Slany (violinist) (from 1994-09 until 1994-10)
vocals:
PJ Harvey (from 1994-09 until 1994-10)
performer:
John Parish (from 1994-09 until 1994-10)
arranger:
Pete Thomas (drummer)
recorded at:
Townhouse Three in Battersea, Wandsworth, London (Greater London), England, United Kingdom (from 1994-09 until 1994-10)
mixed at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland (from 1994-10 until 1994-11)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 472)
recording of:
Down by the Water (from 1994-09 until 1994-10)
lyricist and composer:
PJ Harvey
PJ Harvey53:13
46Firestarter
additional recording engineer:
Neil McLellan
producer and mixer:
Liam Howlett
guitar:
Jim Davies (The Prodigy studio guitarist) and Jim Davis (jazz producer)
vocals:
Keith Flint (vocalist in The Prodigy)
phonographic copyright (℗) by:
XL‐Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 1996)
recorded at:
Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom
mixed at:
Earthbound in Bradwell, Essex, England, United Kingdom
produced at:
Earthbound in Bradwell, Essex, England, United Kingdom
samples:
Close (to the Edit) by Art of Noise and S.O.S. by The Breeders
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 30)
recording of:
Firestarter
writer:
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan and Paul Morley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. and Zomba Music
is based on:
S.O.S.
quotes music from:
Close (to the Edit)
The Prodigy4.054:43
47Paranoid Android
recorded in:
United Kingdom (from 1996-07 until 1997-03)
recording engineer and producer:
Nigel Godrich (English record producer) and Radiohead
programming:
Thom Yorke
assistant engineer:
Jon Bailey (engineer), Gerard Navarro (engineer) and Chris Scard
mixer and editor:
Nigel Godrich (English record producer)
bass guitar and bass synthesizer:
Colin Greenwood (English bassist in Radiohead) (from 1996-07 until 1997-03)
drums (drum set):
Philip Selway (drummer in Radiohead) (from 1996-07 until 1997-03)
effects and background vocals:
Ed O’Brien (guitarist & songwriter in Radiohead) (from 1996-07 until 1997-03)
glockenspiel, keyboard, mellotron and organ:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03)
guitar:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03), Ed O’Brien (guitarist & songwriter in Radiohead) (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
percussion:
Colin Greenwood (English bassist in Radiohead) (from 1996-07 until 1997-03), Ed O’Brien (guitarist & songwriter in Radiohead) (from 1996-07 until 1997-03) and Philip Selway (drummer in Radiohead) (from 1996-07 until 1997-03)
piano:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
vocals:
Thom Yorke (from 1996-07 until 1997-03)
conductor:
Nick Ingman (from 1996-07 until 1997-03)
strings arranger:
Radiohead
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 2017)
music videos:
Paranoid Android by Radiohead
part of:
Triple J’s Hottest 100: Twenty Years (2013) (number: 13), Indie 88: Top 500 Indie Rock Songs (number: 20), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 38) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 256)
recording of:
Paranoid Android (from 1996-07 until 1997-03)
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
Radiohead4.46:24
48Into My Arms
assistant recording engineer:
Paul Hicks and Paul Wright (UK recording engineer)
recording engineer:
Paul Corkett
producer:
Nick Cave & the Bad Seeds and Flood (British producer Mark Ellis)
assistant mixer:
Chris Scard
mixer:
Flood (British producer Mark Ellis)
bass:
Martyn P. Casey
piano:
Nick Cave (Australian singer‐songwriter, musician and score composer)
vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer)
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1997)
additionally recorded at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
mixed at:
The Church Studios in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Into My Arms
lyricist and composer:
Nick Cave (Australian singer‐songwriter, musician and score composer)
publisher:
Mushroom Music Pty. Ltd., Mute Song (international) and Mute Song Ltd.
Nick Cave & the Bad Seeds4.154:14
49Sing It Back (Boris Dlugosch musical mix edit)
engineer and mixer:
Mark Brydon
additional producer:
Boris D’Lugosch and Michael Lange
producer:
Moloko (English‐Irish electronic music duo)
additional keyboard:
Günther Gerl
bass and guitar:
M. Bartel
lead vocals:
Róisín Murphy
remixer:
Boris D’Lugosch and Michael Lange
phonographic copyright (℗) by:
The Echo Label Ltd. (in 1999)
produced for and remixed for:
Elusive Productions
remix of:
Sing It Back (album version) by Moloko (English‐Irish electronic music duo)
edit of:
Sing It Back (Boris Musical mix) by Moloko (English‐Irish electronic music duo)
recording of:
Sing It Back
writer:
Mark Brydon and Róisín Murphy
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and Chrysalis Music Publishing
Moloko3.454:40
50Wait and BleedSlipknot2:33
51Ms. Jackson (radio mix)
assistant recording engineer:
Malik Albert, Vincent Alexander and Warren Bletcher (engineer)
recording engineer:
John Frye (hip hop / R&B mix engineer)
programming and producer:
Earthtone III (production team consisting of OutKast and Mr. DJ)
assistant mixer:
Warren Bletcher (engineer)
mixer:
Neal Pogue (mix engineer)
guest bass guitar:
Aaron Mills (funk/jazz bassist, member of Cameo)
guest congas:
Rajinder Kala
guest keyboard:
Earthtone III (production team consisting of OutKast and Mr. DJ)
guest piano:
Marvin “Chanz” Parkman
guitar and background vocals and lead vocals:
André 3000
lead vocals:
Big Boi
arranger:
Earthtone III (production team consisting of OutKast and Mr. DJ)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2020)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 145) and Indie 88: Top 500 Indie Rock Songs (number: 277)
recording of:
Ms. Jackson
writer:
Antwan André Patton, André Benjamin and David Sheats (US hip-hop producer David Sheats)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Dungeon Ratz Music Inc. and Gnat Booty Music
OutKast4.154:32
52My Happiness (radio edit)
phonographic copyright (℗) by:
Grudge Records Australia (in 2000)
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2000)
recording of:
My Happiness
writer:
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug and Darren Middleton
publisher:
Egg the Nest Music and Kobalt Music Publishing Australia P/L
Powderfinger44:38
53Frontier Psychiatrist
producer:
Bobbydazzler
mixer:
Bobbydazzler and Tony Espie
arranger:
Bobbydazzler
phonographic copyright (℗) by:
Modular Recordings (Australian label) (in 2000)
samples:
(You Are) My Way of Life by Bert Kaempfert & His Orchestra, A Gray Line Tour of Historic Boston (B-side) by The Gray Line (sightseeing tour company) and Frontier Psychiatrist by Wayne and Shuster
music videos:
Frontier Psychiatrist (music video) by The Avalanches (Australian electronic music group)
recording of:
Frontier Psychiatrist
writer:
Robbie Chater, Dexter Fabay (Dexter Fabay), Bert Kaempfert (German orchestra leader, producer and songwriter), Herbert Rehbein, Darren Seltmann and Carl Sigman
The Avalanches4.454:50
54Get Ur Freak On
assistant recording engineer:
Jesse Gorman and Grayson Sumby
engineer:
Senator Jimmy D (engineer)
producer:
Missy Elliott (American rapper, singer, dancer & record producer) and Timbaland
assistant mixer:
Jesse Gorman and Steve Penny
mixer:
Jimmy Douglass (engineer)
additional vocals:
Angie Fisher
lead vocals:
Missy Elliott (American rapper, singer, dancer & record producer)
music videos:
Get Ur Freak On by Missy Elliott (American rapper, singer, dancer & record producer)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 8) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 153)
recording of:
Get Ur Freak On
writer:
Melissa Elliott (American rapper, singer, dancer & record producer) and Timothy Mosley
Missy Elliott43:57
55Chop Suey!
additional engineer:
Greg Collins (engineer) and Darren Mora
engineer:
David Schiffman (American producer/audio engineer)
co-producer:
Serj Tankian
producer:
Daron Malakian and Rick Rubin (US record producer, former co‐president of Columbia Records)
mixer:
Andy Wallace (engineer)
bass guitar and additional vocals:
Shavo Odadjian
drums (drum set):
John Dolmayan
guitar:
Daron Malakian
keyboard:
Serj Tankian
vocals:
Daron Malakian and Serj Tankian
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2001)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States
mixed at:
Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 37)
recording of:
Chop Suey!
lyricist:
Daron Malakian and Serj Tankian
composer:
Daron Malakian
publisher:
DDevil Music, ilovecoffee and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Kobalt Music Publishing Ltd. Canada II, Sony/ATV Tunes (SOCAN), ソニー・ミュージックパブリッシング (Sony Music Publishing (Japan) Inc., song publisher, never a release label) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
System of a Down4.353:33
56Monsters
phonographic copyright (℗) by:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 2001)
recording of:
Monsters
writer:
Something for Kate
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Something for Kate3:40
57Do You Realize??
recording engineer and mixer:
The Flaming Lips and Dave Fridmann
programming and sound engineer:
Dave Fridmann
producer:
Scott Booker, The Flaming Lips and Dave Fridmann
phonographic copyright (℗) by:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 2002, in 2022)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 369)
recording of:
Do You Realize??
writer:
Wayne Coyne, Steven Drozd, Dave Fridmann and Michael Ivins
publisher:
EMI Music Publishing (do not use as a release label!)
The Flaming Lips3.953:33
58The Nosebleed Section
producer:
Suffa
recorded at:
triple j's One Night Stand - Gippsland, Victoria (2009-05-30)
recorded at and mixed at:
X-Bred Production Studios in Adelaide, South Australia, Australia
samples:
People in the Front Row by Melanie (US singer‐songwriter Melanie Safka)
part of:
Triple J’s Hottest 100: Twenty Years (2013) (number: 4)
recording of:
Nosebleed Section
writer:
Barry Francis (Australian hip hop producer DJ Debris, member of Hilltop Hoods), Matt Lambert (Australian rapper and producer Suffa of Hilltop Hoods), Melanie Safka (US singer‐songwriter Melanie Safka) and Daniel Smith (Australian rapper aka Pressure)
Hilltop Hoods43:39
59Fix Up, Look Sharp
programming and producer:
Dizzee Rascal
engineer and mixer:
Cage (Dizzee Rascal's manager. Sometimes credited as Nick Cage)
additional producer:
Cage (Dizzee Rascal's manager. Sometimes credited as Nick Cage)
vocals:
Dizzee Rascal
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 2003)
recorded at:
Belly of the Beast in London (Greater London), England, United Kingdom (from 2001-10 until 2003-03) and Raskit’s Lair (from 2001-10 until 2003-03)
mixed at:
Kenwood Studios in Sheffield, South Yorkshire, England, United Kingdom (in 2003-04)
samples:
The Big Beat by Billy Squier
music videos:
Fix Up Look Sharp by Dizzee Rascal
recording of:
Fix Up, Look Sharp
lyricist:
Dylan Mills and Billy Squier
composer:
Nick Detnon, Dylan Mills and Billy Squier
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dizzee Rascal43:46
60Take Me Out
producer and mixer:
Tore Johansson
phonographic copyright (℗) by:
Domino Recording Co. Ltd. (not for release label use!) (in 2004)
produced for:
Stephen Budd Management
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 16), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2004) and Indie 88: Top 500 Indie Rock Songs (number: 80)
recording of:
Take Me Out
writer:
Alex Kapranos (lead singer and guitarist in Franz Ferdinand) and Nick McCarthy
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Franz Ferdinand4.153:59
61Joker and the Thief
engineer:
Ryan Castle
producer and mixer:
David Sardy (American score composer)
editor:
Andy Brohard
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Joker & the Thief (from 2005-06 until 2005-09)
writer:
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) and Andrew Stockdale
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Wolfmother3.654:40
62One Crowded HourAugie March4:14
63Electric Feel
performer:
Ben Goldwasser and Andrew VanWyngarden
arranger:
Ben Goldwasser and Andrew VanWyngarden
publisher:
Old Man Future and Sadguitarius
later releases:
Electric Feel (album version) by MGMT (US pop rock group)
part of:
triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (number: 2) and Indie 88: Top 500 Indie Rock Songs (number: 212)
recording of:
Electric Feel
lyricist and composer:
Ben Goldwasser and Andrew VanWyngarden
publisher:
Old Man Future and Sadguitarius
MGMT4.253:51
64My People
mixer:
John Fields (“Strawberry” – producer)
phonographic copyright (℗) by:
Modular Recordings (Australian label) (in 2007, in 2008)
mixed at:
Seedy Underbelly in Los Angeles, California, United States
recording of:
My People
lyricist and composer:
Julian Hamilton (Austrailian singer-songwriter and keyboardist) and Kim Moyes
publisher:
EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Presets4.354:28
65Better Than
assistant engineer:
Jarrad Hearman
engineer and mixer:
Mario Caldato Jr.
co-producer:
Michael Barker (NZ drummer) and Shannon Birchall
producer:
John Butler (Australian singer / songwriter / guitarist) and Mario Caldato Jr.
double bass:
Shannon Birchall (from 2004 until 2005)
drums (drum set), glockenspiel, marimba, shakers and tambourine:
Michael Barker (NZ drummer) (from 2004 until 2005)
five-string banjo and lead vocals:
John Butler (Australian singer / songwriter / guitarist) (from 2004 until 2005)
background vocals:
Michael Barker (NZ drummer) (from 2004 until 2005) and Shannon Birchall (from 2004 until 2005)
phonographic copyright (℗) by:
Family Music Pty Ltd (not for release label use! rights holders and publishing company) (in 2006)
recorded at:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia (from 2004 until 2005)
recording of:
Better Than (from 2004 until 2005)
lyricist and composer:
John Butler (Australian singer / songwriter / guitarist)
publisher:
Family Music Pty Ltd (not for release label use! rights holders and publishing company)
John Butler Trio4.53:29
66We Won't Run
phonographic copyright (℗) by:
Dew Process (in 2009) and Universal Music Australia (see annotation before using) (in 2009)
recording of:
We Won’t Run
lyricist and composer:
Sarah Blasko
Sarah Blasko3.53:57
67Lisztomania
producer:
Phoenix (French indie band) and Zdar (founder of the Motorbass studio, half of Cassius)
mixer:
Philippe Zdar Cerboneschi (founder of the Motorbass studio, half of Cassius)
recorded at and mixed at:
Motorbass Studio in Paris, Île-de-France, France
part of:
Gary Calamar’s Top 10 Songs of ‘09 (number: 6) and Indie 88: Top 500 Indie Rock Songs (number: 99)
recording of:
Lisztomania
writer:
Thomas Pablo Croquet, Christian Mazzalai, Laurent Mazzalai and Frederic Jean Joseph Moulin
publisher:
Ghettoblaster
Phoenix4.24:02
68Runaway
recording of:
Runaway
writer:
Jeff Bhasker, J. Branch, Mike Dean (US “dirty south” hip‐hop producer & mix engineer), Emile Haynie (hip hop producer, aka "Emile"), Kanye West (formerly Kanye West), Malik Jones and Terrence Thornton (Pusha T)
Kanye West feat. Pusha T5:39
69Tokyo (Vampires & Wolves)
The Wombats3:39
70Shake It Out
drum machine [drum] programming:
Bullion
engineer:
Mark Rankin (engineer)
producer:
Paul Epworth
assistant mixer:
Matty Green (mix engineer)
mixer:
Mark ‘Spike’ Stent (producer, engineer)
additional other instruments [esoteric sonics]:
Bullion
drums (drum set):
Christopher Lloyd Hayden
guitar:
Robert Ackroyd
harp:
Tom Monger (harpist)
keyboard:
Rusty Bradshaw
percussion:
Christopher Lloyd Hayden and Mark Saunders (bassist for Florence + the Machine)
reed organ [pump organ]:
Paul Epworth
background vocals:
Sian Alice, Christopher Lloyd Hayden, Jack Penate, Lisa Moorish, Mark Saunders (bassist for Florence + the Machine) and Jessie Ware (British singer‐songwriter)
vocals:
Florence Welch (English singer)
phonographic copyright (℗) by:
Universal Island Records (not for release label use; a division of Universal Music Operations Limited) (from 2011 to present)
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2013), Pitchfork: The 200 Best Songs of the 2010s (number: 174) and Indie 88: Top 500 Indie Rock Songs (number: 281)
recording of:
Shake It Out
writer:
Paul Epworth and Florence Welch (English singer)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Florence + the Machine3.854:36
71Little Talks
engineer:
Aron Arnarsson
producer:
Aron Arnarsson and Of Monsters and Men
mixer:
Craig Silvey
phonographic copyright (℗) by:
SKRIMSL ehf (in 2012)
music videos:
Little Talks by Of Monsters and Men
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 65) and Indie 88: Top 500 Indie Rock Songs (number: 157)
recording of:
Little Talks
lyricist:
Nanna (Icelandic contemporary pop artist) and Ragnar þórhallsson
composer:
Of Monsters and Men
publisher:
Sony/ATV Music Publishing, Inc.
Of Monsters and Men3.854:14
72Breezeblocks
producer:
Charlie Andrew
phonographic copyright (℗) by:
Infectious Music Ltd.
part of:
Indie 88: Top 500 Indie Rock Songs (number: 188)
recording of:
Breezeblocks
writer:
Charlie Andrew, Joe Newman (member of alt-J), Gwil Sainsbury, Thom Green (drummer for alt-J) and Gus Unger-Hamilton
alt‐J4.33:48
73Feels Like We Only Go Backwards
recording engineer and producer:
Kevin Parker (Australian singer and producer)
mixer:
Dave Fridmann
instruments and vocals:
Kevin Parker (Australian singer and producer)
mixed at:
Tarbox Road Studios in Chautauqua County, New York, United States
part of:
Pitchfork: The 200 Best Songs of the 2010s (number: 192) and Indie 88: Top 500 Indie Rock Songs (number: 302)
recording of:
Feels Like We Only Go Backwards
lyricist and composer:
Kevin Parker (Australian singer and producer)
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Tame Impala4.153:14
74Holdin On
recorded at:
triple j's One Night Stand - Dubbo, New South Wales (2013-04-13)
phonographic copyright (℗) by:
Future Classic (in 2013) and Mom+Pop (independent NYC) (in 2013)
recorded at:
Dubbo Showgrounds in Dubbo, New South Wales, Australia (on 2013-04-13)
recording of:
Holdin On
writer:
Harley Edward Streten (Australian DJ and producer) and Otis Redding
Flume32:34
75Royals
engineer, producer and mixer:
Joel Little
instruments:
Joel Little
lead vocals:
Ella Yelich O’Connor (New Zealand singer‐songwriter)
phonographic copyright (℗) by:
Universal Music New Zealand (in 2013) and Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2013)
recorded at:
Golden Age in Auckland, Auckland (Auckland Region), North Island, New Zealand
music videos:
Royals by Lorde (New Zealand singer‐songwriter) and Royals by Lorde (New Zealand singer‐songwriter)
part of:
Grammy Award: Best Pop Solo Performance nominees (number: 2014 winner), Rolling Stone: The 100 Best Songs of the 2010s (number: 11), Billboard Year-End Hot 100 singles of 2013 (number: 15), Billboard Year-End Hot 100 singles of 2014 (number: 20), Stereogum: The 200 Best Songs of the 2010s (number: 23), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 30), Billboard Decade End Chart: Streaming Songs (2010s) (number: 35), Billboard: Greatest of All Time Hot 100 Songs (number: 77), Indie 88: Top 500 Indie Rock Songs (number: 98), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 111) and Pitchfork: The 200 Best Songs of the 2010s (number: 129)
recording of:
Royals
writer:
Ella Yelich O’Connor (New Zealand singer‐songwriter) and Joel Little
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), イーエムアイ音楽出版 (EMI Music Publishing Japan) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
Matuschkes Lieblinge 2013 and APRA Silver Scroll Awards Winners (number: 2013)
Lorde3.753:12
76Do I Wanna Know?
producer:
James Ford (UK producer/engineer/drummer for Simian Mobile Disco) and Ross Orton
mixer:
Tchad Blake
phonographic copyright (℗) by:
Domino Recording Co Ltd (not for release label use!) (in 2013)
music videos:
Do I Wanna Know? (Official Video) by Arctic Monkeys
part of:
Grammy Award: Best Rock Performance nominees (number: 2015), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 219)
recording of:
Do I Wanna Know?
lyricist:
Alex Turner
composer:
Arctic Monkeys and Alex Turner
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Arctic Monkeys4.24:34
77Riptide
producer:
John Castle, James Keogh (Australian singer-songwriter) and Edwin White (Australian musician and producer)
vocals:
Vance Joy (Australian singer-songwriter)
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2013), Billboard Year-End Hot 100 singles of 2015 (number: 71), Indie 88: Top 500 Indie Rock Songs (number: 72) and BILLIONS CLUB
recording of:
Riptide
lyricist and composer:
James Keogh (Australian singer-songwriter)
publisher:
Mushroom Music Pty. Ltd. and WB Music Corp. (1929–2019)
Vance Joy3.953:22
78Is This How You Feel?
The Preatures3:35
79HighPeking Duk feat. Nicole Millar33:48
80Talk Is Cheap
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2014)
recording of:
Talk Is Cheap
writer:
Nick Murphy (aka Chet Faker)
Chet Faker43:39

Credits