Masterworks: The Original Jackets Collection

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

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1▼CD: Cantatas: Church Cantatas
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1Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 1: 1. Sinfonia
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
2:57
2Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 1: 2. "Ich hatte viel Bekümmernis"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
4:02
3Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 1: 3. "Seufzer, Tränen, Kummer, Not"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
soprano vocals:
Edith Mathis (soprano) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
4:40
4Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 1: 4. "Wie hast du dich, mein Gott"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, IV. Recitativo (Tenore) "Wie hast du dich, mein Gott" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
1:42
5Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 1: 5. "Bäche von gesalznen Zähren"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, V. Aria (Tenore) "Bäche von gesalznen Zähren" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
7:14
6Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 1: 6. "Was betrübst du dich, meine Seele"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, VI. Coro "Was betrübst du dich, meine Seele" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
4:52
7Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 2: 7. "Ach Jesu, meine Ruh, mein Licht"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
soprano vocals:
Edith Mathis (soprano) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
1:46
8Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 2: 8. "Komm, mein Jesu, und erquicke"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
soprano vocals:
Edith Mathis (soprano) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
4:15
9Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 2: 9. "Sei nun wieder zufrieden"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, IX. Coro "Sei nun wieder zufrieden, meine Seele" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
5:32
10Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 2: 10. "Erfreue dich, Seele"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, X. Aria (Tenore) "Erfreue dich, Seele, erfreue dich, Herze" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
3:16
11Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 2: 11. "Das Lamm, das erwürget ist"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
3:45
12Ein ungefärbt Gemüte, Cantata BWV 24: 1. "Ein ungefärbt Gemüte"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1971-05, from 1974-02 until 1974-03, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": I. Aria (Alto) "Ein ungefärbt Gemüte" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
5:00
13Ein ungefärbt Gemüte, Cantata BWV 24: 2. "Die Redlichkeit ist eine von den Gottesgaben"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": II. Recitativo (Tenore) "Die Redlichkeit ist eine von den Gottesgaben" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
1:54
14Ein ungefärbt Gemüte, Cantata BWV 24: 3. "Alles nun, das ihr wollet"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
soprano vocals:
Ursula Buckel (soprano) (in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": III. Coro (Soprano, Alto, Tenore, Basso) "Alles nun, das ihr wollet" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
3:14
15Ein ungefärbt Gemüte, Cantata BWV 24: 4. "Die Heuchelei ist eine Brut"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": IV. Recitativo (Basso) "Die Heuchelei ist eine Brut" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
1:51
16Ein ungefärbt Gemüte, Cantata BWV 24: 5. "Treu und Wahrheit sei der Grund"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": V. Aria (Tenore) "Treu und Wahrheit sei der Grund" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
3:28
17Ein ungefärbt Gemüte, Cantata BWV 24: 6. "O Gott, du frommer Gott"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": VI. Choral "O Gott, du frommer Gott" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
2:16
18Sie werden aus Saba alle kommen, Cantata BWV 65: 1. "Sie werden aus Saba alle kommen"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:34
19Sie werden aus Saba alle kommen, Cantata BWV 65: 2. "Die Könige aus Saba kamen dar"
sound engineer and balance engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
0:42
20Sie werden aus Saba alle kommen, Cantata BWV 65: 3. "Was dort Jesaias vorhergesehn"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
2:14
21Sie werden aus Saba alle kommen, Cantata BWV 65: 4. "Gold aus Ophir ist zu schlecht"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
2:37
22Sie werden aus Saba alle kommen, Cantata BWV 65: 5. "Verschmähe nicht, du, meiner Seelen Licht"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (from 1967-02 to ????)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:31
23Sie werden aus Saba alle kommen, Cantata BWV 65: 6. "Nimm mich dir zu eigen hin"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:21
24Sie werden aus Saba alle kommen, Cantata BWV 65: 7. "Ei nun, mein Gott, so fall ich dir getrost"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1967-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:28
2▼CD: Cantatas: Church Cantatas
#TitleRatingLength
1Nun komm, der Heiden Heiland, Cantata BWV 61: 1. "Nun komm, der Heiden Heiland" (Choir)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
2:48
2Nun komm, der Heiden Heiland, Cantata BWV 61: 2. "Der Heiland ist gekommen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
1:20
3Nun komm, der Heiden Heiland, Cantata BWV 61: 3. "Komm, Jesu, komm zu deiner Kirche"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
4:17
4Nun komm, der Heiden Heiland, Cantata BWV 61: 4. "Siehe, ich stehe vor der Tür"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
1:08
5Nun komm, der Heiden Heiland, Cantata BWV 61: 5. "Öffne dich, mein ganzes Herz"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Timothy Mason (classical cellist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
3:47
6Nun komm, der Heiden Heiland, Cantata BWV 61: 6. "Amen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01) and Anthony Rolfe Johnson (tenor) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
0:54
7Schwingt freudig euch empor, Cantata BWV 36: Pt. 1: 1. "Schwingt freudig euch empor"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Ingmar Haas (engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
The English Baroque Soloists (in 1992-01)
conductor:
John Eliot Gardiner (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Great Hall, Blackheath Concert Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": I. Coro "Schwingt freudig euch empor" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
4:11
8Schwingt freudig euch empor, Cantata BWV 36: Pt. 1: 2. "Nun komm, der Heiden Heiland"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals:
Petra Lang (mezzo-soprano) (in 1992-01)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Anthony Robson (oboist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": II. Choral "Nun komm, der Heiden Heiland" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
3:21
9Schwingt freudig euch empor, Cantata BWV 36: Pt. 1: 3. "Die Liebe zieht mit sanften Schritten"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Anthony Robson (oboist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": III. Aria (Tenore) "Die Liebe zieht mit sanften Schritten" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
4:50
10Schwingt freudig euch empor, Cantata BWV 36: Pt. 1: 4. "Zwingt die Saiten"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Petra Lang (mezzo-soprano) (in 1992-01) and Anthony Rolfe Johnson (tenor) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": IV. Choral "Zwingt die Saiten in Cythara" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 377)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
1:19
11Schwingt freudig euch empor, Cantata BWV 36: Pt. 2: 5. "Willkommen, werter Schatz"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": V. Aria (Basso) "Willkommen, werter Schatz!" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
3:32
12Schwingt freudig euch empor, Cantata BWV 36: Pt. 2: 6. "Der du bist dem Vater gleich"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals [tenors]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01) and Petra Lang (mezzo-soprano) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VI. Choral (Tenore) "Der du bist dem Vater gleich" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
1:44
13Schwingt freudig euch empor, Cantata BWV 36: Pt. 2: 7. "Auch mit gedämpften, schwachen Stimmen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Alison Bury (violinist) (in 1992-01) and Timothy Mason (classical cellist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VII. Aria (Soprano) "Auch mit gedämpften, schwachen Stimmen" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
8:54
14Schwingt freudig euch empor, Cantata BWV 36: Pt. 2: 8. "Lob sei Gott, dem Vater"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01) and Petra Lang (mezzo-soprano) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VIII. Choral "Lob sei Gott, dem Vater g'ton" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 264)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
0:47
15"Nun komm, der Heiden Heiland", BWV 62: 1. Chorus "Nun komm, der Heiden Heiland" (Choir)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Ingmar Haas (engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
The English Baroque Soloists (in 1992-01)
conductor:
John Eliot Gardiner (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Great Hall, Blackheath Concert Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
4:27
16"Nun komm, der Heiden Heiland", BWV 62: 2. Aria "Bewundert, o Menschen" (Tenor)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Bewundert, o Menschen" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
6:20
17"Nun komm, der Heiden Heiland", BWV 62: 3. Recitative "So geht aus Gottes Herrlichkeit" (Baritone)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": III. Recitativo (Basso) "So geht aus Gottes Herrlichkeit" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:40
18"Nun komm, der Heiden Heiland", BWV 62: 4. Aria "Streite, siege, starker Held" (Baritone)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
5:21
19"Nun komm, der Heiden Heiland", BWV 62: 5. Recitative "Wir ehren diese Herrlichkeit" (Soprano, Mezzo-Soprano)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals:
Petra Lang (mezzo-soprano) (in 1992-01)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": V. Recitativo (Duetto: Soprano, Alto) "Wir ehren diese Herrlichkeit" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:49
20"Nun komm, der Heiden Heiland", BWV 62: 6. Chorale "Lob sei Gott, dem Vater" (Choir)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01), Petra Lang (mezzo-soprano) (in 1992-01) and Anthony Rolfe Johnson (tenor) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 265)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:40
3▼CD: Cantatas: Church Cantatas
#TitleRatingLength
1Ich will den Kreuzstab gerne tragen, Cantata BWV 56: 1. "Ich will den Kreuzstab gerne tragen"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Berliner Barock Solisten
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
7:01
2Ich will den Kreuzstab gerne tragen, Cantata BWV 56: 2. "Mein Wandel auf der Welt"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Berliner Barock Solisten
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
2:06
3Ich will den Kreuzstab gerne tragen, Cantata BWV 56: 3. "Endlich, endlich wird mein Joch"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Berliner Barock Solisten
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
5:43
4Ich will den Kreuzstab gerne tragen, Cantata BWV 56: 4. "Ich stehe fertig und bereit"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Berliner Barock Solisten
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:47
5Ich will den Kreuzstab gerne tragen, Cantata BWV 56: 5. "Komm, o Tod, du Schlafes Bruder"
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Barock Solisten
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
chorus master:
Daniel Reuss (conductor) (in 2004-01)
performer:
RIAS Kammerchor (German chamber choir) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:42
6Der Friede sei mit dir, Cantata BWV 158: 1. "Der Friede sei mit dir"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:43
7Der Friede sei mit dir, Cantata BWV 158: 2. "Welt, ade, ich bin dein müde"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
chorus master:
Daniel Reuss (conductor) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01) and RIAS Kammerchor (German chamber choir) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Georg Albinus (in 1649)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
5:49
8Der Friede sei mit dir, Cantata BWV 158: 3. "Nun, Herr, regiere meinen Sinn"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:33
9Der Friede sei mit dir, Cantata BWV 158: 4. "Hier ist das rechte Osterlamm"
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
chorus master:
Daniel Reuss (conductor) (in 2004-01)
performer:
RIAS Kammerchor (German chamber choir) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:24
10Ich habe genug, Cantata BWV 82: 1. "Ich habe genug, ich habe den Heiland"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
6:48
11Ich habe genug, Cantata BWV 82: 2. "Ich habe genug! Mein Trost ist nur allein"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
1:16
12Ich habe genug, Cantata BWV 82: 3. "Schlummert ein, ihr matten Augen"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
9:07
13Ich habe genug, Cantata BWV 82: 4. "Mein Gott! wann kommt das schöne Nun!"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
0:49
14Ich habe genug, Cantata BWV 82: 5. "Ich freue mich auf meinen Tod"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2004-01)
orchestra:
Berliner Barock Solisten (in 2004-01)
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
3:19
4▼CD: Cantatas: Church Cantatas
#TitleRatingLength
1Ein feste Burg ist unser Gott, Cantata BWV 80: 1. "Ein feste Burg ist unser Gott"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
5:53
2Ein feste Burg ist unser Gott, Cantata BWV 80: 2. "Alles was von Gott geboren"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
soprano vocals:
Edith Mathis (soprano) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:42
3Ein feste Burg ist unser Gott, Cantata BWV 80: 3. "Erwäge doch, Kind Gottes"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
2:14
4Ein feste Burg ist unser Gott, Cantata BWV 80: 4. "Komm in mein Herzens Haus"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
soprano vocals:
Edith Mathis (soprano) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
performer:
Edith Mathis (soprano) (in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:27
5Ein feste Burg ist unser Gott, Cantata BWV 80: 5. "Und wenn die Welt voll Teufel wär"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:04
6Ein feste Burg ist unser Gott, Cantata BWV 80: 6. "So stehe denn bei Christi blutgefärbter Fahne"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:28
7Ein feste Burg ist unser Gott, Cantata BWV 80: 7. "Wie selig sind doch, die Gott im Munde tragen"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:11
8Ein feste Burg ist unser Gott, Cantata BWV 80: 8. "Das Wort sie sollen lassen stahn"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1978-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:36
9Ach wie flüchtig, ach wie nichtig, Cantata BWV 26: 1. "Ach wie flüchtig, ach wie nichtig"
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (in 1978-03)
cello:
Fritz Kiskalt (cellist) (in 1978-03)
double bass:
Herbert Duft (double bass player) (in 1978-03)
flute:
Peter-Lukas Graf (flutist) (in 1978-03)
oboe:
Manfred Clement (oboist) (in 1978-03)
oboe [oboe II]:
Robert Eliscú (in 1978-03)
oboe [oboe III]:
Susan Goetting (oboist and french horn player) (in 1978-03)
organ:
Elmar Schloter (organist) (in 1978-03) and Elfriede Singheiser (organist) (in 1978-03)
violin:
Kurt Guntner (violinist) (in 1978-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
3:17
10Ach wie flüchtig, ach wie nichtig, Cantata BWV 26: 2. "So schnell ein rauschend Wasser schießt"
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (in 1978-03)
cello:
Fritz Kiskalt (cellist) (in 1978-03)
double bass:
Herbert Duft (double bass player) (in 1978-03)
flute:
Peter-Lukas Graf (flutist) (in 1978-03)
oboe:
Manfred Clement (oboist) (in 1978-03)
oboe [oboe II]:
Robert Eliscú (in 1978-03)
oboe [oboe III]:
Susan Goetting (oboist and french horn player) (in 1978-03)
organ:
Elmar Schloter (organist) (in 1978-03) and Elfriede Singheiser (organist) (in 1978-03)
violin:
Kurt Guntner (violinist) (in 1978-03)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
6:54
11Ach wie flüchtig, ach wie nichtig, Cantata BWV 26: 3. "Die Freude wird zu Traurigkeit"
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (in 1978-03)
cello:
Fritz Kiskalt (cellist) (in 1978-03)
double bass:
Herbert Duft (double bass player) (in 1978-03)
flute:
Peter-Lukas Graf (flutist) (in 1978-03)
oboe:
Manfred Clement (oboist) (in 1978-03)
oboe [oboe II]:
Robert Eliscú (in 1978-03)
oboe [oboe III]:
Susan Goetting (oboist and french horn player) (in 1978-03)
organ:
Elmar Schloter (organist) (in 1978-03) and Elfriede Singheiser (organist) (in 1978-03)
violin:
Kurt Guntner (violinist) (in 1978-03)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
1:07
12Ach wie flüchtig, ach wie nichtig, Cantata BWV 26: 4. "An irdische Schätze das Herze zu hängen"
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (in 1978-03)
cello:
Fritz Kiskalt (cellist) (in 1978-03)
double bass:
Herbert Duft (double bass player) (in 1978-03)
flute:
Peter-Lukas Graf (flutist) (in 1978-03)
oboe:
Manfred Clement (oboist) (in 1978-03)
oboe [oboe II]:
Robert Eliscú (in 1978-03)
oboe [oboe III]:
Susan Goetting (oboist and french horn player) (in 1978-03)
organ:
Elmar Schloter (organist) (in 1978-03) and Elfriede Singheiser (organist) (in 1978-03)
violin:
Kurt Guntner (violinist) (in 1978-03)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
4:44
13Ach wie flüchtig, ach wie nichtig, Cantata BWV 26: 5. "Die höchste Herrlichkeit und Pracht"
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (in 1978-03)
cello:
Fritz Kiskalt (cellist) (in 1978-03)
double bass:
Herbert Duft (double bass player) (in 1978-03)
flute:
Peter-Lukas Graf (flutist) (in 1978-03)
oboe:
Manfred Clement (oboist) (in 1978-03)
oboe [oboe II]:
Robert Eliscú (in 1978-03)
oboe [oboe III]:
Susan Goetting (oboist and french horn player) (in 1978-03)
organ:
Elmar Schloter (organist) (in 1978-03) and Elfriede Singheiser (organist) (in 1978-03)
violin:
Kurt Guntner (violinist) (in 1978-03)
soprano vocals:
Edith Mathis (soprano) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
0:45
14Ach wie flüchtig, ach wie nichtig, Cantata BWV 26: 6. "Ach wie flüchtig, ach wie nichtig"
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (in 1978-03)
cello:
Fritz Kiskalt (cellist) (in 1978-03)
double bass:
Herbert Duft (double bass player) (in 1978-03)
flute:
Peter-Lukas Graf (flutist) (in 1978-03)
oboe:
Manfred Clement (oboist) (in 1978-03)
oboe [oboe II]:
Robert Eliscú (in 1978-03)
oboe [oboe III]:
Susan Goetting (oboist and french horn player) (in 1978-03)
organ:
Elmar Schloter (organist) (in 1978-03) and Elfriede Singheiser (organist) (in 1978-03)
violin:
Kurt Guntner (violinist) (in 1978-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (in 1978-03)
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
0:57
15Du Friedefürst, Herr Jesu Christ, Cantata BWV 116: 1. "Du Friedefürst, Herr Jesu Christ"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": I. Coro "Du Friedefürst, Herr Jesu Christ" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
5:04
16Du Friedefürst, Herr Jesu Christ, Cantata BWV 116: 2. "Ach, unaussprechlich ist die Not"
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": II. Aria (Alt) "Ach, unaussprechlich ist die Not" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
3:22
17Du Friedefürst, Herr Jesu Christ, Cantata BWV 116: 3. "Gedenke doch, o Jesu"
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": III. Recitativo (Tenor) "Gedenke doch, o Jesu" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
0:48
18Du Friedefürst, Herr Jesu Christ, Cantata BWV 116: 4. "Ach, wir bekennen unsre Schuld"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1978-03)
soprano vocals:
Edith Mathis (soprano) (in 1978-03)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": IV. Terzetto (Sopran, Tenor, Bass) "Ach, wir bekennen unsre Schuld" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
5:46
19Du Friedefürst, Herr Jesu Christ, Cantata BWV 116: 5. "Ach, lass uns durch die scharfen Ruten"
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": V. Recitativo (Alt) "Ach, laß uns durch die scharfen Ruten" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
1:18
20Du Friedefürst, Herr Jesu Christ, Cantata BWV 116: 6. "Erleuchtet auch unser Sinn und Herz"
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1978-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1978-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-03)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": VI. Choral "Erleucht auch unser Sinn und Herz" (in 1978-03)
lyricist:
Jakob Ebert (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 69)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
0:59
5▼CD: Cantatas: Church Cantatas
#TitleRatingLength
1Wachet auf, ruft uns die Stimme, Cantata BWV 140: 1. "Wachet auf, ruft uns die Stimme"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
oboe:
Richard Earle (oboist) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:17
2Wachet auf, ruft uns die Stimme, Cantata BWV 140: 2. "Er kommt, er kommt, der Bräutigam kommt!"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Anthony Rolfe Johnson (tenor) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
0:51
3Wachet auf, ruft uns die Stimme, Cantata BWV 140: 3. "Wann kommst du, mein Heil?"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
soprano vocals:
Ruth Holton (soprano) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Alison Bury (violinist) (in 1990-03), Ruth Holton (soprano) (in 1990-03) and Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
5:32
4Wachet auf, ruft uns die Stimme, Cantata BWV 140: 4. "Zion hört die Wächter singen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1990-03)
choir vocals [tenors]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
3:49
5Wachet auf, ruft uns die Stimme, Cantata BWV 140: 5. "So geh herein zu mir"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Bass) "So geh herein zu mir" (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:25
6Wachet auf, ruft uns die Stimme, Cantata BWV 140: 6. "Mein Freund ist mein!"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
soprano vocals:
Ruth Holton (soprano) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Ruth Holton (soprano) (in 1990-03), Anthony Robson (oboist) (in 1990-03) and Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Sop, Bass) "Mein Freund ist mein" (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
5:05
7Wachet auf, ruft uns die Stimme, Cantata BWV 140: 7. "Gloria sei dir gesungen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:45
8Herz und Mund und Tat und Leben, Cantata BWV 147: Pt. 1: 1. "Herz und Mund und Tat und Leben"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:00
9Herz und Mund und Tat und Leben, Cantata BWV 147: Pt. 1: 2. "Gebenedeiter Mund!"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Anthony Rolfe Johnson (tenor) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:44
10Herz und Mund und Tat und Leben, Cantata BWV 147: Pt. 1: 3. "Schäme dich, o Seele nicht"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Michael Chance (British countertenor) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:14
11Herz und Mund und Tat und Leben, Cantata BWV 147: Pt. 1: 4. "Verstockung kann Gewaltige verblenden"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:34
12Herz und Mund und Tat und Leben, Cantata BWV 147: Pt. 1: 5. "Bereite dir, Jesu"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Ruth Holton (soprano) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Alison Bury (violinist) (in 1990-03) and Ruth Holton (soprano) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:29
13Herz und Mund und Tat und Leben, Cantata BWV 147: Pt. 1: 6. "Wohl mir, dass ich Jesum habe"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:29
14Herz und Mund und Tat und Leben, Cantata BWV 147: Pt. 2: 7. "Hilf, Jesu, hilf"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Anthony Rolfe Johnson (tenor) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:16
15Herz und Mund und Tat und Leben, Cantata BWV 147: Pt. 2: 8. "Der höchsten Allmacht Wunderhand"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Michael Chance (British countertenor) (in 1990-03), Richard Earle (oboist) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:16
16Herz und Mund und Tat und Leben, Cantata BWV 147: Pt. 2: 9. "Ich will von Jesu Wundern singen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03) and Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:33
17Herz und Mund und Tat und Leben, Cantata BWV 147: Pt. 2: 10. "Jesus bleibet meine Freude"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
The English Baroque Soloists (in 1990-03)
conductor:
John Eliot Gardiner (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
St. Andrewʼs Church, Fontmell Magna (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:31
6▶CD: Cantatas: Secular Cantatas
7▶CD: Cantatas: Secular Cantatas
8▶CD: Cantatas: Cantata Arias with Obbligato Violin
9▶CD: Sacred Works: Mass in B minor / Magnificat
10▶CD: Sacred Works: Mass in B minor / Magnificat
11▶CD: Sacred Works: St. John Passion
12▶CD: Sacred Works: St. John Passion
13▶CD: Sacred Works: St. Matthew Passion
14▶CD: Sacred Works: St. Matthew Passion
15▶CD: Sacred Works: Christmas Oratorio
16▶CD: Sacred Works: Christmas Oratorio
17▶CD: Sacred Works: Motets
18▶CD: Sacred Works: Schemelli Song-Book
19▶CD: Organ Works: Trio Sonatas
20▶CD: Organ Works: Toccata and Fugue "Dorian" / Chorale Partita "Sei gegrüßet, Jesu gütig" / Passacaglia
21▶CD: Organ Works: Preludes and Fugues / Chorale Prelude "Schmücke dich"
22▶CD: Organ Works: Preludes / Fugues / Variations
23▶CD: Organ Works: Preludes / Fugues / Variations
24▶CD: Organ Works: Schübler Chorales, etc.
25▶CD: Keyboard Works: The Well-Tempered Clavier I
26▶CD: Keyboard Works: The Well-Tempered Clavier I
27▶CD: Keyboard Works: Goldberg Variations & Partitas
28▶CD: Keyboard Works: Goldberg Variations & Partitas
29▶CD: Keyboard Works: Partita No. 1 / Suites
30▶CD: Keyboard Works: English Suites Nos. 2 & 3
31▶CD: Keyboard Works: Chromatic Fantasia and Fugue / Toccatas
32▶CD: Keyboard Works: Partita No. 2 / English Suite No. 2
33▶CD: Keyboard Works: Two- and Three-Part Inventions
34▶CD: Solo & Chamber Works: Works for Lute
35▶CD: Solo & Chamber Works: Violin Sonatas and Partitas
36▶CD: Solo & Chamber Works: Violin Sonatas and Partitas
37▶CD: Solo & Chamber Works: Violin Sonatas
38▶CD: Solo & Chamber Works: Chello Suits
39▶CD: Solo & Chamber Works: Chello Suits
40▶CD: Solo & Chamber Works: Chello Sonatas
41▶CD: Solo & Chamber Works: Flute Sonatas
42▶CD: Concertos & Orchestral Works: Brandenburg Concertos
43▶CD: Concertos & Orchestral Works: Brandenburg Concertos
44▶CD: Concertos & Orchestral Works: Orchestral Suites
45▶CD: Concertos & Orchestral Works: Violin Concertos
46▶CD: Concertos & Orchestral Works: Harpsichord Concertos
47▶CD: Concertos & Orchestral Works: Harpsichord Concertos
48▶CD: Concertos & Orchestral Works: Harpsichord Concertos
49▶CD: Contrapuntal Studies: Musical Offering
50▶CD: Contrapuntal Studies: The Art of Fugue

Credits

Release

composer:Johann Sebastian Bach (German Baroque period composer & musician)
Discogs:https://www.discogs.com/release/5081132 [info]
ASIN:UK: B00D6OP1HY [info]