Masterworks: The Original Jackets Collection

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1CD: Cantatas: Church Cantatas
#TitleRatingLength
1Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 1: 1. Sinfonia
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
2:57
2Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 1: 2. "Ich hatte viel Bekümmernis"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
4:02
3Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 1: 3. "Seufzer, Tränen, Kummer, Not"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
soprano vocals:
Edith Mathis (soprano) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
4:40
4Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 1: 4. "Wie hast du dich, mein Gott"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, IV. Recitativo (Tenore) "Wie hast du dich, mein Gott" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
1:42
5Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 1: 5. "Bäche von gesalznen Zähren"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, V. Aria (Tenore) "Bäche von gesalznen Zähren" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
7:14
6Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 1: 6. "Was betrübst du dich, meine Seele"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, VI. Coro "Was betrübst du dich, meine Seele" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
4:52
7Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 2: 7. "Ach Jesu, meine Ruh, mein Licht"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
soprano vocals:
Edith Mathis (soprano) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
1:46
8Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 2: 8. "Komm, mein Jesu, und erquicke"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
soprano vocals:
Edith Mathis (soprano) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
4:15
9Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 2: 9. "Sei nun wieder zufrieden"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, IX. Coro "Sei nun wieder zufrieden, meine Seele" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
5:32
10Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 2: 10. "Erfreue dich, Seele"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, X. Aria (Tenore) "Erfreue dich, Seele, erfreue dich, Herze" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
3:16
11Ich hatte viel Bekümmernis, Cantata BWV 21: Pt. 2: 11. "Das Lamm, das erwürget ist"
producer:
Gerd Ploebsch and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for all versions)
3:45
12Ein ungefärbt Gemüte, Cantata BWV 24: 1. "Ein ungefärbt Gemüte"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1971-05, from 1974-02 until 1974-03, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": I. Aria (Alto) "Ein ungefärbt Gemüte" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
5:00
13Ein ungefärbt Gemüte, Cantata BWV 24: 2. "Die Redlichkeit ist eine von den Gottesgaben"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": II. Recitativo (Tenore) "Die Redlichkeit ist eine von den Gottesgaben" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
1:54
14Ein ungefärbt Gemüte, Cantata BWV 24: 3. "Alles nun, das ihr wollet"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
soprano vocals:
Ursula Buckel (soprano) (in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": III. Coro (Soprano, Alto, Tenore, Basso) "Alles nun, das ihr wollet" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
3:14
15Ein ungefärbt Gemüte, Cantata BWV 24: 4. "Die Heuchelei ist eine Brut"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": IV. Recitativo (Basso) "Die Heuchelei ist eine Brut" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
1:51
16Ein ungefärbt Gemüte, Cantata BWV 24: 5. "Treu und Wahrheit sei der Grund"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": V. Aria (Tenore) "Treu und Wahrheit sei der Grund" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
3:28
17Ein ungefärbt Gemüte, Cantata BWV 24: 6. "O Gott, du frommer Gott"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": VI. Choral "O Gott, du frommer Gott" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
2:16
18Sie werden aus Saba alle kommen, Cantata BWV 65: 1. "Sie werden aus Saba alle kommen"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:34
19Sie werden aus Saba alle kommen, Cantata BWV 65: 2. "Die Könige aus Saba kamen dar"
sound engineer and balance engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
0:42
20Sie werden aus Saba alle kommen, Cantata BWV 65: 3. "Was dort Jesaias vorhergesehn"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
2:14
21Sie werden aus Saba alle kommen, Cantata BWV 65: 4. "Gold aus Ophir ist zu schlecht"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
2:37
22Sie werden aus Saba alle kommen, Cantata BWV 65: 5. "Verschmähe nicht, du, meiner Seelen Licht"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (from 1967-02 to ????)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:31
23Sie werden aus Saba alle kommen, Cantata BWV 65: 6. "Nimm mich dir zu eigen hin"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:21
24Sie werden aus Saba alle kommen, Cantata BWV 65: 7. "Ei nun, mein Gott, so fall ich dir getrost"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1967-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:28
2CD: Cantatas: Church Cantatas
3CD: Cantatas: Church Cantatas
4CD: Cantatas: Church Cantatas
5CD: Cantatas: Church Cantatas
6CD: Cantatas: Secular Cantatas
7CD: Cantatas: Secular Cantatas
8CD: Cantatas: Cantata Arias with Obbligato Violin
9CD: Sacred Works: Mass in B minor / Magnificat
10CD: Sacred Works: Mass in B minor / Magnificat
11CD: Sacred Works: St. John Passion
12CD: Sacred Works: St. John Passion
13CD: Sacred Works: St. Matthew Passion
14CD: Sacred Works: St. Matthew Passion
15CD: Sacred Works: Christmas Oratorio
16CD: Sacred Works: Christmas Oratorio
17CD: Sacred Works: Motets
18CD: Sacred Works: Schemelli Song-Book
19CD: Organ Works: Trio Sonatas
20CD: Organ Works: Toccata and Fugue "Dorian" / Chorale Partita "Sei gegrüßet, Jesu gütig" / Passacaglia
21CD: Organ Works: Preludes and Fugues / Chorale Prelude "Schmücke dich"
22CD: Organ Works: Preludes / Fugues / Variations
23CD: Organ Works: Preludes / Fugues / Variations
24CD: Organ Works: Schübler Chorales, etc.
25CD: Keyboard Works: The Well-Tempered Clavier I
26CD: Keyboard Works: The Well-Tempered Clavier I
27CD: Keyboard Works: Goldberg Variations & Partitas
28CD: Keyboard Works: Goldberg Variations & Partitas
29CD: Keyboard Works: Partita No. 1 / Suites
30CD: Keyboard Works: English Suites Nos. 2 & 3
31CD: Keyboard Works: Chromatic Fantasia and Fugue / Toccatas
32CD: Keyboard Works: Partita No. 2 / English Suite No. 2
33CD: Keyboard Works: Two- and Three-Part Inventions
34CD: Solo & Chamber Works: Works for Lute
35CD: Solo & Chamber Works: Violin Sonatas and Partitas
36CD: Solo & Chamber Works: Violin Sonatas and Partitas
37CD: Solo & Chamber Works: Violin Sonatas
38CD: Solo & Chamber Works: Chello Suits
39CD: Solo & Chamber Works: Chello Suits
40CD: Solo & Chamber Works: Chello Sonatas
41CD: Solo & Chamber Works: Flute Sonatas
42CD: Concertos & Orchestral Works: Brandenburg Concertos
43CD: Concertos & Orchestral Works: Brandenburg Concertos
44CD: Concertos & Orchestral Works: Orchestral Suites
45CD: Concertos & Orchestral Works: Violin Concertos
46CD: Concertos & Orchestral Works: Harpsichord Concertos
47CD: Concertos & Orchestral Works: Harpsichord Concertos
48CD: Concertos & Orchestral Works: Harpsichord Concertos
49CD: Contrapuntal Studies: Musical Offering
50CD: Contrapuntal Studies: The Art of Fugue

Credits

Release

composer:Johann Sebastian Bach (German Baroque period composer & musician)
Discogs:https://www.discogs.com/release/5081132 [info]
ASIN:UK: B00D6OP1HY [info]