| # | Title | Artist | Rating | Length |
|---|
| 1 | Someone You Loved | Lewis Capaldi | 3.05 | 3:02 |
| 2 | Dancing on My Own | Calum Scott | 5 | 4:20 |
| 3 | Be Alright | Dean Lewis | 3.5 | 3:16 |
| 4 | Dedicated to the One I Love- producer:
- Lou Adler
- phonographic copyright (℗) by:
- Dunhill Records Inc. (in 1967)
- produced for:
- Dunhill Records USA
- cover recording of:
- Dedicated to the One I Love
- writer:
- Ralph Bass and Lowman Pauling
- publisher:
- Carlin Music Corporation, Duchess Music Corporation , Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. , シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Baby It’s You!
- recording of:
- Dedicated to the One I Love
- writer:
- Ralph Bass and Lowman Pauling
- publisher:
- Carlin Music Corporation, Duchess Music Corporation , Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. , シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Baby It’s You!
| The Mamas & the Papas | 4.2 | 2:59 |
| 5 | Lucille | Kenny Rogers | 4 | 3:41 |
| 6 | Bad to the Bone | George Thorogood & the Destroyers | 4.2 | 4:50 |
| 7 | Wouldn’t It Be Nice | The Beach Boys | | 2:34 |
| 8 | The Passenger | Iggy Pop | 4.6 | 4:41 |
| 9 | American Pie- engineer:
- Tom Flye
- producer:
- Ed Freeman
- electric guitar:
- David Spinozza (from 1971-05 until 1971-06)
- piano:
- Paul Griffin (from 1971-05 until 1971-06)
- vocals:
- Don McLean (from 1971-05 until 1971-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1971, in 2000)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 131)
- recording of:
- American Pie (from 1971-05 until 1971-06)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 4.3 | 8:33 |
| 10 | Thunder- programming:
- Alex da Kid
- engineer:
- Travis Ference
- producer:
- Alex da Kid and Jayson DeZuzio
- mixer:
- Manny Marroquin
- phonographic copyright (℗) by:
- Interscope Records (in 2017) and KIDinaKORNER (in 2017)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2018 (number: 22), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2018) and Billboard Year-End Hot 100 singles of 2017 (number: 51)
- recording of:
- Thunder
- publisher:
- Alexander Grant
- writer:
- A. Grant , Jayson Dezuzio, Ben McKee , Daniel Platzman, Dan Reynolds and Wayne Sermon
- publisher:
- Have a Nice Jay, Imagine Dragons Publishing, KIDinaKORNER, Songs of Universal, Inc. , Universal and Universal, Inc.
| Imagine Dragons | 3.5 | 3:07 |
| 11 | Sweet Home Alabama- miscellaneous support:
- Ronnie Van Zant
- engineer and producer:
- Al Kooper
- drums (drum set):
- Bob Burns (in 1973-07)
- electric bass guitar:
- Leon Wilkeson (in 1973-07)
- electric guitar:
- Allen Collins (in 1973-07), Ed King (in 1973-07) and Gary Rossington (in 1973-07)
- keyboard:
- Billy Powell (in 1973-07)
- background vocals:
- Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
- lead vocals:
- Ronnie Van Zant (in 1973-07)
- phonographic copyright (℗) by:
- Geffen Records (in 1974), MCA Records (in 1974), MCA Records Ltd. (in 1974), MCA Records, Inc. (in 1974), UMG Recordings, Inc. (in 1974, in 2020) and Universal Music (in 1974)
- produced for:
- Sounds of the South Productions
- recorded at:
- Studio One in Doraville, Georgia, United States (in 1973-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 398)
- recording of:
- Sweet Home Alabama (in 1973-07)
- miscellaneous support:
- Ronnie Van Zant
- writer:
- Ed King , Gary Rossington and Ronnie Van Zant
- publisher:
- Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
| Lynyrd Skynyrd | 4.15 | 4:45 |
| 12 | Walking on Sunshine- recorded in:
- England, United Kingdom
- assistant engineer:
- Jon Goldberger
- engineer and mixer:
- Scott Litt
- additional producer:
- Scott Litt
- producer:
- Pat Collier and Katrina and the Waves
- bass guitar:
- Vince de la Cruz
- drums (drum set) and percussion:
- Alex Cooper
- guest brass [Rumour Brass Section]:
- Ray Beavis, Dick Hanson and John "Irish" Earl
- guest organ:
- Nick Glennie‐Smith
- guitar [lead guitar]:
- Kimberley Rew
- guitar [rhythm guitar] and lead vocals:
- Katrina Leskanich
- background vocals:
- Alex Cooper , Vince de la Cruz and Kimberley Rew
- brass arranger:
- Eamon Fitzpatrick
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1985) and UMG Recordings, Inc. (in 2020)
- recorded at:
- Alaska Studios in London , England, United Kingdom and Greenhouse Studio in London , England, United Kingdom
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 91) and Billboard: The 500 Best Pop Songs (number: 378)
- recording of:
- Walking on Sunshine
- lyricist:
- Kimberley Rew (in 1983)
- composer:
- Kimberley Rew
- publisher:
- EMI Music Publishing , Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc.
| Katrina & the Waves | 3.95 | 3:57 |
| 13 | Weather With You | Crowded House | 3.8 | 3:44 |
| 14 | Jealous | Nick Jonas | | 4:10 |
| 15 | If You Leave (from “Pretty in Pink”) | Orchestral Manoeuvres in the Dark | 3.9 | 4:31 |
| 16 | Higher Love | Steve Winwood | 4.5 | 5:47 |
| 17 | Karma Chameleon- engineer:
- Simon Frith, Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- guest harmonica:
- Judd Lander (in 1983)
- guest keyboard:
- Phil Pickett (in 1983)
- background vocals:
- Helen Terry (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2002, in 2003)
- recorded at:
- CBS Studios in London , England, United Kingdom (in 1983) and Red Bus Studios in London , England, United Kingdom (in 1983)
- music videos:
- Karma Chameleon by Culture Club
- recording of:
- Karma Chameleon (in 1983)
- writer:
- Mikey Craig , George O’Dowd, Roy Hay , Jon Moss and Phil Pickett
- publisher:
- BMG Music Publishing Ltd., Copyright Control , EMI Virgin Music Ltd. , EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. , Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. and BMG VM Music Ltd. (from 2013-05 to present)
| Culture Club | 4 | 4:16 |
| 18 | Counting Stars- assistant recording engineer:
- Matthew Tryba
- recording engineer:
- Smith Carlson
- producer:
- Ryan Tedder and Noel Zancanella
- assistant mixer:
- Ryan Lipman
- mixer:
- Joe Zook
- bass:
- Brent Kutzle
- drums (drum set):
- Eddie Fisher
- guitar:
- Drew Brown and Zachary Filkins
- harp:
- HarpEri
- keyboard and lead vocals:
- Ryan Tedder
- background vocals:
- Bobbie Gordon, Brent Kutzle, David McGlohon and Zach Filkins
- additionally recorded at:
- Patriot Studios in Denver, Colorado, United States
- recorded at:
- Black Rock Studios in Santorini, Notio Aigaio , Greece and RAK Studios in London , England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 5), Billboard Decade End Chart: Adult Contemporary Songs (number: 35) and Billboard Year-End Hot 100 singles of 2013 (number: 63)
- recording of:
- Counting Stars
- lyricist and composer:
- Ryan Tedder
- publisher:
- Midnite Miracle Music, Sony/ATV Music LLC, Sony/ATV Pop Music Publishing and ソニー・ミュージックパブリッシング A事業部
| OneRepublic | 4.25 | 4:17 |
| 19 | Don’t You Want Me | The Human League | 3.85 | 3:57 |
| 20 | I Want You Back- producer:
- The Corporation
- bass guitar:
- Wilton Felder (in 1969-07)
- drums (drum set):
- Gene Pello and Johnny Jackson (in 1969-07)
- guitar:
- Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
- guitar [lead guitar]:
- Louis Shelton (in 1969-07)
- keyboard:
- Clarence McDonald and Ronnie Rancifer (in 1969-07)
- percussion:
- Sandra Crouch and Marlon Jackson (in 1969-07)
- piano:
- Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
- background vocals:
- Jackie Jackson , Michael Jackson , Keith Washington, Jermaine Jackson (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
- lead vocals:
- Michael Jackson (in 1969-07)
- vocals:
- Jackie Jackson (in 1969-07)
- arranger:
- The Corporation
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1969)
- recorded at:
- The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
- music videos:
- I Want You Back by The Jackson 5
- part of:
- Billboard: The 500 Best Pop Songs (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (number: 120)
- recording of:
- I Want You Back (in 1969-07)
- lyricist and composer:
- The Corporation
- publisher:
- EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
- part of:
- MJ: The Musical
| The Jackson 5 | 4.15 | 2:58 |
| 21 | Good Old‐Fashioned Lover Boy- engineer:
- Mike Stone
- producer:
- Queen
- bass guitar:
- John Deacon (from 1976-07 until 1976-11)
- drums (drum set), triangle and wood block:
- Roger Taylor (from 1976-07 until 1976-11)
- guitar:
- Brian May (from 1976-07 until 1976-11)
- piano and lead vocals:
- Freddie Mercury (from 1976-07 until 1976-11)
- additional guest vocals:
- Mike Stone (from 1976-07 until 1976-11)
- background vocals:
- Brian May (from 1976-07 until 1976-11), Freddie Mercury (from 1976-07 until 1976-11) and Roger Taylor (from 1976-07 until 1976-11)
- phonographic copyright (℗) by:
- Hollywood Records, Inc. (in 1976), Queen Productions Ltd. (in 1976, in 2011) and Elektra Records (in 1977)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (from 1976-07 until 1976-11), The Manor in Oxfordshire, England, United Kingdom (from 1976-07 until 1976-11) and Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom (from 1976-07 until 1976-11)
- recording of:
- Good Old‐Fashioned Lover Boy (from 1976-07 until 1976-11)
- lyricist and composer:
- Freddie Mercury
- publisher:
- Beechwood Music Corp., EMI Music Publishing Ltd. and Queen Music Ltd.
| Queen | 3.75 | 2:53 |
| 22 | Born This Way- assistant recording engineer:
- Pete Hutchings
- recording engineer and mixer:
- Dave Russell
- programming:
- Garibay and Paul Blair
- producer:
- Garibay , Lady Gaga, Jeppe Laursen and Paul Blair
- assistant mixer:
- Al Carlson, Kevin Porter and Kenta Yonesaka
- instruments:
- Lady Gaga
- keyboard:
- Garibay and Lady Gaga
- arranger:
- Garibay and Lady Gaga
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom and Germano Studios in Manhattan, New York, New York, United States
- mixed at:
- Germano Studios in Manhattan, New York, New York, United States
- music videos:
- Born This Way by Lady Gaga
- part of:
- RuPaul’s Drag Race Lip Sync Performances (number: 6), Billboard Year-End Hot 100 singles of 2011 (number: 18) and Billboard: The 500 Best Pop Songs (number: 125)
- recording of:
- Born This Way
- lyricist and composer:
- Lady Gaga and Jeppe Laursen
- publisher:
- Garibay Music Publishing, GloJoe Music Inc., House of Gaga Publishing Inc., Korsbaek Publishing, Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp.
| Lady Gaga | 4.1 | 4:20 |
| 23 | Come On Eileen | Dexys Midnight Runners | 3 | 3:26 |
| 24 | Ain’t No Mountain High Enough | Diana Ross | 3.5 | 6:20 |
| 25 | That Don’t Impress Me Much | Shania Twain | 5 | 3:59 |
| 26 | Red Red Wine | UB40 | 4 | 5:21 |
| 27 | I Took a Pill in Ibiza (Seeb remix) | Mike Posner | 4.45 | 3:22 |
| 28 | Walking on a Dream | Empire of the Sun | 3.7 | 3:16 |
| 29 | Cake by the Ocean | DNCE | | 3:55 |
| 30 | Free Fallin’- engineer:
- Bill Bottrell, Mike Campbell and Don Smith
- producer:
- Mike Campbell , Jeff Lynne and Tom Petty
- 12 string guitar, acoustic guitar, electric guitar, tambourine and lead vocals:
- Tom Petty (from 1988 until 1989)
- bass, guitar and keyboard:
- Jeff Lynne (from 1988 until 1989)
- drums (drum set) and percussion:
- Phil Jones (from 1988 until 1989)
- guitar and keyboard:
- Mike Campbell (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
- mandolin and slide guitar:
- Mike Campbell (from 1988 until 1989)
- background vocals:
- Jeff Lynne (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1989)
- recorded at:
- M.C. Studios in Los Angeles, California, United States (from 1988 until 1989) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (from 1988 until 1989)
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 27), Billboard: The 500 Best Pop Songs (number: 120), Rolling Stone: 500 Greatest Songs of All Time (number: 177) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 219)
- recording of:
- Free Fallin’ (from 1988 until 1989)
- writer:
- Jeff Lynne and Tom Petty
- publisher:
- EMI April Music Inc. and Gone Gator Music
| Tom Petty | 4.05 | 4:16 |
| 31 | Superstition | Stevie Wonder | 4.5 | 4:05 |
| 32 | Mustang Sally (from “The Commitments” soundtrack) | The Commitments & Andrew Strong | 4.5 | 4:02 |
| 33 | I Can Dream About You (Streets of Fire/soundtrack version) | Dan Hartman, Larry Levan & John “Jellybean” Benitez | 4.2 | 4:08 |
| 34 | Love Me Again | John Newman | 4.25 | 4:00 |
| 35 | We Belong | Pat Benatar | 4.45 | 3:39 |
| 36 | Pompeii | Bastille | 3.95 | 3:37 |
| 37 | Wake Me Up- recording engineer:
- Chris Cheney and Kyle VandeKerkhoff
- additional engineer:
- Mike Einziger
- producer and mixer:
- Tim Bergling
- guitar:
- Mike Einziger
- keyboard [keys]:
- Peter Dyer
- vocals:
- Aloe Blacc
- phonographic copyright (℗) by:
- Avicii Music AB (in 2013)
- recorded at:
- Interscope Studios in Santa Monica, California, United States
- additionally engineered at:
- Casa Chica in Malibu, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2013 (number: 19), Billboard Year-End Hot 100 singles of 2014 (number: 22) and BILLIONS CLUB
- recording of:
- Wake Me Up
- writer:
- Aloe Blacc, Mike Einziger and Tim Bergling
- publisher:
- Aloe Blacc Publishing Inc., Elementary Particle Music, EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Kobalt Music Group Ltd. and Sony/ATV Music Publishing
| Avicii | 3.8 | 4:07 |
| 38 | Heat Waves | Glass Animals | 3.4 | 3:59 |
| 39 | Fireflies | Owl City | 4.65 | 3:48 |
| 40 | Royals- engineer, producer and mixer:
- Joel Little
- instruments:
- Joel Little
- lead vocals:
- Ella Yelich O’Connor
- phonographic copyright (℗) by:
- Universal Music New Zealand (in 2013) and Universal Music New Zealand Limited (in 2013)
- recorded at:
- Golden Age in Auckland, Auckland , North Island, New Zealand
- music videos:
- Royals by Lorde and Royals by Lorde
- part of:
- Grammy Award: Best Pop Solo Performance nominees (number: 2014 winner), Rolling Stone: The 100 Best Songs of the 2010s (number: 11), Billboard Year-End Hot 100 singles of 2013 (number: 15), Billboard Year-End Hot 100 singles of 2014 (number: 20), Stereogum: The 200 Best Songs of the 2010s (number: 23), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 30), Billboard Decade End Chart: Streaming Songs (number: 35), Billboard: Greatest of All Time Hot 100 Songs (number: 77), Indie 88: Top 500 Indie Rock Songs (number: 98), Billboard: The 500 Best Pop Songs (number: 111) and Pitchfork: The 200 Best Songs of the 2010s (number: 129)
- recording of:
- Royals
- writer:
- Ella Yelich O’Connor and Joel Little
- publisher:
- Copyright Control , EMI April Music Inc. and Kobalt Music Publishing Ltd.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. , ヤマハミュージックEH(CM) , イーエムアイ音楽出版 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- part of:
- Matuschkes Lieblinge 2013 and APRA Silver Scroll Awards Winners (number: 2013)
| Lorde | 3.75 | 3:10 |
| 41 | Whatta Man | Salt‐n‐Pepa & En Vogue | 5 | 5:08 |
| 42 | Next to Me- programming and producer:
- Craze & Hoax, James Murray and Mustafa Omer
- assistant mixer:
- Ben Baptie
- mixer:
- Tom Elmhirst
- electric bass guitar:
- Anup Paul
- instruments:
- Craze & Hoax, James Murray and Mustafa Omer
- piano:
- Neil Cowley
- background vocals:
- Abeeku "Beyku" Ribeiro
- choir vocals:
- Lorraine Barnes, Awsa Bergstrom, Crystal Jones, John Gibbons , Charlene Jones, Jenny La Touche, Patsy McKay, Rebecca Jones , Roxy Harris and Jack Vasiliou
- lead vocals:
- Emeli Sandé
- part of:
- Billboard Year-End Hot 100 singles of 2013 (number: 88)
- recording of:
- Next to Me
- additional writer:
- Kendrick Lamar
- writer:
- A. K. Paul , Hugo Chegwin, Harry Craze and Emeli Sandé
- publisher:
- Stellar Songs Limited
| Emeli Sandé | 3.3 | 3:18 |
| 43 | Never Really Over- programming:
- Leah Haywood, Daniel James and Zedd
- assistant engineer:
- Brian Cruz
- engineer:
- Ryan Shanahan
- producer:
- Dreamlab and Zedd
- additional mixer:
- Ryan Shanahan
- mixer:
- Zedd
- background vocals:
- Gino Barletta, Leah Haywood and Hayley Warner
- lead vocals:
- Katy Perry
- vocals:
- Katy Perry
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 2019)
- recorded at:
- Studios 301 in Sydney, New South Wales, Australia, UnSub Studios in Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Zedd 1 Studio in Los Angeles, California, United States
- engineered at:
- Westlake Recording Studios in West Hollywood, California, United States
- part of:
- Spotify: Top Hits of 2019 (number: 7)
- recording of:
- Never Really Over
- writer:
- Anton Zaslavski , Gino Barletta, Dagny Norvoll Sandvik, Jason Gill, Leah Haywood, Daniel James , Michelle Buzz , Katy Perry and Hayley Warner
- publisher:
- Copyright Control , Marquise Cut Publishing, Sony/ATV Songs LLC, Spirit B Unique , Universal Music Corp. , WC Music Corp., Buzz Recordings (in 2019), Daniel James Publishing Designee (in 2019), Gino Barletta Music (in 2019), Leah Haywood Publishing Designee (in 2019), Spirit B-Unique JV (in 2019), Warner–Tamerlane Publishing Corp. (in 2019), Warner/Chappell Music Scandinavia AB (in 2019), WB Music Corp. (in 2019), When I’m Rich You’ll Be My Bitch (in 2019) and Zedd Music Empire (in 2019)
| Katy Perry | 3.75 | 3:44 |
| 44 | Missing You- engineer and mixer:
- David Thoener
- drums (drum set):
- Curly Smith
- electric bass guitar [bass]:
- Donnie Nossov
- guitar:
- Gary Myrick
- keyboard:
- Bruce Brody
- percussion:
- Steve Scales
- lead vocals:
- John Waite
- phonographic copyright (℗) by:
- EMI Records (in 1984), EMI Records Ltd. (in 1984) and EMI Records USA (in 1984)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3.75 | 4:26 |
| 45 | More Than a Woman (from “Saturday Night Fever” soundtrack)- producer:
- Bee Gees, Albhy Galuten and Karl Richardson
- bass:
- Maurice Gibb (in 1977)
- drums (drum set):
- Dennis Bryon (in 1977)
- electric guitar:
- Alan Kendall (in 1977)
- guitar [rhythm guitar] and lead vocals:
- Barry Gibb (in 1977)
- keyboard, piano and synthesizer:
- Blue Weaver (in 1977)
- percussion:
- Dennis Bryon (in 1977) and Joe Lala (in 1977)
- background vocals and other vocals [harmony vocals]:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (in 1977), PolyGram Records, Inc. (in 1977) and RSO Records, Inc. (in 1977)
- recording of:
- More Than a Woman (in 1977)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music and Stigwood Music, Inc.
| Bee Gees | 3.85 | 3:16 |
| 46 | Everybody Wants to Rule the World | Tears for Fears | 3.9 | 4:13 |
| 47 | Mr. Jones- recorded in:
- Los Angeles, California, United States
- recording engineer:
- Pat McCarthy
- additional engineer:
- Robert Hart , Steve Holroyd and Howard Willing
- assistant engineer:
- Mark Guilbeault and Brant Scott
- executive producer:
- Gary Gersh
- producer:
- T‐Bone Burnett
- mixer:
- Scott Litt and Pat McCarthy
- accordion, chamberlin and Hammond organ:
- Charlie Gillingham
- additional drums (drum set) and additional percussion:
- Denny Fongheiser
- additional guitar:
- T‐Bone Burnett , Bill Dillon and David Immerglück
- additional guitorgan:
- Bill Dillon
- additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
- David Immerglück
- bass guitar:
- Matt Malley
- guitar:
- David Bryson and Matt Malley
- harmonica and lead vocals:
- Adam Duritz
- piano:
- Adam Duritz and Charlie Gillingham
- additional background vocals:
- Gary Louris, Maria McKee and Mark Olson
- vocals:
- Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
- additionally recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders in Los Angeles, California, United States
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- music videos:
- Mr. Jones by Counting Crows
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 474)
- recording of:
- Mr. Jones
- lyricist:
- Adam Duritz
- composer:
- David Bryson and Adam Duritz
| Counting Crows | 4.15 | 4:33 |
| 48 | Need You Now- edit of:
- Need You Now by Lady Antebellum
- part of:
- Billboard Decade End Chart: Adult Contemporary Songs (number: 10), Holler's Best 2000s Country Songs (number: 27), Billboard Year-End Hot Country Songs of 2009 (number: 48), Grammy Award: Best Country Performance by a Duo or Group nominees (number: 2011 winner) and Billboard: The 500 Best Pop Songs (number: 325)
- recording of:
- Need You Now
- writer:
- Dave Haywood, Josh Kear, Charles Kelley and Hillary Scott
- publisher:
- Darth Buddha Music, DWHaywood Music, EMI Foray Music, Hillary Down Songs, RADIOBULLETSPUBLISHING, Round Hill Songs Josh Kear, Warner–Tamerlane Publishing Corp. and Year of the Dog Music
| Lady A | 3.9 | 3:56 |
| 49 | (I Just) Died in Your Arms | Cutting Crew | 4.1 | 4:29 |
| 50 | Summertime Sadness | Lana Del Rey | 4.3 | 4:24 |
| 51 | Joy to the World | Three Dog Night | 4.75 | 3:39 |
| 52 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.35 | 3:37 |
| 53 | Message in a Bottle | The Police | 3.9 | 4:50 |
| 54 | What’s Up?- recording engineer:
- David Tickle (in 1992) and Mark Hensley (in 1992)
- additional engineer:
- Jessie Kanner , Kent Mactke, Laurent Tardy and Paul Dieter
- producer and mixer:
- David Tickle
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass and background vocals:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- piano:
- Laurent Tardy (in 1992)
- lead vocals:
- Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- music videos:
- What’s Up? by 4 Non Blondes
- part of:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation , Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC , Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
| 4 Non Blondes | 3.8 | 4:56 |
| 55 | The Boys of Summer | Don Henley | 3.8 | 4:48 |
| 56 | My Sharona- recording engineer:
- Pete Coleman
- producer:
- Mike Chapman
- bass guitar:
- Prescott Niles
- drums (drum set):
- Bruce Gary
- guitar:
- Berton Averre and Doug Fieger
- lead vocals:
- Doug Fieger
- vocals:
- Berton Averre
- remixer:
- Dave Jerden
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 1994, in 2013)
- part of:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24) and Billboard: The 500 Best Pop Songs (number: 201)
- recording of:
- My Sharona
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4.15 | 4:52 |
| 57 | One Way or Another- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1978, in 2001), Capitol Records, LLC (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 298)
- recording of:
- One Way or Another (from 1978-06 until 1978-07)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
| Blondie | 4.15 | 3:37 |
| 58 | If This Is It | Huey Lewis & the News | 3.8 | 3:53 |
| 59 | Are You Gonna Go My Way- additional engineer:
- David Domanich
- assistant engineer:
- Greg DiGesu
- engineer and mixer:
- Henry Hirsch
- producer:
- Lenny Kravitz
- acoustic guitar and electric guitar:
- Craig Ross (in 1998-12)
- bass:
- Lenny Kravitz (in 1998-01) and Tony Breit (in 1998-12)
- drums (drum set), drums (drum set) [junkanoo] and background vocals and lead vocals:
- Lenny Kravitz (in 1998-12)
- synthesizer [arp string ensemble]:
- Henry Hirsch (in 1998-12)
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1993) and Virgin Records America, Inc. (in 1993)
- recording of:
- Are You Gonna Go My Way (in 1998-12)
- lyricist:
- Lenny Kravitz
- composer:
- Henry Hirsch, Lenny Kravitz and Craig Ross
- publisher:
- BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
| Lenny Kravitz | 3.9 | 3:31 |
| 60 | Stacy’s Mom- producer:
- Chris Collingwood, Mike Denneen and Adam Schlesinger
- mixer:
- Tom Lord‐Alge
- bass and synthesizer:
- Adam Schlesinger
- drums (drum set), handclaps and tambourine:
- Brian Young
- electric guitar [lead]:
- Jody Porter
- electric guitar [rhythm] and lead vocals:
- Chris Collingwood
- background vocals:
- Jody Porter and Adam Schlesinger
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 2020)
- recorded at:
- Q Division in Somerville, Massachusetts, United States, Stratosphere Sound in Chelsea, New York, New York, United States and The Clubhouse in Rhinebeck , New York, United States
- mixed at:
- South Beach Studios in Miami Beach, Florida, United States
- part of:
- Sean Michaels: The Top 30 Songs of 2003 (number: runner-up), Billboard: The 500 Best Pop Songs (number: 401) and Indie 88: Top 500 Indie Rock Songs (number: 496)
- recording of:
- Stacy’s Mom
- writer:
- Chris Collingwood and Adam Schlesinger
- publisher:
- Monkey Demon Publishing and Vaguely Familiar Music
| Fountains of Wayne | 4.25 | 3:19 |
| 61 | Somebody to You | The Vamps | 4 | 3:05 |
| 62 | All the Small Things | blink‐182 | 4.4 | 2:51 |
| 63 | Summer of ’69- assistant engineer:
- Mike Fraser , Bruce Lampcov and Michael Sauvage
- engineer:
- Bob Clearmountain (from 1984-03-27 until 1984-09-22)
- associate producer:
- Jim Vallance
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (on 1984-09-22)
- drums (drum set) [drums]:
- Pat (from 1984-03-27 until 1984-09-22)
- electric bass guitar [bass]:
- Dave (from 1984-03-27 until 1984-09-22)
- guitar [lead guitar]:
- Keith (from 1984-03-27 until 1984-09-22)
- guitar [rhythm guitar] and background vocals [harmony vocal]:
- BA (from 1984-03-27 until 1984-09-22)
- percussion:
- Jim (from 1984-03-27 until 1984-09-22)
- lead vocals:
- Bryan Adams (from 1984-03-27 until 1984-09-22)
- phonographic copyright (℗) by:
- A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999), Badman Ltd. (in 1999) and UMG Recordings, Inc. (in 2020)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-22)
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (on 1984-09-22)
- part of:
- SWR1 Hitparade 2004 der Frauen (number: 1), SWR1 Hitparade 2005 der Badener (number: 3), SWR1 Hitparade 2005 der Württemberger (number: 3), SWR1 Hitparade 2007 (number: 5), SWR1 Hitparade 2008 (number: 8), Huffington Post: 100 Best Canadian Songs Ever (number: 9), SWR1 Hitparade 2009 (number: 9), SWR1 Hitparade 2004 der Männer (number: 10) and The Downloader’s Music Source Book (number: 179)
- recording of:
- Summer of ’69 (from 1984-03-27 until 1984-09-22)
- written in:
- Vancouver, British Columbia, Canada (on 1984-01-25)
- writer:
- Bryan Adams (on 1984-01-25) and Jim Vallance (on 1984-01-25)
- publisher:
- Adams Communications Inc. (in 1984), Almo Music Corp. (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) and Testatyme Music (in 1984)
| Bryan Adams | 4.4 | 3:37 |
| 64 | Thnks fr th Mmrs | Fall Out Boy | 4.35 | 3:25 |
| 65 | You Get What You Give | New Radicals | 4.65 | 4:59 |
| 66 | Dude (Looks Like a Lady)- assistant engineer:
- Ken Lomas
- engineer:
- Mike Fraser and Bob Rock
- producer:
- Bruce Fairbairn
- mixer:
- Mike Fraser
- additional clarinet and tenor saxophone:
- Tom Keenlyside
- additional trombone:
- Bob Rogers
- additional trumpet:
- Henry Christian
- baritone saxophone:
- Ian Putz
- drums (drum set) and percussion:
- Joey Kramer
- electric bass guitar:
- Tom Hamilton
- guitar:
- Joe Perry and Brad Whitford
- harmonica, background vocals and lead vocals:
- Steven Tyler
- trumpet:
- Bruce Fairbairn
- additional horn arranger:
- Tom Keenlyside
- phonographic copyright (℗) by:
- Geffen Records (in 1987)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada
- part of:
- The Downloader’s Music Source Book (number: 224)
- recording of:
- Dude (Looks Like a Lady) (from 1987-03 until 1987-05)
- writer:
- Desmond Child, Joe Perry and Steven Tyler
- publisher:
- Aero Dynamics Music Publishing, Inc. , April Music Inc., Desmobile Inc., EMI April Music Inc., JuJu Rhythms, Primary Wave Steven Tyler and Universal PolyGram International Publishing, Inc.
| Aerosmith | 3.95 | 4:26 |
| 67 | Summer Son- recording engineer:
- Eddie Campbell , Richard Hynd, Johnny Mac, Kenny McDonald and Sharleen Spiteri
- programming:
- Eddie Campbell , Richard Hynd, Jan “Stan” Kybert , Johnny McElhone and Sharleen Spiteri
- producer:
- Johnny Mac
- mixer:
- Mark “Spike” Stent
- additional percussion [beats]:
- Ben Chapman
- drums (drum set):
- Richard Hynd
- guitar:
- Tony McGovern and Paul Smith
- keyboard:
- Eddie Campbell and Johnny McElhone
- background vocals:
- Eddie Campbell , Robert Hodgens and Sharleen Spiteri
- contains samples by:
- Ally McErlaine (guitar)
- phonographic copyright (℗) by:
- Grand Central Records Ltd. and Mercury Records Ltd. (London)
- recorded at:
- Park Lane Studios in Glasgow, Scotland, United Kingdom and Shar's House in Scotland, United Kingdom
- mixed at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom and The Mix Suite in London , England, United Kingdom
- recording of:
- Summer Son
- lyricist and composer:
- Eddie Campbell , Robert Hodgens, Johnny McElhone and Sharleen Spiteri
- publisher:
- 23rd Precinct Music Ltd. and BMG 10 Music Ltd.
| Texas | 3.35 | 4:03 |
| 68 | Don’t Speak | No Doubt | 4.15 | 4:23 |
| 69 | Have You Ever Seen the Rain | Creedence Clearwater Revival | 4.45 | 2:40 |
| 70 | Stuck in the Middle With You | Stealers Wheel | 4 | 3:25 |
| 71 | The Middle | Jimmy Eat World | 4.4 | 2:46 |
| 72 | Losing My Religion | R.E.M. | 4.2 | 4:28 |
| 73 | My Girl- producer:
- Smokey Robinson and Ronald White
- bass:
- James Jamerson (from 1964-09-25 until 1964-11-17)
- drums (drum set):
- Benny Benjamin (from 1964-09-25 until 1964-11-17)
- guitar:
- Robert White (from 1964-09-25 until 1964-11-17)
- instruments:
- The Funk Brothers (from 1964-09-25 until 1964-11-17)
- strings:
- Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
- background vocals:
- Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (from 1964-09-25 until 1964-11-17) and Paul Williams (from 1964-09-25 until 1964-11-17)
- lead vocals:
- David Ruffin (from 1964-09-25 until 1964-11-17)
- performer:
- The Temptations (from 1964-09-25 until 1964-11-17)
- strings arranger:
- Paul Riser
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1964)
- recorded at:
- Hitsville in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
- part of:
- Billboard: The 500 Best Pop Songs (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (number: 88)
- recording of:
- My Girl (from 1964-09-25 until 1964-11-17)
- lyricist:
- Smokey Robinson
- composer:
- Smokey Robinson and Ronald White
- publisher:
- Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa , Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Temptations | 4.5 | 2:56 |
| 74 | Escape (The Pina Colada Song) | Rupert Holmes | 3.7 | 4:38 |
| 75 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968) and UMG Recordings, Inc. (in 2020)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 4.05 | 3:13 |
| 76 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) and EMI–Manhattan Records (in 1981)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:46 |
| 77 | Rhinestone Cowboy | Glen Campbell | 4.5 | 3:19 |
| 78 | Just Another Day | Jon Secada | 4 | 5:24 |
| 79 | How Bizarre | OMC | 3.95 | 3:46 |
| 80 | Fade Into You | Mazzy Star | 3.7 | 4:57 |
| 81 | Don’t You (Forget About Me) | Simple Minds | 4.25 | 4:21 |
| 82 | Maneater- additional recording engineer and additional mixer:
- Marcella "Ms. Lago" Araica
- recording engineer and mixer:
- Demacio "Demo" Castellon
- engineer:
- Vadim Chislov, Demacio "Demo" Castellon, Ben Jost , James Roach and Kobla Tetey
- producer:
- Jim Beanz (lead vocals), Danja and Timbaland
- drums (drum set) [drums] and keyboard [keyboards]:
- Danja
- background vocals:
- Jim Beanz, Nelly Furtado and Timbaland
- phonographic copyright (℗) by:
- Mosley Music Group LLC , Geffen Records (in 2006) and UMG Recordings, Inc. (in 2020)
- mixed for:
- Storm Circle Entertainment
- produced for:
- Danja Handz Productions, Pettaway Music, Sunset Entertainment and Timbaland Productions
- recorded at:
- The Hit Factory Miami in Miami, Florida, United States
- mixed at:
- Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, United States
- recording of:
- Maneater
- additional lyricist:
- Jim Beanz
- lyricist:
- Nelly Furtado
- composer:
- Nelly Furtado, Nate Hills and Timothy Mosley
| Nelly Furtado | 3.85 | 4:25 |
| 83 | Cats in the Cradle- engineer and mixer:
- Mark Dodson and Randy Long
- producer:
- Mark Dodson
- bass guitar:
- Cordell Crockett (in 1992)
- drums (drum set):
- Mark Davis (in 1992)
- guitar:
- Klaus Eichstadt (in 1992) and Dave Fortman (in 1992)
- background vocals:
- Jennifer Barry (in 1992)
- lead vocals:
- Whitfield Crane (in 1992)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1992) and UMG Recordings, Inc. (in 1992)
- cover recording of:
- Cat’s in the Cradle (in 1992)
- writer:
- Sandra Campbell Chapin and Harry F Chapin
- publisher:
- Neue Welt Musikverlag GmbH & Co. KG , Story Songs, Ltd, Warner Bros., Inc. , Warner Chappell Music , Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited
| Ugly Kid Joe | 3.75 | 4:02 |
| 84 | Fooled Around and Fell in Love | Elvin Bishop | 3.65 | 4:37 |
| 85 | All Night Long (All Night) | Lionel Richie | 4.15 | 6:23 |
| 86 | Wild World | Yusuf / Cat Stevens | 3.9 | 3:21 |
| 87 | Zombie- assistant engineer and assistant producer:
- Julie Gardiner
- engineer and producer:
- Stephen Street
- acoustic guitar and electric guitar:
- Noel Hogan and Dolores O’Riordan
- bass guitar:
- Mike Hogan
- drums (drum set) and percussion:
- Fergal Lawler
- keyboard and lead vocals:
- Dolores O’Riordan
- background vocals:
- Noel Hogan
- phonographic copyright (℗) by:
- The Island Def Jam Music Group , Island Records, Inc. (in 1994), UMG Recordings, Inc. (in 1994) and Island Records (in 2002)
- recorded at:
- The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom (from 1993-11 until 1994-08)
- mixed at:
- The Manor in Oxfordshire, England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1994) and Indie 88: Top 500 Indie Rock Songs (number: 234)
- recording of:
- Zombie
- lyricist and composer:
- Dolores O’Riordan
- publisher:
- Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG and Universal–Songs of PolyGram International, Inc.
| The Cranberries | 4.35 | 5:07 |
| 88 | Slipping Through My Fingers | ABBA | 2.85 | 3:56 |
| 89 | The Boys Are Back in Town | Thin Lizzy | 4.35 | 4:23 |
| 90 | Fast Car | Jonas Blue & Dakota | 4.35 | 3:32 |
| 91 | Scars to Your Beautiful- assistant recording engineer:
- Todd Bergman
- recording engineer:
- Oak
- miscellaneous support:
- Tanisha Broadwater and Donnie Meadows
- drum machine programming:
- Pop Wansel
- programming:
- Sebastian Kole, Oak and Pop Wansel
- assistant producer:
- Kevin “Batos” Guardado
- producer:
- @Oakwud , @Pop Wansel and Sebastian Kole
- assistant mixer:
- Daniela Rivera
- mixer:
- Phil Tan
- keyboard:
- Sebastian Kole and Oak
- phonographic copyright (℗) by:
- Def Jam Recordings (in 2016)
- recorded at:
- Glenwood Place Studios in Burbank, California, United States (in 2015)
- mixed at:
- Ninja Beat Club in Atlanta, Georgia, United States (in 2015)
- part of:
- Canada’s Drag Race Lip Sync Performances (number: 6), Billboard Year-End Hot 100 singles of 2017 (number: 30), Billboard Decade End Chart: Adult Contemporary Songs (number: 44) and BILLIONS CLUB
- recording of:
- Scars to Your Beautiful
- writer:
- Alessia Caracciolo, Andrew Wansel, Coleridge Tillman and Warren Felder
| Alessia Cara | 3.75 | 3:50 |
| 92 | Memories- assistant recording engineer:
- Bo Bodnar
- programming:
- The Monsters & Strangerz
- engineer:
- Noah “Mailbox” Passovoy
- additional producer:
- Noah “Mailbox” Passovoy and Gian Stone
- producer:
- Adam Levine and The Monsters & Strangerz
- mixer:
- Serban Ghenea
- bass:
- Mickey Madden
- drums (drum set) and percussion:
- Matthew “Matt” Flynn
- guitar:
- Jesse Carmichael and James Valentine
- keyboard:
- Jesse Carmichael, Sam Farrar, PJ Morton and Michael Pollack
- background vocals:
- Michael Pollack
- phonographic copyright (℗) by:
- Interscope Records (222 Records) (in 2019)
- part of:
- Billboard Year-End Hot 100 singles of 2020 (number: 8)
- recording of:
- Memories
- writer:
- Vincent Ford, Jacob Kasher Hindlin , Jordan Johnson , Stefan Johnson , Jonathan Bellion, Adam Levine and Michael Pollack
- publisher:
- 1916 Publishing, Art in the Fodder Music, Blackwell Fuller Music Publishing LLC, BMG Bumblebee , BMG Platinum Songs US, Fifty Six Hope Road Music Limited, Kobalt Music Copyrights SARL, Prescription Songs, R8D Music Publishing, Rap Kingpin Music, Songs of a Beautiful Mind, Songs of BBMG Publishing, Songs of Universal, Inc. , Songs With a Pure Tone, Sudgee 2 Music, Warner–Tamerlane Publishing Corp. and What Key Do You Want It in Music
- is based on:
- Canon and Gigue in D major, P. 37, T. 337: I. Canon
| Maroon 5 | 2.9 | 3:09 |
| 93 | Hold On | Justin Bieber | 4.35 | 2:51 |
| 94 | What a Time | Julia Michaels & Niall Horan | | 2:53 |
| 95 | No Rain | Blind Melon | 4.35 | 3:37 |
| 96 | Lightning Crashes | Lïve | 4 | 5:24 |
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