Signature Collection

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1That’s All Right (Mama)
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre und Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 112)
cover recording of:
That’s All Right (am 1954-07-05)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
3.21:59
2Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3.72:09
3Good Rockin’ Tonight
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und BMG Entertainment (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954, von 1954-09-12 bis 1954-09-16)
cover recording of:
Good Rockin’ Tonight (am 1954-09-10)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
52:15
4Rip It Up
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (am 1956-09-03)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-09-03)
Schlagzeug:
D.J. Fontana (am 1956-09-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-03)
cover recording of:
Rip It Up (am 1956-09-03)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
4.51:55
5I Was the One
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-11)
Gitarre:
Chet Atkins (am 1956-01-11), Scotty Moore (American guitarist and recording engineer) (am 1956-01-11) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-11)
Klavier:
Floyd Cramer (am 1956-01-11)
Schlagzeug:
D.J. Fontana (am 1956-01-11)
vocals:
Brock Speer (am 1956-01-11), Ben Speer (am 1956-01-11) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-11)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-11)
recording of:
I Was the One (am 1956-01-11)
Verfasser(in):
Hal Blair, Claude Demetrius, Bill Peppers und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. und Rachel’s Own Music
42:38
6Blue Moon of Kentucky
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05, am 1954-07-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05, am 1954-07-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05, am 1954-07-07)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 49)
cover recording of:
Blue Moon of Kentucky (am 1954-07-05)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
cover recording of:
Blue Moon of Kentucky (am 1954-07-07)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3.52:05
7I Want You, I Need You, I Love You
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-04-14)
Gitarre:
Chet Atkins (am 1956-04-14) und Scotty Moore (American guitarist and recording engineer) (am 1956-04-14)
Klavier:
Marvin Hughes (am 1956-04-14)
Schlagzeug:
D.J. Fontana (am 1956-04-14)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-04-14)
vocals:
Brock Speer (am 1956-04-14), Ben Speer (am 1956-04-14), Lena Brock "Mom" Speer (am 1956-04-14) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-04-14)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-04-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 25)
recording of:
I Want You, I Need You, I Love You (am 1956-04-14)
Verfasser(in):
Ira Kosloff und Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music und Williamson Music Company
52:41
8Poor Boy
recording of:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley) (am 1956-08-24)
Texter und Komponist(in):
Ken Darby
publisher:
Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
recording of:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley) (von 1956-08-24 bis 1956-09-05)
Texter und Komponist(in):
Ken Darby
publisher:
Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
52:17
9Just Because
cover recording of:
Just Because (am 1954-09-12)
Texter:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) und Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
Komponist(in):
Leon Chappelear und Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) und State Street Music Publ. Co. Inc. (am 1936-03-19)
2:36
10You’re a Heartbreaker
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1954-11 bis 1954-12)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-11 bis 1954-12)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1954-11 bis 1954-12)
recording of:
You’re a Heartbreaker (von 1954-11 bis 1954-12)
Verfasser(in):
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
cover recording of:
You’re a Heartbreaker (von 1954-12 bis 1955-12)
Verfasser(in):
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
42:13
11Money Honey
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
cover recording of:
Money Honey (am 1956-01-10)
Texter und Komponist(in):
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) und ZFC Music
42:37
12I’ll Never Let You Go (Little Darlin’)
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-09-10, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-09-10) und Elvis Presley (“The King of Rock and Roll”) (am 1954-09-10, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-09-10, von 1954-09-12 bis 1954-09-16)
cover recording of:
I’ll Never Let You Go Little Darlin’ (am 1954-09-10)
Texter und Komponist(in):
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) und Sunshine Music Co., Inc. (am 1941-11-17)
cover recording of:
I’ll Never Let You Go Little Darlin’ (von 1954-09-12 bis 1954-09-16)
Texter und Komponist(in):
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) und Sunshine Music Co., Inc. (am 1941-11-17)
32:28
13When My Blue Moon Turns to Gold Again
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 21)
cover recording of:
When My Blue Moon Turns to Gold Again (am 1956-09-02)
Verfasser(in):
Gene Sullivan (in 1940) und Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Peer International Corporation (BMI) (am 1941-12-03)
4.52:24
14Tutti Frutti
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-31)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-31) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-31)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-31)
Schlagzeug:
D.J. Fontana (am 1956-01-31)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-31)
cover recording of:
Tutti Frutti (am 1956-01-31)
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
32:01
15Baby Let’s Play House
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1955-01-30 bis 1955-02-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1955-01-30 bis 1955-02-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953, in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1955-01-30 bis 1955-02-04)
cover recording of:
Baby Let’s Play House (von 1955-01-30 bis 1955-02-04)
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
recording of:
Baby Let’s Play House
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
3.82:19
16First in Line
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-03)
recording of:
First in Line (am 1956-09-03)
Komponist(in):
Aaron Schroeder (1950s~1960s US songwriter) und Ben Weisman
publisher:
Rachel’s Own Music und Ross Jungnickel, Inc.
53:24
2▼CD
Nr.TitelBewertungLänge
1Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. und Williamson Music Company
3.82:05
2I’m Left, You’re Right, She’s Gone
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1955-04)
Schlagzeug:
Jimmie Lott (in 1955-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-04)
cover recording of:
I’m Left, You’re Right, She’s Gone (von 1954-07 bis 1955-07)
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
cover recording of:
I’m Left, You’re Right, She’s Gone (in 1955-04)
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
3.52:40
3Hound Dog
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
cover recording of:
Hound Dog (am 1956-07-02)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
3.82:19
4Lawdy Miss Clawdy
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-02-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-02-03) und Elvis Presley (“The King of Rock and Roll”) (am 1956-02-03)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-02-03)
Schlagzeug:
D.J. Fontana (am 1956-02-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-02-03)
cover recording of:
Lawdy Miss Clawdy (am 1956-02-03)
Texter und Komponist(in):
Lloyd Price (US R&B/soul singer) (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC und Venice Music
3.852:12
5Love Me
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-09-01, von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-09-01, von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
The Jordanaires (southern gospel group) (von 1956-09-01 bis 1956-09-03)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
cover recording of:
Love Me (von 1956-09-01 bis 1956-09-03)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) und Sony/ATV Songs LLC
recording of:
Love Me, Love Me
Verfasser(in):
George Richey und Glenn Sutton (US songwriter and producer)
42:46
6Ready Teddy
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (am 1956-09-03)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-09-03)
Schlagzeug:
D.J. Fontana (am 1956-09-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-03)
cover recording of:
Ready Teddy (am 1956-09-03)
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
41:57
7We’re Gonna Move
cover recording of:
We’re Gonna Move
Verfasser(in):
Vera Matson und Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc., R&H Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1973)
recording of:
We’re Gonna Move
Verfasser(in):
Vera Matson und Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc., R&H Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1973)
2:33
8I Got a Woman
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
cover recording of:
I Got a Woman (am 1956-01-10)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.52:27
9Anyplace Is Paradise
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (am 1956-09-03)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-09-03)
Schlagzeug:
D.J. Fontana (am 1956-09-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1956-09-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-03)
recording of:
Anyplace Is Paradise (am 1956-09-03)
Texter und Komponist(in):
Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Elvis Presley Music und Elvis Presley Music Inc.
42:29
10My Baby Left Me
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10, von 1956-01-30 bis 1956-02-03) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Schlagzeug:
D.J. Fontana (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und BMG Music (in 1956)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30, von 1956-01-30 bis 1956-01-31, am 1956-02-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 29)
cover recording of:
My Baby Left Me (von 1956-01-30 bis 1956-02-03)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
recording of:
My Baby Left Me
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
3.652:14
11I Love You Because
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954, in 1956, in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
cover recording of:
I Love You Because (am 1954-07-05)
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
42:44
12One‐Sided Love Affair
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1957)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30)
recording of:
One-Sided Love Affair (am 1956-01-30)
Texter und Komponist(in):
Bill Campbell (US songwriter)
publisher:
EMI Unart Catalog Inc. und Sheldon Music
32:13
13So Glad You’re Mine
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30)
cover recording of:
So Glad You’re Mine (am 1956-01-30)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music und Elvis Presley Music Inc.
32:24
14I’m Gonna Sit Right Down and Cry (Over You)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-31)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-31) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-31)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-31)
Schlagzeug:
D.J. Fontana (am 1956-01-31)
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You) (am 1956-01-31)
Texter und Komponist(in):
Howard Biggs und Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Angle Music, Coblin Music Co., Copyright Records und EMI Music Publishing Ltd. (PRS‐affiliated)
4.32:06
15Mystery Train
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-07)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 77)
cover recording of:
Mystery Train (am 1955-07-11)
Verfasser(in):
Junior Parker und Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Hilo Music Inc. (in 1953)
3.42:31
16How’s the World Treating You
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Klavier:
Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (von 1956-09-01 bis 1956-09-03)
vocals:
The Jordanaires (southern gospel group) (von 1956-09-01 bis 1956-09-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1956-09-01 bis 1956-09-03)
cover recording of:
How’s the World Treating You (am 1956-09-01)
Komponist(in):
Chet Atkins und Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI)
42:26
3▼CD
Nr.TitelBewertungLänge
1Blue Suede Shoes
assistierende(r) Techniker(in):
Dror Mohar
Mix:
Ray Bardani
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-30) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 423)
cover recording of:
Blue Suede Shoes (am 1956-01-30)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.452:03
2Trying to Get to You
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07, am 1955-07-11)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07, am 1955-07-11) und Scotty Moore (American guitarist and recording engineer) (am 1955-07-11)
Schlagzeug:
Johnny Bernero (in 1955-07, am 1955-07-11)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-07) und Sun Studios in Memphis, Tennessee, Vereinigte Staaten (am 1955-07-11)
cover recording of:
Trying to Get to You (am 1955-07-11)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
cover recording of:
Trying to Get to You (in 1955-07)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
42:36
3Paralyzed
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-09-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-09-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-09-02)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-09-02)
Schlagzeug:
D.J. Fontana (am 1956-09-02)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1956-09-02)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-02)
recording of:
Paralyzed (am 1956-09-02)
Komponist(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music und Williamson Music Company
3.52:27
4Long Tall Sally
live cover recording of:
Long Tall Sally
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
41:53
5Blue Moon
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-08-19)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-08-19) und Elvis Presley (“The King of Rock and Roll”) (am 1954-08-19)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-08-19)
cover recording of:
Blue Moon (am 1954-08-19)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
4.52:43
6Let Me
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04), Charles Prescott (von 1956-08-24 bis 1956-09-04) und Rad Robinson (von 1956-08-24 bis 1956-09-04)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
recording of:
Let Me (von 1956-08-24 bis 1956-09-04)
Verfasser(in):
Vera Matson und Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc. und R&H Music
42:12
7Shake, Rattle and Roll
cover recording of:
Shake, Rattle and Roll (in 1956)
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
42:31
8I Forgot to Remember to Forget
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
Schlagzeug:
Johnny Bernero (in 1955-07)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1955-07-11)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1955) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-07, am 1955-07-11)
cover recording of:
I Forgot to Remember to Forget (am 1955-07-11)
Verfasser(in):
Charlie Feathers und Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
cover recording of:
I Forgot to Remember to Forget (in 1955-07)
Verfasser(in):
Charlie Feathers und Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
32:32
9Old Shep
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Klavier:
Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (von 1956-09-01 bis 1956-09-03)
vocals:
The Jordanaires (southern gospel group) (von 1956-09-01 bis 1956-09-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1956-09-01 bis 1956-09-03)
cover recording of:
Old Shep (von 1956-09-01 bis 1956-09-03)
publisher:
Clyde Julian Foley (US country music musician) (am 1935-06-24)
Texter:
Willis Arthur (lyricist)
Komponist(in):
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
54:11
10I Don’t Care If the Sun Don’t Shine
Produzent(in):
Sam Phillips (founder of Sun Records)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
cover recording of:
I Don’t Care If the Sun Don’t Shine (von 1954-07 bis 1955-07)
Texter und Komponist(in):
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
42:32
11I’m Counting on You
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-11)
Gitarre:
Chet Atkins (am 1956-01-11), Scotty Moore (American guitarist and recording engineer) (am 1956-01-11) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-11)
Schlagzeug:
D.J. Fontana (am 1956-01-11)
recording of:
I’m Counting on You (am 1956-01-11)
Texter und Komponist(in):
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. und Ross Jungnickel, Inc.
3.52:27
12How Do You Think I Feel
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-01)
cover recording of:
How Do You Think I Feel (am 1956-09-01)
Komponist(in):
Webb Pierce und Wiley Walker
42:13
13Any Way You Want Me (That’s How I Will Be)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
recording of:
Any Way You Want Me (am 1956-07-02)
Verfasser(in):
Cliff Owens und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music und Ross Jungnickel, Inc.
2:18
14Milkcow Blues Boogie
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1954-11 bis 1954-12)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-11 bis 1954-12)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1954-11 bis 1954-12)
cover recording of:
Milk Cow Blues (Kokomo Arnold's version) (von 1954-11 bis 1954-12)
Texter und arranger:
Kokomo Arnold
Komponist(in):
[traditional] (special purpose artist) und Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal Music Corp. (USA, affiliated with ASCAP)
Version von:
Milk Cow Blues
32:41
15Love Me Tender
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
42:45

Nennungen