Signature Collection

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Don’t Be Cruel
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 11) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 197)
registrazione di:
Don’t Be Cruel (il 1956-07-02)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. e Williamson Music Company
3.82:05
2I’m Left, You’re Right, She’s Gone
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-04)
batteria :
Jimmie Lott (nel 1955-04)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-04)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-04)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-04)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-04)
registrazione cover di:
I’m Left, You’re Right, She’s Gone (dal 1954-07 al 1955-07)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
registrazione cover di:
I’m Left, You’re Right, She’s Gone (nel 1955-04)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
3.52:40
3Hound Dog
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956, nel 1972), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione cover di:
Hound Dog (il 1956-07-02)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
3.82:19
4Lawdy Miss Clawdy
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-02-03)
batteria :
D.J. Fontana (il 1956-02-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-02-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-02-03)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-02-03)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-02-03)
registrazione cover di:
Lawdy Miss Clawdy (il 1956-02-03)
paroliere e compositore:
Lloyd Price (US R&B/soul singer) (nel 1952-03)
editore:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC e Venice Music
3.852:12
5Love Me
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-01, dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-01, dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
registrazione cover di:
Love Me (dal 1956-09-01 al 1956-09-03)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) e Sony/ATV Songs LLC
registrazione di:
Love Me, Love Me
autore:
George Richey e Glenn Sutton (US songwriter and producer)
42:46
6Ready Teddy
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-03)
registrazione cover di:
Ready Teddy (il 1956-09-03)
paroliere e compositore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC e Venice Music, Inc.
41:57
7We’re Gonna Move
registrazione cover di:
We’re Gonna Move
autore:
Vera Matson e Elvis Presley (“The King of Rock and Roll”)
editore:
Elvis Presley Music Inc., R&H Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1973)
registrazione di:
We’re Gonna Move
autore:
Vera Matson e Elvis Presley (“The King of Rock and Roll”)
editore:
Elvis Presley Music Inc., R&H Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1973)
2:33
8I Got a Woman
tecnico:
Bob Ferris (engineer)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-10)
batteria :
D.J. Fontana (il 1956-01-10)
chitarra :
Chet Atkins (il 1956-01-10), Scotty Moore (American guitarist and recording engineer) (il 1956-01-10) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
pianoforte :
Floyd Cramer (il 1956-01-10)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-01-10)
registrazione cover di:
I Got a Woman (il 1956-01-10)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.52:27
9Anyplace Is Paradise
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-03)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-03)
registrazione di:
Anyplace Is Paradise (il 1956-09-03)
paroliere e compositore:
Joe Thomas (US songwriter and Jazz saxophonist)
editore:
Elvis Presley Music e Elvis Presley Music Inc.
42:29
10My Baby Left Me
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
batteria :
D.J. Fontana (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10, dal 1956-01-30 al 1956-02-03) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956) e BMG Music (nel 1956)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30, dal 1956-01-30 al 1956-01-31, il 1956-02-03)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 29)
registrazione cover di:
My Baby Left Me (dal 1956-01-30 al 1956-02-03)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. e Williamson Music Company
registrazione di:
My Baby Left Me
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. e Williamson Music Company
3.652:14
11I Love You Because
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954, nel 1956, nel 1957)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05)
registrazione cover di:
I Love You Because (il 1954-07-05)
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
42:44
12One‐Sided Love Affair
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1957)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30)
registrazione di:
One-Sided Love Affair (il 1956-01-30)
paroliere e compositore:
Bill Campbell (US songwriter)
editore:
EMI Unart Catalog Inc. e Sheldon Music
32:13
13So Glad You’re Mine
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30)
registrazione cover di:
So Glad You’re Mine (il 1956-01-30)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Elvis Presley Music e Elvis Presley Music Inc.
32:24
14I’m Gonna Sit Right Down and Cry (Over You)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-31)
batteria :
D.J. Fontana (il 1956-01-31)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-31) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-31)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-31)
registrazione cover di:
I’m Gonna Sit Right Down and Cry (Over You) (il 1956-01-31)
paroliere e compositore:
Howard Biggs e Joe Thomas (US songwriter and Jazz saxophonist)
editore:
Angle Music, Coblin Music Co., Copyright Records e EMI Music Publishing Ltd. (PRS‐affiliated)
4.32:06
15Mystery Train
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 77)
registrazione cover di:
Mystery Train (il 1955-07-11)
autore:
Junior Parker e Sam Phillips (founder of Sun Records)
editore:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Hilo Music Inc. (nel 1953)
3.42:31
16How’s the World Treating You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
pianoforte :
Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1956-09-01 al 1956-09-03)
registrazione cover di:
How’s the World Treating You (il 1956-09-01)
compositore:
Chet Atkins e Boudleaux Bryant
editore:
Acuff-Rose Publications, Inc. (BMI)
42:26
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