Frank Sinatra Vol. 2: Nine Classic Albums

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1▼CD
Nr.TitelBewertungLänge
1Ring-A-Ding-Ding!
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
recording of:
Ring-a-Ding Ding (am 1960-12-19)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Maraville Music Corp.
2:45
2Let's Fall in Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
cover recording of:
Let’s Fall in Love (am 1960-12-19)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
32:11
3Be Careful, It's My Heart
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Skip Martin
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
Be Careful, It’s My Heart (am 1960-12-20)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Company und Irving Berlin Music Corp.
2:03
4A Foggy Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
cover recording of:
A Foggy Day (in London Town) (am 1960-12-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
2:17
5A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
A Fine Romance (from “Swing Time”) (am 1960-12-20)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
2:11
6In the Still of the Night
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
cover recording of:
In the Still of the Night (Cole Porter song) (am 1960-12-19)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) und Chappell & Co., Inc. (USA)
recording of:
In the Still of the Night (Cole Porter song)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) und Chappell & Co., Inc. (USA)
3:25
7The Coffee Song
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
The Coffee Song (1946 song) (am 1960-12-20)
Texter:
Bob Hilliard
Komponist(in):
Dick Miles (songwriter, composer)
publisher:
Cromwell Music, Inc.
42:52
8When I Take My Sugar to Tea
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
Techniker(in):
Bill Putnam (am 1960-12-21)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-21)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-21)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-21)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-21) und Don Fagerquist (am 1960-12-21)
Vibraphon:
Emil Richards (am 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
cover recording of:
When I Take My Sugar to Tea (am 1960-12-21)
Komponist(in):
Pierre Norman Connor, Sammy Fain und Irving Kahal
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:06
9Let's Face the Music and Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (am 1960-12-20)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
52:59
10You'd Be So Easy to Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
Easy to Love (am 1960-12-20)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
2:23
11You and the Night and the Music
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
Techniker(in):
Bill Putnam (am 1960-12-21)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-21)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-21)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-21)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-21) und Don Fagerquist (am 1960-12-21)
Vibraphon:
Emil Richards (am 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
cover recording of:
You and the Night and the Music (am 1960-12-21)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
The Band Wagon (1953 film)
1.252:36
12I've Got My Love to Keep Me Warm
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
Techniker(in):
Bill Putnam (am 1960-12-21)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-21)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-21)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-21)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-21) und Don Fagerquist (am 1960-12-21)
Vibraphon:
Emil Richards (am 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-21)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
cover recording of:
I’ve Got My Love to Keep Me Warm (am 1960-12-21)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:52
13Day by Day
Gitarre:
Tony Rizzi (am 1961-03-20)
Harfe:
Kathryn Julye (am 1961-03-20)
Klavier:
Bill Miller (pianist) (am 1961-03-20)
Kontrabass:
Joe Comfort (am 1961-03-20)
Posaune:
C. E. Carpenter (am 1961-03-20), James Henderson (trombone) (am 1961-03-20), Richard Kenney (am 1961-03-20), Lew McCreary (am 1961-03-20), Barrett O'Hara (am 1961-03-20), Jimmy Priddy (am 1961-03-20) und Kenneth Trimble (am 1961-03-20)
Schlagzeug:
Irv Cottler (am 1961-03-20)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-20), Conrad Gozzo (am 1961-03-20), Joe Graves (am 1961-03-20), Maurice Harris (am 1961-03-20), Manny Klein (am 1961-03-20), Vito N. Mangano (am 1961-03-20), James Salko (am 1961-03-20), Shorty Sherock (am 1961-03-20) und Rubin "Zeke" Zarchy (am 1961-03-20)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-20)
Waldhorn:
James Craas (am 1961-03-20), William Culley (am 1961-03-20), Fred Fox (am 1961-03-20) und Gale H. Robinson (am 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-20)
Orchester:
Billy May & His Orchestra (am 1961-03-20)
conductor:
Billy May (am 1961-03-20)
arranger:
Billy May (am 1961-03-20)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
Day by Day (am 1961-03-20)
Texter:
Sammy Cahn
Komponist(in):
Axel Stordahl und Paul Weston
publisher:
Barton Music Corp. und Hanover Music Corp.
2:38
14Sentimental Journey
Gitarre:
Tony Rizzi (am 1961-03-20)
Harfe:
Kathryn Julye (am 1961-03-20)
Instrumente:
Johnny Best (jazz trumpeter) (am 1961-03-20)
Klavier:
Bill Miller (pianist) (am 1961-03-20)
Kontrabass:
Joe Comfort (am 1961-03-20)
Posaune:
C. E. Carpenter (am 1961-03-20), James Henderson (trombone) (am 1961-03-20), Richard Kenney (am 1961-03-20), Lew McCreary (am 1961-03-20), Barrett O'Hara (am 1961-03-20), Jimmy Priddy (am 1961-03-20) und Kenneth Trimble (am 1961-03-20)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-20), Conrad Gozzo (am 1961-03-20), Joe Graves (am 1961-03-20), Maurice Harris (am 1961-03-20), Manny Klein (am 1961-03-20), Vito N. Mangano (am 1961-03-20), James Salko (am 1961-03-20), Shorty Sherock (am 1961-03-20) und Rubin "Zeke" Zarchy (am 1961-03-20)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-20)
Waldhorn:
James Craas (am 1961-03-20), William Culley (am 1961-03-20), Fred Fox (am 1961-03-20) und Gale H. Robinson (am 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-20)
Orchester:
Billy May & His Orchestra (am 1961-03-20)
conductor:
Billy May (am 1961-03-20)
arranger:
Heine Beau (am 1961-03-20)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
cover recording of:
Sentimental Journey (am 1961-03-20)
Texter:
Bud Green (in 1944)
Komponist(in):
Les Brown (American big band & jazz musician) (in 1944) und Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:23
15Almost Like Being in Love
Gitarre:
Bobby Gibbons (am 1961-03-22)
Harfe:
Kathryn Julye (am 1961-03-22)
Klavier:
Bill Miller (pianist) (am 1961-03-22)
Kontrabass:
Joe Comfort (am 1961-03-22)
Posaune:
C. E. Carpenter (am 1961-03-22), James Henderson (trombone) (am 1961-03-22), Lew McCreary (am 1961-03-22), Frank Rosolino (am 1961-03-22), Tommy Shepard (trombonist) (am 1961-03-22), Ken Shroyer (trombonist) (am 1961-03-22) und Kenneth Trimble (am 1961-03-22)
Schlagzeug:
Irv Cottler (am 1961-03-22)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-22), Conrad Gozzo (am 1961-03-22), Joe Graves (am 1961-03-22), Manny Klein (am 1961-03-22), Vito N. Mangano (am 1961-03-22), Shorty Sherock (am 1961-03-22), Ray Triscari (am 1961-03-22), Stu Williamson (am 1961-03-22) und Rubin "Zeke" Zarchy (am 1961-03-22)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-22)
Waldhorn:
James Decker (French hornist) (am 1961-03-22), Vincent DeRosa (am 1961-03-22), Fred Fox (am 1961-03-22) und Richard Perissi (am 1961-03-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-22)
Orchester:
Billy May & His Orchestra (am 1961-03-22)
conductor:
Billy May (am 1961-03-22)
arranger:
Billy May (am 1961-03-22)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
Almost Like Being in Love (from “Brigadoon”) (am 1961-03-22)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
2:00
16Five Minutes More
Gitarre:
Bobby Gibbons (am 1961-03-22)
Harfe:
Kathryn Julye (am 1961-03-22)
Klavier:
Bill Miller (pianist) (am 1961-03-22)
Kontrabass:
Joe Comfort (am 1961-03-22)
Posaune:
C. E. Carpenter (am 1961-03-22), James Henderson (trombone) (am 1961-03-22), Lew McCreary (am 1961-03-22), Frank Rosolino (am 1961-03-22), Tommy Shepard (trombonist) (am 1961-03-22), Ken Shroyer (trombonist) (am 1961-03-22) und Kenneth Trimble (am 1961-03-22)
Schlagzeug:
Irv Cottler (am 1961-03-22)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-22), Conrad Gozzo (am 1961-03-22), Joe Graves (am 1961-03-22), Manny Klein (am 1961-03-22), Vito N. Mangano (am 1961-03-22), Shorty Sherock (am 1961-03-22), Ray Triscari (am 1961-03-22), Stu Williamson (am 1961-03-22) und Rubin "Zeke" Zarchy (am 1961-03-22)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-22)
Waldhorn:
James Decker (French hornist) (am 1961-03-22), Vincent DeRosa (am 1961-03-22), Fred Fox (am 1961-03-22) und Richard Perissi (am 1961-03-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-22)
Orchester:
Billy May & His Orchestra (am 1961-03-22)
conductor:
Billy May (am 1961-03-22)
arranger:
Billy May (am 1961-03-22)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
Five Minutes More (am 1961-03-22)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Melrose Music Corp.
2:35
17American Beauty Rose
Gitarre:
Bobby Gibbons (am 1961-03-21)
Harfe:
Veryle Brilhart (am 1961-03-21)
Klavier:
Bill Miller (pianist) (am 1961-03-21)
Kontrabass:
Joe Comfort (am 1961-03-21)
Posaune:
C. E. Carpenter (am 1961-03-21), James Henderson (trombone) (am 1961-03-21), Lew McCreary (am 1961-03-21), Frank Rosolino (am 1961-03-21), Tommy Shepard (trombonist) (am 1961-03-21), Ken Shroyer (trombonist) (am 1961-03-21) und Kenneth Trimble (am 1961-03-21)
Schlagzeug:
Irv Cottler (am 1961-03-21)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-21), Conrad Gozzo (am 1961-03-21), Manny Klein (am 1961-03-21), Vito N. Mangano (am 1961-03-21), Shorty Sherock (am 1961-03-21), Ray Triscari (am 1961-03-21) und Stu Williamson (am 1961-03-21)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-21)
Waldhorn:
James Decker (French hornist) (am 1961-03-21), Wally Linder (am 1961-03-21), Arthur Maebe (US horn player) (am 1961-03-21) und Claude Sherry (am 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-21)
Orchester:
Billy May & His Orchestra (am 1961-03-21)
conductor:
Billy May (am 1961-03-21)
arranger:
Heine Beau (am 1961-03-21)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
American Beauty Rose (am 1961-03-21)
Verfasser(in):
Arthur Altman, Hal David und Redd Evans
publisher:
Jefferson Music Corp.
2:19
18Yes Indeed
Gitarre:
Bobby Gibbons (am 1961-03-21)
Harfe:
Veryle Brilhart (am 1961-03-21)
Klavier:
Bill Miller (pianist) (am 1961-03-21)
Kontrabass:
Joe Comfort (am 1961-03-21)
Posaune:
C. E. Carpenter (am 1961-03-21), James Henderson (trombone) (am 1961-03-21), Lew McCreary (am 1961-03-21), Frank Rosolino (am 1961-03-21), Tommy Shepard (trombonist) (am 1961-03-21), Ken Shroyer (trombonist) (am 1961-03-21) und Kenneth Trimble (am 1961-03-21)
Schlagzeug:
Irv Cottler (am 1961-03-21)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-21), Conrad Gozzo (am 1961-03-21), Manny Klein (am 1961-03-21), Vito N. Mangano (am 1961-03-21), Shorty Sherock (am 1961-03-21), Ray Triscari (am 1961-03-21) und Stu Williamson (am 1961-03-21)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-21)
Waldhorn:
James Decker (French hornist) (am 1961-03-21), Wally Linder (am 1961-03-21), Arthur Maebe (US horn player) (am 1961-03-21) und Claude Sherry (am 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-21)
Orchester:
Billy May & His Orchestra (am 1961-03-21)
conductor:
Billy May (am 1961-03-21)
arranger:
Billy May (am 1961-03-21)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
cover recording of:
Yes Indeed (am 1961-03-21)
Texter und Komponist(in):
Sy Oliver
2:33
19On the Sunny Side of the Street
Gitarre:
Tony Rizzi (am 1961-03-20)
Harfe:
Kathryn Julye (am 1961-03-20)
Instrumente:
Johnny Best (jazz trumpeter) (am 1961-03-20)
Klavier:
Bill Miller (pianist) (am 1961-03-20)
Kontrabass:
Joe Comfort (am 1961-03-20)
Posaune:
C. E. Carpenter (am 1961-03-20), James Henderson (trombone) (am 1961-03-20), Richard Kenney (am 1961-03-20), Lew McCreary (am 1961-03-20), Barrett O'Hara (am 1961-03-20), Jimmy Priddy (am 1961-03-20) und Kenneth Trimble (am 1961-03-20)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-20), Conrad Gozzo (am 1961-03-20), Joe Graves (am 1961-03-20), Maurice Harris (am 1961-03-20), Manny Klein (am 1961-03-20), Vito N. Mangano (am 1961-03-20), James Salko (am 1961-03-20), Shorty Sherock (am 1961-03-20) und Rubin "Zeke" Zarchy (am 1961-03-20)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-20)
Waldhorn:
James Craas (am 1961-03-20), William Culley (am 1961-03-20), Fred Fox (am 1961-03-20) und Gale H. Robinson (am 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
Billy May & His Orchestra (am 1961-03-20)
conductor:
Billy May (am 1961-03-20)
arranger:
Heine Beau (am 1961-03-20)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
cover recording of:
On the Sunny Side of the Street (am 1961-03-20)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
recording of:
On the Sunny Side of the Street (am 1961-03-20)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
2:41
20Don't Take Your Love From Me
Gitarre:
Tony Rizzi (am 1961-03-20)
Harfe:
Kathryn Julye (am 1961-03-20)
Instrumente:
Johnny Best (jazz trumpeter) (am 1961-03-20)
Klavier:
Bill Miller (pianist) (am 1961-03-20)
Kontrabass:
Joe Comfort (am 1961-03-20)
Posaune:
C. E. Carpenter (am 1961-03-20), James Henderson (trombone) (am 1961-03-20), Richard Kenney (am 1961-03-20), Lew McCreary (am 1961-03-20), Barrett O'Hara (am 1961-03-20), Jimmy Priddy (am 1961-03-20) und Kenneth Trimble (am 1961-03-20)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-20), Conrad Gozzo (am 1961-03-20), Joe Graves (am 1961-03-20), Maurice Harris (am 1961-03-20), Manny Klein (am 1961-03-20), Vito N. Mangano (am 1961-03-20), James Salko (am 1961-03-20), Shorty Sherock (am 1961-03-20) und Rubin "Zeke" Zarchy (am 1961-03-20)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-20)
Waldhorn:
James Craas (am 1961-03-20), William Culley (am 1961-03-20), Fred Fox (am 1961-03-20) und Gale H. Robinson (am 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-20)
Orchester:
Billy May & His Orchestra (am 1961-03-20)
conductor:
Billy May (am 1961-03-20)
arranger:
Heine Beau (am 1961-03-20)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
cover recording of:
Don’t Take Your Love From Me (am 1961-03-20)
Texter und Komponist(in):
Henry Nemo
publisher:
Indano Music Co.
1:57
21That Old Black Magic
Gitarre:
Bobby Gibbons (am 1961-03-21)
Harfe:
Veryle Brilhart (am 1961-03-21)
Klavier:
Bill Miller (pianist) (am 1961-03-21)
Kontrabass:
Joe Comfort (am 1961-03-21)
Posaune:
C. E. Carpenter (am 1961-03-21), James Henderson (trombone) (am 1961-03-21), Lew McCreary (am 1961-03-21), Frank Rosolino (am 1961-03-21), Tommy Shepard (trombonist) (am 1961-03-21), Ken Shroyer (trombonist) (am 1961-03-21) und Kenneth Trimble (am 1961-03-21)
Schlagzeug:
Irv Cottler (am 1961-03-21)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-21), Conrad Gozzo (am 1961-03-21), Manny Klein (am 1961-03-21), Vito N. Mangano (am 1961-03-21), Shorty Sherock (am 1961-03-21), Ray Triscari (am 1961-03-21) und Stu Williamson (am 1961-03-21)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-21)
Waldhorn:
James Decker (French hornist) (am 1961-03-21), Wally Linder (am 1961-03-21), Arthur Maebe (US horn player) (am 1961-03-21) und Claude Sherry (am 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-21)
Orchester:
Billy May & His Orchestra (am 1961-03-21)
conductor:
Billy May (am 1961-03-21)
arranger:
Heine Beau (am 1961-03-21)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
That Old Black Magic (am 1961-03-21)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
4:03
22Lover
Gitarre:
Bobby Gibbons (am 1961-03-22)
Harfe:
Kathryn Julye (am 1961-03-22)
Klavier:
Bill Miller (pianist) (am 1961-03-22)
Kontrabass:
Joe Comfort (am 1961-03-22)
Posaune:
C. E. Carpenter (am 1961-03-22), James Henderson (trombone) (am 1961-03-22), Lew McCreary (am 1961-03-22), Frank Rosolino (am 1961-03-22), Tommy Shepard (trombonist) (am 1961-03-22), Ken Shroyer (trombonist) (am 1961-03-22) und Kenneth Trimble (am 1961-03-22)
Schlagzeug:
Irv Cottler (am 1961-03-22)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-22), Conrad Gozzo (am 1961-03-22), Joe Graves (am 1961-03-22), Manny Klein (am 1961-03-22), Vito N. Mangano (am 1961-03-22), Shorty Sherock (am 1961-03-22), Ray Triscari (am 1961-03-22), Stu Williamson (am 1961-03-22) und Rubin "Zeke" Zarchy (am 1961-03-22)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-22)
Waldhorn:
James Decker (French hornist) (am 1961-03-22), Vincent DeRosa (am 1961-03-22), Fred Fox (am 1961-03-22) und Richard Perissi (am 1961-03-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-22)
Orchester:
Billy May & His Orchestra (am 1961-03-22)
conductor:
Billy May (am 1961-03-22)
arranger:
Heine Beau (am 1961-03-22)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
Lover (am 1961-03-22)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
1:51
23Paper Doll
Gitarre:
Bobby Gibbons (am 1961-03-22)
Harfe:
Kathryn Julye (am 1961-03-22)
Klavier:
Bill Miller (pianist) (am 1961-03-22)
Kontrabass:
Joe Comfort (am 1961-03-22)
Posaune:
C. E. Carpenter (am 1961-03-22), James Henderson (trombone) (am 1961-03-22), Lew McCreary (am 1961-03-22), Frank Rosolino (am 1961-03-22), Tommy Shepard (trombonist) (am 1961-03-22), Ken Shroyer (trombonist) (am 1961-03-22) und Kenneth Trimble (am 1961-03-22)
Schlagzeug:
Irv Cottler (am 1961-03-22)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-22), Conrad Gozzo (am 1961-03-22), Joe Graves (am 1961-03-22), Manny Klein (am 1961-03-22), Vito N. Mangano (am 1961-03-22), Shorty Sherock (am 1961-03-22), Ray Triscari (am 1961-03-22), Stu Williamson (am 1961-03-22) und Rubin "Zeke" Zarchy (am 1961-03-22)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-22)
Waldhorn:
James Decker (French hornist) (am 1961-03-22), Vincent DeRosa (am 1961-03-22), Fred Fox (am 1961-03-22) und Richard Perissi (am 1961-03-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-22)
Orchester:
Billy May & His Orchestra (am 1961-03-22)
conductor:
Billy May (am 1961-03-22)
arranger:
Billy May (am 1961-03-22)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
cover recording of:
Paper Doll (am 1961-03-22)
Texter und Komponist(in):
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:07
24I've Heard That Song Before
Gitarre:
Bobby Gibbons (am 1961-03-21)
Harfe:
Veryle Brilhart (am 1961-03-21)
Klavier:
Bill Miller (pianist) (am 1961-03-21)
Kontrabass:
Joe Comfort (am 1961-03-21)
Posaune:
C. E. Carpenter (am 1961-03-21), James Henderson (trombone) (am 1961-03-21), Lew McCreary (am 1961-03-21), Frank Rosolino (am 1961-03-21), Tommy Shepard (trombonist) (am 1961-03-21), Ken Shroyer (trombonist) (am 1961-03-21) und Kenneth Trimble (am 1961-03-21)
Schlagzeug:
Irv Cottler (am 1961-03-21)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-21), Conrad Gozzo (am 1961-03-21), Manny Klein (am 1961-03-21), Vito N. Mangano (am 1961-03-21), Shorty Sherock (am 1961-03-21), Ray Triscari (am 1961-03-21) und Stu Williamson (am 1961-03-21)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-21)
Waldhorn:
James Decker (French hornist) (am 1961-03-21), Wally Linder (am 1961-03-21), Arthur Maebe (US horn player) (am 1961-03-21) und Claude Sherry (am 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-21)
Orchester:
Billy May & His Orchestra (am 1961-03-21)
conductor:
Billy May (am 1961-03-21)
arranger:
Billy May (am 1961-03-21)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
cover recording of:
I’ve Heard That Song Before (am 1961-03-21)
Texter:
Sammy Cahn (in 1942)
Komponist(in):
Jule Styne (in 1942)
publisher:
Cahn Music Company und Morley Music Co. Inc.
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2)
recording of:
I’ve Heard That Song Before (am 1961-03-21)
Texter:
Sammy Cahn (in 1942)
Komponist(in):
Jule Styne (in 1942)
publisher:
Cahn Music Company und Morley Music Co. Inc.
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2)
2:31
25I'm Getting Sentimental Over You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Nash, Dick Noel (trombone) und Bobby Pring
Saxophon:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch und Abe Most
Schlagzeug:
John Markham
Trompete:
Pete Candoli, Conrad Gozzo und Al Porcino
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-01)
conductor:
Sy Oliver (am 1961-05-01)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
cover recording of:
I’m Getting Sentimental Over You (am 1961-05-01)
Texter:
Ned Washington
Komponist(in):
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:43
26Imagination
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Nash, Dick Noel (trombone) und Bobby Pring
Saxophon:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch und Abe Most
Schlagzeug:
John Markham
Trompete:
Pete Candoli, Conrad Gozzo und Al Porcino
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-01)
conductor:
Sy Oliver (am 1961-05-01)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
cover recording of:
Imagination (am 1961-05-01)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:04
27There Are Such Things
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
There Are Such Things (am 1961-05-03)
Verfasser(in):
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (in 1942) und George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:13
28East of the Sun (And West of the Moon)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
East of the Sun (and West of the Moon) (am 1961-05-03)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
3:23
29Daybreak
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone), Pullman “Tommy” Pederson und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Conrad Gozzo, Al Porcino und Jimmy Zito
Waldhorn:
James Decker (French hornist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-02)
conductor:
Sy Oliver (am 1961-05-02)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
cover recording of:
Daybreak (am 1961-05-02)
Texter:
Harold Adamson
Komponist(in):
Ferde Grofé (pianist, arranger, conductor and composer)
publisher:
EMI Feist Catalog Inc.
basiert auf:
Mississippi Suite: IV. Mardi Gras. Allegro – Andantino (espressivo e sostenuto) – Assai maestoso e appassionato
2:43
2▼CD
Nr.TitelBewertungLänge
1Without a Song
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone), Pullman “Tommy” Pederson und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Conrad Gozzo, Al Porcino und Jimmy Zito
Waldhorn:
James Decker (French hornist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-02)
conductor:
Sy Oliver (am 1961-05-02)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
cover recording of:
Without a Song (am 1961-05-02)
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild und WB Music Corp. (1929–2019)
Teil von:
Great Day!
3:38
2I'll Be Seeing You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Nash, Dick Noel (trombone) und Bobby Pring
Saxophon:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch und Abe Most
Schlagzeug:
John Markham
Trompete:
Pete Candoli, Conrad Gozzo und Al Porcino
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-01)
conductor:
Sy Oliver (am 1961-05-01)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
cover recording of:
I’ll Be Seeing You (am 1961-05-01)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
2:49
3Take Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Nash, Dick Noel (trombone) und Bobby Pring
Saxophon:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch und Abe Most
Schlagzeug:
John Markham
Trompete:
Pete Candoli, Conrad Gozzo und Al Porcino
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-01)
conductor:
Sy Oliver (am 1961-05-01)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
cover recording of:
Take Me (am 1961-05-01)
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Mack David (American lyricist and songwriter)
publisher:
Bregman, Vocco & Conn, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und WB Music Corp. (1929–2019)
2:18
4It's Always You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn und Al Porcino
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
It’s Always You (am 1961-05-03)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:48
5Polka Dots and Moonbeams
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone), Pullman “Tommy” Pederson und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Conrad Gozzo, Al Porcino und Jimmy Zito
Waldhorn:
James Decker (French hornist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-02)
conductor:
Sy Oliver (am 1961-05-02)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
cover recording of:
Polka Dots and Moonbeams (am 1961-05-02)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
43:43
6It Started All Over Again
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (von 1961-03-20 bis 1961-03-21)
conductor:
Sy Oliver (von 1961-03-20 bis 1961-03-21)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
recording of:
It Started All Over Again (am 1961-05-03)
Texter:
Bill Carey (US songwriter)
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Embassy Music Corporation
2:32
7The One I Love (Belongs to Somebody Else)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
The One I Love (Belongs to Somebody Else) (am 1961-05-03)
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild und Milton Weil Music Co. (am 1924-01-07)
2:47
8When the World Was Young
Produzent(in):
Dave Cavanaugh (am 1961-09-11)
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, David Frisina, Ben Gill, Anatol Kaminsky (Violinist), Dan Lube, Erno Neufeld, Lou Raderman, Nathan Ross, Felix Slatkin und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Harry Klee, Ronny Lang, Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Dick Nash und Dick Noel (trombone)
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Vito N. Mangano, Rubin "Zeke" Zarchy und Jimmy Zito
Waldhorn:
John Cave (french horn), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-11)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-11)
conductor:
Axel Stordahl (am 1961-09-11)
arranger:
Axel Stordahl (am 1961-09-11)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-11)
cover recording of:
When the World Was Young (am 1961-09-11)
Texter:
Johnny Mercer
Komponist(in):
Philippe-Gérard (French composer & lyricist)
publisher:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.) und Peter Maurice Music Co. Ltd.
Version von:
Le Chevalier de Paris
3:47
9I'll Remember April
Produzent(in):
Dave Cavanaugh (am 1961-09-12)
Bassposaune:
George Roberts (american bass trombone) (am 1961-09-12)
Bratsche / Viola:
Alvin Dinkin (am 1961-09-12), Virginia Majewski (violist) (am 1961-09-12), Alexander Neiman (violist) (am 1961-09-12) und Paul Robyn (am 1961-09-12)
Cello:
Joseph DiTullio (cellist) (am 1961-09-12), Edgar Lustgarten (am 1961-09-12), Kurt Reher (cellist) (am 1961-09-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1961-09-12)
Geige / Violine:
Victor Arno (am 1961-09-12), Israel Baker (American violinist) (am 1961-09-12), Harry Bluestone (am 1961-09-12), Herman Clebanoff (am 1961-09-12), David Frisina (am 1961-09-12), Ben Gill (am 1961-09-12), Anatol Kaminsky (am 1961-09-12), Dan Lube (am 1961-09-12), Erno Neufeld (am 1961-09-12), Lou Raderman (am 1961-09-12), Nathan Ross (am 1961-09-12) und Felix Slatkin (am 1961-09-12)
Gitarre:
Al Viola (am 1961-09-12)
Harfe:
Veryle Brilhart (am 1961-09-12)
Klavier:
Bill Miller (pianist) (am 1961-09-12)
Kontrabass:
Joe Comfort (am 1961-09-12)
Perkussion:
Emil Richards (am 1961-09-12)
Posaune:
Milt Bernhart (am 1961-09-12), Dick Nash (am 1961-09-12) und Dick Noel (trombone) (am 1961-09-12)
Rohrblattinstrumente:
Gene Cipriano (am 1961-09-12), Justin Gordon (am 1961-09-12), Harry Klee (am 1961-09-12), Ronnie Lang (am 1961-09-12), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1961-09-12), Irving “Babe” Russin (am 1961-09-12) und Wilbur Schwartz (am 1961-09-12)
Schlagzeug:
Irv Cottler (am 1961-09-12)
Trompete:
Pete Candoli (am 1961-09-12), Vito N. Mangano (am 1961-09-12), Uan Rasey (am 1961-09-12) und Rubin "Zeke" Zarchy (am 1961-09-12)
Waldhorn:
John Cave (french horn) (am 1961-09-12), Vincent DeRosa (am 1961-09-12) und Richard Perissi (am 1961-09-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-12)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-12)
conductor:
Axel Stordahl (am 1961-09-12)
arranger:
Heine Beau (am 1961-09-12)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-12)
cover recording of:
I’ll Remember April (am 1961-09-12)
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
2:47
10September Song
Produzent(in):
Dave Cavanaugh (am 1961-09-11)
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, David Frisina, Ben Gill, Anatol Kaminsky (Violinist), Dan Lube, Erno Neufeld, Lou Raderman, Nathan Ross, Felix Slatkin und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Harry Klee, Ronny Lang, Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Dick Nash und Dick Noel (trombone)
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Vito N. Mangano, Rubin "Zeke" Zarchy und Jimmy Zito
Waldhorn:
John Cave (french horn), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-11)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-11)
conductor:
Axel Stordahl (am 1961-09-11)
arranger:
Axel Stordahl (am 1961-09-11)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-11)
recording of:
September Song (catch-all for versions outside the theatrical context) (am 1961-09-11)
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co., DeSylva, Brown and Henderson, Inc., Hampshire House Publishing Corp., Kurt Weill Foundation for Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Arrangement von:
Knickerbocker Holiday: September Song
4:20
11A Million Dreams Ago
Produzent(in):
Dave Cavanaugh (am 1961-09-12)
Bassposaune:
George Roberts (american bass trombone) (am 1961-09-12)
Bratsche / Viola:
Alvin Dinkin (am 1961-09-12), Virginia Majewski (violist) (am 1961-09-12), Alexander Neiman (violist) (am 1961-09-12) und Paul Robyn (am 1961-09-12)
Cello:
Joseph DiTullio (cellist) (am 1961-09-12), Edgar Lustgarten (am 1961-09-12), Kurt Reher (cellist) (am 1961-09-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1961-09-12)
Geige / Violine:
Victor Arno (am 1961-09-12), Israel Baker (American violinist) (am 1961-09-12), Harry Bluestone (am 1961-09-12), Herman Clebanoff (am 1961-09-12), David Frisina (am 1961-09-12), Ben Gill (am 1961-09-12), Anatol Kaminsky (am 1961-09-12), Dan Lube (am 1961-09-12), Erno Neufeld (am 1961-09-12), Lou Raderman (am 1961-09-12), Nathan Ross (am 1961-09-12) und Felix Slatkin (am 1961-09-12)
Gitarre:
Al Viola (am 1961-09-12)
Harfe:
Veryle Brilhart (am 1961-09-12)
Klavier:
Bill Miller (pianist) (am 1961-09-12)
Kontrabass:
Joe Comfort (am 1961-09-12)
Perkussion:
Emil Richards (am 1961-09-12)
Posaune:
Milt Bernhart (am 1961-09-12), Dick Nash (am 1961-09-12) und Dick Noel (trombone) (am 1961-09-12)
Rohrblattinstrumente:
Gene Cipriano (am 1961-09-12), Justin Gordon (am 1961-09-12), Harry Klee (am 1961-09-12), Ronnie Lang (am 1961-09-12), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1961-09-12), Irving “Babe” Russin (am 1961-09-12) und Wilbur Schwartz (am 1961-09-12)
Schlagzeug:
Irv Cottler (am 1961-09-12)
Trompete:
Pete Candoli (am 1961-09-12), Vito N. Mangano (am 1961-09-12), Uan Rasey (am 1961-09-12) und Rubin "Zeke" Zarchy (am 1961-09-12)
Waldhorn:
John Cave (french horn) (am 1961-09-12), Vincent DeRosa (am 1961-09-12) und Richard Perissi (am 1961-09-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-12)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-12)
conductor:
Axel Stordahl (am 1961-09-12)
arranger:
Axel Stordahl (am 1961-09-12)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-12)
recording of:
A Million Dreams Ago (am 1961-09-12)
Verfasser(in):
Bart Howard, Dick Jurgens und Lew Quadling
2:40
12I'll See You Again
Produzent(in):
Dave Cavanaugh (am 1961-09-11)
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, David Frisina, Ben Gill, Anatol Kaminsky (Violinist), Dan Lube, Erno Neufeld, Lou Raderman, Nathan Ross, Felix Slatkin und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Harry Klee, Ronny Lang, Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Dick Nash und Dick Noel (trombone)
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Vito N. Mangano, Rubin "Zeke" Zarchy und Jimmy Zito
Waldhorn:
John Cave (french horn), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-11)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-11)
conductor:
Axel Stordahl (am 1961-09-11)
arranger:
Axel Stordahl (am 1961-09-11)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-11)
cover recording of:
I’ll See You Again (adapted from Bitter Sweet) (am 1961-09-11)
Texter und Komponist(in):
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
Arrangement von:
Bitter Sweet, Act I: I’ll See You Again
Teil von:
Bitter Sweet (Noel Coward operetta)
2:42
13There Will Never Be Another You
Produzent(in):
Dave Cavanaugh (am 1961-09-11)
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, David Frisina, Ben Gill, Anatol Kaminsky (Violinist), Dan Lube, Erno Neufeld, Lou Raderman, Nathan Ross, Felix Slatkin und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Harry Klee, Ronny Lang, Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Dick Nash und Dick Noel (trombone)
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Vito N. Mangano, Rubin "Zeke" Zarchy und Jimmy Zito
Waldhorn:
John Cave (french horn), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-11)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-11)
conductor:
Axel Stordahl (am 1961-09-11)
arranger:
Axel Stordahl (am 1961-09-11)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-11)
cover recording of:
There Will Never Be Another You (am 1961-09-11)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
3:09
14Somewhere Along the Way
Produzent(in):
Dave Cavanaugh (am 1961-09-12)
Bassposaune:
George Roberts (american bass trombone) (am 1961-09-12)
Bratsche / Viola:
Alvin Dinkin (am 1961-09-12), Virginia Majewski (violist) (am 1961-09-12), Alexander Neiman (violist) (am 1961-09-12) und Paul Robyn (am 1961-09-12)
Cello:
Joseph DiTullio (cellist) (am 1961-09-12), Edgar Lustgarten (am 1961-09-12), Kurt Reher (cellist) (am 1961-09-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1961-09-12)
Geige / Violine:
Victor Arno (am 1961-09-12), Israel Baker (American violinist) (am 1961-09-12), Harry Bluestone (am 1961-09-12), Herman Clebanoff (am 1961-09-12), David Frisina (am 1961-09-12), Ben Gill (am 1961-09-12), Anatol Kaminsky (am 1961-09-12), Dan Lube (am 1961-09-12), Erno Neufeld (am 1961-09-12), Lou Raderman (am 1961-09-12), Nathan Ross (am 1961-09-12) und Felix Slatkin (am 1961-09-12)
Gitarre:
Al Viola (am 1961-09-12)
Harfe:
Veryle Brilhart (am 1961-09-12)
Klavier:
Bill Miller (pianist) (am 1961-09-12)
Kontrabass:
Joe Comfort (am 1961-09-12)
Perkussion:
Emil Richards (am 1961-09-12)
Posaune:
Milt Bernhart (am 1961-09-12), Dick Nash (am 1961-09-12) und Dick Noel (trombone) (am 1961-09-12)
Rohrblattinstrumente:
Gene Cipriano (am 1961-09-12), Justin Gordon (am 1961-09-12), Harry Klee (am 1961-09-12), Ronnie Lang (am 1961-09-12), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1961-09-12), Irving “Babe” Russin (am 1961-09-12) und Wilbur Schwartz (am 1961-09-12)
Schlagzeug:
Irv Cottler (am 1961-09-12)
Trompete:
Pete Candoli (am 1961-09-12), Vito N. Mangano (am 1961-09-12), Uan Rasey (am 1961-09-12) und Rubin "Zeke" Zarchy (am 1961-09-12)
Waldhorn:
John Cave (french horn) (am 1961-09-12), Vincent DeRosa (am 1961-09-12) und Richard Perissi (am 1961-09-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-12)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-12)
conductor:
Axel Stordahl (am 1961-09-12)
arranger:
Axel Stordahl (am 1961-09-12)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-12)
cover recording of:
Somewhere Along the Way (am 1961-09-12)
Texter:
Sammy Gallop
Komponist(in):
Kurt Adams
publisher:
United Music Corp.
3:00
15It's a Blue World
Produzent(in):
Dave Cavanaugh (am 1961-09-12)
Bassposaune:
George Roberts (american bass trombone) (am 1961-09-12)
Bratsche / Viola:
Alvin Dinkin (am 1961-09-12), Virginia Majewski (violist) (am 1961-09-12), Alexander Neiman (violist) (am 1961-09-12) und Paul Robyn (am 1961-09-12)
Cello:
Joseph DiTullio (cellist) (am 1961-09-12), Edgar Lustgarten (am 1961-09-12), Kurt Reher (cellist) (am 1961-09-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1961-09-12)
Geige / Violine:
Victor Arno (am 1961-09-12), Israel Baker (American violinist) (am 1961-09-12), Harry Bluestone (am 1961-09-12), Herman Clebanoff (am 1961-09-12), David Frisina (am 1961-09-12), Ben Gill (am 1961-09-12), Anatol Kaminsky (am 1961-09-12), Dan Lube (am 1961-09-12), Erno Neufeld (am 1961-09-12), Lou Raderman (am 1961-09-12), Nathan Ross (am 1961-09-12) und Felix Slatkin (am 1961-09-12)
Gitarre:
Al Viola (am 1961-09-12)
Harfe:
Veryle Brilhart (am 1961-09-12)
Klavier:
Bill Miller (pianist) (am 1961-09-12)
Kontrabass:
Joe Comfort (am 1961-09-12)
Perkussion:
Emil Richards (am 1961-09-12)
Posaune:
Milt Bernhart (am 1961-09-12), Dick Nash (am 1961-09-12) und Dick Noel (trombone) (am 1961-09-12)
Rohrblattinstrumente:
Gene Cipriano (am 1961-09-12), Justin Gordon (am 1961-09-12), Harry Klee (am 1961-09-12), Ronnie Lang (am 1961-09-12), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1961-09-12), Irving “Babe” Russin (am 1961-09-12) und Wilbur Schwartz (am 1961-09-12)
Schlagzeug:
Irv Cottler (am 1961-09-12)
Trompete:
Pete Candoli (am 1961-09-12), Vito N. Mangano (am 1961-09-12), Uan Rasey (am 1961-09-12) und Rubin "Zeke" Zarchy (am 1961-09-12)
Waldhorn:
John Cave (french horn) (am 1961-09-12), Vincent DeRosa (am 1961-09-12) und Richard Perissi (am 1961-09-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-12)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-12)
conductor:
Axel Stordahl (am 1961-09-12)
arranger:
Heine Beau (am 1961-09-12)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-12)
cover recording of:
It’s a Blue World (am 1961-09-12)
Verfasser(in):
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Teil von:
The 13th Academy Award for Best Original Song (Nummer: 2)
2:47
16These Foolish Things (Remind Me of You)
Produzent(in):
Dave Cavanaugh (am 1961-09-12)
Bassposaune:
George Roberts (american bass trombone) (am 1961-09-12)
Bratsche / Viola:
Alvin Dinkin (am 1961-09-12), Virginia Majewski (violist) (am 1961-09-12), Alexander Neiman (violist) (am 1961-09-12) und Paul Robyn (am 1961-09-12)
Cello:
Joseph DiTullio (cellist) (am 1961-09-12), Edgar Lustgarten (am 1961-09-12), Kurt Reher (cellist) (am 1961-09-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1961-09-12)
Geige / Violine:
Victor Arno (am 1961-09-12), Israel Baker (American violinist) (am 1961-09-12), Harry Bluestone (am 1961-09-12), Herman Clebanoff (am 1961-09-12), David Frisina (am 1961-09-12), Ben Gill (am 1961-09-12), Anatol Kaminsky (am 1961-09-12), Dan Lube (am 1961-09-12), Erno Neufeld (am 1961-09-12), Lou Raderman (am 1961-09-12), Nathan Ross (am 1961-09-12) und Felix Slatkin (am 1961-09-12)
Gitarre:
Al Viola (am 1961-09-12)
Harfe:
Veryle Brilhart (am 1961-09-12)
Klavier:
Bill Miller (pianist) (am 1961-09-12)
Kontrabass:
Joe Comfort (am 1961-09-12)
Perkussion:
Emil Richards (am 1961-09-12)
Posaune:
Milt Bernhart (am 1961-09-12), Dick Nash (am 1961-09-12) und Dick Noel (trombone) (am 1961-09-12)
Rohrblattinstrumente:
Gene Cipriano (am 1961-09-12), Justin Gordon (am 1961-09-12), Harry Klee (am 1961-09-12), Ronnie Lang (am 1961-09-12), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1961-09-12), Irving “Babe” Russin (am 1961-09-12) und Wilbur Schwartz (am 1961-09-12)
Schlagzeug:
Irv Cottler (am 1961-09-12)
Trompete:
Pete Candoli (am 1961-09-12), Vito N. Mangano (am 1961-09-12), Uan Rasey (am 1961-09-12) und Rubin "Zeke" Zarchy (am 1961-09-12)
Waldhorn:
John Cave (french horn) (am 1961-09-12), Vincent DeRosa (am 1961-09-12) und Richard Perissi (am 1961-09-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-12)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-12)
conductor:
Axel Stordahl (am 1961-09-12)
arranger:
Axel Stordahl (am 1961-09-12)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-12)
recording of:
These Foolish Things (Remind Me of You) (am 1961-09-12)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
3:58
17As Time Goes By
Produzent(in):
Dave Cavanaugh (am 1961-09-12)
Bassposaune:
George Roberts (american bass trombone) (am 1961-09-12)
Bratsche / Viola:
Alvin Dinkin (am 1961-09-12), Virginia Majewski (violist) (am 1961-09-12), Alexander Neiman (violist) (am 1961-09-12) und Paul Robyn (am 1961-09-12)
Cello:
Joseph DiTullio (cellist) (am 1961-09-12), Edgar Lustgarten (am 1961-09-12), Kurt Reher (cellist) (am 1961-09-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1961-09-12)
Geige / Violine:
Victor Arno (am 1961-09-12), Israel Baker (American violinist) (am 1961-09-12), Harry Bluestone (am 1961-09-12), Herman Clebanoff (am 1961-09-12), David Frisina (am 1961-09-12), Ben Gill (am 1961-09-12), Anatol Kaminsky (am 1961-09-12), Dan Lube (am 1961-09-12), Erno Neufeld (am 1961-09-12), Lou Raderman (am 1961-09-12), Nathan Ross (am 1961-09-12) und Felix Slatkin (am 1961-09-12)
Gitarre:
Al Viola (am 1961-09-12)
Harfe:
Veryle Brilhart (am 1961-09-12)
Klavier:
Bill Miller (pianist) (am 1961-09-12)
Kontrabass:
Joe Comfort (am 1961-09-12)
Perkussion:
Emil Richards (am 1961-09-12)
Posaune:
Milt Bernhart (am 1961-09-12), Dick Nash (am 1961-09-12) und Dick Noel (trombone) (am 1961-09-12)
Rohrblattinstrumente:
Gene Cipriano (am 1961-09-12), Justin Gordon (am 1961-09-12), Harry Klee (am 1961-09-12), Ronnie Lang (am 1961-09-12), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1961-09-12), Irving “Babe” Russin (am 1961-09-12) und Wilbur Schwartz (am 1961-09-12)
Schlagzeug:
Irv Cottler (am 1961-09-12)
Trompete:
Pete Candoli (am 1961-09-12), Vito N. Mangano (am 1961-09-12), Uan Rasey (am 1961-09-12) und Rubin "Zeke" Zarchy (am 1961-09-12)
Waldhorn:
John Cave (french horn) (am 1961-09-12), Vincent DeRosa (am 1961-09-12) und Richard Perissi (am 1961-09-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-12)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-12)
conductor:
Axel Stordahl (am 1961-09-12)
arranger:
Axel Stordahl (am 1961-09-12)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-12)
cover recording of:
As Time Goes By (the song from “Casablanca”) (am 1961-09-12)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
3:16
18I'll Be Seeing You
Produzent(in):
Dave Cavanaugh (am 1961-09-11)
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, David Frisina, Ben Gill, Anatol Kaminsky (Violinist), Dan Lube, Erno Neufeld, Lou Raderman, Nathan Ross, Felix Slatkin und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Harry Klee, Ronny Lang, Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Dick Nash und Dick Noel (trombone)
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Vito N. Mangano, Rubin "Zeke" Zarchy und Jimmy Zito
Waldhorn:
John Cave (french horn), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-11)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-11)
conductor:
Axel Stordahl (am 1961-09-11)
arranger:
Axel Stordahl (am 1961-09-11)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-11)
cover recording of:
I’ll Be Seeing You (am 1961-09-11)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
recording of:
I’ll Be Seeing You (am 1961-09-11)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
2:47
19Memories of You
Produzent(in):
Dave Cavanaugh (am 1961-09-11)
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, David Frisina, Ben Gill, Anatol Kaminsky (Violinist), Dan Lube, Erno Neufeld, Lou Raderman, Nathan Ross, Felix Slatkin und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Harry Klee, Ronny Lang, Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Dick Nash und Dick Noel (trombone)
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Vito N. Mangano, Rubin "Zeke" Zarchy und Jimmy Zito
Waldhorn:
John Cave (french horn), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-11)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-11)
conductor:
Axel Stordahl (am 1961-09-11)
arranger:
Axel Stordahl (am 1961-09-11)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-11)
cover recording of:
Memories of You (am 1961-09-11)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:54
20I Hadn't Anyone Till You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-20)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Harry Klee, Ted Nash (75- US saxophonist, the nephew) und William Schwartz
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998))
Klavier:
Bill Miller (pianist)
Oboe:
William Kosinski
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
James Decker (French hornist), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-20)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
I Hadn’t Anyone Till You (am 1961-11-20)
Texter und Komponist(in):
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:43
21Night and Day
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-22)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Jack Marsh
flute:
Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Abe Most und Bud Shank
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Ben Gill, Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Saxophon:
Russ Cheever, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jack Marsh, Abe Most, Bud Shank und Arthur Smith (Saxophonist)
Schlagzeug:
John Markham
Trompete:
Bobby Bryant, Don Fagerquist, Conrad Gozzo und Al Porcino
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa und Richard Perissi
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1947-10-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-22)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer) und Nelson Riddle
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1947-10-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1961-11-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
53:38
22Misty
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-21)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Arthur Gleghorn, Jules Kinsler und Ethmer Roten
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Mahlon Clark und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa, William Hinshaw (American horn player), Sinclair Lott (french horn) und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-21)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Misty (am 1961-11-21)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
2:41
23Stardust
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-20)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Harry Klee, Ted Nash (75- US saxophonist, the nephew) und William Schwartz
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998))
Klavier:
Bill Miller (pianist)
Oboe:
William Kosinski
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
James Decker (French hornist), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-20)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Stardust (the jazz standard) (am 1961-11-20)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
2:48
24Come Rain or Come Shine
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-22)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Jack Marsh
flute:
Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Abe Most und Bud Shank
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Ben Gill, Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Saxophon:
Russ Cheever, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jack Marsh, Abe Most, Bud Shank und Arthur Smith (Saxophonist)
Schlagzeug:
John Markham
Trompete:
Bobby Bryant, Don Fagerquist, Conrad Gozzo und Al Porcino
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-22)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer) und Nelson Riddle
cover recording of:
Come Rain or Come Shine (am 1961-11-22)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
4:06
3▼CD
Nr.TitelBewertungLänge
1It Might as Well Be Spring
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-21)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Arthur Gleghorn, Jules Kinsler und Ethmer Roten
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Mahlon Clark und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa, William Hinshaw (American horn player), Sinclair Lott (french horn) und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-21)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1961-11-21)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
3:16
2Prisoner of Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-21)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Arthur Gleghorn, Jules Kinsler und Ethmer Roten
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Mahlon Clark und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa, William Hinshaw (American horn player), Sinclair Lott (french horn) und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-21)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Prisoner of Love (am 1961-11-21)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Russ Columbo (American singer, songwriter, violinist and actor) und Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Music Sales Corporation (American copyright holder in both popular and classical music)
3:50
3That's All
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-21)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Arthur Gleghorn, Jules Kinsler und Ethmer Roten
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Mahlon Clark und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa, William Hinshaw (American horn player), Sinclair Lott (french horn) und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-21)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
That’s All (am 1961-11-21)
Texter:
Alan Brandt
Komponist(in):
Alan Brandt und Bob Haymes
publisher:
Mixed Bag Music Inc. und Travis Music
3:20
4All or Nothing at All
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-22)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Jack Marsh
flute:
Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Abe Most und Bud Shank
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Ben Gill, Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Saxophon:
Russ Cheever, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jack Marsh, Abe Most, Bud Shank und Arthur Smith (Saxophonist)
Schlagzeug:
John Markham
Trompete:
Bobby Bryant, Don Fagerquist, Conrad Gozzo und Al Porcino
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-22)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer) und Nelson Riddle
cover recording of:
All or Nothing at All (am 1961-11-22)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Arthur Altman und Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:43
5Yesterdays
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-20)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Harry Klee, Ted Nash (75- US saxophonist, the nephew) und William Schwartz
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998))
Klavier:
Bill Miller (pianist)
Oboe:
William Kosinski
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
James Decker (French hornist), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-20)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Yesterdays (am 1961-11-20)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
3:44
6Goody Goody
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-11)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Goody Goody (am 1962-04-11)
Texter:
Johnny Mercer
Komponist(in):
Matty Malneck
publisher:
Chappell & Co., Inc. (USA), Malneck Music, The Johnny Mercer Foundation, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1:47
7They Can't Take That Away From Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1962-04-10)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
42:41
8At Long Last Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-11)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
At Long Last Love (am 1962-04-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
2:13
9I'm Beginning to See the Light
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
I’m Beginning to See the Light (am 1962-04-10)
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
2:35
10Don'cha Go Away Mad
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-11)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Don’cha Go ’Way Mad (am 1962-04-11)
Texter:
Al Stillman
Komponist(in):
Illinois Jacquet und Jimmy Mundy
publisher:
Advanced Music corp. und Rytvoc, Inc. (ASCAP)
Version von:
Black Velvet
3:12
11I Get a Kick Out of You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1963-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1962)
cover recording of:
I Get a Kick Out of You (am 1962-04-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
43:15
12Tangerine
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-11)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Tangerine (1941 song) (am 1962-04-11)
Texter:
Johnny Mercer
Komponist(in):
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:04
13Love Is Just Around the Corner
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Love Is Just Around the Corner (am 1962-04-10)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Lewis E. Gensler
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
2:27
14Ain't She Sweet
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Ain’t She Sweet (am 1962-04-10)
Texter:
Jack Yellen
Komponist(in):
Milton Ager
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music (do not use as release label! this is a music publisher), Lawrence Wright Music Co., Ltd., Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:07
15Serenade in Blue
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-11)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Serenade in Blue (am 1962-04-11)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc.
2:59
16I Love You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
I Love You (am 1962-04-10)
Texter:
Harlan Thompson
Verfasser(in) und Komponist(in):
Harry Archer und Harlan Thompson
publisher:
Chappell & Co., Inc. (USA) und SBK Feist Catalog, Inc.
cover recording of:
I Love You (Mexican Hayride musical) (am 1962-04-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:16
17Pick Yourself Up
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-11)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Pick Yourself Up (from “Swing Time”) (am 1962-04-11)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
2:32
18All Alone
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-01-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-01-15)
conductor:
Gordon Jenkins (von 1962-01-15 bis 1962-01-17)
arranger:
Gordon Jenkins
cover recording of:
All Alone (am 1962-01-15)
Texter und Komponist(in):
Irving Berlin (in 1924)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
2:42
19The Girl Next Door
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-01-16)
conductor:
Gordon Jenkins (am 1962-01-16)
arranger:
Gordon Jenkins
recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (am 1962-01-16)
Verfasser(in):
Ralph Blane und Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Meet Me in St. Louis (1944 film)
cover recording of:
The Girl Next Door (am 1962-01-16)
Komponist(in):
Ralph Blane und Hugh Martin
publisher:
EMI Feist Catalog Inc. und EMI United Partnership Ltd.
3:17
20Are You Lonesome Tonight?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-01-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-01-17)
conductor:
Gordon Jenkins (am 1962-01-17)
arranger:
Gordon Jenkins
cover recording of:
Are You Lonesome Tonight? (am 1962-01-17)
Texter:
Roy Turk
Komponist(in):
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music und Redwood Music Ltd. (Carlin)
3:29
21Charmane
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-01-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-01-15)
conductor:
Gordon Jenkins (am 1962-01-15)
arranger:
Gordon Jenkins
cover recording of:
Charmaine (am 1962-01-15)
Texter:
Louis Leazer
Komponist(in):
Ernö Rapée
arranger:
Roy Campbell (trumpeter)
publisher:
Lew Pollack Music, Miller Music Corp., Rapee Music Corp. und Belwin, Inc. (am 1926-12-31)
3:17
22What'll I Do?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-01-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-01-17)
conductor:
Gordon Jenkins (am 1962-01-17)
arranger:
Gordon Jenkins
cover recording of:
What’ll I Do? (am 1962-01-17)
Texter und Komponist(in):
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen und Williamson Music Company
3:15
23When I Lost You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-01-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-01-15)
conductor:
Gordon Jenkins (am 1962-01-15)
arranger:
Gordon Jenkins
cover recording of:
When I Lost You (am 1962-01-15)
Texter:
Irving Berlin
Komponist(in):
Irving Berlin (in 1912)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
3:42
24Oh, How I Miss You Tonight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-01-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-01-17)
conductor:
Gordon Jenkins (am 1962-01-17)
arranger:
Gordon Jenkins
cover recording of:
Oh, How I Miss You Tonight (am 1962-01-17)
Texter:
Benny Davis (US vaudeville performer and songwriter)
Verfasser(in):
Mark Fisher (early 20th century songwriter)
Komponist(in):
Joe Burke (American composer)
publisher:
Benny Davis Music, Bourne Co. (not for release label use, this is a music publisher) und Music Sales Corporation (American copyright holder in both popular and classical music)
3:21
25Indiscreet
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-01-16)
conductor:
Gordon Jenkins (am 1962-01-16)
arranger:
Gordon Jenkins
recording of:
Indiscreet (am 1962-01-16)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), The Songwriters Guild und WB Music Corp. (1929–2019)
3:52
26Remember
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-01-16)
conductor:
Gordon Jenkins (am 1962-01-16)
arranger:
Gordon Jenkins
cover recording of:
Remember (am 1962-01-16)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
3:24
4▶CD

Nennungen

Veröffentlichungsgruppe

enthält:All Alone
Come Swing With Me!
I Remember Tommy
Point of No Return von Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”), arranged and conducted by Axel Stordahl
Ring-a-Ding Ding!
Sinatra & Strings
Sinatra and Swingin’ Brass
Sinatra Sings Great Songs From Great Britain
Sinatra–Basie: An Historic Musical First von Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) and Count Basie and his Orchestra
Teil von:... Classic Albums (Real Gone Jazz) (Reihenfolge: 34)