Gershwin's World

~ Release by Herbie Hancock (see all versions of this release, 7 available)

Tracklist

1▼Medium
#TitleRatingLength
1Overture (Fascinating Rhythm)
producer:
Robert Sadin
mixer:
Bruce Swedien
djembe:
Madou Dembelle (from 1998-03 until 1998-06)
percussion:
Cyro Baptista (percussionist) (from 1998-03 until 1998-06), Breyma Guiye (from 1998-03 until 1998-06) and Cheick M'Baye (from 1998-03 until 1998-06)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
talking drum:
Massamba Diop (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
Fascinating Rhythm (for piano solo) (from 1998-03 until 1998-06)
composer:
George Gershwin (composer) (in 1924)
arranger:
George Gershwin (composer)
arrangement of:
Fascinatin’ Rhythm
part of:
George Gershwin’s Songbook (18 arrangements for piano solo by George Gershwin, 1932)
0:55
2It Ain't Necessarily So
producer:
Robert Sadin
mixer:
Bruce Swedien
alto saxophone:
Kenny Garrett (from 1998-03 until 1998-06)
bass:
Ira Coleman (from 1998-03 until 1998-06)
djembe:
Madou Dembelle (from 1998-03 until 1998-06)
drums (drum set):
Terri Lyne Carrington (from 1998-03 until 1998-06)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
talking drum:
Massamba Diop (from 1998-03 until 1998-06)
tenor saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1998-03 until 1998-06)
trumpet:
Eddie Henderson (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1998-03 until 1998-06)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
4:47
3The Man I Love
producer:
Robert Sadin
mixer:
Bruce Swedien
bass:
Ira Coleman (from 1998-03 until 1998-06)
drums (drum set):
Terri Lyne Carrington (from 1998-03 until 1998-06)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1998-03 until 1998-06)
vocals:
Joni Mitchell (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
The Man I Love (from 1998-03 until 1998-06)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
5:57
4Here Come de Honey Man
percussion programming:
Robert Sadin
producer:
Robert Sadin
mixer:
Bruce Swedien
alto saxophone:
Kenny Garrett (from 1998-03 until 1998-06)
bass:
Ira Coleman (from 1998-03 until 1998-06)
guitar:
Marlon Graves (from 1998-03 until 1998-06)
percussion:
Cyro Baptista (percussionist) (from 1998-03 until 1998-06)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
soprano saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1998-03 until 1998-06)
trumpet:
Eddie Henderson (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
instrumental recording of:
Porgy and Bess: Act I, Scene I. “Here Come de Honey Man” (from 1998-03 until 1998-06)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act I, Scene I
3:59
5St. Louis Blues
producer:
Robert Sadin
mixer:
Bruce Swedien
bass:
Alex Al (from 1998-03 until 1998-06)
drums (drum set):
Terri Lyne Carrington (from 1998-03 until 1998-06)
harmonica and guest vocals:
Stevie Wonder (from 1998-03 until 1998-06)
organ and piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Robert Sadin and Stevie Wonder
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
St. Louis Blues (from 1998-03 until 1998-06)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
5:50
6Lullaby
producer:
Robert Sadin
mixer:
Bruce Swedien
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
Lullaby (for string orchestra) (from 1998-03 until 1998-06)
composer:
George Gershwin (composer) (in 1919)
orchestration of:
Lullaby (for string quartet)
11:03
7Blueberry Rhyme
producer:
Robert Sadin
mixer:
Bruce Swedien
piano:
Chick Corea (jazz pianist) (from 1998-03 until 1998-06) and Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
3:31
8It Ain't Necessarily So (interlude)
producer:
Robert Sadin
mixer:
Bruce Swedien
alto saxophone:
Kenny Garrett (from 1998-03 until 1998-06)
bass:
Ira Coleman (from 1998-03 until 1998-06)
percussion:
Cyro Baptista (percussionist) (from 1998-03 until 1998-06)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
trumpet:
Eddie Henderson (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
Porgy and Bess: It Ain’t Necessarily So (for piano and violin, arr. Heifetz) (from 1998-03 until 1998-06)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
1:25
9Cotton Tail
producer:
Robert Sadin
mixer:
Bruce Swedien
bass:
Ira Coleman (from 1998-03 until 1998-06)
drums (drum set):
Terri Lyne Carrington (from 1998-03 until 1998-06)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
Cotton Tail (from 1998-03 until 1998-06)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:44
10Summertime
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:38
11My Man's Gone Now
percussion programming:
Robert Sadin
producer:
Robert Sadin
mixer:
Bruce Swedien
editor:
Andreas Meyer (US sound engineer)
bass:
Bakithi Kumalo (from 1998-03 until 1998-06)
percussion:
Cyro Baptista (percussionist) (from 1998-03 until 1998-06) and Marlon Graves (from 1998-03 until 1998-06)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
Porgy and Bess: My Man's Gone Now (for violin and piano, arr. Heifetz) (from 1998-03 until 1998-06)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
1:56
12Prelude in C# Minor
producer:
Robert Sadin
mixer:
Bruce Swedien
editor:
Andreas Meyer (US sound engineer)
bass:
Ira Coleman (from 1998-03 until 1998-06)
cello:
Charles Curtis (American cellist) (from 1998-03 until 1998-06)
guitar:
Bakithi Kumalo (from 1998-03 until 1998-06)
percussion:
Cyro Baptista (percussionist) (from 1998-03 until 1998-06)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
soprano vocals:
Kathleen Battle (soprano) (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano) (from 1998-03 until 1998-06)
composer:
George Gershwin (composer) (in 1926)
part of:
Three Preludes (original for piano)
4:45
13Concerto for Piano and Orchestra in G, 2nd Movement
producer:
Robert Sadin
mixer:
Bruce Swedien
editor:
Andreas Meyer (US sound engineer)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
Piano Concerto in G major: II. Adagio assai (from 1998-03 until 1998-06)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
9:12
14Embraceable You
producer:
Robert Sadin
mixer:
Bruce Swedien
editor:
Andreas Meyer (US sound engineer)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
instrumental recording of:
Embraceable You (from 1998-03 until 1998-06)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:39
15Someone to Watch Over Me
4:38

Credits