The Complete Warner Classics Recordings

~ Release by Sir Neville Marriner (see all versions of this release, 1 available)

Annotation

An 80-CD collection of the complete recordings made by Sir Neville Marriner for Warner Classics. Includes a 44-page booklet with essays and an index of works. CD wallets have original jacket artwork and tracklists printed on them.

Annotation last modified on 2024-11-17 11:59 UTC.

Tracklist

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1▼CD: Charpentier: Te Deum / Magnificat
#TitleArtistRatingLength
1Te Deum, H. 146: Prélude
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Prélude (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:52
2Te Deum, H. 146: Après le prélude. Te Deum
producer:
John Fraser (UK producer)
bass vocals:
Kurt Moll (operatic bass) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Te Deum laudamus (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:29
3Te Deum, H. 146: Après le prélude. Te aeternum Patrem
producer:
John Fraser (UK producer)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-11)
contralto vocals:
Ethna Robinson (Contralto singer) (in 1990-11)
soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1990-11) and Dawn Upshaw (soprano) (in 1990-11)
tenor vocals:
John Aler (tenor) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Te aeternum Patrem (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:43
4Te Deum, H. 146: Après le prélude. Pleni sunt coeli et terra
producer:
John Fraser (UK producer)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-11)
contralto vocals:
Ann Murray (Irish mezzo-soprano) (in 1990-11)
soprano vocals:
Dawn Upshaw (soprano) (in 1990-11)
tenor vocals:
John Aler (tenor) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Pleni sunt coeli et terra (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier2:10
5Te Deum, H. 146: Après le prélude. Te per orbem terrarum sancta confitetur
producer:
John Fraser (UK producer)
bass vocals:
Kurt Moll (operatic bass) (in 1990-11)
contralto vocals:
Ann Murray (Irish mezzo-soprano) (in 1990-11)
tenor vocals:
John Aler (tenor) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Te per orbem terrarum (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier3:41
6Te Deum, H. 146: Ecclesia. Tu devicto mortis aculeo
producer:
John Fraser (UK producer)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Tu devicto mortis aculeo (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:03
7Te Deum, H. 146: Ecclesia. Judex crederis esse venturus
producer:
John Fraser (UK producer)
bass vocals:
Kurt Moll (operatic bass) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Judex crederis esse venturus (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier0:48
8Te Deum, H. 146: Ecclesia. Te ergo quaesumus
producer:
John Fraser (UK producer)
soprano vocals:
Dawn Upshaw (soprano) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Te ergo quaesumus (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier2:16
9Te Deum, H. 146: Ecclesia. Aeterna fac cum sanctis tuis
producer:
John Fraser (UK producer)
bass vocals:
Kurt Moll (operatic bass) (in 1990-11)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-11)
contralto vocals:
Ann Murray (Irish mezzo-soprano) (in 1990-11)
soprano vocals:
Dawn Upshaw (soprano) (in 1990-11)
tenor vocals:
John Aler (tenor) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Aeterna fac cum sanctis tuis (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier2:32
10Te Deum, H. 146: Ecclesia. Dignare, Domine
producer:
John Fraser (UK producer)
bass vocals:
Kurt Moll (operatic bass) (in 1990-11)
soprano vocals:
Dawn Upshaw (soprano) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Dignare Domine (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:53
11Te Deum, H. 146: Ecclesia. Fiat misericordia
producer:
John Fraser (UK producer)
bass vocals:
Kurt Moll (operatic bass) (in 1990-11)
soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1990-11) and Dawn Upshaw (soprano) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Fiat misericordia tua Domine (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:39
12Te Deum, H. 146: Ecclesia. In te Domini speravi
producer:
John Fraser (UK producer)
bass vocals:
Kurt Moll (operatic bass) (in 1990-11)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-11)
contralto vocals:
Ann Murray (Irish mezzo-soprano) (in 1990-11)
tenor vocals:
John Aler (tenor) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: In te Domine speravi (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier3:23
13Magnificat, H. 74: Sinfonia
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Magnificat, H. 74: I. Sinfonia (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Magnificat, H. 74
Marc‐Antoine Charpentier1:06
14Magnificat, H. 74: Magnificat anima mea
producer:
John Fraser (UK producer)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-11)
contralto vocals:
Ann Murray (Irish mezzo-soprano) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Magnificat, H. 74: II. Magnificat (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Magnificat, H. 74
Marc‐Antoine Charpentier1:37
15Magnificat, H. 74: Quia fecit mihi magna
producer:
John Fraser (UK producer)
soprano vocals:
Dawn Upshaw (soprano) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Magnificat, H. 74: III. Quia fecit mihi magna (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Magnificat, H. 74
Marc‐Antoine Charpentier2:20
16Magnificat, H. 74: Et misericordia
producer:
John Fraser (UK producer)
bass vocals:
Kurt Moll (operatic bass) (in 1990-11)
contralto vocals:
Ann Murray (Irish mezzo-soprano) (in 1990-11)
tenor vocals:
John Aler (tenor) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Magnificat, H. 74: IV. Et misericordia (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Magnificat, H. 74
Marc‐Antoine Charpentier2:09
17Magnificat, H. 74: Fecit potentiam
producer:
John Fraser (UK producer)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Magnificat, H. 74: V. Fecit potentiam (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Magnificat, H. 74
Marc‐Antoine Charpentier1:22
18Magnificat, H. 74: Esurientes
producer:
John Fraser (UK producer)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Magnificat, H. 74: VI. Esurientes (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Magnificat, H. 74
Marc‐Antoine Charpentier0:42
19Magnificat, H. 74: Suscepit Israel
producer:
John Fraser (UK producer)
soprano vocals:
Dawn Upshaw (soprano) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Magnificat, H. 74: VII. Suscepit Israel (in 1991-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Magnificat, H. 74
Marc‐Antoine Charpentier2:41
20Magnificat, H. 74: Sicut locutus est
producer:
John Fraser (UK producer)
bass vocals:
Kurt Moll (operatic bass) (in 1990-11)
contralto vocals:
Ann Murray (Irish mezzo-soprano) (in 1990-11)
tenor vocals:
John Aler (tenor) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Magnificat, H. 74: VIII. Sicut locutus est (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Magnificat, H. 74
Marc‐Antoine Charpentier2:02
21Magnificat, H. 74: Gloria Patri
producer:
John Fraser (UK producer)
bass vocals:
Kurt Moll (operatic bass) (in 1990-11)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Magnificat, H. 74: IX. Gloria (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Magnificat, H. 74
Marc‐Antoine Charpentier2:23
2▼CD: Bach: Cantatas BWV 202 & 209 (Ameling)
#TitleArtistRatingLength
1Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 1 Aria. “Weichet nur, betrübte Schatten”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (on 1972-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach7:11
2Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 2 Recitative. “Die Welt wird wieder neu”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (on 1972-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:30
3Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 3 Aria. “Phoebus eilt mit schnellen Pferden”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (on 1972-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:09
4Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 4 Recitative. “Drum sucht auch Amor sein Vergnügen”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (on 1972-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:44
5Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 5 Aria. “Wenn die Frühlingslufte streichen”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (on 1972-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:00
6Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 6 Recitative. “Und dieses ist das Glücke”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (on 1972-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:50
7Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 7 Aria. “Sich üben im Lieben, in Scherzen sich herzen”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (on 1972-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach5:11
8Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 8 Recitative. “So sei das Band der keuschen Liebe”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (on 1972-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:27
9Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 9 Aria & Gavotte. “Schet in Zufriedenheit”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (on 1972-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (from 1972-06-05 until 1972-06-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:04
10Cantata “Non sa che sia dolore”, BWV 209: No. 1 Sinfonia
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia (on 1972-06-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
recording of:
Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia (from 1972-06-05 until 1972-06-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach6:26
11Cantata “Non sa che sia dolore”, BWV 209: No. 2 Recitative. “Non sa che sia dolore”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": II. Recitativo "Non sa che sia dolore" (on 1972-06-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
recording of:
Kantate, BWV 209 "Non sa che sia dolore": II. Recitativo "Non sa che sia dolore" (from 1972-06-05 until 1972-06-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach1:04
12Cantata “Non sa che sia dolore”, BWV 209: No. 3 Aria. “Parti pur, e con dolore”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": III. Aria "Parti pur e con dolore" (on 1972-06-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
recording of:
Kantate, BWV 209 "Non sa che sia dolore": III. Aria "Parti pur e con dolore" (from 1972-06-05 until 1972-06-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach8:53
13Cantata “Non sa che sia dolore”, BWV 209: No. 4 Recitative. “Tuo saver al tempo e l'eta contrasta”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": IV. Recitativo "Tuo saver al tempo" (on 1972-06-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
recording of:
Kantate, BWV 209 "Non sa che sia dolore": IV. Recitativo "Tuo saver al tempo" (from 1972-06-05 until 1972-06-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach0:37
14Cantata “Non sa che sia dolore”, BWV 209: No. 5 Aria. “Ricetti gramezza e pavento”
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Elly Ameling (soprano) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
orchestra:
Academy of St Martin in the Fields (on 1972-06-03, from 1972-06-05 until 1972-06-07)
conductor:
Sir Neville Marriner (conductor) (on 1972-06-03, from 1972-06-05 until 1972-06-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-03, from 1972-06-05 until 1972-06-07)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": V. Aria "Ricetti gramezza e pavento" (on 1972-06-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
recording of:
Kantate, BWV 209 "Non sa che sia dolore": V. Aria "Ricetti gramezza e pavento" (from 1972-06-05 until 1972-06-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
Johann Sebastian Bach5:50
3▼CD: Bach: Magnificat / Vivaldi: Gloria
#TitleArtistRatingLength
1Magnificat in D major, BWV 243: I. Chorus. “Magnificat”
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
performer:
Academy of St Martin in the Fields and Sir Neville Marriner (conductor)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:41
2Magnificat in D major, BWV 243: II. Aria. “Et exultavit spiritus meus in Deo” (Mezzo-soprano)
producer:
David Groves (classical music producer at EMI)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1990-10-05 until 1990-10-07)
vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:19
3Magnificat in D major, BWV 243: III. Aria. “Quia respexit humilitatem” (Soprano)
producer:
David Groves (classical music producer at EMI)
oboe d'amore:
Celia Nicklin (oboist) (from 1990-10-05 until 1990-10-07)
soprano vocals:
Barbara Hendricks (soprano) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:47
4Magnificat in D major, BWV 243: IV. Chorus. “Omnes generationes”
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:16
5Magnificat in D major, BWV 243: V. Aria. “Quia fecit mihi magna” (Bass)
producer:
David Groves (classical music producer at EMI)
bass vocals:
Jorma Hynninen (baritone) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:11
6Magnificat in D major, BWV 243: VI. Duet. “Et misericordia” (Alto, Tenor)
producer:
David Groves (classical music producer at EMI)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1990-10-05 until 1990-10-07)
tenor vocals:
Uwe Heilmann (tenor) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:22
7Magnificat in D major, BWV 243: VII. Chorus. “Fecit potentiam in brachio suo”
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:47
8Magnificat in D major, BWV 243: VIII. Aria. “Deposuit potentes de sede” (Tenor)
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Uwe Heilmann (tenor) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:56
9Magnificat in D major, BWV 243: IX. Aria. “Esurientes implevit bonis” (Alto)
producer:
David Groves (classical music producer at EMI)
flute:
Christine Messiter (flutist) (from 1990-10-05 until 1990-10-07) and Lenore Smith (flutist) (from 1990-10-05 until 1990-10-07)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:45
10Magnificat in D major, BWV 243: X. Trio. “Suscepit Israel puerem suum” (Soprano, Mezzo-soprano, Alto)
producer:
David Groves (classical music producer at EMI)
contralto vocals:
Jean Rigby (mezzo-soprano) (from 1990-10-05 until 1990-10-07)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1990-10-05 until 1990-10-07)
soprano vocals:
Barbara Hendricks (soprano) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:02
11Magnificat in D major, BWV 243: XI. Chorus. “Sicut locutus est ad patres nostros”
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:35
12Magnificat in D major, BWV 243: XII. Chorus. “Gloria Patri, gloria filio”
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:14
13Gloria in D major, RV 589: I. Gloria in excelsis (Chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:22
14Gloria in D major, RV 589: II. Et in terra pax (Chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: II. Et in terra pax (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
publisher:
Walton Music Ltd.
part of:
Gloria in D major, RV 589
Antonio Vivaldi5:33
15Gloria in D major, RV 589: III. Laudamus te (Soprano, Mezzo-soprano)
producer:
David Groves (classical music producer at EMI)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1990-10-05 until 1990-10-07)
soprano vocals:
Barbara Hendricks (soprano) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: III. Laudamus te (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:18
16Gloria in D major, RV 589: IV. Gratias agimus tibi (Chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: IV. Gratias agimus tibi (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi0:30
17Gloria in D major, RV 589: V. Propter magnam gloriam (Chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: V. Propter magnam gloriam tuam (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi0:57
18Gloria in D major, RV 589: VI. Domine Deus (Soprano)
producer:
David Groves (classical music producer at EMI)
oboe d'amore:
Celia Nicklin (oboist) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: VI. Domine Deus (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi4:04
19Gloria in D major, RV 589: VII. Domine Fili unigenite (Chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: VII. Domine, Fili unigenite (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:11
20Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei (Alto, Chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi3:19
21Gloria in D major, RV 589: IX. Qui tollis peccata mundi (Chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: IX. Qui tollis peccata mundi (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi1:13
22Gloria in D major, RV 589: X. Qui sedes ad dexteram Patris (Alto)
producer:
David Groves (classical music producer at EMI)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: X. Qui sedes ad dexteram Patris (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:36
23Gloria in D major, RV 589: XI. Quoniam tu solus Sanctus (Chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: XI. Quoniam tu solus sanctus (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi0:49
24Gloria in D major, RV 589: XII. Cum sancto Spiritu (Chorus)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: XII. Cum Sancto Spiritu (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:48
4▼CD: Bach: Arias (Baker)
#TitleArtistRatingLength
1Weihnachtsoratorium, BWV 248: Pt. 1. No. 4, Aria. “Bereite dich, Zion, mit zärtlichen Trieben”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:08
2Cantata “Singet dem Herrn ein neus Lied”, BWV 190: No. 3, Aria. “Lobe, Zion, deinen Gott”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach3:25
3Cantata “Gelobet sei der Herr, mein Gott”, BWV 129: No. 4, Aria. “Gelobet sei der Herr, mein Gott, der ewig lebet”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
Johann Sebastian Bach5:58
4Cantata “O ewiges Feuer, o Ursprung der Liebe”, BWV 34: No. 3, Aria. “Wohl euch, ihr auserwählten Seelen”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach6:32
5Johannes-Passion, BWV 245: Pt. 2. No. 30, Aria. “Es ist vollbracht”
viola da gamba:
Jane Ryan (British classical viol player) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:38
6Bist du bei mir, BWV 508, aria for voice and continuo (from “Diomedes oder die triumphierende Unschuld” by Gottfried Heinrich Stölzel)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1975-10-07 until 1975-10-09)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (on 1975-10-17)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach2:57
7Cantata “Bleib bei uns, denn es will Abend werden”, BWV 6: No. 2, Aria. “Hochgelobter Gottessohn”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:43
8Cantata “Komm, du süße Todesstunde”, BWV 6: No. 2, Aria. “Komm, du süße Todesstunde”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1975-10-07 until 1975-10-09)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (on 1975-10-17)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach6:25
9Easter Oratorio, BWV 249: No. 9, Aria. “Saget, saget mir geschwinde”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach6:45
10Cantata “Lobet Gott in seinen Reichen”, BWV 11 “Himmelfahrtsoratorium”: No. 4, Aria. “Ach, bleibe doch, mein liebstes Leben”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach7:21
11Magnificat in D major, BWV 243: II. Aria. “Et exsultavit spiritus in Deo”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:25
5▼CD: Bach: Brandenburg Concertos nos. 1-4
#TitleArtistRatingLength
1Brandenburg Concerto no. 1 in F major, BWV 1046: I. (Allegro)
producer:
John Fraser (UK producer)
bassoon:
Graham Sheen (bassoonist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
horn:
Timothy Brown (UK horn player) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Nicholas Hill (horn player) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
oboe:
George Caird (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13), Caroline Marwood (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Celia Nicklin (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violino piccolo:
Alan Loveday (violinist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:03
2Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio
producer:
John Fraser (UK producer)
bassoon:
Graham Sheen (bassoonist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
horn:
Timothy Brown (UK horn player) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Nicholas Hill (horn player) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
oboe:
George Caird (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13), Caroline Marwood (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Celia Nicklin (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violino piccolo:
Alan Loveday (violinist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:22
3Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro
producer:
John Fraser (UK producer)
bassoon:
Graham Sheen (bassoonist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
horn:
Timothy Brown (UK horn player) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Nicholas Hill (horn player) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
oboe:
George Caird (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13), Caroline Marwood (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Celia Nicklin (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violino piccolo:
Alan Loveday (violinist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:32
4Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuet I - Trio I - Menuet II - Polonaise - Menuet III - Trio II - Menuet IV
producer:
John Fraser (UK producer)
bassoon:
Graham Sheen (bassoonist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
horn:
Timothy Brown (UK horn player) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Nicholas Hill (horn player) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
oboe:
George Caird (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13), Caroline Marwood (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Celia Nicklin (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violino piccolo:
Alan Loveday (violinist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach8:16
5Brandenburg Concerto no. 2 in F major, BWV 1047: I. (Allegro)
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
oboe:
Celia Nicklin (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Philip Pickett (musician) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
trumpet:
Mark Bennett (trumpeter) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Kenneth Sillito (violinist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:25
6Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
oboe:
Celia Nicklin (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Philip Pickett (musician) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
trumpet:
Mark Bennett (trumpeter) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Kenneth Sillito (violinist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:57
7Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
oboe:
Celia Nicklin (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Philip Pickett (musician) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
trumpet:
Mark Bennett (trumpeter) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Kenneth Sillito (violinist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:55
8Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
John Constable (pianist) and George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Catherine Latham (Classical oboe and recorder player) and Philip Pickett (musician)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:26
9Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio
producer:
John Fraser (UK producer)
solo harpsichord:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for longer versions (i.e. not just the original one-measure cadence)) (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for longer versions (i.e. not just the original one-measure cadence)) (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
Johann Sebastian Bach1:29
10Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:45
11Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
John Constable (pianist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Catherine Latham (Classical oboe and recorder player) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Philip Pickett (musician) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:34
12Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
John Constable (pianist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Catherine Latham (Classical oboe and recorder player) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Philip Pickett (musician) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach3:48
13Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
John Constable (pianist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Catherine Latham (Classical oboe and recorder player) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Philip Pickett (musician) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach5:23
6▼CD: Bach: Brandenburg Concertos nos. 5-6 / Orchestral Suite no. 1
#TitleArtistRatingLength
1Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro
producer:
John Fraser (UK producer)
flute:
William Bennett (flautist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach10:24
2Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso
producer:
John Fraser (UK producer)
flute:
William Bennett (flautist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:43
3Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro
producer:
John Fraser (UK producer)
flute:
William Bennett (flautist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:19
4Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro
producer:
John Fraser (UK producer)
cello:
Denis Vigay (cellist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
double bass:
Raymund Koster (violist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord [harpsichord continuo]:
John Constable (pianist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
viola:
Anthony Jenkins (viola, Academy of St. Martin in the Fields' Chamber Ensemble) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Stephen Shingles (from 1985-11-01 until 1985-11-04, on 1985-11-13)
viola da gamba:
Charles Mediam, William Hunt (UK string musician, (viol, double bass, etc.)) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Charles Medlam (cellist, viol player and conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach6:21
5Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto
producer:
John Fraser (UK producer)
cello:
Denis Vigay (cellist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
double bass:
Raymund Koster (violist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord [harpsichord continuo]:
John Constable (pianist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
viola:
Anthony Jenkins (viola, Academy of St. Martin in the Fields' Chamber Ensemble) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Stephen Shingles (from 1985-11-01 until 1985-11-04, on 1985-11-13)
viola da gamba:
Charles Mediam, William Hunt (UK string musician, (viol, double bass, etc.)) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Charles Medlam (cellist, viol player and conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach6:04
6Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro
producer:
John Fraser (UK producer)
cello:
Denis Vigay (cellist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
double bass:
Raymund Koster (violist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord [harpsichord continuo]:
John Constable (pianist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
viola:
Anthony Jenkins (viola, Academy of St. Martin in the Fields' Chamber Ensemble) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Stephen Shingles (from 1985-11-01 until 1985-11-04, on 1985-11-13)
viola da gamba:
Charles Mediam, William Hunt (UK string musician, (viol, double bass, etc.)) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Charles Medlam (cellist, viol player and conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach6:09
7Orchestral Suite no. 1 in C major, BWV 1066: I. Ouverture
producer:
John Fraser (UK producer)
bassoon:
Graham Sheen (bassoonist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, on 1984-11-08, from 1985-11-05 until 1985-11-06)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: I. Ouverture (Suite for Orchestra No. 1 in C major, BWV 1066: Ouverture) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: I. Ouverture (Suite for Orchestra No. 1 in C major, BWV 1066: Ouverture) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: I. Ouverture (Suite for Orchestra No. 1 in C major, BWV 1066: Ouverture) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach6:31
8Orchestral Suite no. 1 in C major, BWV 1066: II. Courante
producer:
John Fraser (UK producer)
bassoon:
Graham Sheen (bassoonist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, on 1984-11-08, from 1985-11-05 until 1985-11-06)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: II. Courante (Suite for Orchestra No. 1 in C major, BWV 1066: Courante) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: II. Courante (Suite for Orchestra No. 1 in C major, BWV 1066: Courante) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: II. Courante (Suite for Orchestra No. 1 in C major, BWV 1066: Courante) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach2:05
9Orchestral Suite no. 1 in C major, BWV 1066: III. Gavotte I & II
producer:
John Fraser (UK producer)
bassoon:
Graham Sheen (bassoonist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, on 1984-11-08, from 1985-11-05 until 1985-11-06)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: III. Gavotte I / Gavotte II (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: III. Gavotte I / Gavotte II (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: III. Gavotte I / Gavotte II (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach3:57
10Orchestral Suite no. 1 in C major, BWV 1066: IV. Forlane
producer:
John Fraser (UK producer)
bassoon:
Graham Sheen (bassoonist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, on 1984-11-08, from 1985-11-05 until 1985-11-06)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: IV. Forlane (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: IV. Forlane (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: IV. Forlane (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach1:32
11Orchestral Suite no. 1 in C major, BWV 1066: V. Menuet I & II
producer:
John Fraser (UK producer)
bassoon:
Graham Sheen (bassoonist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, on 1984-11-08, from 1985-11-05 until 1985-11-06)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet I / Menuet II (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet I / Menuet II (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet I / Menuet II (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach3:32
12Orchestral Suite no. 1 in C major, BWV 1066: VI. Bourrée I & II
producer:
John Fraser (UK producer)
bassoon:
Graham Sheen (bassoonist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, on 1984-11-08, from 1985-11-05 until 1985-11-06)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée I / Bourrée II (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée I / Bourrée II (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée I / Bourrée II (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach3:18
13Orchestral Suite no. 1 in C major, BWV 1066: VII Passepied I & II
producer:
John Fraser (UK producer)
bassoon:
Graham Sheen (bassoonist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, on 1984-11-08, from 1985-11-05 until 1985-11-06)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach3:17
7▶CD: Bach: Orchestral Suites nos. 2-4
8▶CD: Bach: Piano Concertos nos. 1-3 (Gavrilov)
9▶CD: Bach: Piano Concertos no. 4-7 (Gavrilov)
10▶CD: Handel: Messiah (beginning)
11▶CD: Handel: Messiah (conclusion)
12▶CD: Handel: Arias (Battle)
13▶CD: Handel: Water Music
14▶CD: Handel: Concerto a due cori nos. 1 & 3 / 2 Overtures
15▶CD: Bach: Cantata BWV 51 / Scarlatti: Cantata “Su le sponde del Tebro” / Abinoni & Vivaldi: Concerto for trumpet (Helen Donath, Maurice André)
16▶CD: Trumpet Concertos by Tartini, Albinoni, Telemann & Handel / Purcell (André)
17▶CD: Trumpet Concertos by Stölzel, Telemann & Vivaldi (André)
18▶CD: Works for Recorder by Telemann, Sammartini & Handel (Munrow)
19▶CD: Haydn: Paukenmesse
20▶CD: Haydn: Nelson Messe
21▶CD: Haydn: Theresienmesse / Heiligmesse
22▶CD: Haydn: Schöpfungmesse / Kleine Orgelsolomesse
23▶CD: Haydn: Die Schöpfung (beginning)
24▶CD: Haydn: Die Schöpfung (conclusion)
25▶CD: Haydn: Cello Concertos nos. 1 & 2 (Harrell)
26▶CD: Haydn: The Seven Last Words of Christ
27▶CD: Trumpet Concertos by Haydn & Telemann… (Wilbraham)
28▶CD: Punto: Horn Concertos nos. 5, 6, 10 & 11 (Tuckwell)
29▶CD: Mozart: Overtures / Les Petits Riens
30▶CD: Mozart: Overtures
31▶CD: Mozart: Symphonies nos. 24-27 & 32
32▶CD: Mozart: Symphonies nos. 28-30
33▶CD: Mozart: Symphonies nos. 31, 33 & 34
34▶CD: Mozart: Symphonies nos. 35 & 41
35▶CD: Mozart: Symphonies nos. 36 & 40
36▶CD: Mozart: Symphonies nos. 38 & 39
37▶CD: Mozart: Piano Concertos nos. 5, 6 & 11 (Zacharias)
38▶CD: Mozart: Piano Concertos no. 16 & 19 (Zacharias)
39▶CD: Mozart: Piano Concertos nos. 17 & 18 (Zacharias)
40▶CD: Mozart: Piano Concertos nos. 22 & 27 (Buchbinder)
41▶CD: Mozart: Violin Concerto no. 1 / Sinfonia concertante (Mutter)
42▶CD: Mozart: Horn Concertos nos. 1-4 / Rondo K. 371 (Tuckwell)
43▶CD: Mozart: Horn Concertos nos. 1-4 / Quintet for horn & strings (Pyatt)
44▶CD: Mozart: Sacred Arias (Hendricks)
45▶CD: Mozart and His Contemporaries (Roocroft)
46▶CD: Eine kleine Nachtmusik
47▶CD: Beethoven: 2 Romances / Mozart & Schubert: Rondos
48▶CD: Beethoven: Piano Concertos nos. 2 & 3 (Fellner)
49▶CD: Beethoven: Violin Concerto / 2 Romances (Sitkovetsky)
50▶CD: Cherubini: Overtures
51▶CD: Horn Concertos by Telemann, Förster, Weber, L. Mozart (Tuckwell)
52▶CD: Music for double bass (Slatford)
53▶CD: Rossini: Overtures
54▶CD: Suppé: Overtures
55▶CD: Grieg & Mendelssohn: Piano Concertos (Ousset)
56▶CD: Grieg: Peer Gynt (Popp)
57▶CD: Vieuxtemps: Cello Concertos nos. 1 & 2 (Schiff)
58▶CD: Bizet: Symphony in C major / L'Arlésienne, Suites 1 & 2
59▶CD: Saxophone Concertos (Harle)
60▶CD: Contrasts - The Lighter Elgar
61▶CD: Falla: El sombrero de tres picos / Noches en los jardines de España
62▶CD: Respighi: Gli uccelli / Trittico botticelliano
63▶CD: Wolf-Ferrari: Orchestral Music
64▶CD: Martin: Petite symphonie concertante / Bloch: Concerto grosso no. 1
65▶CD: Stravinsky: Dumberton Oaks / Concerto in D / Danses concertantes
66▶CD: Stravinsky: Pulcinella / 2 suites for small orchestra
67▶CD: English String Music
68▶CD: Britten: Les Illuminations (Harper) / Serenade (Tear)
69▶CD: Britten: The Young Person's Guide to the orchestra / Four Sea Interludes / Men of Goodwill
70▶CD: Copland: Appalachian Spring / Rodeo / El salón México
71▶CD: Walton: Façade
72▶CD: Tippett: Divertimento / LIttle Music for string orchestra / Sonata for four horns / Concerto for double string orchestra
73▶CD: The Academy in Concert
74▶CD: The Academy - By Request
75▶CD: Favorite Orchestral Pieces
76▶CD: The Sound of the Academy
77▶CD: The Academy Plays Opera
78▶CD: Viennese Operetta Arias (Popp)
79▶CD: Wagner: Siegfried Idyll / Dvořák, Fauré, Tchaikovsky…
80▶CD: Oscar Wilde: Music by Debbie Wiseman