The Complete Warner Classics Recordings

~ Release by Sir Neville Marriner (see all versions of this release, 1 available)

Annotation

An 80-CD collection of the complete recordings made by Sir Neville Marriner for Warner Classics. Includes a 44-page booklet with essays and an index of works. CD wallets have original jacket artwork and tracklists printed on them.

Annotation last modified on 2024-11-17 11:59 UTC.

Tracklist

1▶CD: Charpentier: Te Deum / Magnificat
2▶CD: Bach: Cantatas BWV 202 & 209 (Ameling)
3▶CD: Bach: Magnificat / Vivaldi: Gloria
4▼CD: Bach: Arias (Baker)
#TitleArtistRatingLength
1Weihnachtsoratorium, BWV 248: Pt. 1. No. 4, Aria. “Bereite dich, Zion, mit zärtlichen Trieben”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:08
2Cantata “Singet dem Herrn ein neus Lied”, BWV 190: No. 3, Aria. “Lobe, Zion, deinen Gott”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach3:25
3Cantata “Gelobet sei der Herr, mein Gott”, BWV 129: No. 4, Aria. “Gelobet sei der Herr, mein Gott, der ewig lebet”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
Johann Sebastian Bach5:58
4Cantata “O ewiges Feuer, o Ursprung der Liebe”, BWV 34: No. 3, Aria. “Wohl euch, ihr auserwählten Seelen”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach6:32
5Johannes-Passion, BWV 245: Pt. 2. No. 30, Aria. “Es ist vollbracht”
viola da gamba:
Jane Ryan (British classical viol player) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:38
6Bist du bei mir, BWV 508, aria for voice and continuo (from “Diomedes oder die triumphierende Unschuld” by Gottfried Heinrich Stölzel)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1975-10-07 until 1975-10-09)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (on 1975-10-17)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach2:57
7Cantata “Bleib bei uns, denn es will Abend werden”, BWV 6: No. 2, Aria. “Hochgelobter Gottessohn”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:43
8Cantata “Komm, du süße Todesstunde”, BWV 6: No. 2, Aria. “Komm, du süße Todesstunde”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1975-10-07 until 1975-10-09)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (on 1975-10-17)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach6:25
9Easter Oratorio, BWV 249: No. 9, Aria. “Saget, saget mir geschwinde”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach6:45
10Cantata “Lobet Gott in seinen Reichen”, BWV 11 “Himmelfahrtsoratorium”: No. 4, Aria. “Ach, bleibe doch, mein liebstes Leben”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach7:21
11Magnificat in D major, BWV 243: II. Aria. “Et exsultavit spiritus in Deo”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:25
5▶CD: Bach: Brandenburg Concertos nos. 1-4
6▶CD: Bach: Brandenburg Concertos nos. 5-6 / Orchestral Suite no. 1
7▶CD: Bach: Orchestral Suites nos. 2-4
8▶CD: Bach: Piano Concertos nos. 1-3 (Gavrilov)
9▶CD: Bach: Piano Concertos no. 4-7 (Gavrilov)
10▶CD: Handel: Messiah (beginning)
11▶CD: Handel: Messiah (conclusion)
12▶CD: Handel: Arias (Battle)
13▶CD: Handel: Water Music
14▶CD: Handel: Concerto a due cori nos. 1 & 3 / 2 Overtures
15▶CD: Bach: Cantata BWV 51 / Scarlatti: Cantata “Su le sponde del Tebro” / Abinoni & Vivaldi: Concerto for trumpet (Helen Donath, Maurice André)
16▶CD: Trumpet Concertos by Tartini, Albinoni, Telemann & Handel / Purcell (André)
17▶CD: Trumpet Concertos by Stölzel, Telemann & Vivaldi (André)
18▶CD: Works for Recorder by Telemann, Sammartini & Handel (Munrow)
19▶CD: Haydn: Paukenmesse
20▶CD: Haydn: Nelson Messe
21▶CD: Haydn: Theresienmesse / Heiligmesse
22▶CD: Haydn: Schöpfungmesse / Kleine Orgelsolomesse
23▶CD: Haydn: Die Schöpfung (beginning)
24▶CD: Haydn: Die Schöpfung (conclusion)
25▶CD: Haydn: Cello Concertos nos. 1 & 2 (Harrell)
26▶CD: Haydn: The Seven Last Words of Christ
27▶CD: Trumpet Concertos by Haydn & Telemann… (Wilbraham)
28▶CD: Punto: Horn Concertos nos. 5, 6, 10 & 11 (Tuckwell)
29▶CD: Mozart: Overtures / Les Petits Riens
30▶CD: Mozart: Overtures
31▶CD: Mozart: Symphonies nos. 24-27 & 32
32▶CD: Mozart: Symphonies nos. 28-30
33▶CD: Mozart: Symphonies nos. 31, 33 & 34
34▶CD: Mozart: Symphonies nos. 35 & 41
35▶CD: Mozart: Symphonies nos. 36 & 40
36▶CD: Mozart: Symphonies nos. 38 & 39
37▶CD: Mozart: Piano Concertos nos. 5, 6 & 11 (Zacharias)
38▶CD: Mozart: Piano Concertos no. 16 & 19 (Zacharias)
39▶CD: Mozart: Piano Concertos nos. 17 & 18 (Zacharias)
40▶CD: Mozart: Piano Concertos nos. 22 & 27 (Buchbinder)
41▶CD: Mozart: Violin Concerto no. 1 / Sinfonia concertante (Mutter)
42▶CD: Mozart: Horn Concertos nos. 1-4 / Rondo K. 371 (Tuckwell)
43▶CD: Mozart: Horn Concertos nos. 1-4 / Quintet for horn & strings (Pyatt)
44▶CD: Mozart: Sacred Arias (Hendricks)
45▶CD: Mozart and His Contemporaries (Roocroft)
46▶CD: Eine kleine Nachtmusik
47▶CD: Beethoven: 2 Romances / Mozart & Schubert: Rondos
48▶CD: Beethoven: Piano Concertos nos. 2 & 3 (Fellner)
49▶CD: Beethoven: Violin Concerto / 2 Romances (Sitkovetsky)
50▶CD: Cherubini: Overtures
51▶CD: Horn Concertos by Telemann, Förster, Weber, L. Mozart (Tuckwell)
52▶CD: Music for double bass (Slatford)
53▶CD: Rossini: Overtures
54▶CD: Suppé: Overtures
55▶CD: Grieg & Mendelssohn: Piano Concertos (Ousset)
56▶CD: Grieg: Peer Gynt (Popp)
57▶CD: Vieuxtemps: Cello Concertos nos. 1 & 2 (Schiff)
58▶CD: Bizet: Symphony in C major / L'Arlésienne, Suites 1 & 2
59▶CD: Saxophone Concertos (Harle)
60▶CD: Contrasts - The Lighter Elgar
61▶CD: Falla: El sombrero de tres picos / Noches en los jardines de España
62▶CD: Respighi: Gli uccelli / Trittico botticelliano
63▶CD: Wolf-Ferrari: Orchestral Music
64▶CD: Martin: Petite symphonie concertante / Bloch: Concerto grosso no. 1
65▶CD: Stravinsky: Dumberton Oaks / Concerto in D / Danses concertantes
66▶CD: Stravinsky: Pulcinella / 2 suites for small orchestra
67▶CD: English String Music
68▶CD: Britten: Les Illuminations (Harper) / Serenade (Tear)
69▶CD: Britten: The Young Person's Guide to the orchestra / Four Sea Interludes / Men of Goodwill
70▶CD: Copland: Appalachian Spring / Rodeo / El salón México
71▶CD: Walton: Façade
72▶CD: Tippett: Divertimento / LIttle Music for string orchestra / Sonata for four horns / Concerto for double string orchestra
73▶CD: The Academy in Concert
74▶CD: The Academy - By Request
75▶CD: Favorite Orchestral Pieces
76▶CD: The Sound of the Academy
77▶CD: The Academy Plays Opera
78▶CD: Viennese Operetta Arias (Popp)
79▶CD: Wagner: Siegfried Idyll / Dvořák, Fauré, Tchaikovsky…
80▶CD: Oscar Wilde: Music by Debbie Wiseman