The Perfect Jazz Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

A remastered version of the original release, plus three previously unreleased alternate takes, and one alternate take supposedly released (#9-12).
Not clear exactly which one is it, and wether #9 is really an a.t. or an unedited version.
It's also unclear if this material was issued before in the Columbia boxset.

Recorded February - March 1966 in New York.

Drums – Charlie Persip (tracks: 15, 16), Jimmy Lovelace, Ray Lucas (tracks: 2, 3, 13)
Mastered By (Digitally) – Mark Wilder
Organ – Lonnie Smith
Producer – John Hammond
Reissue Producer – Didier C. Deutsch, Steve Berkowitz
Saxophone (Baritone) – Ronnie Cuber
Trumpet – Blue Mitchell (tracks: 15, 16)
Vocals, Guitar – George Benson

The Herbie Hancock Group

  • Herbie Hancock: Fender Rhodes electric piano, Hohner D6 clavinet, ARP Odyssey synthesizer, ARP Soloist synthesizer, pipes.
  • Bennie Maupin: soprano saxophone, tenor saxophone, saxello, bass clarinet, alto flute.
  • Paul Jackson: electric bass, marimbula.
  • Bill Summers': congas, shekere, balafon, agogo, cabasa, hindewho, tambourine, log drum, surdo, gankoqui, beer bottle.

Notes

This release is known as the "track 1 slow fade" corrected speed version.
See the original for details.

Remastered edition of 1950's album, issued with additional alternate takes.

Label: Sony - Catalog #: 65144 - UPC: 074646514429

barcode/cat # entered in Edit #14383252 — way after release was originally added, and refers to a 25cd boxset The Perfect Jazz Collection: 25 Original Albums, of which this is apparently disc #6. http://www.amazon.co.uk/dp/B003IY49S4/

Annotation last modified on 2015-07-14 00:03 UTC.

Tracklist

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1▼CD: Louis Armstrong - Louis Armstrong Plays W.C. Handy
#TitleArtistRatingLength
1St. Louis Blues
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-13)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-13)
double bass:
Arvell Shaw (on 1954-07-13)
drums (drum set):
Barrett Deems (on 1954-07-13)
piano:
Billy Kyle (on 1954-07-13)
trombone:
Trummy Young (on 1954-07-13)
trumpet:
Louis Armstrong (on 1954-07-13)
vocals:
Louis Armstrong (on 1954-07-13) and Velma Middleton (on 1954-07-13)
cover recording of:
St. Louis Blues (on 1954-07-13)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong8:52
2Yellow Dog Blues
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-14)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-14)
double bass:
Arvell Shaw (on 1954-07-14)
drums (drum set):
Barrett Deems (on 1954-07-14)
piano:
Billy Kyle (on 1954-07-14)
trombone:
Trummy Young (on 1954-07-14)
trumpet:
Louis Armstrong (on 1954-07-14)
vocals:
Louis Armstrong (on 1954-07-12)
recording of:
Yellow Dog Blues (on 1954-07-14)
lyricist and composer:
William Christopher Handy
Louis Armstrong4:18
3Loveless Love
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Louis Armstrong (on 1954-07-12) and Velma Middleton (on 1954-07-12)
cover recording of:
Loveless Love (on 1954-07-12)
lyricist and composer:
William Christopher Handy
Louis Armstrong4:30
4Aunt Hagar's Blues
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Louis Armstrong (on 1954-07-12)
cover recording of:
Aunt Hagar’s Blues (on 1954-07-12)
lyricist:
James “Tim” Brymn
composer:
William Christopher Handy
Louis Armstrong4:59
5Long Gone (From the Bowlin' Green)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Louis Armstrong (on 1954-07-12) and Velma Middleton (on 1954-07-12)
cover recording of:
Long Gone (From Bowlin' Green) (on 1954-07-12)
lyricist:
Chris Smith (jazz writer)
composer:
William Christopher Handy
Louis Armstrong5:11
6The Memphis Blues (Or Mister Crump)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-13)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-13)
double bass:
Arvell Shaw (on 1954-07-13)
drums (drum set):
Barrett Deems (on 1954-07-13)
piano:
Billy Kyle (on 1954-07-13)
trombone:
Trummy Young (on 1954-07-13)
trumpet:
Louis Armstrong (on 1954-07-13)
vocals:
Louis Armstrong (on 1954-07-13)
cover recording of:
The Memphis Blues (on 1954-07-13)
lyricist:
George A. Norton (in 1913)
composer:
William Christopher Handy (in 1912)
Louis Armstrong3:01
7Beale Street Blues
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Louis Armstrong (on 1954-07-12)
cover recording of:
Beale Street Blues (on 1954-07-12)
lyricist and composer:
William Christopher Handy
publisher:
Handy Bros. Music
Louis Armstrong4:57
8Ole Miss Blues
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
engineer:
George Avakian (US 1940-90s record producer) and Mark Wilder (US recording/mastering engineer)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet:
Louis Armstrong (on 1954-07-12)
vocals:
Louis Armstrong (on 1954-07-12)
cover recording of:
Ole Miss (on 1954-07-12)
composer:
William Christopher Handy
cover recording of:
Ole Miss Blues (on 1954-07-12)
writer:
William Christopher Handy and Walter Hirsch
Louis Armstrong3:27
9Chantez Les Bas (Sing 'em Low)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-14)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-14)
double bass:
Arvell Shaw (on 1954-07-14)
drums (drum set):
Barrett Deems (on 1954-07-14)
piano:
Billy Kyle (on 1954-07-14)
trombone:
Trummy Young (on 1954-07-14)
trumpet:
Louis Armstrong (on 1954-07-14)
vocals:
Louis Armstrong (on 1954-07-14)
cover recording of:
Chantez-les bas (Sing 'em Low) (on 1954-07-14)
lyricist and composer:
William Christopher Handy
Louis Armstrong4:50
10Hesitating Blues
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Louis Armstrong (on 1954-07-12) and Velma Middleton (on 1954-07-12)
cover recording of:
The Hesitating Blues (on 1954-07-12)
lyricist and composer:
William Christopher Handy
Louis Armstrong5:21
11Atlanta Blues (Make Me One Pallet on Your Floor)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-13)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-13)
double bass:
Arvell Shaw (on 1954-07-13)
drums (drum set):
Barrett Deems (on 1954-07-13)
piano:
Billy Kyle (on 1954-07-13)
trombone:
Trummy Young (on 1954-07-13)
trumpet:
Louis Armstrong (on 1954-07-13)
vocals:
Louis Armstrong (on 1954-07-13)
cover recording of:
Atlanta Blues (Make Me One Pallet on Your Floor) (on 1954-07-13)
writer:
Dave Elman and William Christopher Handy
is based on:
Make Me a Pallet on Your Floor
Louis Armstrong4:34
12George Avakian's Interview With W.C. Handy
Louis Armstrong2:46
13Loveless Love (rehearsal sequence)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Velma Middleton (on 1954-07-12)
recording of:
Loveless Love (on 1954-07-12)
lyricist and composer:
William Christopher Handy
Louis Armstrong5:57
14Hesitating Blues (rehearsal sequence)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Velma Middleton (on 1954-07-12)
cover recording of:
The Hesitating Blues
lyricist and composer:
William Christopher Handy
Louis Armstrong5:41
15Alligator Story
Louis Armstrong0:48
16Long Gone (From the Bowlin' Green) (rehearsal sequence)
recording engineer:
Mason Coppinger (US recording engineer) (on 1954-07-12)
producer:
George Avakian (US 1940-90s record producer)
clarinet:
Barney Bigard (on 1954-07-12)
double bass:
Arvell Shaw (on 1954-07-12)
drums (drum set):
Barrett Deems (on 1954-07-12)
piano:
Billy Kyle (on 1954-07-12)
trombone:
Trummy Young (on 1954-07-12)
trumpet and lead vocals:
Louis Armstrong (on 1954-07-12)
vocals:
Velma Middleton (on 1954-07-12)
Louis Armstrong7:53
2▼CD: Sarah Vaughan - Sarah Vaughan in Hi-Fi
#TitleArtistRatingLength
1East of the Sun (West of the Moon)
producer:
Zev Feldman (producer and author) (on 1978-05-31)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
double bass:
Walter Booker (on 1978-05-31) and Billy Taylor Jr. (jazz bassist) (on 1978-05-31)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1978-05-31) and J.C. Heard (on 1978-05-31)
electric guitar:
Mundell Lowe (on 1978-05-31)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1978-05-31) and Carl Schroeder (pianist) (on 1978-05-31)
tenor saxophone:
Budd Johnson (on 1978-05-31)
trombone:
Bennie Green (jazz trombonist) (on 1978-05-31)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1978-05-31)
vocals:
Sarah Vaughan (on 1978-05-31)
recorded at:
Rosy's in New Orleans, Louisiana, United States (on 1978-05-31)
live cover recording of:
East of the Sun (and West of the Moon) (on 1978-05-31)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
Sarah Vaughan3:09
2Nice Work If You Can Get It
recorded in:
New York, New York, United States (on 1950-05-19)
producer:
George Treadwell
bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
George Treadwell & His All Stars and with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Nice Work If You Can Get It (on 1950-05-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Sarah Vaughan2:37
3Come Rain or Come Shine
recorded in:
New York, New York, United States
producer:
George Treadwell
bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
solo electric guitar:
Mundell Lowe
solo tenor saxophone:
Budd Johnson
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Come Rain or Come Shine (on 1950-05-19)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Sarah Vaughan3:25
4Mean to Me
bass:
Billy Taylor Jr. (jazz bassist)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
drums (drum set):
J.C. Heard
electric guitar:
Mundell Lowe
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
solo tenor saxophone:
Budd Johnson
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
trombone:
Bennie Green (jazz trombonist)
vocals:
Sarah Vaughan
cover recording of:
Mean to Me
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
Sarah Vaughan2:55
5It Might as Well Be Spring
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (on 1950-05-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
Sarah Vaughan3:13
6Can't Get Out of This Mood
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
solo clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
solo tenor saxophone:
Budd Johnson (on 1950-05-18)
solo trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
cover recording of:
Can’t Get Out of This Mood (on 1950-05-18)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
Sarah Vaughan2:51
7Goodnight My Love
bass:
Billy Taylor Jr. (jazz bassist)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
drums (drum set):
J.C. Heard
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
tenor saxophone:
Budd Johnson
trombone:
Bennie Green (jazz trombonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
vocals:
Sarah Vaughan
cover recording of:
Goodnight, My Love (1936) (in 1950)
lyricist:
Harry Revel (British-born American composer)
composer:
Mack Gordon
Sarah Vaughan3:29
8Ain't Misbehavin'
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (on 1950-05-18)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Sarah Vaughan3:03
9Pinky
vocals:
Sarah Vaughan
Sarah Vaughan2:44
10The Nearness of You
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
vocals:
Sarah Vaughan
cover recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Sarah Vaughan3:22
11Spring Will Be a Little Late This Year
recorded in:
New York, New York, United States (on 1953-01-05)
vocals:
Sarah Vaughan (on 1953-01-05)
recording of:
Spring Will Be a Little Late This Year (on 1953-01-05)
lyricist and composer:
Frank Loesser
Sarah Vaughan2:43
12Ooh, What'cha Doin' to Me
vocals:
Sarah Vaughan
recording of:
Ooh (What Cha Doin’ to Me)
writer:
Alvin Fields and Theodis Rogers
Sarah Vaughan1:58
13It's All in the Mind
vocals:
Sarah Vaughan
Sarah Vaughan3:25
14The Nearness of You (alternate take)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
vocals:
Sarah Vaughan
cover recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Sarah Vaughan3:14
15Ain't Misbehavin' (alternate take)
bass:
Billy Taylor Jr. (jazz bassist)
drums (drum set):
J.C. Heard
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
solo clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
solo tenor saxophone:
Budd Johnson
solo trombone:
Bennie Green (jazz trombonist)
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
vocals:
Sarah Vaughan
cover recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Sarah Vaughan3:02
16Goodnight My Love (alternate take)
bass:
Billy Taylor Jr. (jazz bassist)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
drums (drum set):
J.C. Heard
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
tenor saxophone:
Budd Johnson
trombone:
Bennie Green (jazz trombonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
vocals:
Sarah Vaughan
cover recording of:
Goodnight, My Love (1936)
lyricist:
Harry Revel (British-born American composer)
composer:
Mack Gordon
Sarah Vaughan3:47
17Can't Get Out of This Mood (alternate take)
bass:
Billy Taylor Jr. (jazz bassist)
drums (drum set):
J.C. Heard
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
solo clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
solo tenor saxophone:
Budd Johnson
solo trombone:
Bennie Green (jazz trombonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
vocals:
Sarah Vaughan
cover recording of:
Can’t Get Out of This Mood
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
Sarah Vaughan2:52
18It Might as Well Be Spring (alternate take)
bass:
Billy Taylor Jr. (jazz bassist)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
drums (drum set):
J.C. Heard
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
vocals:
Sarah Vaughan
cover recording of:
It Might as Well Be Spring (State Fair)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
Sarah Vaughan3:28
19Mean to Me (alternate take)
bass:
Billy Taylor Jr. (jazz bassist)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
drums (drum set):
J.C. Heard
electric guitar:
Mundell Lowe
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
solo tenor saxophone:
Budd Johnson
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
trombone:
Bennie Green (jazz trombonist)
vocals:
Sarah Vaughan
cover recording of:
Mean to Me
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
Sarah Vaughan2:51
20Come Rain or Come Shine (alternate take)
bass:
Billy Taylor Jr. (jazz bassist)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
drums (drum set):
J.C. Heard
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
solo electric guitar:
Mundell Lowe
solo tenor saxophone:
Budd Johnson
trombone:
Bennie Green (jazz trombonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
vocals:
Sarah Vaughan
cover recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Sarah Vaughan3:35
21East of the Sun (West of the Moon) (alternate take)
bass:
Billy Taylor Jr. (jazz bassist)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
drums (drum set):
J.C. Heard
electric guitar:
Mundell Lowe
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
tenor saxophone:
Budd Johnson
trombone:
Bennie Green (jazz trombonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
vocals:
Sarah Vaughan
cover recording of:
East of the Sun (and West of the Moon)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
Sarah Vaughan3:09
22[pause track]
Sarah Vaughan0:06
3▼CD: Art Blakey - The Jazz Messengers
#TitleArtistRatingLength
1Infra-Rae
recorded in:
New York, New York, United States (on 1956-04-05)
recording engineer:
Tony Janick
producer:
George Avakian (US 1940-90s record producer)
double bass:
Doug Watkins (on 1956-04-05)
drums (drum set):
Art Blakey (on 1956-04-05)
piano:
Horace Silver (on 1956-04-05)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-04-05)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-04-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
recording of:
Infra-Rae (on 1956-04-05)
composer:
Hank Mobley (US jazz tenor saxophonist)
Art Blakey6:57
2Nica's Dream
recorded in:
New York, New York, United States (on 1956-04-05)
recording engineer:
Tony Janick
producer:
George Avakian (US 1940-90s record producer)
double bass:
Doug Watkins (on 1956-04-05)
drums (drum set):
Art Blakey (on 1956-04-05)
piano:
Horace Silver (on 1956-04-05)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-04-05)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-04-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
recording of:
Nica’s Dream (on 1956-04-05)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc., Universal Music Publishing MGB France and フジパシフィックミュージック (Fujipacific Music, Inc.)
Art Blakey11:51
3It's You or No One
recorded in:
New York, New York, United States (on 1956-04-05)
recording engineer:
Tony Janick
producer:
George Avakian (US 1940-90s record producer)
double bass:
Doug Watkins (on 1956-04-05)
drums (drum set):
Art Blakey (on 1956-04-05)
piano:
Horace Silver (on 1956-04-05)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-04-05)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-04-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
instrumental recording of:
It’s You or No One (on 1956-04-05)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
Art Blakey5:36
4Ecaroh
recorded in:
New York, New York, United States (on 1956-05-04)
recording engineer:
Tony Janick
producer:
George Avakian (US 1940-90s record producer)
double bass:
Doug Watkins (on 1956-05-04)
drums (drum set):
Art Blakey (on 1956-05-04)
piano:
Horace Silver (on 1956-05-04)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-05-04)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-05-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
recording of:
Ecaroh (on 1956-05-04)
writer:
Horace Silver
Art Blakey6:03
5Carol's (interlude)
recorded in:
New York, New York, United States (on 1956-04-05)
recording engineer:
Tony Janick
producer:
George Avakian (US 1940-90s record producer)
double bass:
Doug Watkins (on 1956-04-05)
drums (drum set):
Art Blakey (on 1956-04-05)
piano:
Horace Silver (on 1956-04-05)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-04-05)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-04-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
instrumental recording of:
Carol’s Interlude
composer:
Hank Mobley (US jazz tenor saxophonist) (on 1956-04-05, on 1956-05-04)
publisher:
EMI Grove Park Music, Inc.
Art Blakey5:36
6The End of a Love Affair
recorded in:
New York, New York, United States (on 1956-04-05)
recording engineer:
Tony Janick
producer:
George Avakian (US 1940-90s record producer)
double bass:
Doug Watkins (on 1956-04-05)
drums (drum set):
Art Blakey (on 1956-04-05)
piano:
Horace Silver (on 1956-04-05)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-04-05)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-04-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
instrumental cover recording of:
The End of a Love Affair (on 1956-04-05)
lyricist and composer:
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Art Blakey6:44
7Hank's Symphony
recorded in:
New York, New York, United States (on 1956-05-04)
recording engineer:
Tony Janick
producer:
George Avakian (US 1940-90s record producer)
double bass:
Doug Watkins (on 1956-05-04)
drums (drum set):
Art Blakey (on 1956-05-04)
piano:
Horace Silver (on 1956-05-04)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1956-05-04)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-05-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
recording of:
Hank's Symphony (on 1956-05-04)
composer:
Hank Mobley (US jazz tenor saxophonist)
Art Blakey4:37
8Weird-O
recording engineer:
Tony Janick
producer:
George Avakian (US 1940-90s record producer)
double bass:
Doug Watkins
drums (drum set):
Art Blakey
piano:
Horace Silver
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist)
trumpet:
Donald Byrd (American jazz trumpeter)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
Art Blakey7:07
9Ill Wind
recording engineer:
Tony Janick
producer:
George Avakian (US 1940-90s record producer)
double bass:
Doug Watkins
drums (drum set):
Art Blakey
piano:
Horace Silver
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist)
trumpet:
Donald Byrd (American jazz trumpeter)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
instrumental recording of:
Ill Wind
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
Art Blakey2:53
10Late Show
recording engineer:
Tony Janick
producer:
George Avakian (US 1940-90s record producer)
double bass:
Doug Watkins
drums (drum set):
Art Blakey
piano:
Horace Silver
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist)
trumpet:
Donald Byrd (American jazz trumpeter)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
Art Blakey7:09
11Deciphering the Message
recording engineer:
Tony Janick
producer:
George Avakian (US 1940-90s record producer)
double bass:
Doug Watkins
drums (drum set):
Art Blakey
piano:
Horace Silver
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist)
trumpet:
Donald Byrd (American jazz trumpeter)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
Art Blakey6:30
12Carol's Interlude (alternate take)
recording engineer:
Tony Janick
producer:
George Avakian (US 1940-90s record producer)
double bass:
Doug Watkins
drums (drum set):
Art Blakey
piano:
Horace Silver
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist)
trumpet:
Donald Byrd (American jazz trumpeter)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
instrumental recording of:
Carol’s Interlude
composer:
Hank Mobley (US jazz tenor saxophonist) (on 1956-04-05, on 1956-05-04)
publisher:
EMI Grove Park Music, Inc.
Art Blakey6:13
4▼CD: Billie Holiday - Lady in Satin
#TitleArtistRatingLength
1I'm a Fool to Want You
bass:
Milt Hinton (on 1958-02-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-20)
cello:
Maurice Brown (jazz cellist) (on 1958-02-20) and David Soyer (on 1958-02-20)
drums (drum set):
Osie Johnson (on 1958-02-20)
flute:
Danny Bank (reeds) (on 1958-02-20), Phil Bodner (Woodwind player) (on 1958-02-20), Thomas Parshley (on 1958-02-20) and Romeo Penque (on 1958-02-20)
guitar:
Barry Galbraith (on 1958-02-20)
harp:
Janet Putnam (harpist) (on 1958-02-20)
piano:
Mal Waldron (American jazz pianist) (on 1958-02-20)
solo trombone:
Urbie Green (on 1958-02-20)
trombone:
Jack Green (on 1958-02-20) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-20)
trumpet:
Billy Butterfield (on 1958-02-20), Mel Davis (US jazz trumpeter) (on 1958-02-20) and Bernie Glow (on 1958-02-20)
viola:
Sidney Brecher (on 1958-02-20) and Richard Dickler (on 1958-02-20)
violin:
Emmanual Green (on 1958-02-20), Harry Hoffman (violinist) (on 1958-02-20), Harry Katzman (on 1958-02-20), Leo Kruczek (on 1958-02-20), Milton Lomask (on 1958-02-20), Harry Melnikoff (on 1958-02-20), George Ockner (on 1958-02-20) and Sam Rand (violinist) (on 1958-02-20)
background vocals:
Elise Bretton (on 1958-02-20) and Miriam Workman (on 1958-02-20)
lead vocals:
Billie Holiday (on 1958-02-20)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-20)
cover recording of:
I’m a Fool to Want You (on 1958-02-20)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billie Holiday43:25
2For Heaven's Sake
bass:
Milt Hinton (on 1958-02-19)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-19)
cello:
Maurice Brown (jazz cellist) (on 1958-02-19) and David Soyer (on 1958-02-19)
drums (drum set):
Osie Johnson (on 1958-02-19)
guitar:
Barry Galbraith (on 1958-02-19)
harp:
Janet Putnam (harpist) (on 1958-02-19)
percussion:
Phil Kraus
piano:
Mal Waldron (American jazz pianist) (on 1958-02-19)
trombone:
Urbie Green (on 1958-02-19) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-19)
trumpet:
Mel Davis (US jazz trumpeter) (on 1958-02-19)
viola:
Sidney Brecher (on 1958-02-19) and Richard Dickler (on 1958-02-19)
violin:
Emmanual Green (on 1958-02-19), Harry Hoffman (violinist) (on 1958-02-19), Harry Katzman (on 1958-02-19), Leo Kruczek (on 1958-02-19), Milton Lomask (on 1958-02-19), Harry Melnikoff (on 1958-02-19), George Ockner (on 1958-02-19) and Sam Rand (violinist) (on 1958-02-19)
woodwind:
Danny Bank (reeds) (on 1958-02-19), Phil Bodner (Woodwind player) (on 1958-02-19), Thomas Parshley (on 1958-02-19) and Romeo Penque (on 1958-02-19)
background vocals:
Elise Bretton (on 1958-02-19) and Miriam Workman (on 1958-02-19)
lead vocals:
Billie Holiday (on 1958-02-19)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-19)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-19)
performer:
Ray Ellis and His Orchestra
recording of:
For Heaven’s Sake (on 1958-02-19)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
Billie Holiday3:29
3You Don't Know What Love Is
bass:
Milt Hinton (on 1958-02-19)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-19)
cello:
Maurice Brown (jazz cellist) (on 1958-02-19) and David Soyer (on 1958-02-19)
drums (drum set):
Osie Johnson (on 1958-02-19)
guitar:
Barry Galbraith (on 1958-02-19)
harp:
Janet Putnam (harpist) (on 1958-02-19)
percussion:
Phil Kraus
piano:
Mal Waldron (American jazz pianist) (on 1958-02-19)
solo trumpet:
Mel Davis (US jazz trumpeter) (on 1958-02-19)
trombone:
Urbie Green (on 1958-02-19) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-19)
viola:
Sidney Brecher (on 1958-02-19) and Richard Dickler (on 1958-02-19)
violin:
Emmanual Green (on 1958-02-19), Harry Hoffman (violinist) (on 1958-02-19), Harry Katzman (on 1958-02-19), Leo Kruczek (on 1958-02-19), Milton Lomask (on 1958-02-19), Harry Melnikoff (on 1958-02-19), George Ockner (on 1958-02-19) and Sam Rand (violinist) (on 1958-02-19)
woodwind:
Danny Bank (reeds) (on 1958-02-19), Phil Bodner (Woodwind player) (on 1958-02-19), Thomas Parshley (on 1958-02-19) and Romeo Penque (on 1958-02-19)
background vocals:
Elise Bretton (on 1958-02-19) and Miriam Workman (on 1958-02-19)
lead vocals:
Billie Holiday (on 1958-02-19)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-19)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-19)
performer:
Ray Ellis and His Orchestra
recording of:
You Don’t Know What Love Is (on 1958-02-19)
lyricist:
Don Raye
composer:
Gene de Paul
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billie Holiday3:51
4I Get Along Without You Very Well
bass:
Milt Hinton (from 1958-02-19 until 1958-02-21)
bass trombone:
Tom Mitchell (US jazz trombonist) (from 1958-02-19 until 1958-02-21)
cello:
Maurice Brown (jazz cellist) (from 1958-02-19 until 1958-02-21) and David Soyer (from 1958-02-19 until 1958-02-21)
drums (drum set):
Osie Johnson (from 1958-02-19 until 1958-02-21)
flute:
Danny Bank (reeds) (from 1958-02-19 until 1958-02-21), Phil Bodner (Woodwind player) (from 1958-02-19 until 1958-02-21), Thomas Parshley (from 1958-02-19 until 1958-02-21) and Romeo Penque (from 1958-02-19 until 1958-02-21)
guitar:
Barry Galbraith (from 1958-02-19 until 1958-02-21)
harp:
Janet Putnam (harpist) (from 1958-02-19 until 1958-02-21)
piano:
Mal Waldron (American jazz pianist) (from 1958-02-19 until 1958-02-21)
solo trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1958-02-19 until 1958-02-21)
trombone:
Jack Green (from 1958-02-19 until 1958-02-21) and Urbie Green (from 1958-02-19 until 1958-02-21)
trumpet:
Billy Butterfield (from 1958-02-19 until 1958-02-21), Mel Davis (US jazz trumpeter) (from 1958-02-19 until 1958-02-21) and Bernie Glow (from 1958-02-19 until 1958-02-21)
viola:
Sidney Brecher (from 1958-02-19 until 1958-02-21) and Richard Dickler (from 1958-02-19 until 1958-02-21)
violin:
Emmanual Green (from 1958-02-19 until 1958-02-21), Harry Hoffman (violinist) (from 1958-02-19 until 1958-02-21), Harry Katzman (from 1958-02-19 until 1958-02-21), Leo Kruczek (from 1958-02-19 until 1958-02-21), Milton Lomask (from 1958-02-19 until 1958-02-21), Harry Melnikoff (from 1958-02-19 until 1958-02-21), George Ockner (from 1958-02-19 until 1958-02-21) and Sam Rand (violinist) (from 1958-02-19 until 1958-02-21)
background vocals:
Elise Bretton (from 1958-02-19 until 1958-02-21) and Miriam Workman (from 1958-02-19 until 1958-02-21)
lead vocals:
Billie Holiday (from 1958-02-19 until 1958-02-21)
orchestra:
Ray Ellis and His Orchestra (from 1958-02-19 until 1958-02-21)
conductor:
Ray Ellis (US producer, arranger and conductor) (from 1958-02-19 until 1958-02-21)
recording of:
I Get Along Without You Very Well
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Billie Holiday3:02
5For All We Know
bass:
Milt Hinton (on 1958-02-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-20)
cello:
Maurice Brown (jazz cellist) (on 1958-02-20) and David Soyer (on 1958-02-20)
drums (drum set):
Osie Johnson (on 1958-02-20)
flute:
Danny Bank (reeds) (on 1958-02-20), Phil Bodner (Woodwind player) (on 1958-02-20), Thomas Parshley (on 1958-02-20) and Romeo Penque (on 1958-02-20)
guitar:
Barry Galbraith (on 1958-02-20)
harp:
Janet Putnam (harpist) (on 1958-02-20)
piano:
Mal Waldron (American jazz pianist) (on 1958-02-20)
trombone:
Jack Green (on 1958-02-20), Urbie Green (on 1958-02-20) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-20)
trumpet:
Billy Butterfield (on 1958-02-20), Mel Davis (US jazz trumpeter) (on 1958-02-20) and Bernie Glow (on 1958-02-20)
viola:
Sidney Brecher (on 1958-02-20) and Richard Dickler (on 1958-02-20)
violin:
Emmanual Green (on 1958-02-20), Harry Hoffman (violinist) (on 1958-02-20), Harry Katzman (on 1958-02-20), Leo Kruczek (on 1958-02-20), Milton Lomask (on 1958-02-20), Harry Melnikoff (on 1958-02-20), George Ockner (on 1958-02-20) and Sam Rand (violinist) (on 1958-02-20)
background vocals:
Elise Bretton (on 1958-02-20) and Miriam Workman (on 1958-02-20)
lead vocals:
Billie Holiday (on 1958-02-20)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-20)
recording of:
For All We Know (1934 song)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
Billie Holiday2:56
6Violets for Your Furs
bass:
Milt Hinton (from 1958-02-19 until 1958-02-21)
bass trombone:
Tom Mitchell (US jazz trombonist) (from 1958-02-19 until 1958-02-21)
cello:
Maurice Brown (jazz cellist) (from 1958-02-19 until 1958-02-21) and David Soyer (from 1958-02-19 until 1958-02-21)
drums (drum set):
Osie Johnson (from 1958-02-19 until 1958-02-21)
flute:
Danny Bank (reeds) (from 1958-02-19 until 1958-02-21), Phil Bodner (Woodwind player) (from 1958-02-19 until 1958-02-21), Thomas Parshley (from 1958-02-19 until 1958-02-21) and Romeo Penque (from 1958-02-19 until 1958-02-21)
guitar:
Barry Galbraith (from 1958-02-19 until 1958-02-21)
harp:
Janet Putnam (harpist) (from 1958-02-19 until 1958-02-21)
piano:
Mal Waldron (American jazz pianist) (from 1958-02-19 until 1958-02-21)
trombone:
Jack Green (from 1958-02-19 until 1958-02-21), Urbie Green (from 1958-02-19 until 1958-02-21) and J.J. Johnson (jazz/bop trombonist/session leader) (from 1958-02-19 until 1958-02-21)
trumpet:
Billy Butterfield (from 1958-02-19 until 1958-02-21), Mel Davis (US jazz trumpeter) (from 1958-02-19 until 1958-02-21) and Bernie Glow (from 1958-02-19 until 1958-02-21)
viola:
Sidney Brecher (from 1958-02-19 until 1958-02-21) and Richard Dickler (from 1958-02-19 until 1958-02-21)
violin:
Emmanual Green (from 1958-02-19 until 1958-02-21), Harry Hoffman (violinist) (from 1958-02-19 until 1958-02-21), Harry Katzman (from 1958-02-19 until 1958-02-21), Leo Kruczek (from 1958-02-19 until 1958-02-21), Milton Lomask (from 1958-02-19 until 1958-02-21), Harry Melnikoff (from 1958-02-19 until 1958-02-21), George Ockner (from 1958-02-19 until 1958-02-21) and Sam Rand (violinist) (from 1958-02-19 until 1958-02-21)
background vocals:
Elise Bretton (from 1958-02-19 until 1958-02-21) and Miriam Workman (from 1958-02-19 until 1958-02-21)
lead vocals:
Billie Holiday (from 1958-02-19 until 1958-02-21)
orchestra:
Ray Ellis and His Orchestra (from 1958-02-19 until 1958-02-21)
conductor:
Ray Ellis (US producer, arranger and conductor) (from 1958-02-19 until 1958-02-21)
recording of:
Violets for Your Furs
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Billie Holiday3:26
7You've Changed
bass:
Milt Hinton (from 1958-02-19 until 1958-02-21)
bass trombone:
Tom Mitchell (US jazz trombonist) (from 1958-02-19 until 1958-02-21)
cello:
Maurice Brown (jazz cellist) (from 1958-02-19 until 1958-02-21) and David Soyer (from 1958-02-19 until 1958-02-21)
drums (drum set):
Osie Johnson (from 1958-02-19 until 1958-02-21)
flute:
Danny Bank (reeds) (from 1958-02-19 until 1958-02-21), Phil Bodner (Woodwind player) (from 1958-02-19 until 1958-02-21), Thomas Parshley (from 1958-02-19 until 1958-02-21) and Romeo Penque (from 1958-02-19 until 1958-02-21)
guitar:
Barry Galbraith (from 1958-02-19 until 1958-02-21)
harp:
Janet Putnam (harpist) (from 1958-02-19 until 1958-02-21)
piano:
Mal Waldron (American jazz pianist) (from 1958-02-19 until 1958-02-21)
trombone:
Jack Green (from 1958-02-19 until 1958-02-21), Urbie Green (from 1958-02-19 until 1958-02-21) and J.J. Johnson (jazz/bop trombonist/session leader) (from 1958-02-19 until 1958-02-21)
trumpet:
Billy Butterfield (from 1958-02-19 until 1958-02-21), Mel Davis (US jazz trumpeter) (from 1958-02-19 until 1958-02-21) and Bernie Glow (from 1958-02-19 until 1958-02-21)
viola:
Sidney Brecher (from 1958-02-19 until 1958-02-21) and Richard Dickler (from 1958-02-19 until 1958-02-21)
violin:
Emmanual Green (from 1958-02-19 until 1958-02-21), Harry Hoffman (violinist) (from 1958-02-19 until 1958-02-21), Harry Katzman (from 1958-02-19 until 1958-02-21), Leo Kruczek (from 1958-02-19 until 1958-02-21), Milton Lomask (from 1958-02-19 until 1958-02-21), Harry Melnikoff (from 1958-02-19 until 1958-02-21), George Ockner (from 1958-02-19 until 1958-02-21) and Sam Rand (violinist) (from 1958-02-19 until 1958-02-21)
background vocals:
Elise Bretton (from 1958-02-19 until 1958-02-21) and Miriam Workman (from 1958-02-19 until 1958-02-21)
lead vocals:
Billie Holiday (from 1958-02-19 until 1958-02-21)
orchestra:
Ray Ellis and His Orchestra (from 1958-02-19 until 1958-02-21)
conductor:
Ray Ellis (US producer, arranger and conductor) (from 1958-02-19 until 1958-02-21)
cover recording of:
You’ve Changed (from 1958-02-19 until 1958-02-21)
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) and Southern Music Publishing Company
Billie Holiday3:20
8It's Easy to Remember
bass:
Milt Hinton (on 1958-02-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-20)
cello:
Maurice Brown (jazz cellist) (on 1958-02-20) and David Soyer (on 1958-02-20)
drums (drum set):
Osie Johnson (on 1958-02-20)
flute:
Danny Bank (reeds) (on 1958-02-20), Phil Bodner (Woodwind player) (on 1958-02-20), Thomas Parshley (on 1958-02-20) and Romeo Penque (on 1958-02-20)
guitar:
Barry Galbraith (on 1958-02-20)
harp:
Janet Putnam (harpist) (on 1958-02-20)
piano:
Mal Waldron (American jazz pianist) (on 1958-02-20)
solo trombone:
Urbie Green (on 1958-02-20)
trombone:
Jack Green (on 1958-02-20) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-20)
trumpet:
Billy Butterfield (on 1958-02-20), Mel Davis (US jazz trumpeter) (on 1958-02-20) and Bernie Glow (on 1958-02-20)
viola:
Sidney Brecher (on 1958-02-20) and Richard Dickler (on 1958-02-20)
violin:
Emmanual Green (on 1958-02-20), Harry Hoffman (violinist) (on 1958-02-20), Harry Katzman (on 1958-02-20), Leo Kruczek (on 1958-02-20), Milton Lomask (on 1958-02-20), Harry Melnikoff (on 1958-02-20), George Ockner (on 1958-02-20) and Sam Rand (violinist) (on 1958-02-20)
background vocals:
Elise Bretton (on 1958-02-20) and Miriam Workman (on 1958-02-20)
lead vocals:
Billie Holiday (on 1958-02-20)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-20)
recording of:
Easy to Remember
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
Billie Holiday4:03
9But Beautiful
bass:
Milt Hinton (on 1958-02-19)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-19)
cello:
Maurice Brown (jazz cellist) (on 1958-02-19) and David Soyer (on 1958-02-19)
drums (drum set):
Osie Johnson (on 1958-02-19)
guitar:
Barry Galbraith (on 1958-02-19)
harp:
Janet Putnam (harpist) (on 1958-02-19)
percussion:
Phil Kraus
piano:
Mal Waldron (American jazz pianist) (on 1958-02-19)
solo trumpet:
Mel Davis (US jazz trumpeter) (on 1958-02-19)
trombone:
Urbie Green (on 1958-02-19) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-19)
viola:
Sidney Brecher (on 1958-02-19) and Richard Dickler (on 1958-02-19)
violin:
Emmanual Green (on 1958-02-19), Harry Hoffman (violinist) (on 1958-02-19), Harry Katzman (on 1958-02-19), Leo Kruczek (on 1958-02-19), Milton Lomask (on 1958-02-19), Harry Melnikoff (on 1958-02-19), George Ockner (on 1958-02-19) and Sam Rand (violinist) (on 1958-02-19)
woodwind:
Danny Bank (reeds) (on 1958-02-19), Phil Bodner (Woodwind player) (on 1958-02-19), Thomas Parshley (on 1958-02-19) and Romeo Penque (on 1958-02-19)
background vocals:
Elise Bretton (on 1958-02-19) and Miriam Workman (on 1958-02-19)
lead vocals:
Billie Holiday (on 1958-02-19)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-19)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-19)
performer:
Ray Ellis and His Orchestra
recording of:
But Beautiful
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
Billie Holiday4:32
10Glad to Be Unhappy
bass:
Milt Hinton (from 1958-02-19 until 1958-02-21)
bass trombone:
Tom Mitchell (US jazz trombonist) (from 1958-02-19 until 1958-02-21)
cello:
Maurice Brown (jazz cellist) (from 1958-02-19 until 1958-02-21) and David Soyer (from 1958-02-19 until 1958-02-21)
drums (drum set):
Osie Johnson (from 1958-02-19 until 1958-02-21)
flute:
Danny Bank (reeds) (from 1958-02-19 until 1958-02-21), Phil Bodner (Woodwind player) (from 1958-02-19 until 1958-02-21), Thomas Parshley (from 1958-02-19 until 1958-02-21) and Romeo Penque (from 1958-02-19 until 1958-02-21)
guitar:
Barry Galbraith (from 1958-02-19 until 1958-02-21)
harp:
Janet Putnam (harpist) (from 1958-02-19 until 1958-02-21)
piano:
Mal Waldron (American jazz pianist) (from 1958-02-19 until 1958-02-21)
solo trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1958-02-19 until 1958-02-21)
trombone:
Jack Green (from 1958-02-19 until 1958-02-21) and Urbie Green (from 1958-02-19 until 1958-02-21)
trumpet:
Billy Butterfield (from 1958-02-19 until 1958-02-21), Mel Davis (US jazz trumpeter) (from 1958-02-19 until 1958-02-21) and Bernie Glow (from 1958-02-19 until 1958-02-21)
viola:
Sidney Brecher (from 1958-02-19 until 1958-02-21) and Richard Dickler (from 1958-02-19 until 1958-02-21)
violin:
Emmanual Green (from 1958-02-19 until 1958-02-21), Harry Hoffman (violinist) (from 1958-02-19 until 1958-02-21), Harry Katzman (from 1958-02-19 until 1958-02-21), Leo Kruczek (from 1958-02-19 until 1958-02-21), Milton Lomask (from 1958-02-19 until 1958-02-21), Harry Melnikoff (from 1958-02-19 until 1958-02-21), George Ockner (from 1958-02-19 until 1958-02-21) and Sam Rand (violinist) (from 1958-02-19 until 1958-02-21)
background vocals:
Elise Bretton (from 1958-02-19 until 1958-02-21) and Miriam Workman (from 1958-02-19 until 1958-02-21)
lead vocals:
Billie Holiday (from 1958-02-19 until 1958-02-21)
orchestra:
Ray Ellis and His Orchestra (from 1958-02-19 until 1958-02-21)
conductor:
Ray Ellis (US producer, arranger and conductor) (from 1958-02-19 until 1958-02-21)
recording of:
Glad to Be Unhappy
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
On Your Toes
Billie Holiday4:10
11I'll Be Around
bass:
Milt Hinton (on 1958-02-19)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-19)
cello:
Maurice Brown (jazz cellist) (on 1958-02-19) and David Soyer (on 1958-02-19)
drums (drum set):
Osie Johnson (on 1958-02-19)
guitar:
Barry Galbraith (on 1958-02-19)
harp:
Janet Putnam (harpist) (on 1958-02-19)
percussion:
Phil Kraus
piano:
Mal Waldron (American jazz pianist) (on 1958-02-19)
trombone:
Urbie Green (on 1958-02-19) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-19)
trumpet:
Mel Davis (US jazz trumpeter) (on 1958-02-19)
viola:
Sidney Brecher (on 1958-02-19) and Richard Dickler (on 1958-02-19)
violin:
Emmanual Green (on 1958-02-19), Harry Hoffman (violinist) (on 1958-02-19), Harry Katzman (on 1958-02-19), Leo Kruczek (on 1958-02-19), Milton Lomask (on 1958-02-19), Harry Melnikoff (on 1958-02-19), George Ockner (on 1958-02-19) and Sam Rand (violinist) (on 1958-02-19)
woodwind:
Danny Bank (reeds) (on 1958-02-19), Phil Bodner (Woodwind player) (on 1958-02-19), Thomas Parshley (on 1958-02-19) and Romeo Penque (on 1958-02-19)
background vocals:
Elise Bretton (on 1958-02-19) and Miriam Workman (on 1958-02-19)
lead vocals:
Billie Holiday (on 1958-02-19)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-19)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-19)
performer:
Ray Ellis and His Orchestra
recording of:
I’ll Be Around (on 1958-02-19)
lyricist and composer:
Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Primary Wave 3 Songs (BMI) and TRO-Ludlow Music, Inc.
Billie Holiday3:27
12The End of a Love Affair (mono)
lead vocals:
Billie Holiday
performer:
Ray Ellis and His Orchestra
recording of:
The End of a Love Affair
lyricist and composer:
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Billie Holiday4:52
13I'm a Fool to Want You (take 3)
bass:
Milt Hinton (on 1958-02-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-20)
cello:
Maurice Brown (jazz cellist) (on 1958-02-20) and David Soyer (on 1958-02-20)
drums (drum set):
Osie Johnson (on 1958-02-20)
flute:
Danny Bank (reeds) (on 1958-02-20), Phil Bodner (Woodwind player) (on 1958-02-20), Thomas Parshley (on 1958-02-20) and Romeo Penque (on 1958-02-20)
guitar:
Barry Galbraith (on 1958-02-20)
harp:
Janet Putnam (harpist) (on 1958-02-20)
piano:
Mal Waldron (American jazz pianist) (on 1958-02-20)
solo trombone:
Urbie Green (on 1958-02-20)
trombone:
Jack Green (on 1958-02-20) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-20)
trumpet:
Billy Butterfield (on 1958-02-20), Mel Davis (US jazz trumpeter) (on 1958-02-20) and Bernie Glow (on 1958-02-20)
viola:
Sidney Brecher (on 1958-02-20) and Richard Dickler (on 1958-02-20)
violin:
Emmanual Green (on 1958-02-20), Harry Hoffman (violinist) (on 1958-02-20), Harry Katzman (on 1958-02-20), Leo Kruczek (on 1958-02-20), Milton Lomask (on 1958-02-20), Harry Melnikoff (on 1958-02-20), George Ockner (on 1958-02-20) and Sam Rand (violinist) (on 1958-02-20)
background vocals:
Elise Bretton (on 1958-02-20) and Miriam Workman (on 1958-02-20)
lead vocals:
Billie Holiday (on 1958-02-20)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-20)
cover recording of:
I’m a Fool to Want You (on 1958-02-20)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billie Holiday43:28
14I'm a Fool to Want You (alternate take 2)
lead vocals:
Billie Holiday
performer:
Ray Ellis and His Orchestra
recording of:
I’m a Fool to Want You
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billie Holiday3:26
15The End of a Love Affair: The Audio Story
lead vocals:
Billie Holiday
performer:
Ray Ellis and His Orchestra
Billie Holiday9:51
16The End of a Love Affair (stereo)
lead vocals:
Billie Holiday
performer:
Ray Ellis and His Orchestra
cover recording of:
The End of a Love Affair
lyricist and composer:
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Billie Holiday4:46
17[pause track]
Billie Holiday0:07
5▼CD: Miles Davis - Kind of Blue
#TitleArtistRatingLength
1So What
recorded in:
New York, New York, United States (on 1959-03-02)
recording engineer:
Fred Plaut (on 1959-03-02)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis4.259:25
2Freddie Freeloader
recorded in:
New York, New York, United States (on 1959-03-02, from 1959-03 until 1959-04)
engineer:
Fred Plaut
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Wynton Kelly (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02, from 1959-03 until 1959-04)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
Freddie Freeloader (stereo) by Miles Davis Quintet (US jazz group, active 1955–58 and 1964–68)
recording of:
Freddie Freeloader (original Miles Davis instrumental version) (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis3.759:49
3Blue in Green
engineer:
Fred Plaut
producer:
Irving Townsend
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
Blue in Green (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Blue in Green (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Miles Davis3.45:38
4All Blues
recorded in:
New York, New York, United States (on 1959-04-22)
engineer:
Fred Plaut (on 1959-04-22)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
All Blues (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
Miles Davis4.4511:36
5Flamenco Sketches
recording engineer:
Fred Plaut (on 1959-04-22)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
Flamenco Sketches (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
Miles Davis4.159:26
6Flamenco Sketches (alternate take)
engineer:
Fred Plaut
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
Flamenco Sketches (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
Miles Davis49:32
6▼CD: The Dave Brubeck Quartet - Time Out
#TitleArtistRatingLength
1Blue Rondo a la Turk
recorded in:
New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording of:
Blue Rondo à la Turk (from 1959-08-18 until 1959-08-19)
composer:
Dave Brubeck
publisher:
Derry Music Company and Valentine Music Verlag
sub-publisher:
Budde Music France and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
The Dave Brubeck Quartet36:46
2Strange Meadow Lark
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Strange Meadow Lark (on 1959-07-01)
composer:
Dave Brubeck and Iola Brubeck
publisher:
Derry Music Company
The Dave Brubeck Quartet37:24
3Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, Volume I)
The Dave Brubeck Quartet4.355:27
4Three to Get Ready
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Three to Get Ready (on 1959-06-25)
composer:
Dave Brubeck
publisher:
Derry Music Co.
The Dave Brubeck Quartet35:26
5Kathy's Waltz
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Kathy’s Waltz (on 1959-06-25)
composer:
Dave Brubeck
The Dave Brubeck Quartet34:51
6Everybody's Jumpin'
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Everybody’s Jumpin’ (on 1959-06-25)
composer:
Dave Brubeck
The Dave Brubeck Quartet34:25
7Pick Up Sticks
recorded in:
New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording of:
Pick Up Sticks (from 1959-08-18 until 1959-08-19)
composer:
Dave Brubeck
The Dave Brubeck Quartet34:17
7▼CD: Duke Ellington & Count Basie - The Count Meets the Duke
#TitleArtistRatingLength
1Battle Royal
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Charlie Fowlkes (on 1961-07-06)
double bass:
Aaron Bell (jazz double bassist) (on 1961-07-06)
drums (drum set):
Sam Woodyard
flute:
Frank Wess (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo baritone saxophone:
Harry Carney (on 1961-07-06)
solo clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1961-07-06)
solo drums (drum set):
Sonny Payne and Sam Woodyard (on 1961-07-06)
solo piano:
Count Basie (pianist) (on 1961-07-06) and Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-07-06)
solo tenor saxophone:
Frank Foster (saxophonist) (on 1961-07-06)
solo trumpet:
William “Cat” Anderson (on 1961-07-06) and Ray Nance (on 1961-07-06)
tenor saxophone:
Paul Gonsalves (on 1961-07-06), Budd Johnson (on 1961-07-06) and Frank Wess (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Lawrence Brown (jazz trombonist) (on 1961-07-06), Henry Coker (on 1961-07-06), Quentin Jackson (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
Sonny Cohn (on 1961-07-06), Willie Cook (US jazz trumpeter) (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Lennie Johnson (trumpet) (on 1961-07-06), Thad Jones (American jazz trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06) and Snooky Young (on 1961-07-06)
valve trombone:
Juan Tizol (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
recording of:
Battle Royal (on 1961-07-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & Count Basie5:35
2To You
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (on 1961-07-06)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1961-07-06)
double bass:
Aaron Bell (jazz double bassist) (on 1961-07-06) and Eddie Jones (US jazz double bassist) (on 1961-07-06)
drums (drum set):
Sonny Payne (on 1961-07-06)
flute:
Frank Wess (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
piano:
Count Basie (pianist) (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo trombone:
Quentin Jackson (on 1961-07-06)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-07-06), Paul Gonsalves (on 1961-07-06), Budd Johnson (on 1961-07-06) and Frank Wess (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Lawrence Brown (jazz trombonist) (on 1961-07-06), Henry Coker (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
William “Cat” Anderson (on 1961-07-06), Sonny Cohn (on 1961-07-06), Willie Cook (US jazz trumpeter) (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Lennie Johnson (trumpet) (on 1961-07-06), Thad Jones (American jazz trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06), Ray Nance (on 1961-07-06) and Snooky Young (on 1961-07-06)
valve trombone:
Juan Tizol (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
recording of:
To You (on 1961-07-06)
composer:
Thad Jones (American jazz trumpeter)
Duke Ellington & Count Basie3:55
3Take the "A" Train
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (on 1961-07-06)
double bass:
Eddie Jones (US jazz double bassist) (from 1961-07-06 until 1961-07-07)
drums (drum set):
Sam Woodyard (on 1961-07-06)
flute:
Frank Wess (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1961-07-06)
solo piano:
Billy Strayhorn (on 1961-07-06)
solo tenor saxophone:
Paul Gonsalves (on 1961-07-06) and Budd Johnson (on 1961-07-06)
solo trumpet:
Sonny Cohn (on 1961-07-06) and Ray Nance (on 1961-07-06)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-07-06) and Frank Wess (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Lawrence Brown (jazz trombonist) (on 1961-07-06), Henry Coker (on 1961-07-06), Quentin Jackson (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
William “Cat” Anderson (on 1961-07-06), Willie Cook (US jazz trumpeter) (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Lennie Johnson (trumpet) (on 1961-07-06), Thad Jones (American jazz trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06) and Snooky Young (on 1961-07-06)
valve trombone:
Juan Tizol (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
recording of:
Take the “A” Train (original instrumental version) (on 1961-07-06)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington & Count Basie3:48
4Corner Pocket (Until I Met You)
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (on 1961-07-06)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1961-07-06)
double bass:
Aaron Bell (jazz double bassist) (on 1961-07-06) and Eddie Jones (US jazz double bassist) (on 1961-07-06)
drums (drum set):
Sonny Payne (on 1961-07-06)
flute:
Frank Wess (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
piano:
Count Basie (pianist) (on 1961-07-06) and Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo tenor saxophone:
Paul Gonsalves (on 1961-07-06)
solo trumpet:
Willie Cook (US jazz trumpeter) (on 1961-07-06)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-07-06), Budd Johnson (on 1961-07-06) and Frank Wess (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Lawrence Brown (jazz trombonist) (on 1961-07-06), Henry Coker (on 1961-07-06), Quentin Jackson (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
Lonnie Johnson (Trumpeter), William “Cat” Anderson (on 1961-07-06), Sonny Cohn (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Thad Jones (American jazz trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06), Ray Nance (on 1961-07-06) and Snooky Young (on 1961-07-06)
valve trombone:
Juan Tizol (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
instrumental recording of:
Corner Pocket (on 1961-07-06)
lyricist:
Donald Wolf (songwriter / composer)
composer:
Freddie Green
publisher:
Longitude Music
Duke Ellington & Count Basie44:55
5Wild Man (Wild Man Moore)
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (on 1961-07-06)
bass:
Aaron Bell (jazz double bassist) (on 1961-07-06)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1961-07-06)
drums (drum set):
Sam Woodyard (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
piano:
Count Basie (pianist) (on 1961-07-06) and Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo flute:
Frank Wess (on 1961-07-06)
solo tenor saxophone:
Frank Foster (saxophonist) (on 1961-07-06) and Paul Gonsalves (on 1961-07-06)
solo trumpet:
William “Cat” Anderson (on 1961-07-06) and Thad Jones (American jazz trumpeter) (on 1961-07-06)
tambourine and valve trombone:
Juan Tizol (on 1961-07-06)
tenor saxophone:
Budd Johnson (on 1961-07-06) and Frank Wess (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Lawrence Brown (jazz trombonist) (on 1961-07-06), Henry Coker (on 1961-07-06), Quentin Jackson (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
Lonnie Johnson (Trumpeter), Sonny Cohn (on 1961-07-06), Willie Cook (US jazz trumpeter) (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06), Ray Nance (on 1961-07-06) and Snooky Young (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
recording of:
Wild Man Moore (on 1961-07-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & Count Basie6:23
6Segue in C
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (on 1961-07-06)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1961-07-06)
double bass:
Eddie Jones (US jazz double bassist) (on 1961-07-06)
drums (drum set):
Sonny Payne (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
piano:
Count Basie (pianist) (on 1961-07-06) and Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo flute:
Frank Wess (on 1961-07-06)
solo tenor saxophone:
Budd Johnson (on 1961-07-06)
solo trombone:
Lawrence Brown (jazz trombonist) (on 1961-07-06) and Quentin Jackson (on 1961-07-06)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-07-06), Paul Gonsalves (on 1961-07-06) and Frank Wess (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Henry Coker (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
William “Cat” Anderson (on 1961-07-06), Sonny Cohn (on 1961-07-06), Willie Cook (US jazz trumpeter) (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Lennie Johnson (trumpet) (on 1961-07-06), Thad Jones (American jazz trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06), Ray Nance (on 1961-07-06) and Snooky Young (on 1961-07-06)
valve trombone:
Juan Tizol (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
recording of:
Segue in C (on 1961-07-06)
composer:
Frank Wess
Duke Ellington & Count Basie8:22
7B D B
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (on 1961-07-06)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (from 1961-07-06 until 1961-07-07)
double bass:
Eddie Jones (US jazz double bassist) (on 1961-07-06)
drums (drum set):
Sam Woodyard (on 1961-07-06)
flute:
Frank Wess (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo piano:
Count Basie (pianist) (on 1961-07-06) and Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-07-06)
solo trombone:
Lawrence Brown (jazz trombonist) (on 1961-07-06) and Quentin Jackson (from 1961-07-06 until 1961-07-07)
tenor saxophone:
Paul Gonsalves (on 1961-07-06), Frank Wess (on 1961-07-06), Frank Foster (saxophonist) (from 1961-07-06 until 1961-07-07) and Budd Johnson (from 1961-07-06 until 1961-07-07)
trombone:
Lou Blackburn (on 1961-07-06), Henry Coker (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
William “Cat” Anderson (on 1961-07-06), Sonny Cohn (on 1961-07-06), Willie Cook (US jazz trumpeter) (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Lennie Johnson (trumpet) (on 1961-07-06), Thad Jones (American jazz trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06), Ray Nance (on 1961-07-06) and Snooky Young (on 1961-07-06)
valve trombone:
Juan Tizol (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
recording of:
B D B (on 1961-07-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington & Count Basie4:45
8Jumpin' at the Woodside
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (on 1961-07-06)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1961-07-06)
double bass:
Aaron Bell (jazz double bassist) (on 1961-07-06) and Eddie Jones (US jazz double bassist) (from 1961-07-06 until 1961-07-07)
drums (drum set):
Sonny Payne (on 1961-07-06)
flute:
Frank Wess (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo piano:
Count Basie (pianist) (on 1961-07-06)
solo tenor saxophone:
Frank Foster (saxophonist) (on 1961-07-06) and Paul Gonsalves (on 1961-07-06)
tenor saxophone:
Budd Johnson (on 1961-07-06) and Frank Wess (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Lawrence Brown (jazz trombonist) (on 1961-07-06), Henry Coker (on 1961-07-06), Quentin Jackson (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
William “Cat” Anderson (on 1961-07-06), Sonny Cohn (on 1961-07-06), Willie Cook (US jazz trumpeter) (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Lennie Johnson (trumpet) (on 1961-07-06), Thad Jones (American jazz trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06), Ray Nance (on 1961-07-06) and Snooky Young (on 1961-07-06)
valve trombone:
Juan Tizol (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
recording of:
Jumpin’ at the Woodside (original instrumental) (on 1961-07-06)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
Jumpin’ at the Woodside (with lyrics by Jon Hendricks)
lyricist:
Jon Hendricks (in 1957)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
Jumpin’ at the Woodside (original instrumental)
Duke Ellington & Count Basie3:14
9One More Once
alto saxophone:
Johnny Hodges (from 1961-07-06 until 1961-07-07), Russell Procope (from 1961-07-06 until 1961-07-07) and Marshall Royal (from 1961-07-06 until 1961-07-07)
baritone saxophone:
Harry Carney (from 1961-07-06 until 1961-07-07) and Charlie Fowlkes (from 1961-07-06 until 1961-07-07)
bass:
Aaron Bell (jazz double bassist) (from 1961-07-06 until 1961-07-07)
drums (drum set):
Sam Woodyard (from 1961-07-06 until 1961-07-07)
flute:
Frank Wess (from 1961-07-06 until 1961-07-07)
guitar:
Freddie Green (from 1961-07-06 until 1961-07-07)
reeds:
Russell Procope (from 1961-07-06 until 1961-07-07) and Frank Wess (from 1961-07-06 until 1961-07-07)
solo tenor saxophone:
Frank Foster (saxophonist) (from 1961-07-06 until 1961-07-07), Paul Gonsalves (from 1961-07-06 until 1961-07-07), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (from 1961-07-06 until 1961-07-07), Budd Johnson (from 1961-07-06 until 1961-07-07) and Frank Wess (from 1961-07-06 until 1961-07-07)
trombone:
Lou Blackburn (from 1961-07-06 until 1961-07-07), Lawrence Brown (jazz trombonist) (from 1961-07-06 until 1961-07-07), Henry Coker (from 1961-07-06 until 1961-07-07), Quentin Jackson (from 1961-07-06 until 1961-07-07) and Benny Powell (from 1961-07-06 until 1961-07-07)
trumpet:
Lonnie Johnson (Trumpeter), William “Cat” Anderson (from 1961-07-06 until 1961-07-07), Sonny Cohn (from 1961-07-06 until 1961-07-07), Willie Cook (US jazz trumpeter) (from 1961-07-06 until 1961-07-07), Andrew “Fats” Ford (trumpeter) (from 1961-07-06 until 1961-07-07), Thad Jones (American jazz trumpeter) (from 1961-07-06 until 1961-07-07), Ed Mullens (from 1961-07-06 until 1961-07-07), Ray Nance (from 1961-07-06 until 1961-07-07) and Snooky Young (from 1961-07-06 until 1961-07-07)
valve trombone:
Juan Tizol (from 1961-07-06 until 1961-07-07)
violin:
Ray Nance (from 1961-07-06 until 1961-07-07)
orchestra:
The Count Basie Orchestra (from 1961-07-06 until 1961-07-07) and The Duke Ellington Orchestra (led by Mercer Ellington) (from 1961-07-06 until 1961-07-07)
recording of:
One More Once (from 1961-07-06 until 1961-07-07)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & Count Basie3:27
10Take the "A" Train (The Count Departs) (rehearsal & alternate takes)
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (on 1961-07-06)
bass:
Eddie Jones (US jazz double bassist) (on 1961-07-06)
drums (drum set):
Sam Woodyard (on 1961-07-06)
flute:
Frank Wess (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1961-07-06)
solo piano:
Billy Strayhorn (on 1961-07-06)
solo trumpet:
Sonny Cohn (on 1961-07-06)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-07-06), Paul Gonsalves (on 1961-07-06), Budd Johnson (on 1961-07-06) and Frank Wess (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Lawrence Brown (jazz trombonist) (on 1961-07-06), Henry Coker (on 1961-07-06), Quentin Jackson (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
Lonnie Johnson (Trumpeter), William “Cat” Anderson (on 1961-07-06), Willie Cook (US jazz trumpeter) (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Thad Jones (American jazz trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06), Ray Nance (on 1961-07-06) and Snooky Young (on 1961-07-06)
valve trombone:
Juan Tizol (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
recording of:
Take the “A” Train (original instrumental version) (on 1961-07-06)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & Count Basie5:51
11Jumpin' at the Woodside (alternate take)
alto saxophone:
Johnny Hodges (from 1961-07-06 until 1961-07-07), Russell Procope (from 1961-07-06 until 1961-07-07) and Marshall Royal (from 1961-07-06 until 1961-07-07)
baritone saxophone:
Harry Carney (from 1961-07-06 until 1961-07-07) and Charlie Fowlkes (from 1961-07-06 until 1961-07-07)
bass:
Aaron Bell (jazz double bassist) (from 1961-07-06 until 1961-07-07) and Eddie Jones (US jazz double bassist) (from 1961-07-06 until 1961-07-07)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (from 1961-07-06 until 1961-07-07)
drums (drum set):
Sonny Payne
flute:
Frank Wess (from 1961-07-06 until 1961-07-07)
guitar:
Freddie Green (from 1961-07-06 until 1961-07-07)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1961-07-06 until 1961-07-07)
reeds:
Russell Procope (from 1961-07-06 until 1961-07-07) and Frank Wess (from 1961-07-06 until 1961-07-07)
solo tenor saxophone:
Frank Foster (saxophonist) (from 1961-07-06 until 1961-07-07) and Paul Gonsalves (from 1961-07-06 until 1961-07-07)
tenor saxophone:
Budd Johnson (from 1961-07-06 until 1961-07-07) and Frank Wess (from 1961-07-06 until 1961-07-07)
trombone:
Lou Blackburn (from 1961-07-06 until 1961-07-07), Lawrence Brown (jazz trombonist) (from 1961-07-06 until 1961-07-07), Henry Coker (from 1961-07-06 until 1961-07-07), Quentin Jackson (from 1961-07-06 until 1961-07-07) and Benny Powell (from 1961-07-06 until 1961-07-07)
trumpet:
Lonnie Johnson (Trumpeter), William “Cat” Anderson (from 1961-07-06 until 1961-07-07), Sonny Cohn (from 1961-07-06 until 1961-07-07), Willie Cook (US jazz trumpeter) (from 1961-07-06 until 1961-07-07), Andrew “Fats” Ford (trumpeter) (from 1961-07-06 until 1961-07-07), Thad Jones (American jazz trumpeter) (from 1961-07-06 until 1961-07-07), Ed Mullens (from 1961-07-06 until 1961-07-07), Ray Nance (from 1961-07-06 until 1961-07-07) and Snooky Young (from 1961-07-06 until 1961-07-07)
valve trombone:
Juan Tizol (from 1961-07-06 until 1961-07-07)
violin:
Ray Nance (from 1961-07-06 until 1961-07-07)
orchestra:
The Count Basie Orchestra (from 1961-07-06 until 1961-07-07) and The Duke Ellington Orchestra (led by Mercer Ellington) (from 1961-07-06 until 1961-07-07)
recording of:
Jumpin’ at the Woodside (original instrumental) (from 1961-07-06 until 1961-07-07)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Duke Ellington & Count Basie3:14
12B D B (alternate take)
alto saxophone:
Johnny Hodges (from 1961-07-06 until 1961-07-07), Russell Procope (from 1961-07-06 until 1961-07-07) and Marshall Royal (from 1961-07-06 until 1961-07-07)
baritone saxophone:
Harry Carney (from 1961-07-06 until 1961-07-07) and Charlie Fowlkes (from 1961-07-06 until 1961-07-07)
bass:
Eddie Jones (US jazz double bassist) (from 1961-07-06 until 1961-07-07)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (from 1961-07-06 until 1961-07-07)
drums (drum set):
Sam Woodyard (from 1961-07-06 until 1961-07-07)
flute:
Frank Wess (from 1961-07-06 until 1961-07-07)
guitar:
Freddie Green (from 1961-07-06 until 1961-07-07)
reeds:
Russell Procope (from 1961-07-06 until 1961-07-07) and Frank Wess (from 1961-07-06 until 1961-07-07)
solo piano:
Count Basie (pianist) (from 1961-07-06 until 1961-07-07) and Duke Ellington (US composer, pianist & jazz bandleader) (from 1961-07-06 until 1961-07-07)
solo trombone:
Lawrence Brown (jazz trombonist) (from 1961-07-06 until 1961-07-07) and Quentin Jackson (from 1961-07-06 until 1961-07-07)
tenor saxophone:
Frank Foster (saxophonist) (from 1961-07-06 until 1961-07-07), Paul Gonsalves (from 1961-07-06 until 1961-07-07), Budd Johnson (from 1961-07-06 until 1961-07-07) and Frank Wess (from 1961-07-06 until 1961-07-07)
trombone:
Lou Blackburn (from 1961-07-06 until 1961-07-07), Henry Coker (from 1961-07-06 until 1961-07-07) and Benny Powell (from 1961-07-06 until 1961-07-07)
trumpet:
Lonnie Johnson (Trumpeter), William “Cat” Anderson (from 1961-07-06 until 1961-07-07), Sonny Cohn (from 1961-07-06 until 1961-07-07), Willie Cook (US jazz trumpeter) (from 1961-07-06 until 1961-07-07), Andrew “Fats” Ford (trumpeter) (from 1961-07-06 until 1961-07-07), Thad Jones (American jazz trumpeter) (from 1961-07-06 until 1961-07-07), Ed Mullens (from 1961-07-06 until 1961-07-07), Ray Nance (from 1961-07-06 until 1961-07-07) and Snooky Young (from 1961-07-06 until 1961-07-07)
valve trombone:
Juan Tizol (from 1961-07-06 until 1961-07-07)
violin:
Ray Nance (from 1961-07-06 until 1961-07-07)
orchestra:
The Count Basie Orchestra (from 1961-07-06 until 1961-07-07) and The Duke Ellington Orchestra (led by Mercer Ellington) (from 1961-07-06 until 1961-07-07)
recording of:
B D B (from 1961-07-06 until 1961-07-07)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington & Count Basie4:30
13Blues in Hoss' Flat (Blues in Frankie's Flat)
alto saxophone:
Johnny Hodges (from 1961-07-06 until 1961-07-07), Russell Procope (from 1961-07-06 until 1961-07-07) and Marshall Royal (from 1961-07-06 until 1961-07-07)
baritone saxophone:
Harry Carney (from 1961-07-06 until 1961-07-07) and Charlie Fowlkes (from 1961-07-06 until 1961-07-07)
bass:
Eddie Jones (US jazz double bassist) (from 1961-07-06 until 1961-07-07)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (from 1961-07-06 until 1961-07-07)
drums (drum set):
Sonny Payne (from 1961-07-06 until 1961-07-07)
flute:
Frank Wess (from 1961-07-06 until 1961-07-07)
guitar:
Freddie Green (from 1961-07-06 until 1961-07-07)
piano:
Count Basie (pianist) (from 1961-07-06 until 1961-07-07)
reeds:
Russell Procope (from 1961-07-06 until 1961-07-07) and Frank Wess (from 1961-07-06 until 1961-07-07)
solo tenor saxophone:
Frank Foster (saxophonist) (from 1961-07-06 until 1961-07-07) and Paul Gonsalves (from 1961-07-06 until 1961-07-07)
solo trombone:
Lou Blackburn (from 1961-07-06 until 1961-07-07)
solo trumpet:
Snooky Young (from 1961-07-06 until 1961-07-07)
tenor saxophone:
Budd Johnson (from 1961-07-06 until 1961-07-07) and Frank Wess (from 1961-07-06 until 1961-07-07)
trombone:
Lawrence Brown (jazz trombonist) (from 1961-07-06 until 1961-07-07), Henry Coker (from 1961-07-06 until 1961-07-07), Quentin Jackson (from 1961-07-06 until 1961-07-07) and Benny Powell (from 1961-07-06 until 1961-07-07)
trumpet:
Lonnie Johnson (Trumpeter), William “Cat” Anderson (from 1961-07-06 until 1961-07-07), Sonny Cohn (from 1961-07-06 until 1961-07-07), Willie Cook (US jazz trumpeter) (from 1961-07-06 until 1961-07-07), Andrew “Fats” Ford (trumpeter) (from 1961-07-06 until 1961-07-07), Thad Jones (American jazz trumpeter) (from 1961-07-06 until 1961-07-07), Ed Mullens (from 1961-07-06 until 1961-07-07) and Ray Nance (from 1961-07-06 until 1961-07-07)
valve trombone:
Juan Tizol (from 1961-07-06 until 1961-07-07)
violin:
Ray Nance (from 1961-07-06 until 1961-07-07)
orchestra:
The Count Basie Orchestra (from 1961-07-06 until 1961-07-07) and The Duke Ellington Orchestra (led by Mercer Ellington) (from 1961-07-06 until 1961-07-07)
recording of:
Blues in Hoss’ Flat (from 1961-07-06 until 1961-07-07)
composer:
Count Basie (pianist) and Frank Foster (saxophonist)
Duke Ellington & Count Basie3:14
14Wild Man (Wild Man Moore) (alternate take)
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (on 1961-07-06)
bass:
Aaron Bell (jazz double bassist) (on 1961-07-06)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1961-07-06)
drums (drum set):
Sam Woodyard (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo flute:
Frank Wess (on 1961-07-06)
solo tenor saxophone:
Frank Foster (saxophonist) (on 1961-07-06)
solo trumpet:
Thad Jones (American jazz trumpeter) (on 1961-07-06)
tambourine and valve trombone:
Juan Tizol (on 1961-07-06)
tenor saxophone:
Paul Gonsalves (on 1961-07-06), Budd Johnson (on 1961-07-06) and Frank Wess (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Lawrence Brown (jazz trombonist) (on 1961-07-06), Henry Coker (on 1961-07-06), Quentin Jackson (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
Lonnie Johnson (Trumpeter), William “Cat” Anderson (on 1961-07-06), Sonny Cohn (on 1961-07-06), Willie Cook (US jazz trumpeter) (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06), Ray Nance (on 1961-07-06) and Snooky Young (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
recording of:
Wild Man Moore (on 1961-07-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & Count Basie5:56
15Battle Royal (rehearsal & alternate takes)
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
bass:
Aaron Bell (jazz double bassist) (on 1961-07-06)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1961-07-06)
drums (drum set):
Sam Woodyard
flute and solo tenor saxophone:
Frank Wess (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (on 1961-07-06)
solo drums (drum set):
Sonny Payne and Sam Woodyard (on 1961-07-06)
solo piano:
Count Basie (pianist) (on 1961-07-06)
solo trumpet:
William “Cat” Anderson (on 1961-07-06) and Ray Nance (on 1961-07-06)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-07-06), Paul Gonsalves (on 1961-07-06) and Budd Johnson (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Lawrence Brown (jazz trombonist) (on 1961-07-06), Henry Coker (on 1961-07-06), Quentin Jackson (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
Lonnie Johnson (Trumpeter), Sonny Cohn (on 1961-07-06), Willie Cook (US jazz trumpeter) (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Thad Jones (American jazz trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06) and Snooky Young (on 1961-07-06)
valve trombone:
Juan Tizol (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
recording of:
Battle Royal (on 1961-07-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & Count Basie6:32
16[pause track]
Duke Ellington & Count Basie0:07
8▶CD: Helen Merrill - Parole e musica
9▶CD: Charles Mingus - Tijuana Moods
10▶CD: Chet Baker - Chet Is Back!
11▶CD: The Thelonious Monk Quartet - Monk's Dream
12▶CD: Sonny Rollins - Sonny Meets Hawk!
13▶CD: Martial Solal - At Newport '63
14▶CD: Paul Desmond & Gerry Mulligan - Two of a Mind
15▶CD: Benny Goodman - Together Again!
16▶CD: George Benson - It's Uptown
17▶CD: Nina Simone - Sings the Blues
18▶CD: Art Tatum - Piano Starts Here
19▶CD: Erroll Garner - Concert by the Sea
20▶CD: Herbie Hancock - Head Hunters
21▶CD: Stan Getz - The Best of Two Worlds
22▶CD: Jaco Pastorius - Jaco Pastorius
23▶CD: Weather Report - Heavy Weather
24▶CD: Wynton Marsalis - Standard Time, Volume 1
25▶CD: Charlie Parker - Bird

Credits

Release

art direction:Howard Fritzson
design/illustration:Randall Martin (US art director, graphic designer, and illustrator)
photography:Don Hunstein (photographer)
Jay Maisel (photographer)
Sandy Speiser
additional liner notes:Robert Palmer (English singer‐songwriter)
liner notes:Bill Evans (pianist)
Pat Metheny
Scott H. Thompson (in 1992)
mixer and mastering:Charles Harbutt (sound engineer and reissue producer)
additional engineer:Ted Brosnan
Ted Hammond
engineer:David Palmer (Engineer)
Fred Plaut
Don Puluse
additional producer:Bob Belden
producer:George Avakian (US 1940-90s record producer)
Bobby Colomby
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Teo Macero (American jazz saxophonist and composer)
David Rubinson
Irving Townsend
Ben Young (producer, jazz historian, radio host, engineer)
recording engineer:Mickey Crofford
Ray Hall (engineer)
Fred Plaut
agogô, balafon, cabasa, congas, gankogui, percussion [beer bottle], shekere, slit drum [log drum], surdo and tambourine:Bill Summers
alto flute, bass clarinet, saxophone [saxello], soprano saxophone and tenor saxophone:Bennie Maupin
alto saxophone:Paul Desmond
bass:Eugene Wright (bass)
double bass:Robert Hurst (jazz bassist composer)
electric upright bass and marímbula:Paul Jackson (jazz bassist)
membranophone:Harvey Mason (jazz drummer)
Joe Morello
Jeffrey “Tain” Watts (jazz drummer)
piano:Dave Brubeck
Marcus Roberts (American jazz pianist)
Rhodes piano [Fender Rhodes electric piano], clavinet [Hohner D6 clavinet], other instruments [pipes] and synthesizer [ARP Odyssey synthesizer] and synthesizer [ARP Soloist synthesizer]:Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
trumpet:Wynton Marsalis
remaster of:Monk’s Dream by Thelonious Monk
Monk’s Dream by The Thelonious Monk Quartet
Nina Simone Sings the Blues by Nina Simone
Discogs:https://www.discogs.com/release/3509725 [info]
ASIN:UK: B003IY49S4 [info]
US: B000P46Q18 [info]
US: B000002AIT [info]
US: B0012GN2GA [info]
US: B0013DCCS6 [info]
US: B00000269G [info]
FR: B003IY49S4 [info]
other databases:https://www.musik-sammler.de/release/731762/ [info]

Release group

part of:The Perfect Collection / La Discothèque idéale (order: 2)