40 Years of Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Gloria
assistierende(r) Techniker(in):
Frank D'Augusta
Techniker(in):
Bernie Kirsh
Produzent(in):
John Cale (The Velvet Underground founder)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975, in 1988)
aufgenommen bei, mixed at und engineered at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 32) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 97)
recording of:
Gloria: In excelsis Deo
Texter und Komponist(in):
Van Morrison und Patti Smith
zusätzliche(r) Verfasser(in):
Patti Smith
zusätzliche(r) Komponist(in):
Van Morrison
Patti Smith45:53
2(I'm) Stranded
Produzent(in):
Rod Coe
Bassgitarre:
Kym Bradshaw
Gitarre:
Ed Kuepper
Schlagzeug:
Ivor Hay
Sologesang:
Chris Bailey (Irish punk vocalist, member of The Saints)
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1976) und EMI Music Australia (defunct holding company, not for release label use!) (in 1977)
recording of:
(I’m) Stranded
Texter und Komponist(in):
Chris Bailey (Irish punk vocalist, member of The Saints) und Ed Kuepper
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Pty. Ltd.
The Saints43:31
3Sheena Is a Punk Rocker
recording of:
Sheena Is a Punk Rocker
Verfasser(in):
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman und John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher), Taco Tunes Inc. und Warner/Chappell North America
Ramones2:45
4Got to Give It Up (Part 1)
Produzent(in):
Art Stewart
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recording of:
Got to Give It Up
Texter und Komponist(in):
Marvin Gaye
publisher:
Jobete Music (UK) Ltd. und Jobete Music Publishing
recording of:
Got to Give It Up - Pt.1
Verfasser(in):
Marvin Gaye
Marvin Gaye4.154:10
5Another Girl, Another Planet
assistierende(r) Techniker(in):
Kevin Dallimore (engineering) und Andy Lyden
Techniker(in):
Robert Ash (sound engineer)
assistierende(r) Produzent(in):
Robert Ash (sound engineer)
Produzent(in):
The Only Ones
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1978)
recording of:
Another Girl, Another Planet
Texter und Komponist(in):
Peter Perrett
publisher:
Domino Publishing Co. Ltd.
The Only Ones4.353:01
6New Race
recording of:
New Race
Texter und Komponist(in):
Deniz Tek (2007 inductee, Australian Music Hall of Fame (Radio Birdman))
Radio Birdman2:44
7London Calling
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Guy Stevens
Bassgitarre:
Paul Simonon (von 1979-01 bis 1979-03)
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) (von 1979-01 bis 1979-03) und Joe Strummer (von 1979-01 bis 1979-03)
Schlagzeug und Perkussion:
Topper Headon (von 1979-01 bis 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) (von 1979-01 bis 1979-03) und Joe Strummer (von 1979-01 bis 1979-03)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (von 1979-01 bis 1979-03)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 15), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 42), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 63), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 143)
recording of:
London Calling (von 1979-01 bis 1979-03)
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd., Nineden Music (publisher) und Virgin Music (Publishers) Ltd.
The Clash4.13:19
8Typical Girls
Techniker(in):
Mike Dunne
Produzent(in):
Dennis Bovell (reggae guitarist, bass player and record producer)
Bassgitarre:
Tessa Pollitt
Gitarre:
Viv Albertine
Schlagzeug:
Budgie (UK drummer Peter Clarke of The Banshees, The Creatures, etc.)
vocals:
Ari Up
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 381)
recording of:
Typical Girls
Verfasser(in):
The Slits (UK punk band)
The Slits53:56
9We Can Get Together
phonographisches Urheberrecht (℗) von:
Diva Records (in 1980)
recording of:
We Can Get Together
Texter und Komponist(in):
Iva Davies
publisher:
Kobalt Music Publishing Australia Pty Ltd
Flowers3:48
10Love Will Tear Us Apart
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:23
11Whip It
Partner-Produzent(in):
Robert Margouleff
Produzent(in):
DEVO (new wave/rock band)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 15), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 63) und Indie 88: Top 500 Indie Rock Songs (Nummer: 463)
recording of:
Whip It (Devo song)
Verfasser(in):
Gerald Casale und Mark Mothersbaugh
publisher:
DEVO Music, EMI Virgin Music Australia Pty Ltd und Nymph Music
DEVO4.52:40
12Boys in Town
Bass:
Rick Grossman
Gitarre:
Bjarn Ohlin und Mark McEntee
Keyboard:
Bjarn Ohlin
Schlagzeug:
Richard Harvey (Australian drummer)
vocals:
Christina Amphlett
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Warner Music International (trademark of Warner Music International the company) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983)
recording of:
Boys in Town
Verfasser(in):
Chrissy Amphlett, Mark McEntee und Jeremy Paul (bassist, Air Supply, Divinyls)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) und EMI Songs
Divinyls32:52
13Alone With You
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Ltd (in 1981)
recording of:
Alone With You
Verfasser(in):
Jeremy Oxley (Australian singer, songwriter & guitarist)
publisher:
Mushroom Music Publishing
Sunnyboys4:00
14Local &/Or General
Models3:23
15Quasimodo's Dream
The Reels4:10
16Ever So Lonely
Monsoon4:19
17Never Say Never
Produzent(in):
Ian Taylor (rock producer/engineer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
recording of:
Never Say Never
Verfasser(in):
Benjamin Bossi, Larry Carter (bassist), Debora Iyall, Peter Woods (member of Romeo Void, Ultrasheen) und Frank Zincavage
Romeo Void3:30
18Power and the Passion
Techniker(in) und Mix:
Nick Launay
Produzent(in):
Nick Launay und Midnight Oil (Australian rock band)
phonographisches Urheberrecht (℗) von:
Midnight Oil (Australian rock band) (in 1997)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1982-09)
recording of:
Power and the Passion (in 1982-09)
Verfasser(in):
Peter Garrett, Rob Hirst und Jim Moginie
publisher:
Sony/ATV Music Publishing und Sprint Music Pty. Ltd.
Midnight Oil45:42
19Blue Monday
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1983, in 1987)
Samples:
Uran von Kraftwerk
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (Nummer: 61) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 235)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order3.77:29
20Throw Your Arms Around Me
recording of:
Throw Your Arms Around Me
Verfasser(in):
John Archer (guitarist in Hunters & Collectors), Geoff Crosby, Doug Falconer, Jack Howard (trumpeter), Robert Miles (recording/mixing engineer), Mark Seymour und Michael Waters
publisher:
IRS Music, Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Hunters & Collectors3:27
2▼CD
Nr.TitelKünstlerBewertungLänge
1From St Kilda to Kings Cross
recording of:
From St Kilda to Kings Cross (Paul Kelly song)
Paul Kelly42:55
2Like Wow - Wipeout!
Techniker(in):
John Bee
Produzent(in):
Charles Fisher (Australian producer)
Bassgitarre:
Clyde Bramley
Becken und Schlagzeug:
Mark Kingsmill
Sologesang:
Dave Faulkner (David Faulkner)
phonographisches Urheberrecht (℗) von:
Hoodoo Gurus Pty Ltd (in 1985)
mixed at:
Studio 301 (Studios 301, 301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australien (in 1985-05)
recording of:
Like Wow -- Wipeout
Texter und Komponist(in):
Dave Faulkner (David Faulkner)
publisher:
Best of All Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing
Hoodoo Gurus53:13
3(You Gotta) Fight for Your Right (To Party)
Techniker(in):
Steve Ett
Koproduzent(in):
Beastie Boys
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
E-Gitarre:
Kerry King (co‐founder of Slayer)
phonographisches Urheberrecht (℗) von:
Def Jam Recordings (US) (in 1986)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 49) und Indie 88: Top 500 Indie Rock Songs (Nummer: 269)
recording of:
Fight for Your Right (to Party)
Texter:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) und Adam Yauch
Komponist(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
publisher:
Brooklyn Dust Music und Def Jam Music
Beastie Boys4.13:29
4West End Girls
Techniker(in):
David Jacob
Produzent(in):
Stephen Hague
zusätzlich vocals:
Helena Springs (von 1984 bis 1986)
Interpret(in):
Chris Lowe (1/2 of Pet Shop Boys) (von 1984 bis 1986) und Neil Tennant (von 1984 bis 1986)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich (von 1984 bis 1986)
engineered at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 189) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 433)
recording of:
West End Girls (von 1984 bis 1986)
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (vom 1984 bis heute) und CBS, Inc. (US broadcasting company; file no releases here!) (vom 1984 bis heute)
Pet Shop Boys44:47
5Wide Open Road
recording engineer:
Nick Mainsbridge (in 1985-08)
Techniker(in):
Nick Mainsbridge
Produzent(in):
Gil Norton (British record producer) und The Triffids (Australian rock band)
Bass:
Martin Casey (in 1985-08)
Gitarre:
Evil Graham Lee (Australian rock musician) (in 1985-08), David McComb (in 1985-08) und Rob McComb (in 1985-08)
Orgel:
Jill Birt (in 1985-08)
Pedal-Steel-Gitarre:
Evil Graham Lee (Australian rock musician) (in 1985-08)
Schlagzeug:
Alsy MacDonald (in 1985-08)
Synthesizer:
David McComb (in 1985-08)
Synthesizer [emulator]:
Adam Peters (in 1985-08)
vocals:
David McComb (in 1985-08)
arranger:
The Triffids (Australian rock band)
phonographisches Urheberrecht (℗) von:
Liberation Music (Australian, big L logo or “Liberation” on one line) (in 2010)
aufgenommen bei:
Mark Angelo Studios in Acton, Ealing, London (Greater London), England, Vereinigtes Königreich (in 1985-08)
mixed at:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Vereinigtes Königreich (in 1985-09)
recording of:
Wide Open Road (in 1985-08)
Texter und Komponist(in):
David McComb
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
The Triffids34:08
6Mandinka
Techniker(in):
Kevin Moloney
Koproduzent(in):
Kevin Moloney
Produzent(in):
Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Chris Birkett, Lloyd Phillips und Terence Morris a.k.a. t.roy
Akustikgitarre [ac. gtrs.] und E-Gitarre [elec. gtrs]:
Marco Pirroni (British musician and producer)
Bassgitarre [bass gtrs.]:
‘Spike’ Hollifield
drum machine [machines] und Schlagzeug [drum kit]:
John Reynolds (Irish producer, drummer for Jah Wobble)
E-Gitarre [elec. gtr.] und Sologesang [all vocals]:
Sinéad O’Connor (Irish singer‐songwriter)
Keyboard [keyboards] und Synthesizer [synths.]:
Mike Clowes
arranger:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1987) und Ensign Records Ltd. (company; do NOT use as release label) (in 1987)
aufgenommen bei:
Oasis Studio (Camden, London) in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Tapestry Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Mandinka
Texter und Komponist(in):
Sinéad O’Connor (Irish singer‐songwriter)
publisher:
Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label)
Sinéad O’Connor3.753:47
7Just Like Heaven
recording of:
Just Like Heaven
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co.
The Cure3:33
8Streets of Your Town
assistierende(r) Techniker(in):
Colin Simkins
Techniker(in) und Produzent(in):
Mark Wallis
Bass:
John Willsteed (in 1988-05)
Geige / Violine und Hintergrundgesang:
Amanda Brown (Australian musician) (in 1988-05)
Gitarre:
Robert Forster (Australian singer-songwriter & guitarist) (in 1988-05), Grant McLennan (in 1988-05) und John Willsteed (in 1988-05)
Schlagzeug:
Lindy Morrison (in 1988-05)
Sologesang:
Grant McLennan (in 1988-05)
phonographisches Urheberrecht (℗) von:
Beggars Banquet (in 1988), Beggars Banquet Ltd. (publisher, copyright company) (in 1988), Mushroom Records Pty. Ltd. (in 1988) und Tag 5 (in 1988)
aufgenommen bei:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australien (in 1988-05)
recording of:
Streets of Your Town (in 1988-05)
Verfasser(in):
Robert Forster (Australian singer-songwriter & guitarist) und Grant McLennan
publisher:
Complete Music, Complete Music Ltd., Incomplete Music Inc., Universal Music Publishing MGB Australia und Wintrup Music
The Go‐Betweens53:35
9Fuck tha Police
recording of:
Fuck tha Police
Verfasser(in):
Eazy‐E, Lorenzo Patterson und O’Shea Jackson
N.W.A5:47
10Monkey Gone to Heaven
assistierende(r) Techniker(in):
Matt Lane (engineer) und Dave Snider
Techniker(in):
Matt Lane (engineer) und Gil Norton (British record producer)
Produzent(in):
Gil Norton (British record producer)
Mix:
Steve Haigler
Cello:
Arthur Fiacco und Ann Rorich
E-Bass:
Kim Deal
E-Gitarre:
Black Francis (US singer, songwriter & guitarist)
E-Gitarre [lead guitar] und Hintergrundgesang:
Joey Santiago
Geige / Violine:
Karen Karlsrud und Corine Metter
Schlagzeug:
Dave Lovering
vocals:
Black Francis (US singer, songwriter & guitarist) und Kim Deal
phonographisches Urheberrecht (℗) von:
4AD Ltd (in 1989)
aufgenommen bei und engineered at:
Downtown Recorders in Boston, Massachusetts, Vereinigte Staaten
mixed at:
Carriage House Studios in Stamford, Connecticut, Vereinigte Staaten
produced at:
Downtown Recorders in Boston, Massachusetts, Vereinigte Staaten
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 35), Indie 88: Top 500 Indie Rock Songs (Nummer: 49) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 410)
recording of:
Monkey Gone to Heaven
Texter und Komponist(in):
Black Francis (US singer, songwriter & guitarist)
Pixies3.92:57
11Fools Gold
Produzent(in) und Mix:
John Leckie
phonographisches Urheberrecht (℗) von:
Silvertone Records Ltd. (company credits only; file NO releases here!) (in 1989, in 1990)
Musikvideos:
Fools Gold (Music video) von The Stone Roses
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 32) und Indie 88: Top 500 Indie Rock Songs (Nummer: 145)
recording of:
Fools Gold
Verfasser(in):
Ian Brown (UK singer, member of Stone Roses) und John Squire
publisher:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.44:17
12Cherry-Coloured Funk
recording of:
Cherry‐Coloured Funk
Verfasser(in):
Elizabeth Fraser (Cocteau Twins), Robin Guthrie (guitarist in Cocteau Twins) und Simon Raymonde
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Cocteau Twins3:12
13Lock It
Falling Joys4:39
14Can I Kick It?
phonographisches Urheberrecht (℗) von:
Zomba Recording Corp. (not strictly a label - avoid adding releases here) (in 1990)
Samples:
Fried Okra von The Watts 103rd Street Rhythm Band, Hard Times von Baby Huey (US rock/soul singer James Ramey), Soul Concerto von The Watts 103rd Street Rhythm Band, Spinning Wheel von Dr. Lonnie Smith, Sunshower von Dr. Buzzard’s Original Savannah Band, The Way You Do The Things You Do von David Porter (US soul musician, producer & songwriter), Walk on the Wild Side von Lou Reed, What a Waste! von Ian Dury & the Blockheads und You Sexy Thing (re‐released single version, a‐side/album version) von Hot Chocolate (70s and 80s British soul band)
Musikvideos:
Can I Kick It? von A Tribe Called Quest
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 292)
recording of:
Can I Kick It?
Texter:
Jonathan Davis (American rapper), Ali Shaheed Muhammad und Lou Reed
Komponist(in):
Lou Reed
publisher:
Metal Machine Music (US work publisher)
A Tribe Called Quest3.654:13
15Treaty
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Ltd (in 1991)
recording of:
Treaty
Verfasser(in):
Peter Garrett, Stuart Kellaway, Paul Kelly (Australian singer/songwriter), Banula Marika, Witiyana Marika, Milkayngu Mununggurr, Cal Williams, Geoffrey Gurrumul Yunupingu und Mandawuy Yunupingu
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing, Sony/ATV Music Publishing und Yothu Yindi Music
Yothu Yindi4:04
16Killing in the Name
Assistent recording engineer:
Jeff Sheehan
recording engineer:
GGGarth (Canadian music producer and engineer) und Stan Katayama
zusätzlich Assistent recording engineer:
Craig Doubet (recording engineer)
Produzent(in):
GGGarth (Canadian music producer and engineer) und Rage Against the Machine
Mix:
Andy Wallace (engineer)
E-Bass:
Tim Commerford
E-Gitarre:
Tom Morello
Schlagzeug:
Brad Wilk
Sologesang:
Zack de la Rocha
arranger:
Rage Against the Machine
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1992) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
aufgenommen bei:
Scream Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
mixed at:
Quantum Sound Studios in Jersey City, New Jersey, Vereinigte Staaten
Musikvideos:
Killing in the Name (music video) von Rage Against the Machine
Teil von:
Fuck tha Police: 20 Songs Against Police Brutality (Nummer: 8), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 32), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 38) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 207)
recording of:
Killing in the Name
Texter:
Zack de la Rocha
Komponist(in):
Tim Commerford, Tom Morello, Zack de la Rocha und Brad Wilk
Rage Against the Machine4.255:15
17Pretend We're Dead
Techniker(in) und Mix:
Butch Vig
zusätzliche(r) Techniker(in):
Mr. Colson, Steve Marker und Jeff Sheehan
Produzent(in):
L7 (US punk rock) und Butch Vig
aufgenommen bei:
Smart Studios in Madison, Wisconsin, Vereinigte Staaten und Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Pretend We're Dead
Komponist(in):
Donita Sparks
L74.33:55
18Berlin Chair
Assistent recording engineer:
Mark Mason (sound engineer) (von 1993-07-27 bis 1993-08-03) und Brent Sigmeth (von 1993-07-27 bis 1993-08-03)
recording engineer:
Wayne Connolly (von 1993-07-27 bis 1993-08-03)
Produzent(in):
Lee Ranaldo
Mix:
Wayne Connolly und Lee Ranaldo
phonographisches Urheberrecht (℗) von:
rooArt (in 1993)
aufgenommen bei:
Pachyderm Recording Studio in Cannon Falls, Minnesota, Vereinigte Staaten (von 1993-07-27 bis 1993-08-03)
mixed at:
Messina Music in New York, New York, Vereinigte Staaten
recording of:
Berlin Chair (von 1993-07-27 bis 1993-08-03)
Texter:
Tim Rogers
Komponist(in):
Andy Kent, Tim Rogers und Mark Tunaley
publisher:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) und Universal Music Publishing (use ONLY if no country‐specific information is available)
You Am I3.52:36
19Insane in the Brain
Produzent(in):
DJ Muggs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (vom 1993 bis heute)
recording of:
Insane in the Brain
Verfasser(in):
Jerry Corbitt, Louis Freese, Larry Muggerud und Senen Reyes
publisher:
Cypress Phuncky Music (Cypress Hill publisher) und Soul Assassins Inc.
Cypress Hill3.953:28
20Cornflake Girl
recording engineer:
John Beverly Jones, Paul McKenna (mixing engineer) und Eric Rosse
Programmierung:
Eric Rosse
Mix:
Kevin Killen
Bass:
George Porter, Jr. (von 1993-02 bis 1993-10)
guitar family und Mandoline:
Steve Caton (von 1993-02 bis 1993-10)
Klavier und Sologesang:
Tori Amos (von 1993-02 bis 1993-10)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (von 1993-02 bis 1993-10)
Schlagzeug:
Carlo Nuccio (von 1993-02 bis 1993-10)
Gast vocals:
Merry Clayton (von 1993-02 bis 1993-10)
Herausgeber:
Sword and Stone
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994)
aufgenommen bei:
The Fishhouse in New Mexico, Vereinigte Staaten (von 1993-02 bis 1993-10)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Cornflake Girl (von 1993-02 bis 1993-10)
Texter und Komponist(in):
Tori Amos
publisher:
Sword and Stone
Tori Amos3.95:07
3▼CD
Nr.TitelKünstlerBewertungLänge
1Vow
assistierende(r) Techniker(in):
Mike Zirkel
Techniker(in) und Produzent(in):
Garbage (US rock band)
Bass:
Steve Marker
Gitarre:
Duke Erikson (member of Garbage), Shirley Manson und Steve Marker
Keyboard:
Duke Erikson (member of Garbage)
Schlagzeug:
Butch Vig
vocals:
Shirley Manson
aufgenommen bei:
Smart Studios in Madison, Wisconsin, Vereinigte Staaten
recording of:
Vow
Verfasser(in):
Duke Erikson (member of Garbage), Shirley Manson, Steve Marker und Butch Vig
Garbage3.654:32
2Apartment
Produzent(in):
Eric Drew Feldman
Musikvideos:
Apartment von Custard (Australian rock band)
recording of:
Apartment
Texter und Komponist(in):
David McCormack, Paul Medew, Danny Plant und Matthew Strong
Custard2:25
3Time Bomb
recording of:
Time Bomb
Verfasser(in):
Tim Armstrong, Lars Frederiksen (US punk guitarist, vocalist and producer) und Matt Freeman (US punk bassist)
publisher:
I Want To Go Where The Action is Music
Rancid2:26
4Hell Is Round the Corner
Produzent(in):
Mark Saunders (UK record producer) und Tricky (UK trip hop producer Adrian Thaws)
vocals:
Martina Topley‐Bird und Tricky (UK trip hop producer Adrian Thaws)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1995)
Samples:
Medley: Ike’s Rap II / Help Me Love von Isaac Hayes
recording of:
Hell Is Round the Corner
Verfasser(in):
Isaac Hayes und Adrian Thaws
publisher:
Irving Music, Inc. und Songs of PolyGram International, Inc.
Tricky4.353:48
5Down by the Water
Techniker(in):
Flood (British producer Mark Ellis) und PJ Harvey
Produzent(in):
Flood (British producer Mark Ellis) und Polly Jean Harvey
Mix:
Flood (British producer Mark Ellis)
Bratsche / Viola:
Jocelyn Pook (von 1994-09 bis 1994-10) und Jules Singleton (von 1994-09 bis 1994-10)
Cello:
Sian Bell (cellist) (von 1994-09 bis 1994-10)
Geige / Violine:
Sonia Slany (violinist) (von 1994-09 bis 1994-10)
Gitarre:
Joe Gore (von 1994-09 bis 1994-10)
Orgel:
PJ Harvey (von 1994-09 bis 1994-10)
Perkussion und Schlagzeug:
John Parish (von 1994-09 bis 1994-10)
vocals:
PJ Harvey (von 1994-09 bis 1994-10)
Interpret(in):
John Parish (von 1994-09 bis 1994-10)
arranger:
Pete Thomas (drummer)
aufgenommen bei:
Townhouse Three in Battersea, Wandsworth, London (Greater London), England, Vereinigtes Königreich (von 1994-09 bis 1994-10)
mixed at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland (von 1994-10 bis 1994-11)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 472)
recording of:
Down by the Water (von 1994-09 bis 1994-10)
Texter und Komponist(in):
PJ Harvey
PJ Harvey53:13
6Firestarter
zusätzlich recording engineer:
Neil McLellan
Produzent(in) und Mix:
Liam Howlett
Gitarre:
Jim Davies (The Prodigy studio guitarist) und Jim Davis (jazz producer)
vocals:
Keith Flint (vocalist in The Prodigy)
phonographisches Urheberrecht (℗) von:
XL‐Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 1996)
aufgenommen bei:
Strongroom in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
mixed at:
Earthbound in Bradwell, Essex, England, Vereinigtes Königreich
produced at:
Earthbound in Bradwell, Essex, England, Vereinigtes Königreich
Samples:
Close (to the Edit) von Art of Noise und S.O.S. von The Breeders
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 30)
recording of:
Firestarter
Verfasser(in):
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan und Paul Morley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. und Zomba Music
basiert auf:
S.O.S.
quotes music from:
Close (to the Edit)
The Prodigy4.054:43
7Paranoid Android
recorded in:
Vereinigtes Königreich (von 1996-07 bis 1997-03)
recording engineer und Produzent(in):
Nigel Godrich (English record producer) und Radiohead
Programmierung:
Thom Yorke
assistierende(r) Techniker(in):
Jon Bailey (engineer), Gerard Navarro (engineer) und Chris Scard
Mix und Editing:
Nigel Godrich (English record producer)
Bass-Synthesizer und Bassgitarre:
Colin Greenwood (English bassist in Radiohead) (von 1996-07 bis 1997-03)
Effektgerät und Hintergrundgesang:
Ed O’Brien (guitarist & songwriter in Radiohead) (von 1996-07 bis 1997-03)
Gitarre:
Jonny Greenwood (English musician and score composer) (von 1996-07 bis 1997-03), Ed O’Brien (guitarist & songwriter in Radiohead) (von 1996-07 bis 1997-03) und Thom Yorke (von 1996-07 bis 1997-03)
Glockenspiel, Keyboard, mellotron und Orgel:
Jonny Greenwood (English musician and score composer) (von 1996-07 bis 1997-03)
Klavier:
Jonny Greenwood (English musician and score composer) (von 1996-07 bis 1997-03) und Thom Yorke (von 1996-07 bis 1997-03)
Perkussion:
Colin Greenwood (English bassist in Radiohead) (von 1996-07 bis 1997-03), Ed O’Brien (guitarist & songwriter in Radiohead) (von 1996-07 bis 1997-03) und Philip Selway (drummer in Radiohead) (von 1996-07 bis 1997-03)
Schlagzeug:
Philip Selway (drummer in Radiohead) (von 1996-07 bis 1997-03)
vocals:
Thom Yorke (von 1996-07 bis 1997-03)
conductor:
Nick Ingman (von 1996-07 bis 1997-03)
Saiteninstrumente arranger:
Radiohead
phonographisches Urheberrecht (℗) von:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 2017)
Musikvideos:
Paranoid Android von Radiohead
Teil von:
Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 13), Indie 88: Top 500 Indie Rock Songs (Nummer: 20), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 38) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 256)
recording of:
Paranoid Android (von 1996-07 bis 1997-03)
Verfasser(in):
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) und Thom Yorke
Radiohead4.46:24
8Into My Arms
Assistent recording engineer:
Paul Hicks und Paul Wright (UK recording engineer)
recording engineer:
Paul Corkett
Produzent(in):
Nick Cave & the Bad Seeds und Flood (British producer Mark Ellis)
assistierende(r) Mix:
Chris Scard
Mix:
Flood (British producer Mark Ellis)
Bass:
Martyn P. Casey
Klavier:
Nick Cave (Australian singer‐songwriter, musician and score composer)
vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer)
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1997)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1996-07)
zusätzlich aufgenommen bei:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (in 1996-09)
recording of:
Into My Arms
Texter und Komponist(in):
Nick Cave (Australian singer‐songwriter, musician and score composer)
publisher:
Mushroom Music Pty. Ltd., Mute Song (international) und Mute Song Ltd.
Nick Cave & the Bad Seeds4.154:14
9Sing It Back
recording of:
Sing It Back
Verfasser(in):
Mark Brydon und Róisín Murphy
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und Chrysalis Music Publishing
Moloko4:40
10Wait and Bleed
recording of:
Wait and Bleed
Verfasser(in):
Shawn Crahan, Chris Fehn, Paul Gray (Slipknot bassist), Craig Jones (Slipknot sampler), Joey Jordison, Corey Taylor, Mick Thomson und Sid Wilson
publisher:
EMI April Music, Inc. und Music That Music
Slipknot2:33
11Ms. Jackson
Assistent recording engineer:
Malik Albert, Vincent Alexander und Warren Bletcher (engineer)
recording engineer:
John Frye (hip hop / R&B mix engineer)
Programmierung und Produzent(in):
Earthtone III (production team consisting of OutKast and Mr. DJ)
assistierende(r) Mix:
Warren Bletcher (engineer)
Mix:
Neal Pogue (mix engineer)
Gast-Bassgitarre:
Aaron Mills (funk/jazz bassist, member of Cameo)
Gast-Conga:
Rajinder Kala
Gast-Keyboard:
Earthtone III (production team consisting of OutKast and Mr. DJ)
Gast-Klavier:
Marvin “Chanz” Parkman
Gitarre und Hintergrundgesang und Sologesang:
André 3000
Sologesang:
Big Boi
arranger:
Earthtone III (production team consisting of OutKast and Mr. DJ)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2020)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 145) und Indie 88: Top 500 Indie Rock Songs (Nummer: 277)
recording of:
Ms. Jackson
Verfasser(in):
Antwan André Patton, André Benjamin und David Sheats (US hip-hop producer David Sheats)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Dungeon Ratz Music Inc. und Gnat Booty Music
OutKast4.154:32
12My Happiness
phonographisches Urheberrecht (℗) von:
Grudge Records Australia (in 2000)
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2000)
recording of:
My Happiness
Verfasser(in):
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug und Darren Middleton
publisher:
Egg the Nest Music und Kobalt Music Publishing Australia P/L
Powderfinger44:38
13Frontier Psychiatrist
Produzent(in):
Bobbydazzler
Mix:
Bobbydazzler und Tony Espie
arranger:
Bobbydazzler
phonographisches Urheberrecht (℗) von:
Modular Recordings (Australian label) (in 2000)
Samples:
(You Are) My Way of Life von Bert Kaempfert & His Orchestra, A Gray Line Tour of Historic Boston (B-side) von The Gray Line (sightseeing tour company) und Frontier Psychiatrist von Wayne and Shuster
Musikvideos:
Frontier Psychiatrist (music video) von The Avalanches (Australian electronic music group)
recording of:
Frontier Psychiatrist
Verfasser(in):
Robbie Chater, Dexter Fabay (Dexter Fabay), Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter), Herbert Rehbein, Darren Seltmann und Carl Sigman
The Avalanches4.454:50
14Get Ur Freak On
Assistent recording engineer:
Jesse Gorman und Grayson Sumby
Techniker(in):
Senator Jimmy D (engineer)
Produzent(in):
Missy Elliott (American rapper, singer, dancer & record producer) und Timbaland
assistierende(r) Mix:
Jesse Gorman und Steve Penny
Mix:
Jimmy Douglass (engineer)
Sologesang:
Missy Elliott (American rapper, singer, dancer & record producer)
zusätzlich vocals:
Angie Fisher
Musikvideos:
Get Ur Freak On von Missy Elliott (American rapper, singer, dancer & record producer)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 8) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 153)
recording of:
Get Ur Freak On
Verfasser(in):
Melissa Elliott (American rapper, singer, dancer & record producer) und Timothy Mosley
Missy Elliott43:57
15Chop Suey!
Techniker(in):
David Schiffman (American producer/audio engineer)
zusätzliche(r) Techniker(in):
Greg Collins (engineer) und Darren Mora
Koproduzent(in):
Serj Tankian
Produzent(in):
Daron Malakian und Rick Rubin (US record producer, former co‐president of Columbia Records)
Mix:
Andy Wallace (engineer)
Bassgitarre und zusätzlich vocals:
Shavo Odadjian
Gitarre:
Daron Malakian
Keyboard:
Serj Tankian
Schlagzeug:
John Dolmayan
vocals:
Daron Malakian und Serj Tankian
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2001)
aufgenommen bei:
Cello Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Enterprise Studios (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 37)
recording of:
Chop Suey!
Texter:
Daron Malakian und Serj Tankian
Komponist(in):
Daron Malakian
publisher:
DDevil Music, ilovecoffee und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Kobalt Music Publishing Ltd. Canada II, Sony/ATV Tunes (SOCAN), ソニー・ミュージックパブリッシング (Sony Music Publishing (Japan) Inc., song publisher, never a release label) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
System of a Down4.353:33
16Monsters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 2001)
recording of:
Monsters
Verfasser(in):
Something for Kate
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Something for Kate3:40
17Do You Realize??
recording engineer und Mix:
The Flaming Lips und Dave Fridmann
Programmierung und Sound-Engineering:
Dave Fridmann
Produzent(in):
Scott Booker, The Flaming Lips und Dave Fridmann
phonographisches Urheberrecht (℗) von:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 2002, in 2022)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 369)
recording of:
Do You Realize??
Verfasser(in):
Wayne Coyne, Steven Drozd, Dave Fridmann und Michael Ivins
publisher:
EMI Music Publishing (do not use as a release label!)
The Flaming Lips3.953:33
18The Nosebleed Section
Produzent(in):
Suffa
aufgenommen bei:
triple j's One Night Stand - Gippsland, Victoria (2009-05-30)
aufgenommen bei und mixed at:
X-Bred Production Studios in Adelaide, South Australia, Australien
Samples:
People in the Front Row von Melanie (US singer‐songwriter Melanie Safka)
Teil von:
Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 4)
recording of:
Nosebleed Section
Verfasser(in):
Barry Francis (Australian hip hop producer DJ Debris, member of Hilltop Hoods), Matt Lambert (Australian rapper and producer Suffa of Hilltop Hoods), Melanie Safka (US singer‐songwriter Melanie Safka) und Daniel Smith (Australian rapper aka Pressure)
Hilltop Hoods43:39
19Fix Up, Look Sharp
Programmierung und Produzent(in):
Dizzee Rascal
Techniker(in) und Mix:
Cage (Dizzee Rascal's manager. Sometimes credited as Nick Cage)
zusätzliche(r) Produzent(in):
Cage (Dizzee Rascal's manager. Sometimes credited as Nick Cage)
vocals:
Dizzee Rascal
phonographisches Urheberrecht (℗) von:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 2003)
aufgenommen bei:
Belly of the Beast in London (Greater London), England, Vereinigtes Königreich (von 2001-10 bis 2003-03) und Raskit’s Lair (von 2001-10 bis 2003-03)
mixed at:
Kenwood Studios in Sheffield, South Yorkshire, England, Vereinigtes Königreich (in 2003-04)
Samples:
The Big Beat von Billy Squier
Musikvideos:
Fix Up Look Sharp von Dizzee Rascal
recording of:
Fix Up, Look Sharp
Texter:
Dylan Mills und Billy Squier
Komponist(in):
Nick Detnon, Dylan Mills und Billy Squier
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dizzee Rascal43:46
20Take Me Out
Produzent(in) und Mix:
Tore Johansson
phonographisches Urheberrecht (℗) von:
Domino Recording Co. Ltd. (not for release label use!) (in 2004)
produced for:
Stephen Budd Management
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 16), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2004) und Indie 88: Top 500 Indie Rock Songs (Nummer: 80)
recording of:
Take Me Out
Verfasser(in):
Alex Kapranos (lead singer and guitarist in Franz Ferdinand) und Nick McCarthy
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Franz Ferdinand4.153:59
4▼CD
Nr.TitelKünstlerBewertungLänge
1Joker and the Thief
Techniker(in):
Ryan Castle
Produzent(in) und Mix:
David Sardy (American score composer)
Editing:
Andy Brohard
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Joker & the Thief (von 2005-06 bis 2005-09)
Verfasser(in):
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) und Andrew Stockdale
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Wolfmother3.654:40
2One Crowded Hour
Bearbeitung von:
One Crowded Hour von Augie March
recording of:
One Crowded Hour
Verfasser(in):
Glenn Richards
Augie March4:14
3Electric Feel
Interpret(in):
Ben Goldwasser und Andrew VanWyngarden
arranger:
Ben Goldwasser und Andrew VanWyngarden
Herausgeber:
Old Man Future und Sadguitarius
spätere Veröffentlichungen:
Electric Feel (album version) von MGMT (US pop rock group)
Teil von:
triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (Nummer: 2) und Indie 88: Top 500 Indie Rock Songs (Nummer: 212)
recording of:
Electric Feel
Texter und Komponist(in):
Ben Goldwasser und Andrew VanWyngarden
publisher:
Old Man Future und Sadguitarius
MGMT4.253:51
4My People
Mix:
John Fields (“Strawberry” – producer)
phonographisches Urheberrecht (℗) von:
Modular Recordings (Australian label) (in 2007, in 2008)
mixed at:
Seedy Underbelly in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
My People
Texter und Komponist(in):
Julian Hamilton (Austrailian singer-songwriter and keyboardist) und Kim Moyes
publisher:
EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Presets4.354:28
5Better Than
assistierende(r) Techniker(in):
Jarrad Hearman
Techniker(in) und Mix:
Mario Caldato Jr.
Koproduzent(in):
Michael Barker (NZ drummer) und Shannon Birchall
Produzent(in):
John Butler (Australian singer / songwriter / guitarist) und Mario Caldato Jr.
5-saitiges Banjo und Sologesang:
John Butler (Australian singer / songwriter / guitarist) (von 2004 bis 2005)
Kontrabass:
Shannon Birchall (von 2004 bis 2005)
Schlagzeug, Glockenspiel, Marimba, shakers und Tamburin:
Michael Barker (NZ drummer) (von 2004 bis 2005)
Hintergrundgesang:
Michael Barker (NZ drummer) (von 2004 bis 2005) und Shannon Birchall (von 2004 bis 2005)
phonographisches Urheberrecht (℗) von:
Family Music Pty Ltd (not for release label use! rights holders and publishing company) (in 2006)
aufgenommen bei:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australien (von 2004 bis 2005)
recording of:
Better Than (von 2004 bis 2005)
Texter und Komponist(in):
John Butler (Australian singer / songwriter / guitarist)
publisher:
Family Music Pty Ltd (not for release label use! rights holders and publishing company)
The John Butler Trio4.53:29
6We Won't Run
phonographisches Urheberrecht (℗) von:
Dew Process (in 2009) und Universal Music Australia (see annotation before using) (in 2009)
recording of:
We Won’t Run
Texter und Komponist(in):
Sarah Blasko
Sarah Blasko3.53:57
7Lisztomania
Produzent(in):
Phoenix (French indie band) und Zdar (founder of the Motorbass studio, half of Cassius)
Mix:
Philippe Zdar Cerboneschi (founder of the Motorbass studio, half of Cassius)
aufgenommen bei und mixed at:
Motorbass Studio in Paris, Île-de-France, Frankreich
Teil von:
Gary Calamar’s Top 10 Songs of ‘09 (Nummer: 6) und Indie 88: Top 500 Indie Rock Songs (Nummer: 99)
recording of:
Lisztomania
Verfasser(in):
Thomas Pablo Croquet, Christian Mazzalai, Laurent Mazzalai und Frederic Jean Joseph Moulin
publisher:
Ghettoblaster
Phoenix4.24:02
8Runaway
recording of:
Runaway
Verfasser(in):
Jeff Bhasker, J. Branch, Mike Dean (US “dirty south” hip‐hop producer & mix engineer), Emile Haynie (hip hop producer, aka "Emile"), Kanye West (formerly Kanye West), Malik Jones und Terrence Thornton (Pusha T)
Kanye West feat. Pusha T5:39
9Tokyo (Vampires & Wolves)
The Wombats3:39
10Shake It Out
drum machine [drum]-Programmierung:
Bullion
Techniker(in):
Mark Rankin (engineer)
Produzent(in):
Paul Epworth
assistierende(r) Mix:
Matty Green (mix engineer)
Mix:
Mark ‘Spike’ Stent (producer, engineer)
Gitarre:
Robert Ackroyd
Harfe:
Tom Monger (harpist)
Harmonium [pump organ]:
Paul Epworth
Keyboard:
Rusty Bradshaw
Perkussion:
Christopher Lloyd Hayden und Mark Saunders (bassist for Florence + the Machine)
Schlagzeug:
Christopher Lloyd Hayden
zusätzlich andere Instrumente [esoteric sonics]:
Bullion
Hintergrundgesang:
Sian Alice, Christopher Lloyd Hayden, Jack Penate, Lisa Moorish, Mark Saunders (bassist for Florence + the Machine) und Jessie Ware (British singer‐songwriter)
vocals:
Florence Welch (English singer)
phonographisches Urheberrecht (℗) von:
Universal Island Records (not for release label use; a division of Universal Music Operations Limited) (vom 2011 bis heute)
Teil von:
Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2013), Pitchfork: The 200 Best Songs of the 2010s (Nummer: 174) und Indie 88: Top 500 Indie Rock Songs (Nummer: 281)
recording of:
Shake It Out
Verfasser(in):
Paul Epworth und Florence Welch (English singer)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Florence + the Machine3.854:36
11Little Talks
Techniker(in):
Aron Arnarsson
Produzent(in):
Aron Arnarsson und Of Monsters and Men
Mix:
Craig Silvey
phonographisches Urheberrecht (℗) von:
SKRIMSL ehf (in 2012)
Musikvideos:
Little Talks von Of Monsters and Men
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 65) und Indie 88: Top 500 Indie Rock Songs (Nummer: 157)
recording of:
Little Talks
Texter:
Nanna (Icelandic contemporary pop artist) und Ragnar þórhallsson
Komponist(in):
Of Monsters and Men
publisher:
Sony/ATV Music Publishing, Inc.
Of Monsters and Men3.854:14
12Breezeblocks
Produzent(in):
Charlie Andrew
phonographisches Urheberrecht (℗) von:
Infectious Music Ltd.
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 188)
recording of:
Breezeblocks
Verfasser(in):
Charlie Andrew, Joe Newman (member of alt-J), Gwil Sainsbury, Thom Green (drummer for alt-J) und Gus Unger-Hamilton
alt‐J4.33:48
13Feels Like We Only Go Backwards
recording engineer und Produzent(in):
Kevin Parker (Australian singer and producer)
Mix:
Dave Fridmann
Instrumente und vocals:
Kevin Parker (Australian singer and producer)
mixed at:
Tarbox Road Studios in Chautauqua County, New York, Vereinigte Staaten
Teil von:
Pitchfork: The 200 Best Songs of the 2010s (Nummer: 192) und Indie 88: Top 500 Indie Rock Songs (Nummer: 302)
recording of:
Feels Like We Only Go Backwards
Texter und Komponist(in):
Kevin Parker (Australian singer and producer)
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Tame Impala4.153:14
14Holdin On
aufgenommen bei:
triple j's One Night Stand - Dubbo, New South Wales (2013-04-13)
phonographisches Urheberrecht (℗) von:
Future Classic (in 2013) und Mom+Pop (independent NYC) (in 2013)
aufgenommen bei:
Dubbo Showgrounds in Dubbo, New South Wales, Australien (am 2013-04-13)
recording of:
Holdin On
Verfasser(in):
Harley Edward Streten (Australian DJ and producer) und Otis Redding
Flume32:34
15Royals
Techniker(in), Produzent(in) und Mix:
Joel Little
Instrumente:
Joel Little
Sologesang:
Ella Yelich O’Connor (New Zealand singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Universal Music New Zealand (in 2013) und Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2013)
aufgenommen bei:
Golden Age in Auckland, Auckland (Region Auckland), North Island, Neuseeland
Musikvideos:
Royals von Lorde (New Zealand singer‐songwriter) und Royals von Lorde (New Zealand singer‐songwriter)
Teil von:
Grammy Award: Best Pop Solo Performance nominees (Nummer: 2014 winner), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 11), Billboard Year-End Hot 100 singles of 2013 (Nummer: 15), Billboard Year-End Hot 100 singles of 2014 (Nummer: 20), Stereogum: The 200 Best Songs of the 2010s (Nummer: 23), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 30), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 35), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 77), Indie 88: Top 500 Indie Rock Songs (Nummer: 98), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 111) und Pitchfork: The 200 Best Songs of the 2010s (Nummer: 129)
recording of:
Royals
Verfasser(in):
Ella Yelich O’Connor (New Zealand singer‐songwriter) und Joel Little
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), イーエムアイ音楽出版 (EMI Music Publishing Japan) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Matuschkes Lieblinge 2013 und APRA Silver Scroll Awards Winners (Nummer: 2013)
Lorde3.753:12
16Do I Wanna Know?
Produzent(in):
James Ford (UK producer/engineer/drummer for Simian Mobile Disco) und Ross Orton
Mix:
Tchad Blake
phonographisches Urheberrecht (℗) von:
Domino Recording Co Ltd (not for release label use!) (in 2013)
Musikvideos:
Do I Wanna Know? (Official Video) von Arctic Monkeys
Teil von:
Grammy Award: Best Rock Performance nominees (Nummer: 2015), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 219)
recording of:
Do I Wanna Know?
Texter:
Alex Turner
Komponist(in):
Arctic Monkeys und Alex Turner
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Arctic Monkeys4.24:34
17Riptide
Produzent(in):
John Castle, James Keogh (Australian singer-songwriter) und Edwin White (Australian musician and producer)
vocals:
Vance Joy (Australian singer-songwriter)
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2013), Billboard Year-End Hot 100 singles of 2015 (Nummer: 71), Indie 88: Top 500 Indie Rock Songs (Nummer: 72) und BILLIONS CLUB
recording of:
Riptide
Texter und Komponist(in):
James Keogh (Australian singer-songwriter)
publisher:
Mushroom Music Pty. Ltd. und WB Music Corp. (1929–2019)
Vance Joy3.953:22
18Is This How You Feel?
The Preatures3:35
19High
recording of:
High
Verfasser(in):
Adam Hyde, Samuel Littlemore, Nicole Millar und Reuben Styles
Peking Duk feat. Nicole Millar33:48
20Talk Is Cheap
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2014)
recording of:
Talk Is Cheap
Verfasser(in):
Nick Murphy (aka Chet Faker)
Chet Faker43:39

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