The Collection

~ Release by Norah Jones (see all versions of this release, 1 available)

Annotation

Norah Jones The Collection on Limited Edition 6 x Hybrid SACD Box Set

Set includes Five Individual Titles plus Exclusive Bonus Album of Cover Classics on Hybrid SACD!

All Mastered from the Original Sources by Kevin Gray at Cohearant Audio!

Norah Jones is the rare artist who has combined widespread critical acclaim with immense commercial success, winning nine Grammy Awards and selling 40 million albums in just a decade, while collaborating with artists from across the spectrum from jazz to hip hop, rock to country! Her pitch perfect voice combined with her choice of the finest musicians along with top-flight producers such as Arif Mardin, Danger Mouse and Jacquire King have made her releases go-to demonstration discs for audiophile stereo systems.

Now ten years into her already impressive career, she is releasing her fifth studio album Little Broken Hearts, produced by and co-written with five-time Producer of the Year Grammy nominee Danger Mouse, and to celebrate, Blue Note Records and Analogue Productions are collaborating to re-issue her entire catalog on limited edition audiophile 200g LP and Hybrid SACD editions.

The Hybrid SACD editions of the five albums, 2002's Come Away With Me, 2004's Feels Like Home, 2007's Not Too Late, 2009's The Fall and Norah's new album Little Broken Hearts, have all been re-mastered from the original sources by Kevin Gray at Cohearant Audio.

In addition to the individual releases, Analogue and Blue Note will produce a limited edition SACD box set comprising all five titles plus an exclusive bonus album titled Covers. Only available as part of these sets, Covers includes ten rare or unreleased interpretations of classics recorded throughout Norah's career. Artists covered include Bob Dylan, Johnny Cash, Tom Waits, Horace Silver, Wilco and more. The box set will be wrapped in a textured paper that feels like linen.

Features:
Limited Edition 6 x Hybrid SACD Box Set
Five individual titles plus exclusive bonus album of cover classics
Re-mastered from the original source by Kevin Gray at Cohearant Audio
Each album features original artwork and booklets
Set housed in a deluxe textured-paper sturdy box that feels like linen
Hybrid SACDs playable on ALL CD players

Annotation last modified on 2015-01-06 23:08 UTC.

Tracklist

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1Hybrid SACD: Come Away With Me
#TitleRatingLength
1Don’t Know Why
assistant engineer:
Mark Birkey
engineer:
Jay Newland (producer, engineer and mixer)
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland (producer, engineer and mixer)
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar and electric guitar:
Jesse Harris (in 2000-10)
bass guitar:
Lee Alexander (US bassist, songwriter & producer) (in 2000-10)
drums (drum set):
Dan Rieser (in 2000-10)
piano and lead vocals:
Norah Jones (in 2000-10)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States (in 2000-10) and Sorcerer Sound in New York, New York, United States (in 2000-10)
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Don’t Know Why (in 2000-10)
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3.453:07
2Seven Years
assistant engineer:
Brandon Mason
engineer:
Husky Huskolds
additional producer:
Norah Jones and Jay Newland (producer, engineer and mixer)
producer:
Craig Street
assistant mixer:
Todd Parker
mixer:
Jay Newland (producer, engineer and mixer)
acoustic guitar and resonator guitar [National guitar]:
Kevin Breit
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Seven Years
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer)
3.152:25
3Cold Cold Heart
assistant engineer:
Dick Kondas
engineer:
Jay Newland (producer, engineer and mixer)
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Cold, Cold Heart
lyricist and composer:
Hank Williams (country music legend)
publisher:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1951-02-16)
2.93:38
4Feelin’ the Same Way
assistant engineer:
Brandon Mason
engineer:
Husky Huskolds
additional producer:
Norah Jones and Jay Newland (producer, engineer and mixer)
producer:
Craig Street
assistant mixer:
Todd Parker
mixer:
Jay Newland (producer, engineer and mixer)
acoustic guitar and electric guitar:
Kevin Breit
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
Wurlitzer electric piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Feelin’ the Same Way
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer)
2.752:59
5Come Away With Me
assistant engineer:
Dick Kondas
engineer:
Jay Newland (producer, engineer and mixer)
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Come Away With Me
lyricist and composer:
Norah Jones
3.83:17
6Shoot the Moon
assistant engineer:
Dick Kondas
engineer:
Jay Newland (producer, engineer and mixer)
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
electric guitar:
Adam Levy (jazz guitarist)
Hammond organ [Hammond B-3]:
Sam Yahel (US jazz keyboardist)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Shoot the Moon
lyricist and composer:
Jesse Harris
3.453:57
7Turn Me On
assistant engineer:
Mark Birkey
engineer:
Jay Newland (producer, engineer and mixer)
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland (producer, engineer and mixer)
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
guitar:
Adam Rogers (guitar)
Hammond organ [Hammond B-3]:
Sam Yahel (US jazz keyboardist)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Turn Me On
lyricist and composer:
John D. Loudermilk
publisher:
Loudermilk Music, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1961-08-09)
4.22:35
8Lonestar
assistant engineer:
Dick Kondas
engineer:
Jay Newland (producer, engineer and mixer)
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar:
Adam Levy (jazz guitarist)
acoustic guitar and slide guitar:
Tony Scherr
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
organ [Pump organ]:
Rob Burger
lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Lonestar
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer)
3.43:06
9I’ve Got to See You Again
assistant engineer:
Dick Kondas
engineer:
Jay Newland (producer, engineer and mixer)
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals:
Norah Jones
violin:
Jenny Scheinman
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
I’ve Got to See You Again
lyricist and composer:
Jesse Harris
3.14:14
10Painter Song
assistant engineer:
Dick Kondas
engineer:
Jay Newland (producer, engineer and mixer)
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
accordion:
Rob Burger
acoustic guitar:
Adam Levy (jazz guitarist)
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Painter Song
writer:
Lee Alexander (US bassist, songwriter & producer) and J.C. Hopkins
3.152:41
11One Flight Down
assistant engineer:
Dick Kondas
engineer:
Jay Newland (producer, engineer and mixer)
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
electric guitar:
Adam Levy (jazz guitarist)
Hammond organ [Hammond B-3]:
Sam Yahel (US jazz keyboardist)
piano and lead vocals:
Norah Jones
violin:
Jenny Scheinman
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
One Flight Down
lyricist and composer:
Jesse Harris
3.53:06
12Nightingale
assistant engineer:
Dick Kondas
engineer and mixer:
Jay Newland (producer, engineer and mixer)
producer:
Arif Mardin
acoustic guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Nightingale
lyricist and composer:
Norah Jones
3.154:12
13The Long Day Is Over
assistant engineer:
Brandon Mason
engineer:
Husky Huskolds
additional producer:
Norah Jones and Jay Newland (producer, engineer and mixer)
producer:
Craig Street
assistant mixer:
Todd Parker
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Kenny Wollesen (percussionist)
electric guitar:
Kevin Breit and Bill Frisell
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States, Sorcerer Sound in New York, New York, United States and House of Blues in New Orleans, Louisiana, United States (on 2002-08-24)
mixed at:
Sear Sound in New York, New York, United States
recording of:
The Long Day Is Over
writer:
Jesse Harris and Norah Jones
2.852:46
14The Nearness of You
assistant engineer:
Dick Kondas
engineer:
Jay Newland (producer, engineer and mixer)
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
3.553:08
2Hybrid SACD: Feels Like Home
#TitleRatingLength
1Sunrise
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar and banjolin:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
slit drum:
Andrew Borger (from 2003 until 2004)
background vocals [backup vocal]:
Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Sunrise (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.853:21
2What Am I to You?
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Levon Helm (from 2003 until 2004)
electric guitar:
Tony Scherr (from 2003 until 2004)
Hammond organ:
Garth Hudson (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
What Am I to You? (from 2003 until 2004)
lyricist and composer:
Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. and Muthajones Music
43:30
3Those Sweet Words
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004) and Jesse Harris (from 2003 until 2004)
cajón [box]:
Andrew Borger (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
piano and lead vocals [vocals]:
Norah Jones (from 2003 until 2004)
reed organ [pump organ]:
Rob Burger (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Those Sweet Words (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Richard Julian
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music, Slow New York Music and Sony/ATV Songs LLC
4.353:23
4Carnival Town
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris (from 2003 until 2004)
cello:
Jane Scarpantoni (cellist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
viola:
David Gold (viola player) (from 2003 until 2004)
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Carnival Town (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.253:12
5In the Morning
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
double bass [acoustic bass] and electric bass guitar:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
In the Morning (from 2003 until 2004)
lyricist and composer:
Adam Levy (jazz guitarist)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Bughouse, Lost Wax Music and Universal Music Corp. (USA, affiliated with ASCAP)
3.654:07
6Be Here to Love Me
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
accordion:
Garth Hudson (from 2003 until 2004)
acoustic guitar:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Kevin Breit (from 2003 until 2004), Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Be Here to Love Me (from 2003 until 2004)
lyricist and composer:
Townes Van Zandt
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Bughouse and Silver House Music Inc. (publisher; do NOT use as release label)
3.653:29
7Creepin’ In
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
reed organ [pump organ]:
Rob Burger (from 2003 until 2004)
snare drum:
Andrew Borger (from 2003 until 2004)
background vocals [backup vocal]:
Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
lead vocals [vocal]:
Norah Jones (from 2003 until 2004) and Dolly Parton (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Creepin’ In (from 2003 until 2004)
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. and Fumblethumbs Music
3.753:04
8Toes
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Toes (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.653:47
9Humble Me
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
reed organ [pump organ] and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Humble Me (from 2003 until 2004)
lyricist and composer:
Kevin Breit
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Poverty Playlist and Sony/ATV Songs LLC
3.54:36
10Above Ground
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
electric guitar, foot stomps [foot tapping] and resonator guitar:
Kevin Breit (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Above Ground (from 2003 until 2004)
writer:
Adrew Borger and Daru Oda
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Chamfered Music and Honk Shoo Music
3.653:44
11The Long Way Home
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004)
cajón [box]:
Andrew Borger (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
flute [flutes] and background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Long Way Home (from 2003 until 2004)
writer:
Kathleen Brennan and Tom Waits
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Jalma Music
43:13
12The Prettiest Thing
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004)
double bass [bass] and lap steel guitar [lap steel]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
The Prettiest Thing (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer), Norah Jones and Richard Julian
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music, Muthajones Music, Slow New York Music and Sony/ATV Songs LLC
3.753:52
13Don’t Miss You at All
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Don't Miss You at All (from 2003 until 2004)
lyricist:
Norah Jones
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Muthajones Music and Sony/ATV Harmony
43:08
3Hybrid SACD: Not Too Late
#TitleRatingLength
1Wish I Could
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
cello [bowed cello]:
Jeffrey Zeigler (cellist - Kronos Quartet, Corigliano Quartet)
cello [pizzicato cello]:
Julia Kent (cellist)
lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Wish I Could
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.654:18
2Sinkin’ Soon
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
banjitar [guitJo]:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set), friction drum [pots], slit drum and steelpan [pans]:
Andrew Borger
mandolin:
Kevin Breit
piano and lead vocals [vocals]:
Norah Jones
trombone:
J. Walter Hawkes
vocals:
Daru Oda and M. Ward (US singer‐songwriter and guitarist; member of She & Him)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
music videos:
Sinkin' Soon by Norah Jones
recording of:
Sinkin' Soon
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
4.654:38
3The Sun Doesn’t Like You
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
chamberlin [chamberlin keyboards]:
Paul Bryan (bass, engineer, Los Angeles-based musician)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
The Sun Doesn't Like You
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.152:59
4Until the End
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
Hammond organ [Hammond B-3 organ]:
Larry Goldings
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
music videos:
Until the End by Norah Jones
recording of:
Until the End
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.653:56
5Not My Friend
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
cymbal and marimba:
Andrew Borger
electric guitar [backwards electric guitar]:
Adam Levy (jazz guitarist)
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Not My Friend
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. and Muthajones Music
3.52:54
6Thinking About You
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Tony Mason (60s US soul vocalist)
Hammond organ [Hammond B-3 organ]:
Devin Greenwood
tenor saxophone:
Rob Sudduth
trumpet:
Chuck MacKinnon
Wurlitzer electric piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
music videos:
Thinking About You by Norah Jones
recording of:
Thinking About You
lyricist and composer:
İlhan Erşahin and Norah Jones
publisher:
EMI Blackwood Music Inc., Muthajones Music and Tatu Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
4.353:20
7Broken
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
cello [outro cellos]:
Julia Kent (cellist)
cello [pizzicato] and double bass [bowed basses]:
Lee Alexander (US bassist, songwriter & producer)
electric guitar and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Broken
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
43:21
8My Dear Country
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
Hammond organ [Hammond B-3 organ]:
Larry Goldings
piano and lead vocals [vocals]:
Norah Jones
tenor saxophone:
Bill McHenry
trombone [trombones]:
J. Walter Hawkes
tuba:
Jose Davila (tuba, trombone)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
My Dear Country
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. and Muthajones Music
43:25
9Wake Me Up
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar and reed organ [pump organ] and lead vocals [vocals]:
Norah Jones
bass and lap steel guitar [lap steel]:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Wake Me Up
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
42:46
10Be My Somebody
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Tony Scherr
Hammond organ [Hammond B-3 organ]:
Larry Goldings
Wurlitzer electric piano [Wurlitzer] and lead vocals [vocals]:
Norah Jones
vocals:
Richard Julian
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Be My Somebody
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. and Muthajones Music
3.53:36
11Little Room
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar and lead vocals [vocals]:
Norah Jones
bass:
Lee Alexander (US bassist, songwriter & producer)
whistle:
Daru Oda
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Little Room
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. and Muthajones Music
32:44
12Rosie’s Lullaby
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
solo electric guitar:
Robbie McIntosh (English guitarist for The Pretenders)
Wurlitzer electric piano [Wurlitzer] and lead vocals [vocals]:
Norah Jones
vocals:
Adam Levy (jazz guitarist) and Daru Oda
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Rosie's Lullaby
lyricist and composer:
Norah Jones and Daru Oda
publisher:
EMI Blackwood Music Inc., Honk Shoo Music and Muthajones Music
43:56
13Not Too Late
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
mellotron and piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Not Too Late
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.53:31
4Hybrid SACD: The Fall
#TitleRatingLength
1Chasing Pirates
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
programming:
Matt Stanfield
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
additional drums (drum set):
Robert DiPietro
bass:
Frank Swart
drums (drum set) and percussion:
Marco Giovino
electric guitar:
Sam Cohen and Smokey Hormel
piano and synthesizer:
John Kirby (jazz bass/trombone/tuba player)
Wurlitzer electric piano:
Norah Jones and James Poyser (soul, r&b, hip-hop producer and songwriter)
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Chasing Pirates
lyricist and composer:
Norah Jones
3.852:40
2Even Though
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
bass:
Dave Wilder
drums (drum set):
Pete McNeal
electric guitar:
Peter Atanasoff
piano and synthesizer:
John Kirby (jazz bass/trombone/tuba player)
tambourine:
Will Sayles
Wurlitzer electric piano and piano:
Norah Jones
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Even Though
writer:
Jesse Harris and Norah Jones
3.83:52
3Light as a Feather
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
additional engineer and additional producer:
Tom Schick
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
acoustic guitar:
Sasha Dobson
acoustic guitar and electric guitar:
Norah Jones
bass:
Dave Wilder
drums (drum set):
Pete McNeal
frame drum:
Will Sayles
synthesizer:
John Kirby (jazz bass/trombone/tuba player) and Zac Rae
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Light as a Feather
writer:
Ryan Adams (US singer-songwriter, multi-instrumentalist, producer & poet) and Norah Jones
4.253:52
4Young Blood
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
acoustic guitar:
Lyle Workman
acoustic guitar and electric guitar:
Norah Jones
bass:
Gus Seyffert
drums (drum set):
Joey Waronker
Rhodes piano, marimba and vibraphone:
Zac Rae
shakers:
Will Sayles
background vocals:
Mike Martin (guitarist from All That Remains)
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Young Blood
writer:
Norah Jones and Mike Martin (guitarist from All That Remains)
43:38
5I Wouldn’t Need You
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
bass:
Gus Seyffert
drums (drum set):
Joey Waronker
electric guitar:
Sam Cohen and Norah Jones
organ:
Zac Rae
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
I Wouldn’t Need You
lyricist and composer:
Norah Jones
43:30
6Waiting
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
additional engineer and additional producer:
Tom Schick
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
bass:
Catherine Popper
drums (drum set):
Robert DiPietro
electric guitar, glockenspiel and piano:
Norah Jones
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Waiting
lyricist and composer:
Norah Jones
43:31
7It’s Gonna Be
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
bass:
Tony Scherr
drums (drum set):
Robert DiPietro
electric guitar:
Peter Atanasoff
percussion:
Will Sayles
Wurlitzer electric piano:
Norah Jones
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
It’s Gonna Be
lyricist and composer:
Norah Jones
4.253:11
8You’ve Ruined Me
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
acoustic guitar, electric guitar and piano:
Norah Jones
bass:
Frank Swart
drums (drum set):
Marco Giovino
electric guitar:
Marc Ribot (US guitarist)
Marxophone:
Zac Rae
organ:
James Poyser (soul, r&b, hip-hop producer and songwriter)
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
You’ve Ruined Me
lyricist and composer:
Norah Jones
3.752:45
9Back to Manhattan
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
additional engineer:
Tom Schick
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
acoustic guitar and piano:
Norah Jones
bass:
Gus Seyffert
drums (drum set):
James Gadson (American drummer)
electric guitar:
Sam Cohen
organ:
Zac Rae
pedal steel guitar:
Jon Graboff
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Back to Manhattan
lyricist and composer:
Norah Jones
3.754:07
10Stuck
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
banjo and electric guitar:
Marc Ribot (US guitarist)
bass:
Dave Wilder
drums (drum set):
Pete McNeal
electric guitar:
Peter Atanasoff and Norah Jones
piano and synthesizer:
John Kirby (jazz bass/trombone/tuba player)
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Stuck
writer:
Norah Jones and Will Sheff
4.255:15
11December
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
programming:
Matt Stanfield
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
additional engineer:
Tom Schick
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
piano:
Norah Jones
synthesizer:
Matt Stanfield
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
December
writer:
Norah Jones
43:05
12Tell Yer Mama
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
bass:
Gus Seyffert
clavinet and organ:
Zac Rae
drums (drum set):
Joey Waronker
electric guitar:
Norah Jones and Lyle Workman
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Tell Yer Mama
writer:
Jesse Harris, Norah Jones and Richard Julian
43:25
13Man of the Hour
additional recording engineer:
Brad Bivens
assistant recording engineer:
Morgan Stratton and Brian Thorn
recording engineer, producer and mixer:
Jacquire King
artist & repertoire support:
Ronette Bowie (management) and Eli Wolf
assistant mixer:
Jon Stinson
creative direction:
Gordon H Jee
piano:
Norah Jones
vocals:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2009)
recorded at:
House of David in Nashville, Tennessee, United States, Sunset Sound Recorders in Hollywood, Los Angeles, California, United States, The Coop in New York, New York, United States and The Magic Shop in Manhattan, New York, New York, United States
mixed at:
the lbt in Nashville, Tennessee, United States
recording of:
Man of the Hour
lyricist and composer:
Norah Jones
4.252:57
5Hybrid SACD: …Little Broken Hearts
#TitleRatingLength
1Good Morning
mixed in:
Canyon Country, Santa Clarita, California, United States
recording engineer:
Todd Monfalcone and Kennie Takahashi
artist & repertoire support:
Ronette Bowie (management), Liz Isik (management) and Eli Wolf
assistant engineer:
Valente Torrez and Masahiro Tsuzuki
producer:
Danger Mouse (Brian Burton)
mixer:
Kennie Takahashi
creative direction:
Gordon H Jee
acoustic guitar, organ and synthesizer:
Brian Burton
cello:
Heather McIntosh (American musician and score composer)
electric guitar:
Blake Mills
Rhodes piano and guitar:
Norah Jones
vocals:
Norah Jones
cello arranger:
Heather McIntosh (American musician and score composer)
strings arranger:
Brian Burton
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at:
Electro-Vox Studios in Hollywood, Los Angeles, California, United States and Mondo Studio in Los Angeles, California, United States
recording of:
Good Morning
writer:
Brian Burton and Norah Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Sweet Science and Muthajones Music LLC (in 2012)
43:18
2Say Goodbye
mixed in:
Canyon Country, Santa Clarita, California, United States
recording engineer:
Todd Monfalcone and Kennie Takahashi
artist & repertoire support:
Ronette Bowie (management), Liz Isik (management) and Eli Wolf
assistant engineer:
Valente Torrez and Masahiro Tsuzuki
producer:
Danger Mouse (Brian Burton)
mixer:
Kennie Takahashi
creative direction:
Gordon H Jee
bass guitar, drums (drum set), electric guitar and synthesizer:
Brian Burton
cello:
Heather McIntosh (American musician and score composer)
Wurlitzer electric piano, bass guitar, electric guitar and piano:
Norah Jones
vocals:
Norah Jones
cello arranger:
Heather McIntosh (American musician and score composer)
strings arranger:
Brian Burton
arranger:
Vanessa Freebairn‐Smith
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at:
Electro-Vox Studios in Hollywood, Los Angeles, California, United States and Mondo Studio in Los Angeles, California, United States
recording of:
Say Goodbye
writer:
Brian Burton and Norah Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Sweet Science and Muthajones Music LLC (in 2012)
43:27
3Little Broken Hearts
mixed in:
Canyon Country, Santa Clarita, California, United States
recording engineer:
Todd Monfalcone and Kennie Takahashi
artist & repertoire support:
Ronette Bowie (management), Liz Isik (management) and Eli Wolf
assistant engineer:
Valente Torrez and Masahiro Tsuzuki
producer:
Danger Mouse (Brian Burton)
mixer:
Kennie Takahashi
creative direction:
Gordon H Jee
acoustic guitar and electric guitar:
Norah Jones
bass guitar:
Gus Seyffert
drums (drum set), electric guitar, percussion and synthesizer:
Brian Burton
electric guitar:
Blake Mills
vocals:
Norah Jones
strings arranger:
Brian Burton
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at:
Electro-Vox Studios in Hollywood, Los Angeles, California, United States and Mondo Studio in Los Angeles, California, United States
recording of:
Little Broken Hearts
writer:
Brian Burton and Norah Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Sweet Science and Muthajones Music LLC (in 2012)
3.53:12
4She’s 22
mixed in:
Canyon Country, Santa Clarita, California, United States
recording engineer:
Todd Monfalcone and Kennie Takahashi
artist & repertoire support:
Ronette Bowie (management), Liz Isik (management) and Eli Wolf
assistant engineer:
Valente Torrez and Masahiro Tsuzuki
producer:
Danger Mouse (Brian Burton)
mixer:
Kennie Takahashi
creative direction:
Gordon H Jee
electric guitar:
Blake Mills
guitar, organ and piano:
Norah Jones
synthesizer:
Brian Burton
vocals:
Norah Jones
strings arranger:
Brian Burton
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at:
Electro-Vox Studios in Hollywood, Los Angeles, California, United States and Mondo Studio in Los Angeles, California, United States
recording of:
She’s 22
writer:
Brian Burton and Norah Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Sweet Science and Muthajones Music LLC (in 2012)
43:11
5Take It Back
mixed in:
Canyon Country, Santa Clarita, California, United States
recording engineer:
Todd Monfalcone and Kennie Takahashi
artist & repertoire support:
Ronette Bowie (management), Liz Isik (management) and Eli Wolf
assistant engineer:
Valente Torrez and Masahiro Tsuzuki
producer:
Danger Mouse (Brian Burton)
mixer:
Kennie Takahashi
creative direction:
Gordon H Jee
bass guitar and electric guitar and background vocals:
Gus Seyffert
drums (drum set), electric guitar and synthesizer:
Brian Burton
electric guitar:
Blake Mills
strings:
Caroline Campbell (US violinist), Vanessa Freebairn‐Smith, Juan Miguel Hernandez‐Hachez (violinist/violist), Sonus Quartet and Alwyn Wright (American violinist)
Wurlitzer electric piano, electric guitar and piano:
Norah Jones
vocals:
Norah Jones
strings arranger:
Brian Burton
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at:
Electro-Vox Studios in Hollywood, Los Angeles, California, United States and Mondo Studio in Los Angeles, California, United States
recording of:
Take It Back
writer:
Brian Burton and Norah Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Sweet Science and Muthajones Music LLC (in 2012)
3.54:06
6After the Fall
mixed in:
Canyon Country, Santa Clarita, California, United States
recording engineer:
Todd Monfalcone and Kennie Takahashi
artist & repertoire support:
Ronette Bowie (management), Liz Isik (management) and Eli Wolf
assistant engineer:
Valente Torrez and Masahiro Tsuzuki
producer:
Danger Mouse (Brian Burton)
mixer:
Kennie Takahashi
creative direction:
Gordon H Jee
bass guitar:
Gus Seyffert
drums (drum set):
Joey Waronker
electric guitar:
Blake Mills
organ, piano and synthesizer:
Brian Burton
strings:
Caroline Campbell (US violinist), Vanessa Freebairn‐Smith, Juan Miguel Hernandez‐Hachez (violinist/violist), Sonus Quartet and Alwyn Wright (American violinist)
vocals:
Norah Jones
strings arranger:
Brian Burton
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at:
Electro-Vox Studios in Hollywood, Los Angeles, California, United States and Mondo Studio in Los Angeles, California, United States
recording of:
After the Fall
writer:
Brian Burton and Norah Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Sweet Science and Muthajones Music LLC (in 2012)
3.53:42
74 Broken Hearts
mixed in:
Canyon Country, Santa Clarita, California, United States
recording engineer:
Todd Monfalcone and Kennie Takahashi
artist & repertoire support:
Ronette Bowie (management), Liz Isik (management) and Eli Wolf
assistant engineer:
Valente Torrez and Masahiro Tsuzuki
producer:
Danger Mouse (Brian Burton)
mixer:
Kennie Takahashi
creative direction:
Gordon H Jee
acoustic guitar and electric guitar:
Blake Mills
bass guitar and electric guitar:
Gus Seyffert
drums (drum set) and electric guitar:
Brian Burton
drums (drum set) and percussion:
Joey Waronker
Rhodes piano, electric guitar and piano:
Norah Jones
vocals:
Norah Jones
strings arranger:
Brian Burton
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at:
Electro-Vox Studios in Hollywood, Los Angeles, California, United States and Mondo Studio in Los Angeles, California, United States
recording of:
4 Broken Hearts
writer:
Brian Burton and Norah Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Sweet Science and Muthajones Music LLC (in 2012)
43:00
8Travelin’ On
mixed in:
Canyon Country, Santa Clarita, California, United States
recording engineer:
Todd Monfalcone and Kennie Takahashi
artist & repertoire support:
Ronette Bowie (management), Liz Isik (management) and Eli Wolf
assistant engineer:
Valente Torrez and Masahiro Tsuzuki
producer:
Danger Mouse (Brian Burton)
mixer:
Kennie Takahashi
creative direction:
Gordon H Jee
acoustic guitar:
Brian Burton
bass guitar and cello and cello:
Heather McIntosh (American musician and score composer)
vocals:
Norah Jones
cello arranger:
Heather McIntosh (American musician and score composer)
strings arranger:
Brian Burton
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at:
Electro-Vox Studios in Hollywood, Los Angeles, California, United States and Mondo Studio in Los Angeles, California, United States
recording of:
Travelin' On
writer:
Brian Burton and Norah Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Sweet Science and Muthajones Music LLC (in 2012)
33:07
9Out on the Road
mixed in:
Canyon Country, Santa Clarita, California, United States
recording engineer:
Todd Monfalcone and Kennie Takahashi
artist & repertoire support:
Ronette Bowie (management), Liz Isik (management) and Eli Wolf
assistant engineer:
Valente Torrez and Masahiro Tsuzuki
producer:
Danger Mouse (Brian Burton)
mixer:
Kennie Takahashi
creative direction:
Gordon H Jee
acoustic guitar and electric guitar:
Blake Mills
bass guitar:
Gus Seyffert
drums (drum set):
Joey Waronker
electric guitar:
Brian Burton
piano:
Norah Jones
vocals:
Norah Jones
strings arranger:
Brian Burton
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at:
Electro-Vox Studios in Hollywood, Los Angeles, California, United States and Mondo Studio in Los Angeles, California, United States
recording of:
Out on the Road
writer:
Brian Burton and Norah Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Sweet Science and Muthajones Music LLC (in 2012)
43:29
10Happy Pills
mixed in:
Canyon Country, Santa Clarita, California, United States
recording engineer:
Todd Monfalcone and Kennie Takahashi
artist & repertoire support:
Ronette Bowie (management), Liz Isik (management) and Eli Wolf
assistant engineer:
Valente Torrez and Masahiro Tsuzuki
producer:
Danger Mouse (Brian Burton)
mixer:
Kennie Takahashi
creative direction:
Gordon H Jee
bass guitar:
Jonathan Hischke
drums (drum set) and synthesizer:
Brian Burton
electric guitar:
Dan Elkan and Blake Mills
electric guitar and piano:
Norah Jones
vocals:
Norah Jones
strings arranger:
Brian Burton
arranger:
Vanessa Freebairn‐Smith
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at:
Electro-Vox Studios in Hollywood, Los Angeles, California, United States and Mondo Studio in Los Angeles, California, United States
recording of:
Happy Pills
lyricist and writer:
Brian Burton and Norah Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Sweet Science and Muthajones Music LLC (in 2012)
3.653:35
11Miriam
mixed in:
Canyon Country, Santa Clarita, California, United States
recording engineer:
Todd Monfalcone and Kennie Takahashi
artist & repertoire support:
Ronette Bowie (management), Liz Isik (management) and Eli Wolf
assistant engineer:
Valente Torrez and Masahiro Tsuzuki
producer:
Danger Mouse (Brian Burton)
mixer:
Kennie Takahashi
creative direction:
Gordon H Jee
acoustic guitar and piano:
Norah Jones
bass guitar:
Gus Seyffert
drums (drum set) and percussion:
Joey Waronker
electric guitar:
Blake Mills
strings:
Caroline Campbell (US violinist), Vanessa Freebairn‐Smith, Juan Miguel Hernandez‐Hachez (violinist/violist), Sonus Quartet and Alwyn Wright (American violinist)
vocals:
Norah Jones
strings arranger:
Brian Burton
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at:
Electro-Vox Studios in Hollywood, Los Angeles, California, United States and Mondo Studio in Los Angeles, California, United States
recording of:
Miriam
writer:
Brian Burton and Norah Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Sweet Science and Muthajones Music LLC (in 2012)
3.54:25
12All a Dream
mixed in:
Canyon Country, Santa Clarita, California, United States
recording engineer:
Todd Monfalcone and Kennie Takahashi
programming:
Brian Burton
artist & repertoire support:
Ronette Bowie (management), Liz Isik (management) and Eli Wolf
additional engineer:
Tom Schick
assistant engineer:
Valente Torrez and Masahiro Tsuzuki
producer:
Danger Mouse (Brian Burton)
mixer:
Kennie Takahashi
creative direction:
Gordon H Jee
acoustic guitar and electric guitar:
Blake Mills
bass guitar:
Gus Seyffert
bass guitar and synthesizer:
Brian Burton
drums (drum set) and percussion:
Joey Waronker
electric guitar and piano:
Norah Jones
strings:
Caroline Campbell (US violinist), Vanessa Freebairn‐Smith, Juan Miguel Hernandez‐Hachez (violinist/violist), Sonus Quartet and Alwyn Wright (American violinist)
vocals:
Norah Jones
strings arranger:
Brian Burton
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2012)
recorded at:
Electro-Vox Studios in Hollywood, Los Angeles, California, United States and Mondo Studio in Los Angeles, California, United States
additionally engineered at:
The Coop in New York, New York, United States
recording of:
All a Dream
writer:
Brian Burton and Norah Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Sweet Science and Muthajones Music LLC (in 2012)
3.656:30
6Hybrid SACD: Covers
#TitleArtistRatingLength
1Sleepless Nights
cover recording of:
Sleepless Nights
composer:
Boudleaux Bryant and Felice Bryant
Norah Jones4:15
2I’ll Be Your Baby Tonight
cover recording of:
I’ll Be Your Baby Tonight
lyricist and composer:
Bob Dylan (from 1967-10 until 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Dwarf Music (in 1968)
Norah Jones3:18
3Jesus, Etc.
recorded at:
The Living Room in Lower East Side, New York, New York, United States (on 2009-09-04)
live cover recording of:
Jesus, Etc. (on 2009-09-04)
lyricist:
Jeff Tweedy
writer and composer:
Jay Bennett (Wilco) and Jeff Tweedy
Norah Jones33:44
4Sweet Dreams
cover recording of:
Sweet Dreams
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose Publications, Inc. (BMI) (on 1955-12-28)
Norah Jones3:17
5Cry Cry Cry
recorded at:
The Living Room in Lower East Side, New York, New York, United States (on 2009-09-04)
live cover recording of:
Cry! Cry! Cry! (on 2009-09-04)
lyricist and composer:
Johnny Cash (country music legend)
publisher:
Carlin Music Corporation and Hill & Range Songs, Inc. (publisher)
Norah Jones33:14
6Picture in a Frame
cover recording of:
Picture in a Frame
writer:
Kathleen Brennan and Tom Waits
Norah Jones3:33
7Hands on the Wheel
cover recording of:
Hands on the Wheel
lyricist and composer:
Will Callery
Norah Jones with M. Ward4:14
8She
cover recording of:
She
writer:
Chris Ethridge and Gram Parsons
Norah Jones4:30
9My Blue Heaven
producer:
Mike Fraser (Canadian record producer, engineer and mixer) and Norah Jones
guitar and piano:
Norah Jones
vocals:
Norah Jones
cover recording of:
My Blue Heaven
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
composed at:
New York Friars Club in New York, New York, United States (in 1924)
Norah Jones2:20
10Peace
cover recording of:
Peace
composer:
Horace Silver
publisher:
Ecaroh Music, Inc. (in 1970)
Norah Jones3:53