Les Trésors du jazz 1956

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD: 56 1956
#TitleArtistRatingLength
1Powell’s Prance
recording of:
Powell's Prances (on 1956-01-04)
writer:
Richie Powell
Clifford Brown - Max Roach Quintet3:29
2Fred’s Mood
Milt Jackson Quintet6:32
3Sadi’s Sad
“Fats” Sadi - Martial Solal2:21
4Tour de Force
recording of:
Tour de Force (on 1956-01-12)
composer:
Dizzy Gillespie
The Modern Jazz Sextet11:43
5Lydian M‐1
Teddy Charles4:25
6Here’s Pete
recording of:
Here's Pete (in 1956-01)
composer:
Pete Rugolo
West Coast4:45
7The King
Bud Shank - Bob Cooper6:15
8Fontessa
recording of:
Fontessa (in 1956-01)
writer:
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet11:13
9Muskrat Ramble
recording of:
Muskrat Ramble (1926 original instrumental version) (in 1956-01)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
Louis Armstrong & His All‐Stars5:41
10Coolin’ the Blues
Hampton Hawes4:16
11Mainstream
Gerry Mulligan Sextet6:45
12Just One of Those Things
instrumental recording of:
Just One of Those Things (in 1956-01)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Art Tatum Trio7:10
2CD: 57 1956
#TitleArtistRatingLength
1Lights Out
Jackie McLean12:55
2Pithecanthropus Erectus
recording of:
Pithecanthropus Erectus (on 1956-01-30)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
Charles Mingus10:32
3Way Cross Town
Carl Perkins3:47
4Makin’ WhoopeeArt Tatum - Buddy DeFranco Quartet3:33
5Too Damn Hot
cover recording of:
Too Darn Hot (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
Ella Fitzgerald - Buddy Bregman's Orchestra3:47
6Two Degrees East Three Degrees West
recording of:
2 Degrees East, 3 Degrees West (in 1956)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
John Lewis - Bill Perkins6:06
7Collard Geens and Black‐Eyed Peas
recording of:
Collard Greens and Black-Eyed Peas (in 1956)
composer:
Bud Powell
Shelly Manne & His Men7:54
8Intermission Riff
recording of:
Intermission Riff (in 1956)
composer:
Ray Wetzel
Stan Kenton and His Orchestra4:13
9Sleepy Slept There
The Chico Hamilton Quintet4:10
10Topsy
The Chico Hamilton Quintet4:46
11Time
recorded in:
New York, New York, United States (on 1956-02-17)
producer:
Bob Shad
celesta and piano:
Richie Powell (on 1956-02-17)
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-17)
trumpet:
Clifford Brown (trumpet) (on 1956-02-17)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
recording of:
Time (on 1956-02-17)
writer:
Richie Powell
The Clifford Brown–Max Roach Quintet5:05
12Love Is a Many Splendored Thing
recorded in:
New York, New York, United States (on 1956-02-16)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-16)
piano:
Richie Powell (on 1956-02-16)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-16)
trumpet:
Clifford Brown (trumpet) (on 1956-02-16)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-16)
instrumental recording of:
Love Is a Many‐Splendored Thing (on 1956-02-16)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1955 winner)
The Clifford Brown–Max Roach Quintet4:15
13Midnight Sun
instrumental recording of:
Midnight Sun (on 1956-02-18)
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
Jimmy Smith4:23
14Cheek to Cheek
instrumental cover recording of:
Cheek to Cheek (from “Top Hat”) (in 1956-02)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Lou Levy3:41
3CD: 58 1956
#TitleArtistRatingLength
1Stablemates
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-03-02)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-03-02)
piano:
Kenny Drew (on 1956-03-02)
tenor saxophone:
John Coltrane (on 1956-03-02)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1956-03-02)
recording of:
Stablemates (on 1956-03-02)
composer:
Benny Golson (American jazz saxophonist and composer)
Paul Chambers Quartet5:53
2Piney Brown Blues
recording of:
Piney Brown Blues (in 1956-03)
lyricist:
Big Joe Turner
composer:
Pete Johnson (US boogie‐woogie pianist)
Joe Turner4:50
3Undecided
recording of:
Undecided (in 1956-03)
lyricist:
Sid Robin (US lyricist & composer) (in 1938)
composer:
Charlie Shavers (in 1938)
Lucky Thompson With Dave Pochonet Et Son Orchestre4:19
4Vierd Blues
recording engineer:
Rudy van Gelder (on 1956-03-16)
bass:
Paul Chambers (US jazz bassist) (on 1956-03-16)
drums (drum set):
Art Taylor (on 1956-03-16)
piano:
Tommy Flanagan (on 1956-03-16)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-16)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-03-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-16)
recording of:
Vierd Blues (on 1956-03-16)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1956)
publisher:
Prestige Music Co. (US, affiliated with BMI)
Miles Davis Quintet46:51
5Down Home
Jimmy Giuffre5:41
6Valse Hot
recording of:
Valse Hot (on 1956-03-22)
composer:
Sonny Rollins (American saxophonist)
Sonny Rollins Plus Four8:34
7Pent Up House
recording of:
Pent-Up House (on 1956-03-22)
composer:
Sonny Rollins (American saxophonist)
part of:
The Real Book (compilation of jazz standards, Volume I)
Sonny Rollins Plus Four8:50
8The Champ
recording of:
The Champ (on 1956-03-27)
composer:
Dizzy Gillespie
publisher:
Skyview Music
Jimmy Smith8:33
9Jack’s Blues
George Russell Smalltet3:45
10Jambangle
recording of:
Jambangle (in 1956)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
The Hal McKusick Jazz Workshop4:04
11Just You Just Me
instrumental recording of:
Just You, Just Me (on 1956-03-17)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
Thelonious Monk Trio7:57
12Mildew
Johnny Griffin Quartet3:54
13The Spinning Song
producer:
Alfred Lion
double bass:
Teddy Kotick (on 1956-04-19)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-04-19)
piano:
Herbie Nichols (jazz pianist and composer) (on 1956-04-19)
Herbie Nichols4:53
4CD: 59 1956
#TitleArtistRatingLength
1Wild Flower
producer:
Alfred Lion
double bass:
Teddy Kotick (on 1956-04-19)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-04-19)
piano:
Herbie Nichols (jazz pianist and composer) (on 1956-04-19)
recording of:
Wildflower (on 1956-04-19)
composer:
Herbie Nichols (jazz pianist and composer)
Herbie Nichols4:02
2Nixon, Dixon and Yates Blues
Paul Chambers8:27
3Tricotism
recording of:
Tricotism (in 1956)
composer:
Oscar Pettiford
Kenny Clarke5:44
4Blues Martial
Martial Solal And The Kentonians7:42
5Ecaroh
recording of:
Ecaroh (on 1956-05-04)
writer:
Horace Silver
Art Blakey & The Jazz Messengers6:03
6On It
recording engineer:
Rudy van Gelder (on 1956-05-07)
producer:
Bob Weinstock
bass:
Paul Chambers (US jazz bassist) (on 1956-05-07)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-05-07)
piano:
Elmo Hope (on 1956-05-07)
tenor saxophone:
John Coltrane (on 1956-05-07) and Hank Mobley (US jazz tenor saxophonist) (on 1956-05-07)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-05-07)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-07)
recording of:
On It (on 1956-05-07)
composer:
Elmo Hope
Elmo Hope Sextet9:02
7Ahmad’s Blues
recording of:
Ahmad’s Blues (on 1956-05-11)
composer:
Ahmad Jamal
Red Garland7:20
8Tears by Me Out the Heart
Al Cohn4:26
9Tenor Madness
recording engineer:
Rudy van Gelder (on 1956-05-24)
producer:
Bob Weinstock
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-05-24)
guest tenor saxophone:
John Coltrane (on 1956-05-24)
piano:
Red Garland (on 1956-05-24)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-05-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-24)
recording of:
Tenor Madness (on 1956-05-24)
composer:
Sonny Rollins (American saxophonist)
is based on:
Royal Roost / Rue Chaptal
Sonny Rollins Quintet12:12
10Chuckles
Tal Farlow Quartet4:55
11Yesterdays
instrumental recording of:
Yesterdays (in 1956)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Tal Farlow Quartet5:52
5CD: 60 1956
#TitleArtistRatingLength
1Basin Street Blues
Louis Armstrong & His All‐Stars5:36
2Love Me or Leave Me
Martial Solal2:47
3Tadd’s Delight
engineer:
Ray Moore (engineer, 1957–1995)
producer:
George Avakian (US 1940-90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1956-06-05)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
recording of:
Tadd's Delight (on 1956-06-05)
composer:
Tadd Dameron
Miles Davis Quintet3.54:26
4Round About Midnight
recording engineer:
Ray Moore (engineer, 1957–1995) (on 1956-09-10)
producer:
George Avakian (US 1940-90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1956-09-10)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-09-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
’Round Midnight (on 1956-09-10)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Miles Davis Quintet3.655:54
5The Man I Love
Erroll Garner Trio8:08
6Strange Fruit
recording of:
Strange Fruit (in 1956)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday With Tony Scott's Orchestra3:01
7Strode Rode
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
Strode Rode (on 1956-05-22)
composer:
Sonny Rollins (American saxophonist)
recording of:
Strode Rode (on 1956-06-22)
composer:
Sonny Rollins (American saxophonist)
Sonny Rollins Quartet5:13
8St. Thomas
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
St. Thomas (on 1956-06-22)
composer:
Sonny Rollins (American saxophonist)
publisher:
Prestige Music Co. (US, affiliated with BMI)
instrumental recording of:
St. Thomas
composer:
Sonny Rollins (American saxophonist)
publisher:
Prestige Music Co. (US, affiliated with BMI)
Sonny Rollins Quartet46:45
9April in Paris
recording of:
April in Paris (in 1956)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Count Basie And Ella Fitzgerald4:41
10Every Day I Have the Blues
recording of:
Everyday I Have the Blues
lyricist and composer:
Peter Chatman
Count Basie And Ella Fitzgerald5:09
11Tension Détente
Le Jazz Groupe de Paris3:29
12Paradoxe 1
Le Jazz Groupe de Paris2:06
13Blues for the Highbrow
Al Cohn3:53
14Blues Express
recording of:
Blues Express (on 1956-07-05)
composer:
Shorty Rogers (trumpet)
Shorty Rogers and His Orchestra4:14
15Blues to Be There
live recording of:
Festival Suite: Part II. Blues to Be There (on 1956-07-07)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
part of:
Festival Suite
Duke Ellington & His Orchestra8:05
16Later Team
recording of:
Later Team (on 1956-07-09)
composer:
Lloyd Lunham and Pete Rugolo
Pete Rugolo3:06
6CD: 61 1956
#TitleArtistRatingLength
1Warmeland
John Lewis4:41
2Pilgrim’s Progress
live recording of:
Pilgrim's Progress (on 1956-08-03)
composer:
Dave Brubeck and Paul Desmond
The Dave Brubeck Quartet9:12
3The Third
Donald Byrd7:37
4The Preacher
recording of:
The Preacher (on 1956-08-04)
lyricist:
Babs Gonzales
composer:
Horace Silver
publisher:
Silhouette Music
Jimmy Smith11:44
5Suburban Beauty
recording of:
Suburban Beauty (on 1956-08-07)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra2:54
6Half the Fun
Duke Ellington & His Orchestra4:10
7How High the Moon
instrumental recording of:
How High the Moon (in 1956)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson Trio9:01
8It’s Only a Paper Moon
recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
Nat King Cole3:05
9How About You
recording of:
How 'Bout You (in 1956)
writer:
Timothy D. Martin
Oscar Peterson Trio4:54
10Humoresque
Art Tatum3:31
11A Foggy Day
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Ella Fitzgerald and Louis Armstrong4:29
12Cheek to Cheek
cover recording of:
Cheek to Cheek (from “Top Hat”) (in 1956)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Ella Fitzgerald and Louis Armstrong5:49
13A Fugue for Music Inn
recording engineer:
Tom Dowd (on 1956-08-28)
producer:
Nesuhi Ertegun (on 1956-08-28)
clarinet and guest clarinet:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-08-28)
double bass [bass]:
Percy Heath (on 1956-08-28)
drums (drum set):
Connie Kay (on 1956-08-28)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1956-08-28)
vibraphone:
Milt Jackson (on 1956-08-28)
recorded at:
The Music Inn in Lenox, Massachusetts, United States (on 1956-08-28)
Modern Jazz Quartet4:44
14A Morning in Paris
Modern Jazz Quartet2:52
7CD: 62 1956
#TitleArtistRatingLength
1Tenor Conclave
recording engineer:
Rudy van Gelder (on 1956-09-07)
producer:
Bob Weinstock
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-09-07)
drums (drum set):
Art Taylor (on 1956-09-07)
piano:
Red Garland (on 1956-09-07)
tenor saxophone:
Al Cohn (on 1956-09-07), John Coltrane (on 1956-09-07), Hank Mobley (US jazz tenor saxophonist) (on 1956-09-07) and Zoot Sims (US jazz saxophonist) (on 1956-09-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-07)
recording of:
Bob's Boys (on 1956-09-07)
composer:
Hank Mobley (US jazz tenor saxophonist)
John Coltrane8:17
2Night and Day
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Art Tatum - Ben Webster Quartet5:27
3I Should Care
instrumental recording of:
I Should Care (in 1956)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Bud Powell Trio3:39
4Just You Just Me
recording of:
Just You, Just Me (in 1956)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
Nat King Cole3:01
5Azure
Cecil Taylor Trio7:27
6The Most Beautiful Girl in the World
Max Roach Quintet7:10
7Omicron
recording of:
Omicron (on 1956-09-21)
composer:
Donald Byrd (American jazz trumpeter)
Paul Chambers7:15
8I Love You
Bill Evans Trio3:52
9No Cover, No Minimum
recording of:
No Cover, No Minimum (in 1956-09)
composer:
Bill Evans (pianist)
Bill Evans Trio8:08
10Get Happy
instrumental recording of:
Get Happy (in 1956)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
The Eddie Costa Trio4:12
11Blues for Bessie
recording of:
Blues for Bessie (on 1956-10-05)
composer:
Bud Powell
Bud Powell Trio5:40
12Coscrane
recording of:
Coscrane (on 1956-10-05)
composer:
Bud Powell
Bud Powell Trio3:43
13The House I Live In
bass:
George Morrow (on 1956-10-05)
membranophone:
Max Roach (20th century US jazz drummer & composer) (on 1956-10-05)
piano:
Wade Legge (on 1956-10-05)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-10-05)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1956-10-05)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-10-05)
Sonny Rollins Quintet9:21
8CD: 63 1956
9CD: 64 1956
10CD: 65 1956