Pennies From Heaven: Capitol’s Great Gentlemen of Song, Vol. 2

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Now You Has Jazz
recording of:
Now You Has Jazz (High Society musical romantic comedy film)
lyricist and composer:
Cole Porter (composer) (in 1956)
Bing Crosby4:18
2I’ve Got the World on a String
recorded in:
Los Angeles, California, United States (on 1953-04-30)
bass:
Philip Stephens (bass and tuba player) (on 1953-04-30)
drums (drum set):
Alvin Stoller (on 1953-04-30)
guitar:
Al Hendrickson (on 1953-04-30)
piano:
Bill Miller (pianist) (on 1953-04-30)
reeds:
Jack Dumont (on 1953-04-30), Skeets Herfurt (on 1953-04-30), Plas Johnson (on 1953-04-30), Joe Koch (on 1953-04-30), Ernest Romersa (on 1953-04-30) and Theodore Nash (40s-80s US swing reedman, uncle of the other) (on 1953-04-30)
trombone:
Milt Bernhart (on 1953-04-30), Francis Howard (trombone) (on 1953-04-30), Jimmy Priddy (on 1953-04-30) and Si Zentner (on 1953-04-30)
trumpet:
Harry “Sweets” Edison (on 1953-04-30), Conrad Gozzo (on 1953-04-30), Vito "Mickey" Mangano (on 1953-04-30) and Rubin "Zeke" Zarchy (on 1953-04-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-30)
orchestra:
The Nelson Riddle Orchestra (on 1953-04-30)
conductor:
Nelson Riddle (on 1953-04-30)
arranger:
Nelson Riddle
recording of:
I’ve Got the World on a String (on 1953-04-30)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Frank Sinatra42:12
3Until the Real Thing Comes Along
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
Until the Real Thing Comes Along (on 1960-05-10)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
Dean Martin3:01
4Let’s Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Matt Monro2:30
5Always
recording of:
Always
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
Bobby Darin2:25
6I Want a Little Girl
cover recording of:
I Want a Little Girl
lyricist:
Billy Moll (songwriter)
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
Billy Eckstine3:26
7I Cried for You (Now It’s Your Turn to Cry for Me)
recording of:
I Cried for You
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
Andy Russell3:12
8But Not for Me
recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Chet Baker3:04
9It Don’t Mean a Thing (If It Ain’t Got That Swing)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong3:59
10With Plenty of Money and You
producer:
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) and Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (in 1959-01)
double bass:
Eddie Jones (US jazz double bassist) (in 1959-01)
drums (drum set):
Sonny Payne (in 1959-01)
guitar:
Freddie Green (in 1959-01)
piano:
Ralph Sharon and Count Basie (pianist) (in 1959-01)
tenor saxophone:
Frank Foster (saxophonist) (in 1959-01) and Billy Mitchell (US jazz saxophonist) (in 1959-01)
trombone:
Henry Coker (in 1959-01), Al Grey (trombone) (in 1959-01) and Benny Powell (in 1959-01)
trumpet:
Wendell Culley (in 1959-01), Thad Jones (American jazz trumpeter) (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) and Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
performer:
Tony Bennett (US jazz/standards vocalist) and Count Basie and His Orchestra
arranger:
Ralph Sharon
cover recording of:
With Plenty of Money and You (in 1959-01)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
part of:
42nd Street (full musical)
recording of:
With Plenty of Money and You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
part of:
42nd Street (full musical)
Tony Bennett1:34
11Pennies From Heaven
recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
Gordon MacRae2:42
12Don’t Take Your Love From Me
cover recording of:
Don’t Take Your Love From Me
lyricist and composer:
Henry Nemo
publisher:
Indano Music Co.
Al Martino3:09
13Moon Faced, Starry Eyed
recording of:
Street Scene: Act I. No. 13 "Moon-faced, starry-eyed" (Dick McGann, Mae Jones)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
librettist:
Elmer Rice
part of:
Street Scene: Act I.
Johnny Mercer3:04
14Love Walked In
recording of:
Love Walked In
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
Dick Haymes1:41
15I’m Nobody’s Baby
recording of:
I’m Nobody’s Baby
writer and composer:
Milton Ager, Benny Davis (US vaudeville performer and songwriter) and Lester Santly
Vic Damone2:17
16That Old Black Magic
producer:
Tom Morgan (Bluegrass bass player)
alto saxophone and flute:
Ronnie Lang
bass:
Joe Mondragon
drums (drum set):
Mel Lewis (American jazz drummer)
piano:
Jimmy Rowles
tenor saxophone:
Richie Kamuca
trombone:
Dick Kenney
trumpet:
Lee Katzman, Al Porcino and Stu Williamson
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1958-12-01 until 1958-12-15)
recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Mark Murphy2:11
17There Will Never Be Another You
recording of:
There Will Never Be Another You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
Nat King Cole3:37
18Every Day I Have the Blues
recording of:
Everyday I Have the Blues
writer:
Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
revised by:
Peter Chatman
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
Joe Williams4:41
19Just a Gigolo / I Ain’t Got Nobody (medley)
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19) and Lou Sineaux (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (on 1956-04-19)
lyricist:
Julius Brammer and Roger Graham
composer:
Leonello Casucci and Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
translator:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America and Wiener Bohème Verlag GmbH
medley of:
Just a Gigolo (English version)
medley of:
I Ain’t Got Nobody
Louis Prima44:44
20Good Bye
Mel Tormé2:27