Come Into the Cool

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Summertime
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-18)
Geige / Violine:
Victor Arno (am 1957-08-18)
Gitarre:
Tony Rizzi (am 1957-08-18)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-08-18)
Kontrabass:
Joe Mondragon (am 1957-08-18)
Posaune:
Buddy Childers (American jazz trumpeter & composer) (am 1957-08-18)
Schlagzeug:
Alvin Stoller (am 1957-08-18)
Trompete:
Louis Armstrong (am 1957-08-18) und Frank Beach (trombone, trumpet) (am 1957-08-18)
Waldhorn:
Vincent DeRosa (am 1957-08-18)
vocals:
Louis Armstrong (am 1957-08-18) und Ella Fitzgerald (American jazz singer) (am 1957-08-18)
Orchester:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (am 1957-08-18)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1957-08-18)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong3.754:55
2Take the a Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington5:32
3If I Were a Bell
Klavier:
Red Garland (am 1956-10-26)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-10-26)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-10-26)
Tenorsaxophon:
John Coltrane (am 1956-10-26)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-10-26)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1956-10-26)
instrumental cover recording of:
If I Were a Bell (Guys and Dolls) (am 1956-10-26)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Teil von:
Guys and Dolls (1955 musical film)
Miles Davis38:20
4Night Train
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-12-15 bis 1962-12-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1962-12-15 bis 1962-12-16)
Kontrabass:
Ray Brown (jazz bassist) (von 1962-12-15 bis 1962-12-16)
Schlagzeug:
Ed Thigpen (von 1962-12-15 bis 1962-12-16)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (von 1962-12-15 bis 1962-12-16)
Komponist(in):
Jimmy Forrest
basiert auf:
Happy Go Lucky Local
Oscar Peterson4:50
5Girl From Ipanema
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz & Astrud Gilberto5:11
6My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.853:36
7West End Blues
recording of:
West End Blues (Armstrong recording)
Komponist(in):
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
Arrangement von:
West End Blues (original instrumental)
Louis Armstrong3:11
8Strange Fruit
recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday3:12
9Mas Que Nada
Sérgio Mendes2:39
10Mad About the Boy
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1961-12-04)
Klavier:
Jack Wilson (jazz pianist) (am 1961-12-04)
Posaune:
Billy Byers (am 1961-12-04)
Trompete:
Joe Newman (US jazz trumpeter) (am 1961-12-04)
vocals:
Dinah Washington
Orchester:
Quincy Jones and His Orchestra (am 1961-12-04)
arranger:
Quincy Jones (am 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
Dinah Washington52:45
11April in Paris
Produzent(in):
Norman Granz
alto saxophone:
Bill Graham (US jazz saxophonist) (am 1955-07-26) und Marshall Royal (am 1955-07-26)
alto saxophone, Klarinette, flute und Tenorsaxophon:
Frank Wess (am 1955-07-26)
baritone saxophone und Bassklarinette:
Charlie Fowlkes (am 1955-07-26)
Gitarre:
Freddie Green (am 1955-07-26)
Klarinette und Tenorsaxophon:
Frank Foster (saxophonist) (am 1955-07-26)
Klavier:
Count Basie (pianist) (am 1955-07-26)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1955-07-26)
Posaune:
Henry Coker (am 1955-07-26), Bill Hughes (trombone) (am 1955-07-26) und Benny Powell (am 1955-07-26)
Schlagzeug:
Sonny Payne (am 1955-07-26)
Trompete:
Wendell Culley (am 1955-07-26), Reunald Jones (am 1955-07-26), Thad Jones (American jazz trumpeter) (am 1955-07-26) und Joe Newman (US jazz trumpeter) (am 1955-07-26)
arranger:
Wild Bill Davis
instrumental cover recording of:
April in Paris (am 1955-07-26)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Count Basie3:48
12Sidewinder
Lee Morgan10:21
13Take Five
Dave Brubeck7:03
14Desafinado
Bassgitarre:
Gene Byrd (jazz lyrical bassist) (am 1962-02-13)
Gitarre:
Charlie Byrd (am 1962-02-13) und Gene Byrd (jazz lyrical bassist) (am 1962-02-13)
Kontrabass:
Keter Betts (am 1962-02-13)
Perkussion:
Buddy Deppenschmidt (American jazz drummer) (am 1962-02-13) und Bill Reichenbach (jazz drummer) (am 1962-02-13)
Tenorsaxophon:
Stan Getz (am 1962-02-13)
Trompete:
Charlie Byrd (am 1962-02-13)
arranger:
Antônio Carlos Jobim und Newton Mendonça
aufgenommen bei:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., Vereinigte Staaten (am 1962-02-13)
instrumental cover recording of:
Desafinado (am 1962-02-13)
Texter:
Newton Mendonça
Komponist(in):
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Stan Getz5:49
15Cantaloupe Island
recording engineer:
Rudy van Gelder (am 1964-06-17)
Produzent(in):
Alfred Lion und Michael Cuscuna (in 1999: Aufgabe: Reissue produced by)
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (am 1964-06-17)
Kontrabass:
Ron Carter (US jazz double-bassist) (am 1964-06-17)
Kornett:
Freddie Hubbard (am 1964-06-17)
Schlagzeug:
Tony Williams (American jazz drummer) (am 1964-06-17)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1964-06-17)
recording of:
Cantaloupe Island (am 1964-06-17)
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Company
Herbie Hancock4.855:33
2▼CD
Nr.TitelKünstlerBewertungLänge
1Look of Love
Assistent recording engineer:
Aya Takemura (von 2001-01-22 bis 2001-01-27), Chris Clark (engineer) (von 2001-03-09 bis 2001-03-11) und Richard Lancaster (von 2001-03-09 bis 2001-03-11)
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
assistierende(r) Mix:
John Hendrickson (Music engineer, mixer)
Bass:
Christian McBride (American jazz bassist)
Gitarre:
Romero Lubambo (in 2001)
Klavier:
Diana Krall (in 2001)
Perkussion:
Luis Conte (percussionist) (in 2001)
Schlagzeug:
Peter Erskine (US jazz drummer) (in 2001)
vocals:
Diana Krall (in 2001)
Orchester:
London Symphony Orchestra (von 2001-03-09 bis 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
aufgenommen bei:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 2001-01-22 bis 2001-01-27) und Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 2001-03-09 bis 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2001-03-19 bis 2001-03-23)
cover recording of:
The Look of Love (in 2001)
Texter:
Hal David
Verfasser(in):
Burt Bacharach und Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
Diana Krall4:42
2I Get a Kick Out of You
Bass:
Geoff Gascoyne
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
Horn und Saiteninstrumente arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
cover recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Jamie Cullum44:10
3Dance Me to the End of Love
assistierende(r) Techniker(in):
Ricky Chao und Nicholas Fournier
Techniker(in) und Mix:
Helik Hadar
Produzent(in):
Larry Klein
Akustikgitarre:
Madeleine Peyroux (US jazz singer & songwriter)
Bass:
David Piltch
Keyboard [piano, wurlitzer piano, organ, celesta]:
Larry Goldings
Perkussion [drums, percussion]:
Jay Bellerose (american drummer and percussionist)
vocals:
Madeleine Peyroux (US jazz singer & songwriter)
phonographisches Urheberrecht (℗) von:
Rounder Records Corp. (not for release label use!) und Rounder Records (a division of Concord Music Group, Inc., not for release label use!) (in 2004)
cover recording of:
Dance Me to the End of Love
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Madeleine Peyroux4.353:56
4Drive Time
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1999-02-01)
Bass:
Jon Ossman
Gitarre:
Tim Pierce (US session guitarist) und Larry Saltzman
Hybrid-Piano:
Jeff Lorber und Jeff Young (piano)
Keyboard:
Chris Botti und Harvey Jones
Klavier:
Jeff Young (piano)
Perkussion:
Alex Acuña
Posaune:
Mike Davis (trumpet, flugelhorn)
Trompete:
Chris Botti
phonographisches Urheberrecht (℗) von:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recording of:
Drive Time (am 1999-02-01)
Komponist(in):
Chris Botti
publisher:
Paul Simon Music
Chris Botti5:32
5My Baby Just Cares for Me
cover recording of:
My Baby Just Cares for Me
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Natalie Cole4:26
6Everything Must Change
assistierende(r) Techniker(in):
Mark Neary (british musician and engineer)
Techniker(in):
Calum Malcolm
Produzent(in):
Laurence Cottle
Mix:
Laurence Cottle, Calum Malcolm und Claire Martin (English jazz singer)
Sologesang:
Claire Martin (English jazz singer)
cover recording of:
Everything Must Change
Texter und Komponist(in):
Benard Ighner
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Trans Traditional Suite
Claire Martin5:16
7But Not for Me
Curtis Stigers3:15
8Makin' Whoopee
Gitarre:
Colin Oxley (von 2003-02-18 bis 2003-02-22)
Klavier:
David Newton (Scottish jazz pianist and composer) (von 2003-02-18 bis 2003-02-22)
Sologesang:
Stacey Kent (US jazz singer) (von 2003-02-18 bis 2003-02-22)
aufgenommen bei:
Curtis Schwartz Studio in West Sussex, England, Vereinigtes Königreich (von 2003-02-18 bis 2003-02-22)
recording of:
Makin’ Whoopee! (von 2003-02-18 bis 2003-02-22)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
Stacey Kent3:08
9Tryin' Times
Courtney Pine6:15
10It's Alright With Me
cover recording of:
It’s All Right with Me (Can‐Can musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Gwyneth Herbert3:10
11Sway
cover recording of:
Sway
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
Peter Cincotti44:12
12I Just Want to Make Love to You
Clare Teal3:26
13Footprints
recording of:
Footprints
Komponist(in):
Wayne Shorter (US jazz saxophonist and composer)
publisher:
Miyako Music (Music publishing company for Wayne Shorter's compositions.)
Wayne Shorter7:53
14Surrender
Jane Monheit4:10
15Blue Moon
recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Jacqui Dankworth4:36
16There Is No Greater Love
Assistent recording engineer:
Houston Bowen und Ben Bryant (engineer)
recording engineer, Produzent(in) und Mix:
Commissioner Gordon (US hip hop producer Gordon Williams)
assistierende(r) Mix:
Brent Williams (mixing engineer)
Effektgerät, Perkussion und Schlagzeug:
Commissioner Gordon (US hip hop producer Gordon Williams)
flute und Saxophon:
Robert Aaron
Gitarre:
Ian Barter
Klavier:
Lenny Underwood
vocals:
Amy Winehouse
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich, Platinum Sound Recording Studios in Manhattan, New York, New York, Vereinigte Staaten und The Headquarters in Teaneck, New Jersey, Vereinigte Staaten
mixed at:
Platinum Sound Recording Studios in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
There Is No Greater Love
Texter:
Marty Symes (lyricist)
Komponist(in):
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) und World Music, Inc.
Amy Winehouse3.42:06
17Afro Blue
recording engineer:
Joe Ferla (von 2002-08 bis 2002-12)
Produzent(in):
Brian Blade (US jazz drummer, composer, and session musician), Jon Cowherd (piano) und Tommy LiPuma
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
alto saxophone:
Myron Walden (von 2002-08 bis 2002-12)
Gitarre:
John Hart (jazz guitarist) (von 2002-08 bis 2002-12)
Klavier:
Danilo Pérez (von 2002-08 bis 2002-12)
Kontrabass:
Doug Weiss (US jazz bassist) (von 2002-08 bis 2002-12)
Perkussion:
Jeff Haynes (von 2002-08 bis 2002-12)
Posaune:
Vincent Gardner (von 2002-08 bis 2002-12)
Schlagzeug:
Terreon Gully (von 2002-08 bis 2002-12)
Trompete:
Rick Gardner (US funk/soul/jazz trumpeter & composer.) (von 2002-08 bis 2002-12)
vocals:
Lizz Wright (US jazz & gospel singer) (von 2002-08 bis 2002-12)
arranger:
Brian Blade (US jazz drummer, composer, and session musician)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten (von 2002-08 bis 2002-12)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2003-01)
Lizz Wright35:53

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Veröffentlichung

ASIN:UK: B000QUCPM0 [Info]