Positive Vibes Only

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Happier
artist & repertoire support:
Jeremy Vuernick
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon) and Marshmello
assistant mixer:
Scott Desmarais and Robin Florent
mixer:
Chris Galland and Manny Marroquin
vocals:
Bastille (British indie pop band)
performer:
Bastille (British indie pop band), Steve Mac (British pop producer/songwriter Steve McCutcheon) and Marshmello
phonographic copyright (℗) by:
Joytime Collective (in 2018)
part of:
Billboard Year-End Hot 100 singles of 2019 (number: 6) and Billboard Year-End Hot 100 singles of 2018 (number: 80)
recording of:
Happier
writer:
Steve Mac (British pop producer/songwriter Steve McCutcheon), Marshmello and Dan Smith (member of UK band Bastille)
Marshmello & Bastille3.153:35
2BELONG 2 U
producer:
Devon (Devon Cassells)
recording of:
BELONG 2 U (n/a)
writer:
Devon Cassells (Devon Cassells)
Devon2:49
3The Sweet Escape
producer:
Aliaune "Akon" Thiam (US singer and producer)
guest vocals:
Akon (US singer and producer)
performer:
Akon (US singer and producer)
part of:
Amazon – Best Songs of 2007: Editor Picks (number: 82)
recording of:
The Sweet Escape
writer:
Aliaune Thiam (US singer and producer), Gwen Stefani and Giorgio Tuinfort
Gwen Stefani & Akon3.254:06
4Make You Mine
producer:
Matthew Alvarado, Ben Lapps, Eric Tuffendsam and John Vaughn (PUBLIC)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2019)
recording of:
Make You Mine
writer:
Benjamin Andrew Lapps, John Vaughn Handelsman (PUBLIC) and Matthew Carter Alvarado
PUBLIC3:53
5Sugar
programming:
Ammo (American musician, songwriter and producer Joshua Coleman), Cirkut, Dr. Luke and Maroon 5 (American band)
assistant engineer:
John Armstrong (engineer, producer), Eric Eylands, Rachael Findlen (engineer) and Cameron Montgomery
engineer:
Clint Gibbs, John Hanes (audio engineer, mixer) (task: engineered for mix), Jonathan Sher, Doug McKean and Noah Passovoy
producer:
Ammo (American musician, songwriter and producer Joshua Coleman) and Cirkut
mixer:
Serban Ghenea
bass guitar [bass]:
Mickey Madden
bass synthesizer [synth bass]:
Dr. Luke
drums (drum set) and percussion:
Ammo (American musician, songwriter and producer Joshua Coleman), Cirkut, Dr. Luke and Matt Flynn (Maroon 5 drummer)
guitar:
Dr. Luke and James Valentine (Maroon 5)
keyboard [keyboards]:
Ammo (American musician, songwriter and producer Joshua Coleman), Jesse Carmichael, Cirkut, Dr. Luke and PJ Morton
percussion [core percussion]:
Cirkut
additional vocals:
Mike Posner
vocals:
Adam Levine (Maroon 5’s lead vocalist)
instruments technician:
Artie Smith
produced for:
Prescription Songs
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States, Luke’s in the Boo in Malibu, California, United States and The Mothership in Hollywood, Los Angeles, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 5), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2016) and Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 31)
recording of:
Sugar
writer:
Łukasz Gottwald, Henry Walter, Jacob Kasher Hindlen (American songwriter, producer), Joshua Coleman (American musician, songwriter and producer Joshua Coleman), Adam Levine (Maroon 5’s lead vocalist) and Mike Posner
publisher:
Each Note Counts, J. Kasher Music, Kasz Money Publishing (ASCAP affiliated), Kevinthecity Publishing, North Greenway Productions, Oneirology Publishing, Prescription Songs, Sony/ATV Tunes LLC (ASCAP) and Sudgee 2 Music
Maroon 54.153:57
6Soulman (new English version)Ben l’Oncle Soul3:42
7CloserNe‐Yo33:54
8Dancing Machine (single version)
producer:
Hal Davis
arranger:
Arthur Wright (guitar)
recording of:
Dancing Machine (in 1974)
writer:
Hal Davis, Donald E. Fletcher and Dean Parks (American session guitarist)
part of:
MJ: The Musical
The Jackson 542:37
9September Song
recording of:
September Song
writer:
Benjamin Hudson McIldowie, JP Cooper and Jon Cobbe Hume (Australian-born New Zealand singer-songwriter, guitarist and, record producer)
JP Cooper33:40
10Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
producer:
Jeff Saltzman (music attorney and record producer) and The Killers (American rock band)
mixer:
Mark Needham
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004, in 2020) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 4), NME: Greatest “Indie” Anthems Ever: 2007 (number: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 90) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 378)
recording of:
Mr. Brightside
writer:
Brandon Flowers and Dave Keuning
publisher:
The Killers Publishing and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:43
11Green Light
assistant engineer:
Greg Eliason and Barry McCready
engineer:
Laura Sisk
executive producer:
Jack Antonoff and Lorde (New Zealand singer‐songwriter)
producer:
Jack Antonoff, Frank Dukes (Canadian record producer, songwriter, musician), Kuk Harrell (task: first verse vocal) and Lorde (New Zealand singer‐songwriter)
additional mixer:
John Hanes (audio engineer, mixer)
mixer:
Serban Ghenea
vocals:
Lorde (New Zealand singer‐songwriter)
phonographic copyright (℗) by:
Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2017)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States, Rough Customer Studio in Brooklyn Heights, New York, New York, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Stereogum: The 200 Best Songs of the 2010s (number: 10) and Rolling Stone: The 100 Best Songs of the 2010s (number: 82)
recording of:
Green Light
lyricist:
Jack Antonoff and Ella Yelich-O'Connor (New Zealand singer‐songwriter)
composer:
Ella Yelich-O'Connor (New Zealand singer‐songwriter) and Joel Little
publisher:
Ducky Donath Music, EMI Blackwood Music Inc., Songs Music Publishing and Sony/ATV Songs LLC
part of:
APRA Silver Scroll Awards Winners (number: 2017)
Lorde4.253:55
12Sexual
recording of:
Sexual
writer:
Elina Stridh (Swedish singer-songwriter), Dayo Olatunji and Victor Rådström
NEIKED & Dyo3.53:09
13Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974, in 2020) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:42
14You Can’t Hurry Love
recording engineer:
Russ Terrana
engineer:
Lamont Dozier
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
bass:
James Jamerson (on 1966-06-11)
brass [horns]:
Detroit Symphony Orchestra (on 1966-06-11)
drums (drum set):
Benny Benjamin (US drummer) (on 1966-06-11)
guitar [Gibson L-5]:
Robert White (US funk/soul guitarist) (on 1966-06-11)
instruments:
The Funk Brothers (on 1966-06-11)
piano:
Earl Van Dyke (on 1966-06-11)
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1966-06-11)
background vocals:
Florence Ballard (on 1966-07-05) and Mary Wilson (on 1966-07-05)
lead vocals:
Diana Ross (on 1966-07-05)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) and Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1966-06-11 until 1966-07-05)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 280)
recording of:
You Can’t Hurry Love (from 1966-06-11 until 1966-07-05)
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes4.752:45
15Best Day of My Life (single version)American Authors3.753:16
16Isn’t This a Lovely Day?
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (on 1956-08-16)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong3.56:15
17Mystic Bounce
producer:
Madlib
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at and mixed at:
Bomb Shelter (The Crystal Method) in Glendale, California, United States
samples:
Mystic Brew by Ronnie Foster
Madlib53:59
18I Just Want to Make Love to You (single version)
producer:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
recording of:
I Just Wanna Make Love to You
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
Etta James33:06
19That’s Life (remastered 2008)
recorded in:
Hollywood, Los Angeles, California, United States (on 1966-10-18)
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1966-10-18)
conductor:
Ernie Freeman (on 1966-10-18)
arranger:
Ernie Freeman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
That’s Life (on 1966-10-18)
lyricist:
Kelly Gordon and Dean Kay
composer:
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
That’s Life
lyricist:
Kelly Gordon and Dean Kay
composer:
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.53:06
20Signed, Sealed, Delivered (I’m Yours)
producer:
Stevie Wonder
lead vocals:
Stevie Wonder (in 1970)
arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 31)
recording of:
Signed, Sealed, Delivered I’m Yours (in 1970)
writer:
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:39
21Like Sugar
engineer:
Sanford Livingston
producer:
Sarah Ruba Taylor and David Taylor (House producer)
mixer:
Switch (UK house DJ/producer/remixer Dave Taylor)
bass guitar:
Samuel Aaron Wilkes (bass)
timbales:
Chaka Khan
background vocals:
Sarah Ruba Taylor and Tiffany Smith
vocals:
Chaka Khan
phonographic copyright (℗) by:
Diary Records Inc. (in 2019)
recording of:
Like Sugar
writer:
John Flippin, Chaka Khan, Sarah Ruba Taylor, David Taylor (House producer) and William Curtis (The Fatback Band)
publisher:
BMG (publisher) (from 2019 to present), Diary Publishing (from 2019 to present), iKhan Sounds (from 2019 to present), Secret Road Publishing (from 2019 to present) and Warner Chappell (Warner/Chappell Music, Inc.) (from 2019 to present)
Chaka Khan4.54:00
22My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations4.52:43
23Give Up the Funk (Tear the Roof Off the Sucker)
producer:
George Clinton (US funk musician)
recording of:
Give Up the Funk (Tear the Roof Off the Sucker)
composer:
Jerome Brailey, George Clinton (US funk musician) and Bootsy Collins (US funk musician & songwriter)
Parliament4.055:47
24All Night Long (All Night) (single version)
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) and Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music and Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:11
25One Love / People Get Ready (medley)
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
One Love / People Get Ready (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist) and Curtis Mayfield
publisher:
Blackwell Fuller Music Publishing LLC, Bob Marley Music, Cayman Music, Cayman Music Inc, EMI April Music Inc., Leosong Copyright Service Ltd., Mijac Music, Rondor Music (London) Ltd., Shakat Music Publishing, TRO Essex Music Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Blue Mountain Music (in 1968), Fifty Six Hope Road Music Limited (in 1968), Odnil Music Ltd. (in 1968), EMI Tunes PLC (publisher) (from 1991 to present) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (from 1991 to present)
is based on:
People Get Ready
Bob Marley & The Wailers4.32:53
26Lovin’ Each Day
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
music video for:
Lovin Each Day by Ronan Keating
recording of:
Lovin’ Each Day
writer:
Gregg Alexander and Rick Nowels
publisher:
Keepin’ It Real, How ’Bout You? and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ronan Keating2.653:32
27Good Vibrations (remastered)
recording engineer:
Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:37
28Cake by the Ocean
part of:
Billboard Year-End Hot 100 singles of 2016 (number: 18)
recording of:
Cake by the Ocean
writer:
Robin Fredriksson (of Mattman & Robin), Joe Jonas (of the Jonas Brothers), Mattias Larsson (of Mattman & Robin) and Justin Tranter (singer and songwriter)
publisher:
Justin’s School for Girls, Ma-Jay Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Scandinavia AB and Wolf Cousins
DNCE53:40
29Put Your Records On
recording engineer, programming and producer:
Steve Chrisanthou
additional producer:
Jimmy Hogarth (producer and songwriter)
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
acoustic guitar and percussion and background vocals and lead vocals:
Corinne Bailey Rae
alto saxophone:
Jason Rae
bass guitar [bass]:
Samuel Dixon
classical guitar [spanish guitar], electric guitar and percussion:
Steve Chrisanthou
Hammond organ:
Joe Tatton
keyboard:
John Beck (Writer, producer & musician)
tenor saxophone:
Jim Corry
trumpet:
Malcolm Strachan
additional background vocals:
Cara Robinson
contains samples by:
Steve Chrisanthou (horn)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
mixed at:
TwentyOne Studios in London (Greater London), England, United Kingdom
music videos:
Put Your Records On by Corinne Bailey Rae
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 236)
recording of:
Put Your Records On
writer:
Corinne Bailey Rae, John Beck (Writer, producer & musician) and Steve Chrisanthou
Corinne Bailey Rae3.653:35
30She Moves in Her Own Way
assistant engineer:
Iain Dowling and Ben Mason (Independent filmmaker/musician)
engineer:
Todd Burke and Tony Hoffer
producer:
Tony Hoffer
assistant mixer:
Keith Gary and Will Hensley (Engineer)
mixer:
Michael Brauer (engineer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2006) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
music videos:
She Moves in Her Own Way by The Kooks (UK band)
recording of:
She Moves in Her Own Way
lyricist:
Luke Pritchard and Max Rafferty
composer:
Paul Garred, Hugh Harris (of The Kooks), Luke Pritchard and Max Rafferty
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
The Kooks3.92:49
31It Don’t Mean a Thing (If It Ain’t Got That Swing)
conductor:
Marion Evans
brass arranger:
Marion Evans
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Tony Bennett & Lady Gaga2:22
32California Soul
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) and Charles Stepney (musician, producer, arranger and songwriter)
arranger:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) and Charles Stepney (musician, producer, arranger and songwriter)
cover recording of:
California Soul
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music Co., Inc. (on 1969-01-17)
Marlena Shaw52:51
33A Kiss to Build a Dream On (single version)
trumpet and lead vocals:
Louis Armstrong (on 1951-07-24)
performer:
Sy Oliver and His Orchestra (on 1951-07-24)
phonographic copyright (℗) by:
Universal Music TV (UK, a division of Universal Music Operations Limited) (in 2009)
recording of:
A Kiss to Build a Dream On (on 1951-07-24)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
Louis Armstrong43:03
34Don’t Worry Be Happy
engineer:
Chris Tergesen
producer:
Linda Goldstein
body percussion:
Bobby McFerrin
vocals:
Bobby McFerrin
phonographic copyright (℗) by:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1988) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Don’t Worry, Be Happy
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin4.44:50
35Sunny Side of the Street
recorded in:
New York, New York, United States (on 1956-04-24)
alto saxophone:
Cannonball Adderley (on 1956-04-24)
piano:
Junior Mance (on 1956-04-24)
vocals:
Dinah Washington (on 1956-04-24)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Hal Mooney (on 1956-04-24)
arranger:
Hal Mooney
cover recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Dinah Washington2:30

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
stream for free:https://open.spotify.com/album/6yGdoqxFIjFBwBmca6x82T [info]
https://www.deezer.com/album/145930482 [info]