100 Gold Jazz Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Honeysuckle Rose
recording of:
Honeysuckle Rose
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
Count Basie3:02
2I Wanna Be Loved by You
cover recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby und Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby und Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe2:59
3Satin Doll
Jo Jones5:54
4Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:50
5’S Wonderful
Gitarre:
Steve Jordan (guitar) (in 1953)
Klarinette:
Edmond Hall (American jazz clarinetist, bandleader) (in 1953)
Klavier:
Henderson Chambers (in 1953) und Mel Powell (American composer and jazz pianist) (in 1953)
Kontrabass:
Walter Page (in 1953)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (in 1953)
Trompete:
Buck Clayton (in 1953)
instrumental recording of:
’S Wonderful (in 1953)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Mel Powell4:16
6A Quiet Gass
Gitarre:
Bob Bain (guitarist), Al Hendrickson und Barney Kessel
Holzblasinstrumente:
Paul Horn, Ted Nash (40s-80s US swing reedman, uncle of the other) und Ronny Lang
Klavier:
John Williams (American jazz pianist)
Kontrabass:
Rolly Bundock und Joe Mondragon
Posaune:
Hoyt Bohannon, John Halliburton, Karl De Karske, Dick Nash und Jimmy Priddy
Rohrblattinstrumente:
Gene Cipriano, Plas Johnson, Ronnie Lang und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
Shelly Manne (US jazz drummer) und Alvin Stoller
Trompete:
Frank Beach (trombone, trumpet), Pete Candoli und Conrad Gozzo
Vibraphon:
Larry Bunker und Victor Feldman (jazz musician)
Waldhorn:
John Cave (french horn), Vincent DeRosa, John Graas und Richard Perissi
recording of:
A Quiet Gass
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Henry Mancini3:06
7Lullaby of Birdland
recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Lionel Hampton4:17
8Let Me Off Uptown
Gene Krupa3:04
9My Melancholy Baby
recording of:
My Melancholy Baby
Texter:
George A. Norton (in 1912)
Komponist(in):
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. und Shapiro, Bernstein & Co., Inc.
Version von:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
Mildred Bailey2:53
10Pennies From Heaven
Jimmy Rushing5:25
11Sing, Sing, Sing
recording of:
Sing, Sing, Sing (With a Swing)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Benny Goodman5:05
12Black Coffee
Ed Bentley6:18
13Lullaby of Birdland
Mel Tormé34:50
14A Night in Tunisia
Schlagzeug:
Phil Seamen (am 1955-10-11)
recording of:
Night in Tunisia (instrumental) (am 1955-10-11)
Komponist(in):
Dizzy Gillespie und Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
Ronnie Scott3:41
15That’s My Desire
recording of:
That’s My Desire
Texter:
Carroll Loveday
Komponist(in):
Helmy Kresa
publisher:
Mills Music, Inc.
Frankie Laine2:52
16Off Minor
recording of:
Off Minor
Komponist(in):
Thelonious Monk
publisher:
Embassy Music Corporation
Thelonious Monk5:14
17Patterns
Bass:
Jamil Nasser (von 1970-02-02 bis 1970-02-03)
Klavier:
Ahmad Jamal (von 1970-02-02 bis 1970-02-03)
Schlagzeug:
Frank Gant (von 1970-02-02 bis 1970-02-03)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (von 1970-02-02 bis 1970-02-03)
recording of:
Patterns (in 1970-02)
Komponist(in):
Ahmad Jamal
Ahmad Jamal6:15
18I’ve Got You Under My Skin
Stan Getz3:19
19The Lady Is a Tramp
Erroll Garner3:38
20Embraceable You
recorded in:
New York, New York, Vereinigte Staaten (am 1954-12-18)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1954-12-18)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-12-18)
vocals:
Sarah Vaughan (am 1954-12-18)
conductor:
Ernie Wilkins (am 1954-12-18)
arranger:
Ernie Wilkins
cover recording of:
Embraceable You (am 1954-12-18)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Sarah Vaughan4:52
21Moon River
Bass:
Jymie Merritt (am 1961-11-28)
Klavier:
Cedar Walton (am 1961-11-28)
Posaune:
Curtis Fuller (am 1961-11-28)
Schlagzeug:
Art Blakey (am 1961-11-28)
Tenorsaxophon:
Wayne Shorter (US jazz saxophonist and composer) (am 1961-11-28)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1961-11-28)
instrumental cover recording of:
Moon River (am 1961-11-28)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Art Blakey55:11
22Bewitched, Bothered and Bewildered
Eddie “Lockjaw” Davis3:42
23Old Devil Moon
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
Lena Horne2:35
24Crazy Rhythm
Benny Carter3:26
25Here, There and Everywhere
cover recording of:
Here, There and Everywhere
geschrieben in:
Weybridge, Surrey, England, Vereinigtes Königreich (in 1966-06)
Verfasser(in):
John Lennon (The Beatles) (in 1966-06) und Paul McCartney (The Beatles) (in 1966-06)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs und Sony/ATV Music Publishing LLC (1995–2020)
David Benoit4:07
26Dragnet
Ray Anthony and His Orchestra2:49
27Smoke Gets in Your Eyes
Lawrence Welk2:20
28Drummin’ Man
Gene Krupa3:04
29Lullaby in Rhythm
Klavier:
Arnold Ross (am 1946-07-31)
Kontrabass:
Eddie Safranski (am 1946-07-31)
Posaune:
Kai Winding (am 1946-07-31)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1946-07-31)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1946-07-31)
Trompete:
John Anderson (US jazz trumpeter) (am 1946-07-31)
recording of:
Lullaby in Rhythm (am 1946-07-31)
Texter:
Walter Hirsch (in 1938)
Komponist(in):
Benny Goodman (clarinetist and bandleader) (in 1938), Clarence Profit (in 1938) und Edgar Sampson (in 1938)
June Christy2:36
30East of the Sun
Ted Heath3:34
31Tuxedo Junction
Al Hirt2:42
32Begin the Beguine
Artie Shaw3:18
33Jumpin’ at the Woodside
recording of:
Jumpin’ at the Woodside (with lyrics by Jon Hendricks)
Texter:
Jon Hendricks (in 1957)
Komponist(in):
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
Jumpin’ at the Woodside (original instrumental)
Count Basie3:12
34Buona Sera
Produzent(in):
Voyle Gilmore
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber (am 1956-04-19)
Kontrabass:
Amato Rodrigues (am 1956-04-19)
Posaune:
James Blount, Jr. (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Buona sera (am 1956-04-19)
Texter:
Carl Sigman
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
übersetzte Version von:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima42:59
35The Good Earth
Produzent(in):
Woody Herman
alto saxophone:
John LaPorta (am 1946-03-25) und Sam Marowitz (saxophonist and clarinetist) (am 1946-03-25)
baritone saxophone:
Sam Rubinowitch (US baritone/alto sax player & flautist) (am 1946-03-25)
Bass:
Chubby Jackson (am 1946-03-25)
Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1946-03-25)
Klavier:
Tony Aless (am 1946-03-25)
Posaune:
Bill Harris (jazz trombonist) (am 1946-03-25), Ed Kiefer (am 1946-03-25) und Ralph Pfeffner (am 1946-03-25)
Rohrblattinstrumente:
Woody Herman (am 1946-03-25)
Schlagzeug:
Don Lamond (am 1946-03-25)
Tenorsaxophon:
Mickey Folus (am 1946-03-25) und Flip Phillips (am 1946-03-25)
Trompete:
Sonny Berman (am 1946-03-25), Pete Candoli (am 1946-03-25), Conrad Gozzo (am 1946-03-25), Marky Markowitz (am 1946-03-25) und Shorty Rogers (trumpet) (am 1946-03-25)
Vibraphon:
Red Norvo (am 1946-03-25)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1946-03-25)
recording of:
The Good Earth
Verfasser(in):
Neal Hefti
Woody Herman2:35
36Between the Devil and the Deep Blue Sea
Kontrabass:
Richard Fullbright (am 1937-07-07)
Posaune:
Dicky Wells (am 1937-07-07)
Schlagzeug:
Bill Beason (am 1937-07-07)
Solo-Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1937-07-07)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1937-07-07), Shad Collins (am 1937-07-07) und Bill Dillard (am 1937-07-07)
Teil von:
The Gramophone Company Limited (by matrix number) (Nummer: 0LA 1885-1) und Swing (by matrix number) (Nummer: OLA 1885-1)
instrumental recording of:
Between the Devil and the Deep Blue Sea (am 1937-07-07)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
Django Reinhardt2:57
37Route 66
recording of:
(Get Your Kicks on) Route 66
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
Nat King Cole3:03
38Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Frankie Laine2:49
39The Entertainer
Klavier:
Scott Joplin (composer and pianist)
recording of:
The Entertainer
Komponist(in):
Scott Joplin (composer and pianist) (in 1902)
publisher:
Chappell, EMI Music Publishing (do not use as a release label!) und Multimood Music (publisher)
Teil von:
Classic 100: Piano (2025) (Nummer: 25)
Scott Joplin3:37
40Let’s Do It, Let’s Fall in Love
Orchester:
Henri René & His Orchestra (am 1953-10-05)
recording of:
Let’s Do It (Noël Coward version)
Texter und Komponist(in):
Cole Porter (composer)
zusätzlicher Texter:
Noël Coward
Version von:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Eartha Kitt3:10
41Stranger on the Shore
Acker Bilk3:08
42It Could Happen to You
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18, am 1960-04-27)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18, am 1960-04-27)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-27)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-27)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18, am 1960-04-27), Harry Klee (am 1954-01-18) und Paul Horn (am 1960-04-27)
Klavier:
Russ Freeman (pianist) (am 1954-01-18) und Joe Castro (am 1960-04-27)
Posaune:
Milt Bernhart (am 1954-01-18, am 1960-04-27), Harry Betts (am 1954-01-18), Tommy Pederson (am 1954-01-18) und Frank Rosolino (am 1960-04-27)
Rohrblattinstrumente:
Buddy Collette (am 1960-04-27) und Chuck Gentry (am 1960-04-27)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-18) und Larry Bunker (am 1960-04-27)
Trompete:
Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18, am 1960-04-27), Shorty Rogers (trumpet) (am 1954-01-18), Frank Beach (trombone, trumpet) (am 1960-04-27) und Conte Candoli (am 1960-04-27)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18) und Phil Stephens (bass and tuba player) (am 1960-04-27)
Waldhorn:
John Graas (am 1954-01-18) und Vincent DeRosa (am 1960-04-27)
vocals:
June Christy (am 1954-01-18, am 1960-04-27)
conductor:
Pete Rugolo (am 1954-01-18, am 1960-04-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18) und Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-27)
recording of:
It Could Happen to You (am 1954-01-18)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
June Christy42:01
43Toot‐Toot Tootsie
Sonny Rollins4:23
44Six Flats Unfurnished
recording of:
Six Flats Unfurnished
Verfasser(in):
Richard Maltby (Richard Maltby, Sr., 1914-1991)
Benny Goodman3:18
45That Old FeelingGerry Mulligan6:00
46Fly Me to the Moon
Cy Coleman2:53
47On the Sunny Side of the StreetDizzy Gillespie5:41
48Love for Sale
Techniker(in):
Rudy van Gelder
Produzent(in):
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (am 1958-03-09)
Klavier:
Hank Jones (piano) (am 1958-03-09)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-03-09)
Schlagzeug:
Art Blakey (am 1958-03-09)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1958-03-09)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1958-03-09)
instrumental cover recording of:
Love for Sale (am 1958-03-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Cannonball Adderley57:08
49My Old Flame
Libbie Jo Snyder6:47
50Sentimental Journey
recording of:
Sentimental Journey
Texter:
Bud Green (in 1944)
Komponist(in):
Les Brown (American big band & jazz musician) (in 1944) und Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Merry Macs3:03
51Yardbird Suite
recording engineer:
Tom Dowd (am 1958-08-03)
Produzent(in):
Nesuhi Ertegun (am 1958-08-03)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1958-08-03)
Kontrabass [bass]:
Percy Heath (am 1958-08-03)
Schlagzeug:
Connie Kay (am 1958-08-03)
Vibraphon:
Milt Jackson (am 1958-08-03)
live recording of:
Yardbird Suite (instrumental version) (am 1958-08-03)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1946)
The Modern Jazz Quartet5:15
52Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:26
53Venus de Milo
alto saxophone:
Lee Konitz (jazz saxophonist) (am 1949-04-22)
baritone saxophone:
Gerry Mulligan (am 1949-04-22)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1949-04-22)
Kontrabass:
Nelson Boyd (am 1949-04-22)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1949-04-22)
Schlagzeug:
Kenny Clarke (am 1949-04-22)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1949-04-22)
Tuba:
Bill Barber (Jazz tuba player) (am 1949-04-22)
Waldhorn:
Sanford J. Siegelstein (am 1949-04-22)
arranger:
Gerry Mulligan
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1949-04-22)
recording of:
Venus de Milo (am 1949-04-22)
Komponist(in):
Gerry Mulligan
Miles Davis43:12
54Peggy’s Blue Skylight
recording of:
Peggy's Blue Skylight
Komponist(in):
Charles Mingus
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Charles Mingus5:20
55S’ Wonderful
cover recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Quincy Jones3:15
56My Funny Valentine
cover recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
Sammy Davis Jr.3:08
57Blackbird
Dave Valentin6:25
58I Wanna Be Loved
cover recording of:
I Wanna Be Loved
Texter:
Edward Heyman und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) (in 1932)
Dinah Washington2:53
59Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald4:56
60So What
recorded in:
New York, New York, Vereinigte Staaten (am 1959-03-02)
recording engineer:
Fred Plaut (am 1959-03-02)
Produzent(in):
Irving Townsend
alto saxophone:
Cannonball Adderley (am 1959-03-02)
Klavier:
Bill Evans (pianist) (am 1959-03-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-03-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-03-02)
Tenorsaxophon:
John Coltrane (am 1959-03-02)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1959-03-02)
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1959-03-02)
Remix von:
So What (stereo) von Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (am 1959-03-02)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis4.259:23
61Take the “A” Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington3:00
62Sing Me a Swing Song
cover recording of:
Sing Me a Swing Song (and Let Me Dance)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
Hoagy Carmichael
Ella Fitzgerald2:34
63The Girl From Ipanema
Stan Getz & João Gilberto5:22
64Stolen Moments
New York Voices6:46
65Take Five
alto saxophone:
Paul Desmond (am 1963-02-22)
Klavier:
Dave Brubeck (am 1963-02-22)
Kontrabass:
Eugene Wright (bass) (am 1963-02-22)
Schlagzeug:
Joe Morello (am 1963-02-22)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-02-22)
live recording of:
Take Five (original instrumental version) (am 1963-02-22)
Komponist(in):
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
The Dave Brubeck Quartet3:24
66Mr. Bojangles
Produzent(in):
Don Costa (US pop music arranger & producer) und Mike Curb
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (in 1971)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Sammy Davis Jr.5:46
67Strangers in the Night
recording of:
Strangers in the Night
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Vaughn1:47
68Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.253:20
69God Bless the Child
recording of:
God Bless the Child
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday3:08
70In the Mood
recorded in:
New York, New York, Vereinigte Staaten (am 1939-08-01)
Tenorsaxophon:
Tex Beneke und Al Klink
Trompete:
Clyde Hurley
instrumental recording of:
In the Mood (am 1939-08-01)
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller3:37
71My Funny Valentine
Produzent(in):
Richard Bock (record producer)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954) und Blue Note (in 1989)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1954-02-15)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker2.52:22
72Jeepers Creepers
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (US jazz trombonist) (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
Jeepers Creepers (in 1957-07)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2)
Maynard Ferguson2:35
73Is You Is or Is You Ain’t My Baby
Techniker(in) und Mix:
Al Schmitt (in 1994-09)
Produzent(in):
Tommy LiPuma (in 1994-09)
Klavier:
Diana Krall (in 1994-09)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1994-09)
Saxophon:
Stanley Turrentine (in 1994-09)
Schlagzeug:
Lewis Nash (American jazz drummer) (in 1994-09)
vocals:
Diana Krall (in 1994-09)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1994-09)
cover recording of:
Is You Is or Is You Ain’t My Baby? (in 1994-09)
Verfasser(in):
Bill Austin (in 1944) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
publisher:
Universal‐MCA Music Publishing (US)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Diana Krall3.254:57
74Mack the Knife
The Lol Williams Band3:44
75Strange Fruit
Bass:
John Fields (Jazz bassist)
Klavier:
Buster Harding
Schlagzeug:
Marquis Foster
recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday3:18
76Ornithology
recording of:
Ornithology
Komponist(in):
Benny Harris und Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Charlie Parker3:04
77Skyliner
recording of:
Skyliner (for brass band, Geldard)
Komponist(in):
Charlie Barnet (saxophonist, bandleader)
arranger:
Bill Geldard (British trombone player and composer)
Arrangement von:
Skyliner
Charlie Barnet3:01
78Softly, as in a Morning Sunrise
Bass:
Tom Kennedy (US double-bass and electric bass player)
Klavier:
Ray Kennedy (Jazz pianist and composer)
Schlagzeug:
Dave Weckl
Dave Weckl5:01
79My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.853:33
80Giant Steps
Candido Camero5:37
81Put Off
Milt Jackson5:37
82Baby It’s Cold Outside
vocals:
Buddy Clark (US 1930s~1940s singer) und Dinah Shore
Orchester:
Ted Dale and His Orchestra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
Buddy Clark2:22
83What a Difference a Day MakesDinah Washington2:33
84Among My Souvenirs (From the Best Years of Our Lives)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-04-17)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1942-04-17) und Carl Frye (am 1942-04-17)
Gitarre:
Lawrence Lucie (am 1942-04-17)
Klavier:
Luis Russell (am 1942-04-17)
Kontrabass:
John Simmons (bassist) (am 1942-04-17)
Posaune:
Henderson Chambers (am 1942-04-17), George Washington (jazz trombonist) (am 1942-04-17) und James Whitney (US trombonist) (am 1942-04-17)
Schlagzeug:
Sid Catlett (am 1942-04-17)
Tenorsaxophon:
Joe Garland (saxophonist, composer) (am 1942-04-17) und Prince Robinson (am 1942-04-17)
Trompete:
Louis Armstrong (am 1942-04-17), Bernard Flood (am 1942-04-17), Frank Galbreath (am 1942-04-17) und Shelton "Scad" Hemphill (am 1942-04-17)
vocals:
Louis Armstrong (am 1942-04-17)
Orchester:
Louis Armstrong & His Orchestra (am 1942-04-17)
recording of:
Among My Souvenirs (am 1942-04-17)
Texter:
Edgar Leslie
Komponist(in):
Horatio Nicholls
publisher:
Crawford Music Inc., DeSylva, Brown and Henderson, Inc. (am 1927-10-05), Lawrence Wright Music Co., Ltd. (am 1927-10-05) und Chappell & Co., Inc. (USA) (am 1968-09-23)
Louis Armstrong2:45
85So Long Eric
recording of:
So Long Eric (am 1977-11-06)
Komponist(in):
Charles Mingus
Charles Mingus44:35
86Autumn in New York
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-18)
Bass:
Leroy Vinnegar (am 1955-09-18)
Klavier:
Kenny Drew (am 1955-09-18)
Schlagzeug:
Lawrence Marable (am 1955-09-18)
Tenorsaxophon:
Dexter Gordon (am 1955-09-18)
instrumental cover recording of:
Autumn in New York (1934) (am 1955-09-18)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
Dexter Gordon6:33
87Frenesi
The American Patrol Orchestra2:50
88La Mer
Henry Cuesta2:35
89The Entertainer
Chris Barber’s Jazz Band3:52
90Ain’t Misbehavin’
Sidney Bechet2:54
91Baby, It’s Cold Outside
vocals:
Buddy Clark (US 1930s~1940s singer) und Dinah Shore
Orchester:
Ted Dale and His Orchestra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
Dinah Shore2:22
92Greenbacks
recording of:
Greenbacks
Verfasser(in):
Renald Richard
Ray Charles2:56
93Manhattan Serenade
vocals:
Dinah Shore (am 1942-07-30)
Orchester:
Orchestra conducted by Paul Weston (am 1942-07-30)
recording of:
Manhattan Serenade (am 1942-07-30)
Texter:
Harold Adamson
Komponist(in):
Louis Alter
Dinah Shore3:09
94As Time Goes By
cover recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Tony Bennett3:15
95Contrasts
recording of:
Contrasts
Komponist(in):
Jimmy Dorsey
Jimmy Dorsey & His Orchestra3:01
96On the Sunny Side of the Street
The Memphis Belle Orchestra3:25
97Stairway to the Stars
recording engineer:
Bill Schwartau (am 1962-06-02)
Bass:
Chuck Israels (am 1962-06-02)
Klavier:
Bill Evans (pianist) (am 1962-06-02, am 1962-06-05)
Kontrabass [bass]:
Chuck Israels (am 1962-06-02, am 1962-06-05)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1962-06-02, am 1962-06-05)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-06-02)
instrumental cover recording of:
Stairway to the Stars (am 1962-06-02)
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
instrumental recording of:
Stairway to the Stars (am 1962-06-05)
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Bill Evans4:51
98In Other Words (Fly Me to the Moon)Nancy Wilson (with The Billy May Orchestra)2:54
99Rags to Riches
recording of:
Rags to Riches
Verfasser(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (von 1953 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
Tony Bennett2:51
100Harlem Nocturne
Jonny Cooper Orchestra3:17

Nennungen