Poet of Rock ’n’ Roll

~ Release by Chuck Berry (see all versions of this release, 2 available)

Tracklist

1▼CD: Rockin’ Rollin’ Blues Man
#TitleRatingLength
1Johnny B Goode
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-01-06)
drums (drum set):
Jasper Thomas (on 1958-01-06)
guitar and lead vocals:
Chuck Berry (on 1958-01-06)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-01-06)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (on 1958-01-06)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
4.22:41
2Maybellene
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
maracas [possibly]:
Leonard Chess (on 1955-05-21) and Jerome Green (on 1955-05-21)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-05-21)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 102)
recording of:
Maybellene (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Salee Music Company
3.852:22
3Roll Over Beethoven
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-04-19)
tenor saxophone:
Leroy C. Davis (on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 1956)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 97)
recording of:
Roll Over Beethoven (on 1956-04-19)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
4.152:25
4Rock and Roll Music
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 128)
recording of:
Rock and Roll Music (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
4.352:33
5School Day
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (on 1956-12-15)
guitar:
Chuck Berry (on 1956-12-15) and Hubert Sumlin (Chicago blues guitarist and singer) (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
lead vocals:
Chuck Berry (on 1956-12-15)
vocals:
Chuck Berry
phonographic copyright (℗) by:
N2K and Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 3)
recording of:
School Day (Ring! Ring! Goes the Bell) (on 1956-12-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Nightlight Music Pty Ltd.
4.252:43
6Sweet Little Sixteen
double bass:
Willie Dixon (in 1957-12)
drums (drum set):
Jasper Thomas (in 1957-12)
guitar and lead vocals:
Chuck Berry (in 1957-12)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1957-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (in 1957-12)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 272)
recording of:
Sweet Little Sixteen (in 1957-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2.53:17
7Carol
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
percussion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 10)
recording of:
Carol (on 1958-06-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Inc. and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
3.352:50
8Almost Grown
producer:
Leonard & Phil Chess (legendary US production duo)
bass and double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17) and Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Chuck Barksdale (on 1959-02-17), Harvey Fuqua (on 1959-02-17), Marvin Gaye (on 1959-02-17), Etta James (on 1959-02-17), The Marquees (on 1959-02-17), The Moonglows (1950s Cleveland R&B group) (on 1959-02-17), James Nolan (Second Tenor, Baritone singer) (on 1959-02-17), Reese Palmer (First Tenor singer) (on 1959-02-17) and Chester Simmons (on 1959-02-17)
lead vocals:
Chuck Berry (on 1959-02-17)
vocals:
Chuck Berry (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 6)
recording of:
Almost Grown (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
3.52:23
9Back in the USA
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Fred Below (on 1959-02-17)
guitar and lead vocals:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Etta James (on 1959-02-17) and The Marquees (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Back in the U.S.A. (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:29
10Nadine
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar and lead vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
Nadine (Is It You?) (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Limited
recording of:
Nadine
lyricist and composer:
Chuck Berry
publisher:
Tristan Music Ltd.
42:37
11Too Much Monkey Business
recorded in:
Chicago, Illinois, United States (in 1956-02)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (in 1956-02)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Fred Below (in 1956-02) and Melvin Billups (on 1956-04-19)
guitar:
Chuck Berry (in 1956-02, on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1956-02, on 1956-04-19)
tenor saxophone:
Leroy C. Davis (in 1956-02, on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
lead vocals:
Chuck Berry (on 1956-04-19)
vocals:
Chuck Berry (in 1956-02)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
recording of:
Too Much Monkey Business (in 1956-02)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
recording of:
Too Much Monkey Business (on 1956-04-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
3.352:57
12Brown Eyed Handsome Man
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 375)
recording of:
Brown Eyed Handsome Man (on 1956-04-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
32:19
13Oh Baby Doll
producer:
Leonard & Phil Chess (legendary US production duo) (in 1957-05)
bass and double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar, guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
recording of:
Oh Baby Doll (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
42:39
14Promised Land
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1964-02-20)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-02-20)
guitar and lead vocals:
Chuck Berry (on 1964-02-20)
piano:
Lafayette Leake (on 1964-02-20)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-02-20)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 342)
recording of:
Promised Land (on 1964-02-20)
lyricist:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Limited
is based on:
Wabash Cannonball
recording of:
The Promised Land
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:26
15Things I Used to Do
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
cover recording of:
The Things That I Used to Do (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Eddie Jones (US blues guitarist, aka Guitar Slim)
publisher:
Sony/ATV Songs LLC and Venice Music
42:44
16Worried Life Blues
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Chuck Berry (on 1960-03-29) and Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
lead vocals:
Chuck Berry (on 1960-03-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-03-29)
recording of:
Worried Life Blues (on 1960-03-29)
writer:
Sleepy John Estes and Maceo Merriweather
publisher:
Duchess Music Corporation (BMI-affiliated), Universal Duchess Music Corp. and Universal/MCA Music Ltd. (not for release label use!)
version of:
Someday Baby Blues
2:11
17Run Around
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
steel guitar and lead vocals:
Chuck Berry (on 1960-03-29)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-03-29)
recording of:
Run Around (on 1960-03-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
42:35
18Childhood Sweetheart
bass:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Childhood Sweetheart (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
3:16
19In-Go
producer:
Leonard & Phil Chess (legendary US production duo) (on 1958-02-28)
drums (drum set):
Jasper Thomas (on 1958-02-28)
electric bass guitar:
Bob Bushnell (on 1958-02-28)
electric guitar:
Chuck Berry (on 1958-02-28)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-02-28)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-28)
recording of:
Ingo (on 1958-02-28)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
42:27
20Drifting Blues
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Reggie Boyd (US blues guitarist/bassist) (on 1960-02-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-02-12)
guitar:
Chuck Berry (on 1960-02-12) and Matt Murphy (US blues guitarist) (on 1960-02-12)
tenor saxophone:
Leroy C. Davis (on 1960-02-12)
lead vocals:
Chuck Berry (on 1960-02-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-02-12)
cover recording of:
Drifting Blues (on 1960-02-12)
writer:
Charles Brown (blues musician), Johnny Moore (US blues guitarist, Three Blazers) and Eddie Williams (blues musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., EMI United Partnership Ltd. and United Artists
2:22
21Confessin' the Blues
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-04-12)
cover recording of:
Confessin’ the Blues (on 1960-04-12)
writer:
Walter Brown (US jazz/blues singer) and Jay McShann
publisher:
Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
2:10
22Sweet Sixteen
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-04-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-04-12)
recording of:
Sweet Sixteen (on 1960-04-12)
lyricist and composer:
A. Nugetre (US American Songwriter, producer)
publisher:
Progressive Music (publisher)
42:46
23Deep Feelin'
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (on 1956-12-15)
guitar:
Hubert Sumlin (Chicago blues guitarist and singer) (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
steel guitar:
Chuck Berry (on 1956-12-15)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
recording of:
Deep Feeling (on 1956-12-15)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
4.52:19
24Bio
producer:
Esmond Edwards
bass:
Gary Van Scyoc (US rock and roll bassist) (from 1973-05-30 until 1973-05-31)
drums (drum set):
Rick Frank (US drummer, fl. 1970's) (from 1973-05-30 until 1973-05-31)
guitar:
Chuck Berry (from 1973-05-30 until 1973-05-31) and Wayne Gabriel (from 1973-05-30 until 1973-05-31)
piano:
Adam Ippolito (from 1973-05-30 until 1973-05-31)
lead vocals:
Chuck Berry (from 1973-05-30 until 1973-05-31)
recorded at:
Sound Exchange Studio in New York, New York, United States (from 1973-05-30 until 1973-05-31)
recording of:
Bio (from 1973-05-30 until 1973-05-31)
lyricist and composer:
Chuck Berry
54:26
25Lucky So and So
cover recording of:
I’m Just a Lucky So and So
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:54
26Wee Wee Hours
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
drums (drum set):
Ebby Hardy (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-05-21)
recording of:
Wee Wee Hours (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
33:06
27After It's Over
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Louis Cennamo (on 1965-01-09)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-09)
guitar:
Chuck Berry (on 1965-01-09) and Jeff Krivet (on 1965-01-09)
harmonica:
Peter John Hogman (on 1965-01-09)
piano:
Bob Scrivens (on 1965-01-09)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-09)
recording of:
After It's Over (on 1965-01-09)
composer:
Chuck Berry
42:20
2▶CD: Still Rockin’
3▶CD: Still Rollin’
4▶CD: All American Boy

Credits

Release

manufactured in:Europe
copyrighted (©) by and phonographic copyright (℗) by:Charly Holdings Inc. (in 1994)
licensed from:Charly International ApS
Discogs:https://www.discogs.com/release/9101249 [info]