It's Like That! (disc 1)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1It's Like That
additional producer:
Jason Nevins
producer:
Larry Smith (US hip hop producer) and Russell Simmons
remixer:
Jason Nevins
phonographic copyright (℗) by:
Profile Records Ltd. and Smile Communications
produced for:
Rush Groove Productions
recording of:
It’s Like That
writer:
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) and Larry Smith (US hip hop producer)
publisher:
Protoons Inc., Rush-Groove and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Run‐D.M.C. vs. Jason Nevins3.34:11
2Brimful of Asha (Norman Cook remix)
additional producer:
Norman Cook
producer:
Tjinder Singh
additional remixer:
Norman Cook
remixer:
Norman Cook
remix of:
Brimful of Asha (LP / original version) by Cornershop and Brimful of Asha (short version) by Cornershop
recording of:
Brimful of Asha
lyricist and composer:
Tjinder Singh
dedicated to:
Asha Bhosle
Cornershop3.84:01
3Firestarter
additional recording engineer:
Neil McLellan
producer and mixer:
Liam Howlett
guitar:
Jim Davies (The Prodigy studio guitarist) and Jim Davis (jazz producer)
vocals:
Keith Flint (vocalist in The Prodigy)
phonographic copyright (℗) by:
XL‐Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 1996)
recorded at:
Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom
mixed at:
Earthbound in Bradwell, Essex, England, United Kingdom
produced at:
Earthbound in Bradwell, Essex, England, United Kingdom
samples:
Close (to the Edit) by Art of Noise and S.O.S. by The Breeders
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 30)
recording of:
Firestarter
writer:
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan and Paul Morley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. and Zomba Music
is based on:
S.O.S.
quotes music from:
Close (to the Edit)
The Prodigy4.054:40
4FreestylerBomfunk MC’s42:53
5Fix Up, Look Sharp
recording of:
Fix Up, Look Sharp
lyricist:
Dylan Mills and Billy Squier
composer:
Nick Detnon, Dylan Mills and Billy Squier
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dizzee Rascal3:13
6Hey Ya!
recording engineer:
John Frye (hip hop / R&B mix engineer), Robert Hannon and Pete Novak
programming and producer:
André 3000
mixer:
Neal Pogue (mix engineer)
acoustic guitar and keyboard and lead vocals:
André 3000
keyboard:
Kevin Kendrick (US soul/funk keyboardist/songwriter)
music videos:
Hey Ya! by OutKast
part of:
Sean Michaels: The Top 30 Songs of 2003 (number: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 10), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 14), Triple J’s Hottest 100: Twenty Years (2013) (number: 18), VH1’s Big Song of 2003 (number: 24), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 180) and Indie 88: Top 500 Indie Rock Songs (number: 198)
recording of:
Hey Ya!
lyricist and composer:
André Benjamin
OutKast43:46
7The Rockafeller Skank
engineer and mixer:
Simon Thornton (Big beat mixing engineer)
producer:
Fatboy Slim
performer:
Just Brothers
phonographic copyright (℗) by:
Skint Records (in 1998)
samples:
Beat Girl (Main Title) by The John Barry Seven and Sliced Tomatoes by Just Brothers
music videos:
Rockafeller Skank by Fatboy Slim
recording of:
The Rockafeller Skank
writer:
John Barry (English score composer), Fatboy Slim and Winifred Terry
publisher:
Gold Forever Music Inc., MCA Music Ltd., Polygram Music Publishing Ltd. (GB), Robbins Music Corp. Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
is based on:
Beat Girl (main title)
is based on:
Sliced Tomatoes
Fatboy Slim43:55
8Where's Your Head At
producer and mixer:
Basement Jaxx
background vocals and guest background vocals:
Michael Moog, Erick Morillo and Junior Sanchez
guest vocals and lead vocals:
Damien Peachey
vocals:
Damien Peachey
samples:
M.E. by Gary Numan and This Wreckage by Gary Numan
cover recording of:
Where’s Your Head At
writer:
Felix Buxton, Gary Numan and Simon Ratcliffe
publisher:
Universal Music (plain logo: “Universal Music”)
Basement Jaxx3.53:57
9Lazy
recording engineer:
James Brown (UK electronic sound/mix engineer, collaborator of Ashley Beedle)
producer:
X‐Press 2
mixer:
James Brown (UK electronic sound/mix engineer, collaborator of Ashley Beedle) and Adam Wren
editor:
Simon Thornton (Big beat mixing engineer)
keyboard:
Pete Z
guest vocals:
David Byrne (Talking Heads)
vocals and performer:
David Byrne (Talking Heads)
recorded at:
Rocksteady Studio in London (Greater London), England, United Kingdom
mixed at:
Rollover Studios in London (Greater London), England, United Kingdom
recording of:
Lazy
writer and arranger:
Ashley Beedle, David Byrne (Talking Heads), Darren Rock (UK techno producer Darren Rock) and Darren House
X‐Press 244:14
10Turn On, Tune In, Cop Out
recording of:
Turn On, Tune In, Cop Out
lyricist and composer:
Norman Cook
publisher:
PolyGram Music Publishing Ltd.
Freak Power4:23
11Flat Beat
recording of:
Flat Beat
composer:
Quentin Dupieux
publisher:
Wak Publishing
Mr. Oizo3:55
12Don't Stop the Rock
recording of:
Don't Stop the Rock
writer:
Garfield Baker, Tony Butler (US funk, soul, electro producer Anthony Butler) and Byron Smith (member of Freestyle)
Freestyle3:42
13ConnectedStereo MCs33:45
14A Little Less Conversation
assistant engineer:
Dan Milazzo and Claudius Mittendorfer (engineer, producer, mixer)
engineer:
Ray Bardani
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1968-03-07 until 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-03-07 until 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
remix of:
A Little Less Conversation by Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (from 1968-03-07 until 1968-06-23)
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
Elvis vs. JXL3.453:31
15Phat Planet
engineer:
Adam Wren
producer:
Leftfield (British electronic project)
recorded at:
Rollover Studios in London (Greater London), England, United Kingdom
recording of:
Phat Planet
composer:
Neil Barnes and Paul Daley
Leftfield3.65:22
16(Hey You) What's That Sound?
producer:
Jacques Lu Cont
recorded at:
Premier Studios (formerly Quad Studios) in New York, New York, United States
samples:
I Wish by Skee‐Lo
recording of:
(Hey You) What's That Sound
writer:
Stuart Price and Stephen Stills
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
Les Rythmes Digitales4:09
17Addicted to Bass
recording engineer and producer:
Josh Abrahams (Puretone, aka Puretone)
phonographic copyright (℗) by:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1999)
recorded at and mixed at:
Fishtank Recording Studio in Brighton (Brighton, Victoria), Victoria, Australia
recording of:
Addicted to Bass
writer:
Josh Abrahams (Puretone, aka Puretone) and Amiel (Australian pop singer, songwriter & actress)
publisher:
Mushroom Music Publishing
Puretone3.53:54
18Danger! High Voltage
assistant recording engineer:
John Smerek
recording engineer:
Stuart Bradbury
producer and mixer:
Stuart Bradbury and Damien Mendis
bass guitar:
Disco (Steve Nawara)
drums (drum set):
M. (Cory Martin)
guitar:
The Rock-n-Roll Indian and Surge Joebot
guest background vocals:
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
vocals:
Dick Valentine
arranger:
Electric Six (Detroit, USA rock, previously The Wildbunch)
recording of:
Danger! High Voltage
lyricist:
Tyler Spencer
composer:
Joe Frezza, Steve Nawara, Anthony Selph and Tyler Spencer
Electric Six3.853:36
19Born Slippy
producer and mixer:
Underworld (UK electronic music group)
phonographic copyright (℗) by:
Junior Boy’s Own (in 1996) and Junior Recordings (in 1996)
recording of:
Born Slippy .NUXX (vocal version associated with Trainspotting)
lyricist:
Karl Hyde
writer:
Darren Emerson, Karl Hyde and Rick Smith (electronic producer, member of Underworld)
publisher:
Mute Song (either subsidiary of Mute Song Ltd., or brand that refers to itself), Sherlock Holmes Music Ltd. and Underworld (legal entity for the band)
Underworld3.94:15
20Bodyrock
engineer, producer and mixer:
Moby (electronic musician Richard Melville Hall)
additional vocals:
Nikki D
performer:
Moby (electronic musician Richard Melville Hall)
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1999)
samples:
Love Rap by Spoonie Gee (US oldschool rapper) and the Treacherous Three
recording of:
Bodyrock
writer:
Gabriel Jackson (US oldschool rapper), Moby (electronic musician Richard Melville Hall) and Bobby Robinson
publisher:
Bobby Robinson Sweet Soul Music, Little Idiot Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Moby3.753:36