The Jazz Station

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

5 Jewel Cases in a cardboard slipcase. Individual cat#s: DIBCD001, DIBCD002, DIBCD003, DIBCD004, DIBCD005

Annotazione modificata l'ultima volta il 2025-07-12 20:02 UTC.

Elenco tracce

1CD: The Jazz Station, Volume 1
#TitoloArtistaValutazioneDurata
1Cheek to Cheek
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Cheek to Cheek (from “Top Hat”) (il 1956-08-16)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
Ella Fitzgerald feat. Louis Armstrong4.25:53
2A Fine Romance
batteria :
Cozy Cole (il 1936-09-29)
chitarra :
Dick McDonough (il 1936-09-29)
clarinetto :
Irving Fazola (il 1936-09-29)
contrabbasso :
Artie Bernstein (il 1936-09-29)
pianoforte :
Clyde Hart (il 1936-09-29)
tromba :
Bunny Berigan (il 1936-09-29)
voce:
Billie Holiday (il 1936-09-29)
registrazione di:
A Fine Romance (from “Swing Time”) (il 1936-09-29)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Chappell & Co.
parte di:
Swing Time (film)
Billie Holiday2:51
3Jeepers Creepers
esecutore:
Count Basie and His Orchestra
registrazione cover di:
Jeepers Creepers
paroliere:
Johnny Mercer (nel 1938)
autore:
Richard A. Whiting
compositore:
Harry Warren (US composer and lyricist) (nel 1938)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
The 11th Academy Award for Best Original Song (numero: 2)
Tony Bennett feat. Count Basie & His Orchestra2:06
4Nancy (with the Laughing Face)
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1945-08-22)
arpa :
Ann Mason Stockton (American harpist) (il 1945-08-22)
basso :
Jack Ryan (jazz bassist) (il 1945-08-22)
batteria :
Ray Hagan (il 1945-08-22)
chitarra :
Perry Botkin (il 1945-08-22)
corno francese :
James Stagliano (il 1945-08-22)
legni :
Heinie Beau (il 1945-08-22), Leonard Hartman (il 1945-08-22), Harold Lawson (il 1945-08-22), Don Lodice (il 1945-08-22) e Fred Stulce (il 1945-08-22)
pianoforte :
Frank Leithner (il 1945-08-22)
tromba :
Bruce Hudson (il 1945-08-22), Leonard Mach (il 1945-08-22) e Uan Rasey (il 1945-08-22)
trombone :
Peter Beilman (trombonist) (il 1945-08-22), Carl Loeffler (il 1945-08-22) e Elmer Smithers (il 1945-08-22)
viola :
Allan Harshman (violist) (il 1945-08-22), Maurice Perlmutter (il 1945-08-22) e Dave Sterkin (il 1945-08-22)
violino :
William Bloom (violinist, worked with Frank Sinatra) (il 1945-08-22), Walter Edelstein (il 1945-08-22), Peter Ellis (1940s violinist) (il 1945-08-22), Sam Freed, Jr. (Violinist) (il 1945-08-22), David Frisina (il 1945-08-22), Howard Halbert (il 1945-08-22), Gerald Joyce (il 1945-08-22), Sol Kindler (il 1945-08-22), Samuel Levine (violinist) (il 1945-08-22), Anthony Perrotti (il 1945-08-22), Nicholas Pisani (il 1945-08-22) e Mischa Russell (violinist) (il 1945-08-22)
violoncello :
Cy Bernard (il 1945-08-22), Arthur Kafton (il 1945-08-22) e Jack Sewell (il 1945-08-22)
voce principale:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1945-08-22)
direttore d'orchestra:
Axel Stordahl (il 1945-08-22)
arrangiatore:
Axel Stordahl
registrazione di:
Nancy (With the Laughing Face) (il 1945-08-22)
paroliere:
Phil Silvers (actor)
compositore:
Jimmy Van Heusen
editore:
Barton Music Corp., Chappell/Morris Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
registrazione di:
Nancy
autore:
Phil Silvers (actor) e Jimmy Van Heusen
editore:
Barton Music Corp.
Frank Sinatra33:24
5Nature Boy
produttore:
Lee Gillette
voce:
Nat King Cole (il 1961-03-27)
orchestra:
The Ralph Carmichael Orchestra and Chorus (il 1961-03-27)
direttore d'orchestra:
Ralph Carmichael (il 1961-03-27)
registrazione di:
Nature Boy (il 1961-03-27)
paroliere e compositore:
eden ahbez (nel 1947)
editore:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole2:53
6Don’t Get Around Much Anymore
registrazione di:
Don’t Get Around Much Anymore (il 1940-05-04)
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1942)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1940)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. e Sony/ATV Harmony
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
versione di:
Never No Lament
Duke Ellington & His Orchestra3:19
7Do You Know What It Means to Miss New OrleansLouis Armstrong feat. Billie Holiday6:33
8Just One of Those Things
registrazione cover di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
Peggy Lee2:15
9My Man
Billie Holiday3:03
10Hello Dolly
registrata a:
New York, Stati Uniti (il 1963-12-03)
produttore:
Mickey Kapp
banjo e chitarra :
Anthony Gottuso (Tony Gottuso, guitar) (il 1963-12-03)
basso :
Arvell Shaw (il 1963-12-03)
batteria :
Danny Barcelona (il 1963-12-03)
clarinetto :
Joe Darensbourg (il 1963-12-03)
contrabbasso :
Arvell Shaw
pianoforte :
Billy Kyle (il 1963-12-03)
tromba :
Louis Armstrong
trombone :
Trummy Young (il 1963-12-03)
voce:
Louis Armstrong
voce principale:
Louis Armstrong (il 1963-12-03)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!) (nel 2000)
registrazione cover di:
Hello, Dolly! (il 1963-12-03)
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
registrazione dal vivo di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
registrazione dal vivo cover di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
registrazione di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
Louis Armstrong42:30
11Stranger on the Shore
diritti fonografici (℗) detenuti da:
Polydor Ltd. UK (not for release label use; fka Polydor Records Ltd.) (nel 1962) e K-Tel International (nel 1984)
registrazione di:
Stranger on the Shore (original instrumental version)
compositore:
Acker Bilk
editore:
EMI Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
Acker Bilk2:50
12The Girl From Ipanema
registrazione di:
The Girl From Ipanema
paroliere:
Vinicius de Moraes (O poetinha)
compositore:
Antônio Carlos Jobim
traduttore:
Norman Gimbel
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. e Words West LLC
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
versione tradotta di:
Garota de Ipanema
parte di:
The Real Book (compilation of jazz standards, Volume I)
Astrud Gilberto3:17
13Minnie the Moocher
registrazione di:
Minnie the Moocher
paroliere e compositore:
Cab Calloway e Irving Mills
editore:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e J. Albert & Son Pty. Ltd.
si basa su:
Willie the Weeper
Cab Calloway3:12
14What a Diff’rence a Day Makes
produttore:
Clyde Otis (American songwriter and record producer)
batteria :
Panama Francis (US swing jazz drummer) (il 1959-02-19)
chitarra :
Kenny Burrell (il 1959-02-19)
contrabbasso :
Milt Hinton (il 1959-02-19)
flauto :
Jerome Richardson (il 1959-02-19)
pianoforte :
Joe Zawinul (jazz and fusion keyboard player) (il 1959-02-19)
sassofono baritono :
Charles Davis (saxophone player) (il 1959-02-19)
voce:
Dinah Washington (il 1959-02-19)
voce principale:
Dinah Washington (il 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (il 1959-02-19)
direttore d'orchestra:
Belford Hendricks (il 1959-02-19)
arrangiatore:
Belford Hendricks
registrazione cover di:
What a Diff’rence a Day Made (il 1959-02-19)
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Dinah Washington3.252:29
15I Want a Little Sugar in My Bowl
registrazione di:
I Want a Little Sugar in My Bowl (Nina Simone's version)
autore:
James “Tim” Brymn, Nina Simone, Dally Small e Clarence Williams (US jazz pianist, composer, singer and bandleader)
arrangiatore:
Nina Simone
editore:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
versione di:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Nina Simone3:27
16And the Angels Sing
registrazione di:
And the Angels Sing
paroliere:
Johnny Mercer
compositore:
Ziggy Elman
editore:
Francis, Day & Hunter Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Benny Goodman3:13
17The Lady Is a Tramp
registrazione cover di:
The Lady Is a Tramp (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Babes in Arms (full musical)
parte di:
Pal Joey
Lena Horne2:16
18Mack the Knife
basso :
Arvell Shaw (nel 1955)
batteria :
Barrett Deems (nel 1955)
clarinetto :
Barney Bigard (nel 1955)
pianoforte :
Billy Kyle (nel 1955)
tromba e voce principale:
Louis Armstrong (nel 1955)
trombone :
Trummy Young (nel 1955)
registrazione di:
Mack the Knife (1954 Blitzstein translation) (il 1955-09-28)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.53:22
19A Nightingale Sang in Berkeley Square
registrazione di:
A Nightingale Sang in Berkeley Square (for band, Fernie)
compositore:
Manning Sherwin
arrangiatore strumenti:
Alan Fernie (arranger, composer, adjudicator, conductor)
arrangiamento di:
A Nightingale Sang in Berkeley Square
Glenn Miller3:37
20You Stepped Out of a Dream
registrazione cover di:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film)
paroliere:
Gus Kahn
compositore:
Nacio Herb Brown (US songwriter)
editore:
EMI Feist Catalog Inc.
parte di:
Ziegfeld Girl (1941)
Sarah Vaughan2:16
21Let’s Call the Whole Thing Off
registrata a:
Los Angeles, California, Stati Uniti (il 1957-07-23)
batteria :
Louie Bellson (nel 1957, il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (nel 1957, il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1957, il 1957-07-23)
tromba :
Louis Armstrong (nel 1957, il 1957-07-23)
voce:
Louis Armstrong (nel 1957, il 1957-07-23) e Ella Fitzgerald (American jazz singer) (nel 1957, il 1957-07-23)
esecutore:
Ella Fitzgerald (American jazz singer)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (il 1957-07-23)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald feat. Louis Armstrong3.54:10
2CD: The Jazz Station, Volume 2
3CD: The Jazz Station, Volume 3
4CD: The Jazz Station, Volume 4
5CD: The Jazz Station, Volume 5

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